DOCSLIB.ORG

My Brightest Diamond Comes to Marcus Center's Vogel

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Press Contact: Molly Sommerhalder Phone: 414-273-7121 ext. 399 Email: [email protected] For Immediate Release MY BRIGHTEST DIAMOND COMES TO MARCUS CENTER’S VOGEL HALL FOR ONE NIGHT ONLY ON SATURDAY, NOVEMBER 15 TICKETS ON SALE THIS SUNDAY, AUGUST 10 “Along with her often-gorgeous singing, Ms. Worden presents an ambitious series of arrangements…the songs glow with rumination…”—The New York Times Milwaukee, WI (Tuesday, August 5, 2014) – The Marcus Center for the Performing Arts and WMSE is thrilled to welcome an evening with My Brightest Diamond on Saturday, November 15 at 8:00 pm. Tickets are $17.50 and go on sale this Sunday, August 10 at 12:00 pm at the Marcus Center Box Office. Ticket can be purchased by phone at 414-273-7206 or online at MarcusCenter.org and Ticketmaster.com. Groups 10+ call 414-273-7121 ext. 210 or 213. Since debuting as My Brightest Diamond in 2006, Shara Worden, acclaimed singer, songwriter and musician, has released three full-length albums, including her most recent, 2011’s All Things Will Unwind. Of the album, The New York Times praises, “…she has a keen sense of the dramatic, and a sure understanding of dynamics,” while allmusic asserts, “All Things Will Unwind finds this musical auteur at the top of her game, maturing, pushing her already broad boundaries, and brimming with imagination.” In addition to her work as My Brightest Diamond, Worden has collaborated and performed with various musicians, artists and filmmakers, including Matthew Barney, Sufjan Stevens, Bryce and Aaron Dressner (The National), The Decemberists, Bon Iver, David Byrne, The Blind Boys of Alabama, Laurie Anderson, Matthew Ritchie, Murat Eyuboglu, Brooklyn Rider and yMusic, among others. My Brightest Diamond’s new EP, None More Than You, is out now on Asthmatic Kitty Records and can be heard in full exclusively at Consequence of Sound. Already receiving widespread acclaim, The New York Times praises, “Shara Worden, the operatically trained singer at the core of My Brightest Diamond, has a feeling for both the grandeur and the grain, building every sweeping gesture in her music out of a swarm of small details,” while Consequence of Sound asserts, “…the music is as always funneled into the ambitious, layered arrangements of My Brightest Diamond.”. Produced by Mason Jar Music, the video (https://www.youtube.com/watch?v=nLa7TgaEEAE) was filmed at Glenwood Power Station in Yonkers, NY and chronicles the band’s run-in with local police. Following the EP release, Worden’s forthcoming full-length album, This is My Hand, will be released September 16 on Asthmatic Kitty Records. The album features ten new songs, including the first single “Pressure,” which recently premiered at NPR Music. Of the song, NPR Music praises, “…a stirring song powered by an incredible drumline…one of the most powerful and dramatic voices of the past decade,” while Stereogum proclaims, “…‘Pressure’ is something to be reckoned with. Filled with an army of percussive sounds from big drums to twinkling bells along with shrieking brass and crushing synths, it’s a huge production, but it all sounds small compared to Worden’s operatic voice.” For more information, visit www.mybrightestdiamond.com. The Marcus Center for the Performing Arts The Marcus Center for the Performing Arts is owned and partially funded by Milwaukee County. The Marcus Center has been the premier entertainment destination for Milwaukee and Wisconsin since 1969. It provides the setting for outstanding cultural experiences, where the arts come to life for current and future generations. Located in the heart of the Downtown Theater District, the Marcus Center is a community facility that offers live performance of opera, ballet, children’s theater, symphony and first-class national touring productions. For more information on Marcus Center Off Broadway Series, visit the Marcus Center website at www.MarcusCenter.org. # # # .
Recommended publications
  • Sufjan Stevens Yarn/Wire

