DOCSLIB.ORG

Safariland Duty Gear

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Safariland Duty Gear SAFARILAND DUTY GEAR 2017 CATALOG TOGETHER, WE SAVE LIVES.™ 62 SAFARILAND.COM • 800.347.1200 63 BODY WORN CONCEALABLE TACTICAL COMMUNICATIONS PATROL DUTY GEAR/ PROTECTIVE FIREARMS LESS PERFORMANCE SURVIVABILITY FORENSICS ARMOR TRAINING CAMERAS ARMOR ARMOR BIKE HOLSTERS GEAR ACCESSORIES LETHAL APPAREL SYSTEMS SYSTEMS GROUP 63 SAFARILAND.COM/SAFARILAND continually being developed with the most knowledgeable most knowledgeable with the continually being developed and field tested by and experienced users in the industry, Safariland shooters to Team users and our world-renowned provide you with the best available final product. SAFARILAND DUTY GEAR DUTY SAFARILAND holsters and accessories are the overwhelming holsters and accessories are the overwhelming ® Safariland choice for law enforcement officers and competition choice for law enforcement officers and competition performance Known for quality, shooters around the world. new products are and technological advancements in design, SAFARILAND.COM • 800.347.1200 SAFARILAND.COM 62 BODY WORN CAMERA AUTO-ACTIVATION SYSTEM AUTOMATIC. SIMPLE. RELIABLE. NEW THE WORLD’S FIRST HOLSTER & CAMERA AUTO-ACTIVATION SYSTEM With the ever increasing need for transparency, in a world dominated by technology and enhanced scrutiny, Safariland® introduces the world’s first holster and Camera Auto-activation System (CAS™). The Safariland holster and camera auto-activation system removes the decision making process of turning on a camera during a potentially life threatening situation, so an officer can be completely focused on the events at hand. Safariland holster and camera auto-activation technology, tell your story. HOW THE CAMERA AUTO-ACTIVATION SYSTEM WORKS FIREARM DRAW CAMERA ACTIVATION As an officer removes their firearm from the Safariland 7TS™ Initiated by the firearm draw, the camera automatically begins holster, the Camera Auto-activation System is triggered, activating recording until stopped by the officer. the VIEVU® body worn camera. RELIABLE CONNECTION PRE-EVENT RECORD Once the firearm is drawn, every critical moment is captured, Wired connection ensures consistent auto-activation. including the 30 seconds prior. 64 SAFARILAND.COM • 800.347.1200 65 BODY WORN WORN BODY BODY WORN CAMERA AUTO-ACTIVATION SYSTEM CAMERAS FOCUS ON THE SITUATION. CONCEALABLE TRUST YOUR CAMERA IS ON. ARMOR TELL YOUR STORY. TACTICAL TACTICAL ARMOR COMMUNICATIONS PATROL PATROL BIKE DUTY GEAR/ HOLSTERS PROTECTIVE GEAR SAFARILAND® 7TS™ DUTY HOLSTER ACCESSORIES • 30-day battery life with replaceable batteries FIREARMS • Features the ALS® (Automatic Locking System) and SLS (Self Locking System) Rotating Hood • SafariSeven™ proprietary nylon blend is non abrasive to a firearm’s finish • Extremely high heat and cold tolerances; holster is structurally sound from LETHAL 300° to -50° LESS • Three models are offered, the 7360 ALS®/SLS Mid-Ride with PATENTED & Level III Retention, 7390 ALS®) Level I Retention™ and the PERFORMANCE PATENT PENDING 7280 SLS Mid-Ride with Level II Retention APPAREL VIEVU® LE4 BODY WORN CAMERA • Captures 95° undistorted field of view SURVIVABILITY • Continuous record for over 12 hours without recharging battery MULTIPLE SYSTEMS • Extremely durable billet aluminum MOUNTING OPTIONS • Pre & post event recording • 1080, 720 and widescreen 848 x 480 video resolution FORENSICS ARMOR VIEVU SOLUTION • Secure storage on the Microsoft Azure Government Cloud SYSTEMS • CJIS compliant and meets all FBI data security requirements • VIEVU smartphone app enables livestream videos and metadata additions TRAINING GROUP 64 SAFARILAND.COM • 800.347.1200 SAFARILAND.COM/VIEVU 65 SAFARILAMINATE™ CONSTRUCTION SAFARISEVEN™ MATERIAL FEATURES Proprietary nylon blend that is completely