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Copertina Artepd.Cdr
Trent’anni di chiavi di lettura Siamo arrivati ai trent’anni, quindi siamo in quell’età in cui ci sentiamo maturi senza esserlo del tutto e abbiamo tantissime energie da spendere per il futuro. Sono energie positive, che vengono dal sostegno e dal riconoscimento che il cammino fin qui percorso per far crescere ArtePadova da quella piccola edizio- ne inaugurale del 1990, ci sta portando nella giusta direzione. Siamo qui a rap- presentare in campo nazionale, al meglio per le nostre forze, un settore difficile per il quale non è ammessa l’improvvisazione, ma serve la politica dei piccoli passi; siamo qui a dimostrare con i dati di questa edizione del 2019, che siamo stati seguiti con apprezzamento da un numero crescente di galleristi, di artisti, di appassionati cultori dell’arte. E possiamo anche dire, con un po’ di vanto, che negli anni abbiamo dato il nostro contributo di conoscenza per diffondere tra giovani e meno giovani l’amore per l’arte moderna: a volte snobbata, a volte non compresa, ma sempre motivo di dibattito e di curiosità. Un tentativo questo che da qualche tempo stiamo incentivando con l’apertura ai giovani artisti pro- ponendo anche un’arte accessibile a tutte le tasche: tanto che nei nostri spazi figurano, democraticamente fianco a fianco, opere da decine di migliaia di euro di valore ed altre che si fermano a poche centinaia di euro. Se abbiamo attraversato indenni il confine tra due secoli con le sue crisi, è per- ché l’arte è sì bene rifugio, ma sostanzialmente rappresenta il bello, dimostra che l’uomo è capace di grandi azzardi e di mettersi sempre in gioco sperimen- tando forme nuove di espressione; l’arte è tecnica e insieme fantasia, ovvero un connubio unico e per questo quasi magico tra terra e cielo. -
AGOSTINO BONALUMI: All the Shapes of Space / 1959 - 1976 4 October – 15 November 2013
AGOSTINO BONALUMI: All the Shapes of Space / 1959 - 1976 4 October – 15 November 2013 ROBILANT + VOENA 38 Dover Street, London W1S 4NL First Solo Exhibition in the UK in over 50 years. Organized in cooperation with the Archivio Bonalumi. Exhibition curated and monograph edited by Francesca Pola under the supervision of the artist. Including over 20 works by Agostino Bonalumi alongside works by Fontana, Manzoni, Dadamaino and Castellani. Featuring loans from public and private collections, as well as works for sale. To include Blu Abitabile, 1967 – an installation not exhibited since 1970. Artist may be available for interview by special advance agreement. ROBILANT + VOENA are pleased to announce an exhibition of the Italian artist Agostino Bonalumi, opening in October at their London gallery. This long-overdue project will be the first solo presentation of this significant artist in the UK since 1960. Organized in cooperation with the artist and the Archivio Bonalumi, the exhibition will examine the work of Bonalumi during the 1960s and 1970s in relationship with the other artists of the Azimut group. The exhibition will bring together pivotal examples of Bonalumi´s shaped canvas with early experimental works by his friends and collaborators in the Azimut project: Enrico Castellani, Piero Manzoni, Dadamaino, and their guide Lucio Fontana. A selection of Bonalumi’s paintings from the beginning of the 60s to the late 70s, including some unpublished and never before exhibited canvases from Italian private collections, will form the core of the exhibition and will reaffirm the important role played by this internationally lesser known artist in the development of Modern Art in Italy. -
FUA Career Programs.Indd
CAREER PROGRAMS aatt FFlorencel o r e n c e UUniversityn i v e r s i t y OOff TTheh e AArtsr t s IItalyt a l y CAREER PROGRAMS at Florence University of the Arts Italy FUA CAREER PROGRAMS Program Structure . 4 Career Programs . 5 Community Engagement Member Institutions . 6 Admissions . 7 APICIUS International School of Hospitality . 9 DIVA Digital Imaging and Visual Arts . 49 FAST Fashion & Accessory Studies & Technology . 69 IDEAS Interior Design, Environmental Architecture and Sustainability . 89 J SCHOOL School of Communication, Journalism and Publishing . 109 sld STUDENT LIFE - ADMISSIONS Student Life . 121 Admissions . 128 alumni STUDENT SUCCESS & CAREER PLACEMENT R. Wassala, Culinary Arts . 132 R. Araujo, Accessory Design . 