    Sufjan Stevens Yarn/Wire

    BAM 2015 Winter/Spring Season #Sufjan Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Executive Producer Round-Up Sufjan Stevens Yarn/Wire BAM Harvey Theater Jan 20—25 at 7:30pm Running time: one hour and 15 minutes, no intermission Season Sponsor: Viacom is the BAM 2015 Music Sponsor The Steinberg Screen at the BAM Harvey Theater is made possible by The Joseph S. and Diane H. Steinberg Charitable Trust Major support for Round-Up provided by The Frederick Loewe Foundation Major support for music at BAM provided by: Frances Bermanzohn & Alan Roseman Pablo J. Salame Round-Up FILM Director, Composer Sufjan Stevens Cinematographer Aaron Craig Cinematographer Alex Craig Co-Producer Lisa Moran Co-Producer We Are Films COMPANY Sound Mix Dan Bora Lighting Seth Reiser Stage Manager Mary-Sue Gregson Production Management Lisa Moran Live Projection & Design Josh Higgason Round-Up was filmed at the Pendleton Round-Up in eastern Oregon, September, 2013. Additional footage was shot in Brooklyn and upstate New York, July 2014. Courtesy We Are Films Courtesy We Are Films Who’s Who SUFJAN STEVENS was born in Detroit and WE ARE FILMS raised in northern Michigan. He attended Hope Alex and Aaron Craig discovered their passion for College in Holland, MI, and the masters program filmmaking in their early teens. With camcord- for writers at the New School for Social Research ers in hand, willing neighbors as actors, and the in New York City.
  • J. Tillman Release Date: 09/22/2009 CD UPC Year in the Kingdom 6 56605 46022 2

    J. Tillman Release Date: 09/22/2009 CD UPC Year in the Kingdom 6 56605 46022 2

    a WESTERN VINYL release WV068 || Format: CD J. Tillman Release Date: 09/22/2009 CD UPC Year In The Kingdom 6 56605 46022 2 WESTERN VINYL WWW.WESTERNVINYL.COM [email protected] SELLING POINTS - Josh will embark on his first US tour in years in November. In September he’ll tour the EU - Josh has released several critically acclaimed records and has toured in Europe and throughout 1. Year In The kingdom the US. 2. Crosswinds 3. Earthly Bodies - Features artwork by acclaimed designer and 4. Howling Light illustrator Mario Hugo 5. Though I Have Wronged You 6. Age Of Man PRESS QUOTES 7. There Is No Good In me “This is no mere side-project. His first proper UK release is a treat, at times conjuring the beautiful, stark bleakness of Nick Drake, 8. Marked In The Valley elsewhere not afraid to crank things up, as on the distortion heavy 9. Light Of The Living ‘New Imperial Grand Blues’. Best of all is the upliftingly redemptive ‘Above All Men’.” – Q Magazine “An existentialist’s songs cycle, Vacilando…’s lonely songs reinforce each other with an impeccable internal logic, fashioning its own little world-weary universe, wherein less is more, simple guitar strums signal seismic shifts in mood, shadows bump into one Year In The Kingdom unravels some kind of galactic wilderness. Tillman's 6th another. Like Neil Young’s On the Beach or Jason Molina’s Songs:Ohia incarnation, it’s best heard late at night, alone, lights album lyrically borders on mystic; proffering a transcendent union, an down low, one last glass of wine in the wings.” – Uncut effortlessness.
  • SING for JUSTICE, MICHIGAN! an Interdisciplinary Event That Calls for Musicians Artists and Scholars to Consider Their Role As Ambassadors for Change

    SING for JUSTICE, MICHIGAN! an Interdisciplinary Event That Calls for Musicians Artists and Scholars to Consider Their Role As Ambassadors for Change