non-abrasive to a firearm’s finish. Raised stand-off surfaces in interior of holster creates air space around the weapon allowing dirt and moisture to quickly clear any contact with the firearm. • Very high heat tolerance; structurally sound at 300°F • Can be submerged in water indefinitely and still maintain shape and function • Very low cold tolerance; structurally sound at -50°F • Matte finish decreases reflection and can be maintained with a simple scouring pad • Compatible with all Safariland® holster mounting options SAFARILAND FINISHES / COLORS Traditional Leather Look - SafariLaminate construction offered in Plain, Basketweave, Hi Gloss, and Nylon-Look STX Tactical® - SafariLaminate construction with an exclusive “haircell” finish. It’s famous for its incredible strength and abrasion-resistance, available in several colors STX SafariLaminate construction offered in Plain, Basketweave and Hi Gloss SafariSeven™ - An injection molded design with a proprietary nylon blend completely non-abrasive to the firearm’s finish offered in Plain Black, Basketweave, Hi Gloss and FDE Brown STX TACTICAL® COLORS AVAILABLE 7TS COLORS AVAILABLE COYOTE FDE FOLIAGE OLIVE FDE BROWN BROWN GREEN DRAB BLACK BROWN BLACK RETENTION LEVELS Officer safety is critical. That’s why Safariland® created the Retention Level system as a guide to holster selection. The holsters in this catalog are classified by their Retention Levels to help you choose the right holster for your needs. In the interest of safety for police officers, Safariland introduced the Retention Level system in 1985, providing useful holster selection information to the marketplace. This system helped officers evaluate and make informed decisions on the type of holster needed for different scenarios and environments. Safariland set this initial standard, and to this day is the only holster manufacturer with established, strict testing criteria to evaluate the Retention Level of a duty holster. 1. The ALS is a unique design that locks into the ejection port and is operated 3 by the thumb once the SLS is released. 2. The Hood Guard helps protect the ALS from impact and premature release, 1 2 especially in an attempted takeaway. Included with all duty and tactical The ALS® or Automatic Locking System versions. provides a high level of security without ™ adding thumb breaks, snaps, or levers 3. Constructed of SafariLaminate , a thermal-molded holster to help protect requiring the use of the trigger finger. the handgun and gun-mounted accessories for years of use. 2 1. The SLS rotating hood has been tested and proven for many years on the 1 6280 and 6004 series of holsters. Simply push down and rotate forward as you obtain your shooting grip. To close, pull back on the hood, and the SLS self locks. There are no snaps or straps to manipulate. The SLS or Self Locking System rotating hood has been tested and proven for 3 2. The Hood Guard helps protect the SLS from impact and premature release, many years on the 6280 and 6004 series especially in an attempted takeaway. Included with all duty and tactical of holsters. Simply push down and rotate versions. forward as you obtain your shooting grip. 3. Optional Sentry lever increases Retention Level by one. 2 1. The GLS retention device operated by the middle finger, simply obtain a Much like the ALS® with its intuitive shooting grip to release the mechanism. draw, the GLS™ or Grip Locking System, 1 2. Automatically locks weapon in place upon holstering. is automatically disengaged when taking a shooting grip. 66 SAFARILAND.COM • 800.347.1200 67 BODY WORN WORN BODY LEVEL I RETENTION™ CAMERAS 7390 CONCEALABLE 7TS™ALS® LEVEL I RETENTION™ MID-RIDE DUTY HOLSTER ARMOR • ALS® (Automatic Locking System) secures weapon once holstered; simple straight up draw once release is deactivated TACTICAL • Open-top design without