133 A. Schneider, Photography . 134 U. Baldvinsson, Visual Communication . 135 2 Emilio Cavallini HEADQUARTERS David Andre Weiss for CRAFTED WITH SOUL The book on artisans created by J SCHOOL publishing students. fuaCAREER PROGRAMS FUA academic institutions offer Career Programs for motivated students seeking to develop new skills and knowledge while building a body of work and professional experience in an international learning environment. Career Programs are unique for their combination of in-classroom experiential learning and practice in the field, alongside professionals in the dynamic local economy of Florence, Italy. Coursework and content draw their strength from research and practice, which is supervised by faculty members who are respected industry professionals. Career Program students may receive a transcript from a US Institution. PROGRAM STRUCTURE Career Programs at FUA are offered during our Short Optional program components: Intensive Sessions (please see Academic Calendar). (the following options can be added at an extra cost) They are divided according to levels. -
For Immediate Release Dominique Lévy Presents the First London Solo Exhibition by Enrico Castellani with the Collaboration of T
FOR IMMEDIATE RELEASE DOMINIQUE LÉVY PRESENTS THE FIRST LONDON SOLO EXHIBITION BY ENRICO CASTELLANI WITH THE COLLABORATION OF THE ARTIST AND THE FONDAZIONE ENRICO CASTELLANI Enrico Castellani 9 February – 26 March 2016 Dominique Lévy 22 Old Bond Street, London London...Dominique Lévy is pleased to announce the first solo exhibition in London by Enrico Castellani, with whom the gallery has worked since its inception in 2012. Opening in February 2016 at the gallery’s Old Bond Street location, the exhibition explores the ways in which painting can occupy three- dimensional space by showcasing recent as well as historical works by the artist, most of which are on view in London for the first time. A selection of Castellani’s large-scale shaped relief canvases Superfici bianche (White Surfaces) are presented in juxtaposition with recent angular metallic paintings titled Biangolare cromato (Bi-angular Chrome) and Angolare cromato (Angular Chrome), the latter of which Castellani installs in corners. These white and metallic works are placed in dialogue with one another, highlighting the ambient light and shadow effects that occur as the works activate the architectural space in which they are situated. These three- dimensional paintings are complemented by the recent sculpture Spartito, in which Castellani references a seminal work made in 1969 by bolting hundreds of sheets of paper together, creating a biomorphic minimalist form. The exhibition is accompanied by a comprehensive book featuring a newly commissioned essay by Angela Vettese, former President of the International Jury of the Venice Biennale and director of the graduate programme at the Università Iuav di Venezia. -
Espoarte Digital #81 E
WWW.ESPOARTE.NET digital 81 Cover Artist arturo martini ½ IL GENIO DI MARTINI CELEBRATO A FAENZA E BOLOGNA Interviste Zhang Huan Adrian Paci Daniel González Alessandro Biggio Giovani AUTUMN SELECTION CHI SONO, COSA FANNO E QUANTO COSTANO IGrandiL MEGLIO DELLA NUOVAmostre STAGIONE 2013 IMaratona PROTAGONISTI DENTRO EBiennale ATTORNO ALLA KERMESSE 2013 VENEZIANA 20 settembre | 27 ottobre 2013 a cura di Pietro C. Marani e Carlo Sala GIUSEPPE GONELLA INVOLVED via luigi porro lambertenghi 6, milano tel 02 87246945 [email protected] www.galleriagiovannibonelli.it ESPOARTE DIGITAL WWW.ESPOARTE.NET ESPOARTE DIGITAL #81 ½ ACoverrturo Martini, Attesa (La Veglia), 1931-32, terra refrattaria, cm 213x145x63. Opera nella mostra “Arturo Martini. Creature, il sogno della terracotta”, Palazzo Fava - Palazzo delle Esposizioni, 22 settembre 2013 – 12 gennaio 2014 Espoarte Digital è un progetto editoriale di Espoarte in edizione esclusivamente digitale, tutto da sfogliare e da leggere, con i migliori contenuti pubblicati sul sito www.espoarte.net e molti altri realizzati ad hoc. 81 #tagSU QUESTOcloud NUMERO SI PARLA DI... ½ ESPOARTE LA nuova stagione: LE GRANDI MOSTRE 2013 Registrazione del Tribunale di Savona Martini, De Pisis, Sironi, Carrà, Pollock, Baj, Albers, Kandinsky, Malevič, Filonov, Gončarova, n. 517 del 15 febbraio 2001 Cézanne, Antonello Da Messina, Warhol, Rodin, Escher, Collezione Unicredit, Renoir, Munch, Officina Pratese, Zurbarán, Seicento Lombardo, Cleopatra, Giovanni Fattori, Liberty, La ragazza Espoarte è un periodico di arte e cultura contemporanea edito dall’Associazione Culturale Arteam. con l’orecchino di perla, Wunderkammer, L. Fabro © Proprietà letteraria riservata. È vietata la riproduzione, anche parziale, di testi pubblicati senza l’autorizzazione scritta della ART MASTERS IN GALLERIA: Direzione e dell’Editore. -