    In collaboration with The American Choral Directors Association Presents SING FOR JUSTICE, MICHIGAN! An interdisciplinary event that calls for musicians artists and scholars to consider their role as ambassadors for change With performances and special guests: Stacey Gibbs, guest conductor ​ Shara Nova, presenter ​ Detroit Women’s Choir, Arianne Abela ​ EMU Choral Ensembles, Brandon Johnson, Liza Calisesi Maidens, & Aaron Pollard ​ MSU Youth Chamber Choir, Kyle Zeuch ​ Oakland University Choral, Mike Mitchell ​ Student & Faculty Panel, Harry Bhogal ​ Peter Higgins, Women’s and Gender Studies Department ​ Michael Doan, Philosophy Department ​ Mary Larkin, LGBT Resource Center ​ Candice Crutcher, Nat’l Assoc. for the Advancement of Colored People & ​ Director of Political Action for SGA Amy Johnson, Communications, Media & Theatre Arts ​ Friday, November 10, 2017 Pease Auditorium Welcome! The Eastern Michigan University Choral Department and the Michigan American Choral Directors Association are so pleased to welcome you to Sing for Justice, Michigan! Music has always been way for people to express themselves and the call for justice is not new to our age. We each understand that the arts have a role to play, and that is why we are here. To understand and to maximize that role is critical to the artist and we are here to discuss the intersection of arts and justice issues. While we have differences among us, the arts can be a common ground for people of myriad backgrounds, whether those variations be political, religious, cultural, or otherwise. Today we celebrate these differences and we gather to examine how we can help inspire others to celebrate them, as well. EMU and ACDA-MI are thrilled to host renowned composer and arranger Stacey Gibbs, singer-songwriter Shara Nova from the band My Brightest Diamond, and a variety of other presenters and performing ensembles as they seek to find ways to use the arts for justice issues.
  • Asthmatic Kitty Records ! ! Sufjan Stevens Enjoy Your Rabbit

    Asthmatic Kitty Records ! ! Sufjan Stevens Enjoy Your Rabbit

    Asthmatic Kitty Records ! ! Sufjan Stevens Enjoy Your Rabbit Catalog / AKR003 Release Date / June 10, 2014 Genre / Alternative DESCRIPTION / Originally released in 2001 before Michigan and Illinois, Sufjan Steven’s Enjoy Your Rabbit foretells his 2010 electronic Age of Adz. Though overlooked by many, there are fans who regard Enjoy Your Rabbit as Sufjan’s greatest work. Departing from the singer-songwriter format of his debut Asthmatic Kitty Records album, A Sun Came, Rabbit is a collection of fourteen colorful instrumental compositions combining Sufjan’s noted gift for melody ! with electronic sounds to create an unusually playful and human- not to mention humane- electronic experience. Great for dancing, driving, writing, cooking, LP BOX LOT / 25 painting, running, walking, and of course, eating LP PACKAGING / Wide single jacket Chinese food, Rabbit features nearly eighty minutes of LP UPC / 656605919614 music that will truly soothe the savage breast, whatever LP RETURNABLE / No that means. GENRE / Alternative QUOTES / FORMAT / 2xLP “This may just be Sufjan Stevens' Magnus Opus. Forget Michigan, Seven Swans, Illinois . Enjoy Your RETURNABLE / No Rabbit is a masterclass in doing everything that logic tells music not to do.” – Sputnik Music EXPORT RESTRICTIONS / None “Sufjan Stevens proves himself adept of both long and TRACK LISTING / short forms; downtempo and high BPM; glitches, Disc 1 / Side A scratches and ambient drones; blips, bleeps and 1. Year of the Asthmatic Cat 0:24 bloops.” – Pitchfork 2. Year of the Monkey 4:20 3. Year of the Rat 8:22 4. Year of the Ox 4:01 “The underlying guiding principle is wide-eyed 5.
  • YOU US WE ALL BAM Harvey Theater Nov 11—14 at 7:30Pm