SLS for quick ARMOR retrieval of weapon PATENTED & PATENTED & • Optional ALS Guard available for increas- PATENT PENDING PATENT PENDING ing level of security by one to a Level II Retention™ 7392 7395 COMMUNICATIONS • A proprietary nylon blend that is com- WITH HI-RIDE UBL WITH LOW-RIDE UBL pletely non-abrasive to a firearm’s finish • Hi-ride version • 1.5” (38mm) Belt • Raised stand-off surfaces in holster’s Drop version interior creates air space around the PATENTED & weapon, allowing dirt and moisture to PATENT PENDING quickly clear any contact with the firearm • Very high heat and low cold tolerances; PATROL PATROL structurally sound from 300° F to -50° F 7TS COLORS AVAILABLE • Available in SafariSeven™ Plain, BIKE Basketweave, Hi-Gloss and FDE Brown finishes DUTY GEAR/ HOLSTERS PROTECTIVE 6390 ALS® LEVEL I WITH MID-RIDE UBL GEAR • ALS® (Automatic Locking System) secures weapon once holstered; ACCESSORIES simple straight up draw once the release is deactivated FIREARMS • Optional ALS Guard available for increasing level of security by one to Level II Retention™ PATENTED PATENTED • Open-top design without SLS for 6392 6395 LETHAL quick retrieval of weapon WITH HI-RIDE UBL WITH LOW-RIDE UBL LESS • SafariLaminate™ thermal-molded construction protects handgun and • Hi-ride version • 1.5” (38mm) Belt sights Drop version PERFORMANCE • Available in STX finishes PATENTED • Available in RDS model APPAREL SURVIVABILITY SYSTEMS 200 TOP GUN LEVEL I RETENTION™ WITH MID-RIDE UBL • Features a top draw, mid-ride, FORENSICS ARMOR straight-drop cant and a thumb break with a one-way directional snap • Adjustable holster tensioning device easily allows the controlling of friction with the turn of a screw SYSTEMS • Available in Plain Black, Basketweave, 2 2005 Hi Gloss or Nylon Look finishes HI-RIDE LEVEL I WITH LOW-RIDE UBL ™ RETENTION DUTY • 1.5” (38mm) Belt Drop version • Hi-ride version TRAINING GROUP 66 SAFARILAND.COM • 800.347.1200 SAFARILAND.COM/SAFARILAND
Load more

Recommended publications
  • Tailoring Series TECHNIQUES for TAILORING UNDERLINING a TAILORED GARMENT—Underlining Is a Second Layer of Fabric. It Is Cut By
    tailoring series TECHNIQUES FOR TAILORING UNDERLINING A TAILORED GARMENT—Underlining is a second layer of fabric. It is cut by the garment pattern pieces and staystitched to the wrong side of the corresponding outer sections before any seams are joined. The two layers are then handled as one. As a general guide, most suit jackets and coats look more pro- fessional when underlined. Underlining is especially recommended for lightweight wool materials, loosely woven materials and light- colored materials. For additional information on selecting fabrics for underlining and applying the underlining, see Lining a Shirt 01' Dress HE 72, N. C. Agricultural Extension Service. STAYSTITCHING—Staystitch all outer garment pieces before construction begins. If garment is underlined, stays-titching is done when the two layers of fabric are sewn together. Staystitch 1/3 in. outside seamline (on the seam allowance). Stay- stitch “ with matching cotton thread on all curved *areas that may stretch during construction such as necklines, side seams, shoulder seams, armholes, and side seams of skirt. Use directional stitching always to prevent stretching of fabric and to prevent one layer of fabric from riding. The direction to stitch is indicated by small arrows on the pattern on the seamlines. INTERFACINGS—Select a high quality hair canvas for the front and collar of coats and jackets. The percentage of wool indicates the quality—the higher the wool content of the canvas the better the quality. Since a high percentage of wool makes the hair canvas fairly dark in color, it cannot be used successfully under light-colored fabrics. In these cases use an interfacing lighter in color and lower in wool content.