Download the Abstracts (PDF)
Contents ECMI 2014 28 Mini-Symposium on Spacetime Models of Gravity in Geolocation and Acoustics, Jos´eMar´ıaGambi, Michael M. Tung and Manuel Carretero . 30 Imaging and inverse problems, A. Carpio, M.L. Rap´un. 32 Minisymposium Computational Finance, Matthias Ehrhardt, J¨org Kienitz and Jan ter Maten . 36 Mathematical Modelling in Energy Markets, Michael Coulon and Matthias Ehrhardt . 38 Industrial Particle and Interface Dynamics, Dr. Tuoi Vo T.N. 40 Methods for Advanced Multi-Objective Optimization for eDFY of complex Nano-scale Circuits, Salvatore Rinaudo and Giuliana Gangemi . 41 Robust Variable-Structure Approaches for Control and Estimation of Uncertain Dynamic Processes, Andreas Rauh and Luise Senkel . 48 Online Industrial Mathematics, Matti Heilio, Poul Hjorth, Seppo Pohjolainen, Elena V´azquez Cend´on,Leonid Kalachev, Sergei Zuyev . 55 Simulation and Optimization of water and gas networks, Prof. Dr. Gerd Steinebach, Prof. Dr. Oliver Kolb and Prof. Dr. Jens Lang . 56 Mathematical methods in medical imaging, Ad´eritoAra´ujoand S´ılviaBarbeiro . 58 Mathematical Modelling of Drug Delivery, Dr. Sean McGinty and Professor Sean McKee . 60 European Study Groups with Industry, Hilary Ockendon . 63 2 Young Researchers' Minisymposium: High Performance Computa- tional Finance, Binghuan Lin, Alvaro´ Leitao Rodr´ıguez,Jos´e Pedro Silva and Jinzhe Yang . 64 Non-hydrostatic wave propagation with depth averaged equations: models and methods, A.I. Delis and M. Ricchiuto . 65 Minisymposium: Tailored-Mathematics for the Technical Textile Industry, Nicole Marheineke . 67 EU-MATHS-IN: A European Network of Mathematics for Indus- try and Innovation, Peregrina Quintela Estevez and Antonino Sgalambro . 69 Simulation and Optimization of Solar Tower Power Plants, Martin Frank and Pascal Richter . -
Fondazione Musei Civici Di Venezia — Programma Programme 2015 —
Fondazione Musei Civici di Venezia — Programma Programme 2015 — 1 La programmazione della Fondazione Musei Civici di Venezia per il 2015 The Fondazione Musei Civici di Venezia’s programme for 2015 places cultural dà assoluta centralità alla produzione culturale nel campo della ricerca e production in the areas of research and cataloguing right at the centre of its della catalogazione, del restauro delle opere mobili e del restyling di sedi attention, together with the restoration of artworks and the restyling of the museali. La riapertura del Museo del Vetro ampliato e completamente museum venues. The reopening of the enlarged and completely redesigned Museo ridisegnato e la realizzazione del progetto Sublime Canova al Museo Correr, del Vetro, and the realisation of the Sublime Canova project at the Museo Correr, con l’accorpamento e il restyling espositivo delle opere del grande scultore with the grouping of the works by the great sculptor in the museum and their di proprietà del Museo, costituiscono due momenti straordinariamente presentation in a new layout, constitute two extremely important moments for importanti per la Città e per la Fondazione, coerenti con la strategia generale the city and for the Fondazione, in line with the general strategy launched in recent avviata in questi ultimi anni. Da Ca’ Pesaro a Palazzo Mocenigo, dallo stesso years. From Ca’ Pesaro to Palazzo Mocenigo and from the Museo Correr – with Museo Correr – con i restauri di Palazzo Reale – agli interventi a Palazzo the restorations in the Palazzo Reale – to the interventions in the Doge’s Palace Ducale (climatizzazione, restauri ecc.) la Fondazione ha sempre ritenuto (air conditioning, restorations, etc.), the Fondazione has always maintained as its prioritario innovare i servizi, i percorsi museografici, per garantire un livello priority the introduction of innovation in services and layout of exhibits to attune internazionale delle sedi museali. -
Jan Henderikse to Infinity