    YOU US WE ALL BAM Harvey Theater Nov 11—14 at 7:30Pm

    #BAMNextWave #YouUsWeAll Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer YOU US WE ALL BAM Harvey Theater Nov 11—14 at 7:30pm Running time: one hour & 20 minutes, no intermission Music by Shara Worden Text, direction, and design by Andrew Ondrejcak B.O.X. (Baroque Orchestration X) Season Sponsor: Leadership support for opera at BAM provided by Aashish & Dinyar Devitre Endowment funding has been provided by The Andrew W. Mellon Foundation Fund for Opera and Music-Theater Major support for opera at BAM provided by The Francena T. Harrison Foundation Trust YOU US WE ALL CAST HOPE Shara Worden VIRTUE Helga Davis LOVE Martin Gerke DEATH Bernhard Landauer TIME Carlos Soto B.O.X. ENSEMBLE A Continuo/Rythm Section Theorbo, artistic direction Pieter Theuns Harpsichord, organ Anthony Romaniuk Baroque harp Jutta Troch Drums, percussion Mattijs Vanderleen An Alta Capella of Winds Cornett, flutes Lambert Colson Cornett, trumpet Jon Birdsong Sackbut (baroque trombone) Liza Malamut A Consort of Viols Treble viol, bass viol Liam Byrne Bass viol Pieter Vandeveire Violone Christine Sticher PRODUCTION CREDITS Stage, light, costume, projection design Andrew Ondrejcak Choreographer Seth Stewart Williams Production dramaturg Anne Seiwerath Executive producer/tour management ArKtype/Thomas O. Kriegsmann Production manager/lighting director Davison Scandrett Production stage manager Valerie Oliveiro Assistant stage manager Nina Segal Video design consultant Andrew Bauer Video supervisor Tei Blow Co-lighting design Lutz Deppe Co-costume design Zane Philstrom Assistant director Cecile Tonizzo Sound design David Schnirman/Hear No Evil Wig design Rick Gradone Make-up design Marco Campos Assistant, costumes and wardrobe Baille Younkman Assistant, costumes Julie Michaels Production assistant Veerle Van Rossom YOU US WE ALL is commissioned by B.O.X.
  • Nostalgia in Indie Folk by Claire Coleman

    Nostalgia in Indie Folk by Claire Coleman

    WESTERN SYDNEY UNIVE RSITY Humanities and Communication Arts “Hold on, hold on to your old ways”: Nostalgia in Indie Folk by Claire Coleman For acceptance into the degree of Doctor of Philosophy December 20, 2017 Student number 17630782 “Hold on, hold on to your old ways” – Sufjan Stevens, “He Woke Me Up Again,” Seven Swans Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................................................. Claire Coleman Acknowledgements This thesis could not have been completed without the invaluable assistance of numerous colleagues, friends and family. The love, respect and practical support of these people, too many to name, buoyed me through the arduous privilege that is doctoral research. With special thanks to: The Supers – Dr Kate Fagan, Mr John Encarnacao and Associate Prof. Diana Blom My beloved – Mike Ford My family – Nola Coleman, Gemma Devenish, Neale Devenish, and the Fords. The proof-readers – Alex Witt, Anna Dunnill, Pina Ford, Connor Weightman and Nina Levy. My choir families – Menagerie, Berlin Pop Ensemble and Dienstag Choir Administrative staff at Western Sydney University Dr Peter Elliott Ali Kirby, Kate Ballard, Carol Shepherd, Kathryn Smith, Judith Schroiff, Lujan Cordaro, Kate Ford and the many cafes in Perth, Sydney and Berlin
  • Sufjan Stevens/Osso Run Rabbit Run

    Sufjan Stevens/Osso Run Rabbit Run

    Sufjan Stevens/Osso Run Rabbit Run ARTIST: Sufjan Stevens / Osso In 2001, Sufjan Stevens followed up his debut album, A Sun Came, with TITLE: Run Rabbit Run Enjoy Your Rabbit, a series of fourteen instrumentals programmatically in- GENRE: classical / indie spired by the animals of the Chinese Zodiac. Much later, in 2006, Bryce STREET DATE: October 6, 2009 Dessner (The National, Dark Was the Night compilation, Clogs) suggest- FORMAT: CD/2xLP ed that Sufjan re-arrange the entirety of Enjoy Your Rabbit for Osso, a string quartet that had previously contributed strings to Sufjan’s Illinois and LIMITED EDITION (CD): No My Brightest Diamond’s Bring Me The Workhorse. The result is Run Rabbit LIMITED EDITION (LP): Yes Run. EXPORT RESTRICTIONS: None RETURNABLE (CD): Yes “Osso’s readings take Mr. Stevens’ music to new places…” – The New York RETURNABLE (LP): No Times PACKAGING (CD): Gatefold PACKAGING (LP): Gatefold • Beautiful packaging includes reproductions of Jessica Dessner’s BOX LOT (CD): 35 exquisite pencil drawings BOX LOT (LP): 10 • Osso will be touring in the fall in support of this release UPC (CD): 656605604923 • Press campaign by Sacks & Company • Radio campaign by Team Clermont Track Listing: 1. Year of the Ox (arr. Michael Atkinson) (3:20) 2. Enjoy Your Rabbit (arr. Michael Atkinson) (3:36) 3. Year of the Monkey (arr. Michael Atkinson) (3:31) UPC (LP): 656605604916 4. Year of the Tiger (arr. Rob Moose) (3:22) 5. Year of the Dragon (arr. Nico Muhly) (3:22) 6. Year of the Snake (arr. Olivier Manchon) (5:05) 7. Year of the Horse (arr.
  • Publication 2