    [Show full text]
  • Simplified Sewing: Hems
    South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange SDSU Extension Fact Sheets SDSU Extension 1964 Simplified Sewing: Hems Cooperative Extension South Dakota State University Follow this and additional works at: https://openprairie.sdstate.edu/extension_fact Recommended Citation South Dakota State University, Cooperative Extension, "Simplified Sewing: Hems" (1964). SDSU Extension Fact Sheets. 865. https://openprairie.sdstate.edu/extension_fact/865 This Fact Sheet is brought to you for free and open access by the SDSU Extension at Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in SDSU Extension Fact Sheets by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. .. ... -~--- - --v · . --,-.-.- , -. ·. ..•, .. ·'··· .••,.,. - .t:\. --(. ......., • ... ·\•i• ....,.,•-•1•,··...- .,.. "\' ·,- • • • -:\. -: ·):.~\:,..,:}:,:.·,:,..,:;:,:.~:,-:-,:.0:.- ·,~\:,.!;;;; ··:,:.\!.t:,-;..:,t;.,:,:,:.i:1:,:.'.:.•; .-·F_:,~::::_:.~:~~~~~;.:::z~:;:'.·---~-~;:~~L ::·.1~~~~1::.:;.:_;~~: File Copy FS244 THE l-lE~I of your dress can have the "professional - Wearer should stand in a natural position with look" or the "homemade look." In general, the best arms at sides and weight on both feet. hem is the least conspicuous, and every step in making a hem is planned with this in mind There are several methods of marking a hem. You may use any one of these: The professional touch is recognize-cl by the follow- ing characteristics: Various types of chalk markers or pin markers - Inconspicuous from the right side Yardstick - Even distance from the floor Tailor's square. - Wide enough for good proportion and to gi\.re With some of these you can mark enough weight to hang well your own hem; others require a - Even in width help«.
    [Show full text]
  • Taking Shape DARTS ADD SHAPE TURNING a FLAT PIECE of FABRIC INTO a THREE-DIMENSIONAL FORM to MATCH the CONTOURS of the BODY LINDA TURNER GRIEPENTROG
    Techniques Taking Shape DARTS ADD SHAPE TURNING A FLAT PIECE OF FABRIC INTO A THREE-DIMENSIONAL FORM TO MATCH THE CONTOURS OF THE BODY LINDA TURNER GRIEPENTROG ustline, hip, waistline to tummy, elbow and shoulder. Darts can be horizontal, vertical or anywhere in between, straight or curved, but the stitching principles are the same. BThe goal of quality dart stitching is smooth, pucker-free points that don’t call attention to themselves. SHAPING A single-point dart is shaped like a triangle, and when stitched it takes a wedge of fabric out of the garment allowing for controlled fullness at the point. A single dart may be on the lengthwise fabric grain, angled or slightly curved. (1) A double-point or contour dart is diamond or rugby ball shaped, and is used to shape the waistline, leaving fullness at both ends for the bust and hip. (2) A French dart is a curved shape from the garment side seam to the bustline. This dart has cut edges joined like a seam. (3) V9082 Vintage Vogue, 1960. Misses’ A5(6-8-10-12-14) E5(14-16-18-20-22). Sew Rating: Average. Price code Orange. Illustrations: Theresa O’Connell Theresa Illustrations: 1 2 3 26 SEW TODAY May/June 2019 MARKING to anchor the stitches. Stitch (7) and stitch toward the point, Darts are indicated on the along the line, removing the A third technique for dart then repeat for the other pattern tissue by either solid pins as you get to them. Taper point, slightly overlapping or dashed lines and a dot the stitching to the point the beginning stitching lines at the point.
    [Show full text]
  • Scissors [680
    Sales office: +39 015 40 1935 - [email protected] www.tessilmarket.it Scissors TESSILMARKET srl CODE TBFL0110 TBFL0113 DESCRIPTION SEWING SCISSORS SEWING SCISSORS Blades = nickel plated steel with steel handles Blades = nickel plated steel with steel handles FEATURES Lenght = tot. 10 cm. (4”) Lenght = tot. 13 cm. (5”) Blades = 3,5 cm. (1,35”) Blades = 5 cm. (2”) WEIGHT 30 gr. 42 gr. CODE TBFL0115 TBFL0213 DESCRIPTION SEWING SCISSORS DRAPER SCISSORS Blades = nickel plated steel with steel handles Blades = nickel plated steel with pla- stic handles FEATURES Lenght = tot. 15 cm. (6”) Lenght = tot. 13 cm. (5”) Blades = 6 cm. (2,5”) Blades = 5 cm. (2”) WEIGHT 60 gr. 45 gr. CODE TBFL0218 TBFL0315 DESCRIPTION DRAPER SCISSORS DRAPER SCISSORS Blades = nickel plated steel with plastic Blades = inox plated steel ASI420 with handles nylon handles FEATURES Lenght = tot. 18 cm. (7”) Lenght = tot. 15 cm. (6”) Blades = 7,5 cm. (3”) Blades = 6,5 cm. (2,5”) WEIGHT 75 gr. 45 gr. Sales office: +39 015 40 1935 - [email protected] www.tessilmarket.it Scissors TESSILMARKET srl CODE TBFM0110 TBFM0113 DRAPER SCISSORS DESCRIPTION DRAPER SCISSORS Blades = with rounded tips in nickel plated steel with plastic Blades = with rounded tips in nickel plated steel handles and steel handles FEATURES Lenght = tot. 10 cm. (4”) Lenght = tot. 13 cm. (5”) Blades = 4 cm. (1,6”) Blades = 5 cm. (2”) WEIGHT 25 gr. 42 gr. CODE TBFM0216 TBFR0110 DESCRIPTION DRAPER SCISSORS EMBROIDERY SCISSORS Blades = with rounded tips in nickel plated steel with plastic Blades = sharp tips in nickel plated steel handles and steel handles FEATURES Lenght = tot.