press release JAN HENDERIKSE TO INFINITY Galerie Schoots + Van Duyse, Antwerp, and Kunstzolder.be, Lembeke Curator: Antoon Melissen JAN HENDERIKSE TO INFINITY Summary From 28 June to 27 September, Galerie Schoots + Van Duyse in 100 words and Kunstzolder.be are staging an exhibition in Antwerp by Dutch artist Jan Henderikse (Delft, 1937), curated by independent publicist-curator Antoon Melissen. Henderikse, co-founder of the Dutch Nul Group in 1961, already moved to Dusseldorf in 1959, at that time the cradle of the international ZERO movement. ‘Jan Henderikse - ZERO to Infinity’ features work both from the Nul period and from later, including the most recent work from 2015. Furthermore, several large assemblages made in 1965-1967 from the collection of the artist have never previously been exhibited. JAN HENDERIKSE TO INFINITY Consistent with the increasing interest and revaluation of the international ZERO movement, Galerie Schoots + Van Duyse and Kunstzolder.be are organizing a major presentation by Jan Henderikse in Antwerp. In 1961, Henderikse (together with Armando, Henk Peeters and Jan Schoonhoven), was co-founder of the Dutch Nul Group, the artists’ group that expressly sought contact with the international ZERO movement and its sympathizers. Since 2000, Henderikse has been working both in New York and in his studio in Antwerp and is thus, together with Paul van Hoeydonck, one of the last artists of the ‘ZERO generation’ still active in Belgium. Under the title ‘Jan Henderikse - ZERO to Infinity’, independent publicist-curator Antoon Melissen has compiled an exhibition that contrasts early work from the Nul era with new work. Several large assemblages made in 1965-1967 from the collection of the artist have never previously been shown and are premiered in the exhibition. -
Rome – Milan: Space and Colour, Rhythm and Matter 1 October
Press Release Rome – Milan: Space and Colour, Rhythm and Matter 1 October – 28 November 2020 Private View: 1 October 2020, 12-8pm by appointment Mazzoleni is delighted to announce the launch of the new exhibition season in its London gallery on 1 October 2020, with the group show Rome – Milan: Space and Colour, Rhythm and Matter. The show brings together a number of the leading figures of the Italian art scene that were operating in these two major Italian cities with works realised mainly between the 1950s and 1960s. Acclaimed for their artistic revolutions, pioneers Lucio Fontana (1899-1968) and Alberto Burri (1915-1995) were the points of departure and reference for the experimentation later conducted by the artists born in the 1930s such as Agostino Bonalumi (1935-2013), Enrico Castellani (1930-2017), Dadamaino (1930-2004), Jannis Kounellis (1936-2017), Piero Manzoni (1933-1963) and Mario Schifano (1934-1998). They were to explore new and further strands of research as their artistic careers evolved. Fontana’s innovative reflections on space and Burri’s in-depth experimentation with materials were to be the driving forces behind the development of new artistic idioms. In parallel, predominantly through painting, Giulio Turcato (1912-1995), Piero Dorazio (1927-2005) and Carla Accardi (1924 -2014) (already members of the group Forma 1) combined a skilled use of shapes and colours with new “painterly” materials such as, foam rubber, enamels and casein. Meanwhile Giuseppe Capogrossi (1900-1972), the founder with Burri of the Origine group, developed a personal sign alphabet. In sculpture, from his debut alongside Lucio Fontana, Fausto Melotti (1901-1986) developed a lyrical and poetic dimension that led him to a truly unique artistic path of the Italian art scene. -
I Luoghi Del Contemporaneo. Contemporary Art Venues 2012
Direzione generale per il paesaggio, le belle arti, l’architettura e l’arte contemporanee ; i luoghi del contemporaneo2012 contemporary art venues © Proprietà letteraria riservata Gangemi Editore spa Piazza San Pantaleo 4, Roma www.gangemieditore.it Nessuna parte di questa pubblicazione può essere memorizzata, fotocopiata o comunque riprodotta senza le dovute autorizzazioni. Le nostre edizioni sono disponibili in Italia e all’estero anche in versione ebook. Our publications, both as books and ebooks, are available in Italy and abroad. ISBN 978-88-492-7531-5 Direzione generale per il paesaggio, le belle arti, l’architettura e l’arte contemporanee i luoghi del contemporaneo2012 contemporary