    Publication 2

    KHU_playbill_cat.indd 1 6/4/14 2:44 PM Contents FORWARD..............................................4 Rebecca Ruth Hart ANCIENT EVENINGS.........................6 REN..........................................................8 KHU........................................................11 OSIRIS IN DETROIT.............................12 Angus Cook MAP........................................................16 LIBRETTO...........................................20 NOTES ON THE MUSIC...................27 Jonathan Bepler and Shane Anderson PROFILES.............................................28 CAST AND CREW..............................30 WHO’S WHO IN THE CAST.........32 ADDITIONAL INFORMATION.......35 “I believe in the practice and philosophy of what we have agreed to call magic, in what I must call the evocation of spirits, though I do not know what they are, in the power of creating magical illusions, in the visions of truth in the depths of the mind when the eyes are closed; and I believe…that the borders of our mind are ever shifting, and that many minds can flow into one another, as it were, and create or reveal a single mind, a single energy…and that our memories are part of one great memory, the memory of Nature herself.” W.B. Yeats Ideas of Good and Evil Epigraph to Norman Mailer’s Ancient Evenings The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn cellular phones off, as it interferes with audio recording equipment and telecommunications. Thank you. KHU_playbill_cat.indd 2-1 6/4/14 2:44 PM KHU_playbill_cat.indd 2-3 6/4/14 2:44 PM Forward With the promise of full support from Henry Ford’s son Edsel, William Rebecca Ruth Hart Valentiner, then director of the Detroit Institute of Arts, met with Rivera in San Francisco in 1930.
  • A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century

    A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century

    A SCENE WITHOUT A NAME: INDIE CLASSICAL AND AMERICAN NEW MUSIC IN THE TWENTY-FIRST CENTURY William Robin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2016 Approved by: Mark Katz Andrea Bohlman Mark Evan Bonds Tim Carter Benjamin Piekut © 2016 William Robin ALL RIGHTS RESERVED ii ABSTRACT WILLIAM ROBIN: A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century (Under the direction of Mark Katz) This dissertation represents the first study of indie classical, a significant subset of new music in the twenty-first century United States. The definition of “indie classical” has been a point of controversy among musicians: I thus examine the phrase in its multiplicity, providing a framework to understand its many meanings and practices. Indie classical offers a lens through which to study the social: the web of relations through which new music is structured, comprised in a heterogeneous array of actors, from composers and performers to journalists and publicists to blog posts and music venues. This study reveals the mechanisms through which a musical movement establishes itself in American cultural life; demonstrates how intermediaries such as performers, administrators, critics, and publicists fundamentally shape artistic discourses; and offers a model for analyzing institutional identity and understanding the essential role of institutions in new music. Three chapters each consider indie classical through a different set of practices: as a young generation of musicians that constructed itself in shared institutional backgrounds and performative acts of grouping; as an identity for New Amsterdam Records that powerfully shaped the record label’s music and its dissemination; and as a collaboration between the ensemble yMusic and Duke University that sheds light on the twenty-first century status of the new-music ensemble and the composition PhD program.
  • T H E P Ro G

    T H E P Ro G

    Thursday, February 28, 2019 at 8:30 pm m a r Son Lux g Ian Chang , Drums and Sensory Percussion o Rafiq Bhatia , Guitar r Ryan Lott , Piano, Voice, and Electronics P Jackson Hill , Bass and Synthesizer e h T This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM : Friday, March 1 at 8:30 pm Oscar Isaac Saturday, March 2 at 8:30 pm Martha Plimpton: All the Presidents Mann Monday, March 4 at 8:30 pm Joyce DiDonato: Songplay For tickets, call (212) 721-6500 or visit AmericanSongbook.org.
  • Dossier Premsa Primavera So