    [Show full text]
  • 80739083.Pdf
    3-~"'81 8-1355 ~.(O~ All About ... • Pattern Selection • Fabric Selection • Contemporary Techniques • Fusible Interfacings • Finishing Tips CONTENTS Page Pattern Selection. ............................................... .. 3 Fabric Selection ................................................ .. 3 Notions. ....................................................... .. 3 Pressing Points ................................................. .. 4 Inner Fabrics. .................................................. .. 4 Underlining. ................................................. .. 4 Interfacing. .................................................. .. 4 Lining. ..................................................... .. 5 Preparation ............................................ .. 5 Fabric. ...................................................... .. 5 Pattern Fit. .................................................. .. 5 Cutting and Marking. ......................................... .. 5 Comparison of Custom and Contemporary Tailoring Techniques. ...... .. 5 Front and Back Interfacing. ...................................... .. 5 Fusible Method-Front. ...................................... .. 5 onfusible Method-Back Reinforcement. ....................... .. 6 One-Piece Method. ........................................ .. 6 Two-Piece Method ......................................... .. 6 Applying Back Reinforcement .................................. .. 7 Lapel and Roll Line ............................................. .. 7 Marking the Roll Line , 8 Taping the
    [Show full text]
  • Savile-Row-Inside-Out.Pdf
    Savile Row: Inside Out 1 Savile Row BeSpoke aSSociation he Savile Row Bespoke Association is dedicated to protecting and promoting Tthe practices and traditions that have made Savile Row the acknowledged home of the best bespoke tailoring and a byword for unequalled quality around the world. The SRBA comprises of fifteen member and associate houses, who work together to protect and champion the understanding of bespoke tailoring and to promote the ingenious craftsmen that comprise the community of Savile Row. The SRBA sets the standards that define a Savile Row bespoke tailor, and all members of the Association must conform to the key agreed definitions of a bespoke suit and much more besides. A Master Cutter must oversee the work of every tailor employed by a member house and all garments must be constructed within a one hundred yard radius of Savile Row. Likewise, every member must offer the customer a choice of at least 2,000 cloths and rigorous technical requirements are expected. For example, jacket foreparts must be entirely hand canvassed, buttonholes sewn, sleeves attached and linings felled all by hand. It takes an average 50 plus hours to produce a suit in our Savile Row cutting rooms and workshops. #savilerowbespoke www.savilerowbespoke.com 2 1 Savile Row: inSide out Savile Row: Inside Out looks inside the extraordinary world of bespoke tailoring; an exclusive opportunity to step behind the scenes and celebrate the tailor’s art, the finest cloth and the unequalled expertise that is British Bespoke. A real cutter will be making a real suit in our pop-up cutting room in front of a collection of the work – both ‘before’ and ‘after’ to show the astonishing level of craftsmanship you can expect to find at Savile Row’s leading houses.