art venues a cura di Maria Grazia Bellisario e Angela Tecce i luoghi del contemporaneo 2012 Ministero per i beni e le attività culturali Ministro per i beni e le attività culturali Comitato Scientifico: Lo studio è stato realizzato da Lorenzo Ornaghi Maddalena Ragni, Direttore Generale PaBAAC Sottosegretario di Stato Presidente Roberto Cecchi Coordinamento Scientifico: Maria Grazia Bellisario, Carlo Fuortes Segretario Generale Direttore Servizio Architettura e Arte Contemporanee, Antonia Pasqua Recchia Coordinatore scientifico Coordinamento Operativo: Alessandro Ricci Angela Tecce, Studio e pubblicazione promossi da: Direttore Castel Sant’Elmo, Responsabile del progetto Coordinamento del Gruppo di Lavoro: Direzione Generale per il paesaggio, le belle arti, Orietta Rossi Pinelli l’architettura e l’arte contemporanee, Maria Vittoria Marini Clarelli, Servizio -
ENRICO CASTELLANI SUPERFICI/SURFACES/雕面 Massimo De Carlo Gallery Is Pleased to Present Superfici/Surfaces/雕面, the First
ENRICO CASTELLANI SUPERFICI/SURFACES/雕面 Massimo De Carlo gallery is pleased to present Superfici/Surfaces/雕面, the first solo show by the renowned Italian painter Enrico Castellani (1930) in China. The exhibition will be composed by a range of fundamental works spanning from the early seventies to the first decade of 2000, retracing the career of this Italian master who was associated with the Zero movement and the magazine Azimuth, created with fellow artist and friend Piero Manzoni. Enrico Castellani was a key figure of the flourishing European avant-garde scene of the 1950’s and 1960’s tackling minimalism, spatiality and revolutionizing the notion of canvas. The show focuses on the seminal body of work Superfici (Surfaces): shaped relief canvases that Castellani started working on as early as 1959 and is still producing. These canvases signify and mark a historical moment when there was an essential quest for the dimensional and a land marking shift in the use of the canvas: it was no longer confined to being a background tool in aide of the abstract gesture but an active, physical and expanding surface that demands to exist. Each painting in the exhibition invites the viewer to reflect on one of the key topics of Castellani’s practice: the relationship between space and time. Repetition is addressed through the shape of the works and the different colours that the artist chooses in order to highlight his rigorous approach to the gestural. Grey, black, white and purple monochrome surfaces evoke the industrial Milanese sky, the city where his works were made, and emphasize the importance of light in defining the new dimensionality of the canvas. -
Castellani | Sculpture
Castellani | Sculpture 2–22 December 2020 40 Albemarle Street, London W1S 4TE 15 January–8 April 2021 22 Old Bond Street, London W1S 4PY London—Lévy Gorvy is pleased to announce Castellani | Sculpture, an exhibition debuting previously unseen aluminium cast wall sculptures by Enrico Castellani (1930–2017), a hero of the European post-war avant-garde. This will be the first presentation in the UK of the sculptures that preoccupied the late Italian master during his later years. A few highlight works from the exhibition will debut at 40 Albemarle Street ahead of the exhibition opening on 15 January 2021 at 22 Old Bond Street. Completed between the years of 2006 to 2013, the works in this exhibition suggest important links to the artist’s earliest experiments in metal, and evince his skill in pushing the boundaries of materiality and space. From the early Superficie argento, 2006. Enamel with pulverized aluminum on cast aluminum. 68 11/16 x 68 11/16 inches (174.5 x 174.5 cm) Edition of 4 (2 white, 2 silver). © Enrico Castellani / 1960s onward, Castellani experimented Artists Rights Society (ARS), New York / SIAE, Rome. Photo: Stephen White & Co. with brass, zinc, bronze, and other plastic or ductile materials capable of being modelled for small groups of works. The catalyst for his late aluminium series was an abiding interest in mirrored surfaces and his experiments using glass with a silver interior. While deceptively similar to his paintings, Castellani’s wall-based sculptures, weighing between 20 and 350kg, have a distinctive presence and create extraordinary visual experiences for the viewer through their surfaces and the ways in which they occupy space.