    Dossier Premsa Primavera So

    EL FESTIVAL CARTELL PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA PRIMAVERA A LA CIUTAT ORGANITZACIÓ I PARTNERS TICKETS I PUNTS DE VENDA CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA CONTACTE ANNEX I: PRIMAVERAPRO ANNEX II: BIOGRAFIES D’ARTISTES EL FESTIVAL Primavera Sound ha centrat sempre els seus esforços en ajuntar en els seus cartells les últimes propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més un- derground de la música electrònica i de ball. El festival ha comptat al llarg de la seva història amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Arcade Fire, passant per Queens of the Stone Age, Nine Inch Nails, Kendrick Lamar, Neil Young, Sonic Youth, Portishead, Pet Shop Boys, Pavement, Echo & The Bunnymen, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Cat Power, Public Enemy, Grinderman, Franz Ferdinand, Television, Devo, Enrique Morente, The White Stripes, LCD Soundsystem, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Swans, Melvins, The National, Psychic TV, Spiritualized, The Cure, Bon Iver, La Buena Vida, Death Cab For Cutie, Iggy & The Stooges, De La Soul, Marianne Faithfull, Mazzy Star, Blur, Wu-Tang Clan, Phoenix, The Jesus and Mary Chain, o Tame Impala, entre molts d’altres. Primavera Sound s’ha consolidat com el festival urbà per excel·lència amb unes característiques úniques que ho han projectat internacionalment com a cita cultural de referència.
  • Longlists 2015

    Longlists 2015

    Longlist 1/2015 Jury Orchestermusik Schumann: Symphonien Vol. III. WDR SO, Holliger (audite) Grieg: Symphonie c-moll, Klavierkonzert. WDR SO, Aadland (audite) Schreker, Toch u.a: Radio-Musiken. O der Staatsoperette Dresden, Theis (cpo) Mahler: Symphonie Nr. 5. WDR SO, Saraste (Hänssler) Halvorsen: Orchesterwerke. Bergen PhilO, N.Järvi (Chandos) „Masterpieces“. Werke von Mahler, Debussy u.a. San Francisco SO, Tilson Thomas (SFSMedia) CPE Bach: Hamburger Symphonien. Ensemble Resonanz, Minasi (Es-Dur) Haydn & Gluck: Symphonien u.a. Il Giardino Armonico, Antonini (Alpha) Strawinsky: Le sacre du printemps. Tonhalle O Zürich, Zinman (Sony) Mendelssohn & Schumann: Symphonien u.a. London SO, Gardiner (LSOLive) Jury Konzerte Beethoven: Klavierkonzert Nr. 5, Chorphantasie. Andsnes, Mahler Chamber O (Sony) Beethoven: Klavierkonzerte Nr. 1 & 2. Schwizgebel, London Phil O, Th. Fischer (Aparté) Szymanowski: Violinkonzerte Nr. 1 & 2, Mythen. Skride & Skride, Oslo Phil O, V. Petrenko (Orfeo) Schostakowitsch: Violinkonzerte Nr. 1 & 2. Tetzlaff, Helsinki Phil O, Storgårds (Ondine) Mozart & Haydn: Klavierkonzerte u.a. Tharaud, DiDonato, Violons du Roy, Labadie (Erato) JS Bach: Klavierkonzerte BWV 1052-1058. Kronenberg, Zürcher KammerO (Genuin) Walton: Cellokonzert u.a. Poltéra, Sao Paulo SO, Shipway (BIS) Jury Kammermusik Beethoven: Werke für Violoncello & Klavier. Queras, Melnikov (harmonia mundi) JS Bach & Ysaÿe: Sonaten u.a. Weithaas (CAvi) Schostakowitsch & Schnittke: Streichquartette. Pacifica Q (Cedille) Le Beau: Violinsonate op. 10 u.a. Niziol, Severin, Korsunskaya (MDG) Bartók: Quartette Nr. 1 und Nr. 5. Meta4 (Hänssler) Josef Suk: Sämtliche Streichquartette. Minguet Q, Kirschnereit (cpo) Mendelssohn & Berg: Streichquartette. Tetzlaff Q (CAvi) „Romance oubliée“. Werke von Glasunow, Vierne u. a..Zimmermann, Hoppe (Myrios) Poulenc, Beethoven, Barber u.a.: Werke für Bläser & Klavier.