    [Show full text]
  • How It Was Made
    To put what text you want here just click HOWand type, to add anIT image WAS click insert > image then drag it here/resize it and delete MADEthis text Scissors Scissors have two arms each with blades at one end and a round hole for the fingers at the other. These arms are pinned together with a screw or rivet which allows them to move and be opened and closed, sliding the blades against each other to cut. They are different from shears or spring scissors which are made from one piece of metal bent in half to make two arms, each with a blade at the end. Diagram of scissor parts The blades and bows of scissors vary enormously depending on their intended use and user. Blades can have one or both points which are: round, square, curved or pointed. Bows can be equal/unequal in size, straight or offset to one side (sidebent), higher than the blades (i.e. have a bent shank) and can be shaped and highly decorated. ‘Scissorsmyths’ or ‘Scissar makers’ and ‘shearsmiths’ were active in Sheffield from the early 1600s (see ‘Tweedale’s Directory of Sheffield Cutlery Manufacturers 1740-2010’ by G. Tweedale, 2010) and by the mid-1600s Sheffield was well known for its manufacture of steel and cutlery – table knives, trade knives, razors and scissors - taking advantage of the availability of water power, skilled labour, and the raw materials needed (see ‘A History of Sheffield’ by David Hey, 2005). In the 1700s and 1800s the cutlery industry grew, particularly after the invention of crucible steel by Benjamin Huntsman in the 1740s with an increase in both domestic and export trade.
    [Show full text]
  • Scissors Catalogue 2010 New for 2010
    SCISSORS CATALOGUE 2010 NEW FOR 2010 Our commitment to innovation continues with the introduction of these new scissor solutions. Recycled Scissors Printed Blades Made from recycled materials Pretty and functional, providing the same quality and these scissors are performance that all Fiskars® simply gorgeous. 360 YEARS OF products offer. See page 10 FUNCTIONAL See page 10 DESIGN Fiskars® is a leading brand that provides functional, user-friendly and lasting design solutions for hand tools and beyond. Established in 1649, Fiskars® is the oldest company in Finland. The business has worked with tools, cutting and steel-forging ever since it first started operating 360 years ago. Fiskars® has been manufacturing scissors since the nineteenth century. However, with updated production technology it launched the world’s first plastic-handled scissors in 1967. Since then, more than 1 billion pieces of these orange scissors have sold worldwide and their iconic status has resulted in the Fiskars® orange being synonymous with quality scissors across the world. Fiskars® is the world’s No.1 scissor brand. Contents Kids Scissors page 8-9 Classic Scissors page 4-6 Special Edition page 10 Avanti Scissors page 7 Homeware page 11 2 3 CLASSIC SCISSORS CLASSIC SCISSORS TAILOR SCISSORS A Design Classic Our orange handled scissors are design classics that have been popular for more than four decades. The range consists of a wide selection of scissors featuring blades made of high-quality 9445O33 9863O33 9843O33 NICKEL FREESTEELANDERGONOMICALLYSHAPEDHANDLES4HELARGESURFACEAREAFORTHElNGERSTOPRESS PINKING SHEARS 23cm DRESSMAKING 25cm TAILOR SHEARS 27cm results in the force you exert being applied evenly. This ensures good comfort and helps prevent n Precise zig-zag cutting action which prevents fraying n Long sharp blades and shaped-handle for effortless long n Legendary tailor scissor handle design for the highest clean cutting action ergonomic and cutting comfort! n Extended lower blade makes continuous cutting easier n n hand fatigue.
    [Show full text]
  • The Sewing Machine and the Social History of Women: Parallel Lives
    38 OPEN SOURCE LANGUAGE VERSION > CATALÀ The sewing machine and the social history of women: parallel lives by Sílvia Puertas Novau, graduate in Geography and History 1 DERRY, T.K. and The sewing machine entered into the history of technology in the last third of WILLIAMS, I., Historia de la the eighteenth century, with a prototype created by the Englishman Thomas tecnología. Desde 1750 hasta el 1900. Vol. II, Ed. S.XXI, Saint in 1790. The design was refined in 1826 by the German-born inventor Madrid, 1980. Charles Fredrick Wiesenthal. Three years later, in 1829, the French tailor Barthélemy Thimmonier invented a more efficient model and formed an association with the engineer Auguste Ferrand. In 1830, the corresponding patent was registered under the name Thimonnier&Ferrand1. On the other side of the Atlantic inventions were also appearing, with varying degrees of success. Elias Howe introduced significant innovations in stitching. Disappointed at the lack of success, however, he moved to the British Isles. In 1851, the American Isaac Merrit Singer, improved and patented a new sewing machine based on Howe’s model, which he had manufactured and distributed to the US and European markets. This machine could be paid for in instalments, which boosted sales and brought considerable commercial success, establishing a formula that would be imitated by other manufacturers. By the end of the nineteenth century, the sewing machine was a common sight in the homes and workplaces of industrial societies, including Catalonia. In 1862, Miquel Escuder Castella, a native of Terrassa established in Barcelona, manufactured and sold the first Spanish sewing machine with the model name “Aurora”, based on the Wheeler & Wilson model, and distributed other brands.
    [Show full text]
  • The Suit Book
    THE SUIT BOOK Everything you need to know about wearing a suit CLARE SHENG First published 2018 by Independent Ink PO Box 1638, Carindale Queensland 4152 Australia Copyright © Clare Sheng 2018 All rights reserved. Except as permitted under the Australian Copyright Act 1968, no part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. All enquiries should be made to the author. Cover design by Alissa Dinallo Internal design by Independent Ink Typeset in 11/15 pt Adobe Garamond by Post Pre-press Group, Brisbane Cover model Lee Carseldine Styled by Elle Lavon Suit and shoes by Calibre Photography by The Portrait Store Illustrations by Jo Yu (PQ Fine Alterations) 978 0 648 2865 0 9 (paperback) 978 0 648 2865 1 6 (epub) 978 0 648 2865 2 3 (kindle) Disclaimer: Any information in the book is purely the opinion of the author based on her personal experience and should not be taken as business or legal advice. All material is provided for educational purposes only. We recommend to always seek the advice of a qualified professional before making any decision regarding personal and business needs. ACKNOWLEDGEMENTS This book wouldn’t exist without my Mum. As a single mother, she started a clothing alterations business with very little English and hardly any money, but a lot of guts. Over the years, she worked tirelessly for 12 hours a day, seven days a week, to grow the business and put me through private school and university.
    [Show full text]
  • Hemming Skills Level 2 & 3 Oregon 4-H Clothing Construction Fact Sheets: Basic Skills—Levels 2 and 3
    Hemming Skills Level 2 & 3 Oregon 4-H Clothing Construction Fact Sheets: Basic Skills—Levels 2 and 3 4-H 320-32 • October 2014 A hem finishes the bottom edge of a garment such as a shirt, blouse, pants, or skirt. It is usually the last construction step. There are many ways to hem a garment. You will need to think about the garment, the fabric, and the skills you have when you choose hemming method. After a garment is hemmed, it should hang as smoothly as possible. The hem should be level with the floor. It should not show through to the right side of the garment unless it is meant to be decorative. On the inside, a hem should be even in width and smooth without lumps or tucks. You may need to make a test hem on a scrap of your fabric to help you decide which way to hem your garment. Marking the hemline If you are making a new garment, it must be fitted and completely finished before you mark the hemline fold. Hang the garment on a hanger for one whole day before you mark the hem. If you are working with an old garment, remove the old hem and press out the crease as much as possible. The best way to mark the hemline fold is to have someone else mark it for you while you are wearing the garment. If you are marking the hemline of a skirt, dress, or pants, wear the same shoes and undergarments that you will wear with the garment.
    [Show full text]
  • Waste in Fashion
    WASTE IN FASHION AUTUMN 2019 2 WASTE IN FASHION AUTUMN 2019 INTRODUCTION The fashion industry is more than 150 years old. While several players have launched sustainability What originally started as local businesses has now initiatives, such as reducing their CO2 footprint turned into a multibillion mass production1. Lately, or sourcing recycled materials, there is nothing there have been several examples of meaningless indicating that the fashion industry will waste where large multinational companies burn significantly improve during the coming years. their clothes 2,3 or destroy perfectly wearable shoes4. Since 2000, the amount of clothes being produced Consumers are slowly realising the consequences has doubled7. Additionally, multiple studies have of practices used in the fashion industry and are shown that recycling opportunities are limited and continuously adapting their purchase behaviour. that technology is lagging behind5. Simply put, However, now is the time for the industry itself to the industry cannot absorb the amount of clothes assume responsibility, stop overproduction and produced, and with the current recycling capacity it reduce its carbon footprint, as well. takes 12 years to recycle the amount that is produced in 48 hours6 around the world. As a consequence, the This white paper provides an overview of the current consumer must improve their purchasing behaviour, state of waste in the fashion industry. Additionally, a but, far more importantly, the industry must reduce second white paper has been published explaining the its waste and put an end to overproduction and try effect in carbon emission from this waste. Combined, to limit their role in over-consumerism.
    [Show full text]