Dossier Premsa Primavera So
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Hasseltkunstencentrum Burg . Bo
. B . 1 2 / 7 4 1 3500.HASSELT.1 P BELGIE-BELGIQUE editie: juli 2010 BELGIEBELGIE KUNSTENCENTRUMKUNSTENCENTRUM BURG.BOLLENSTR.54BURG.BOLLENSTR.54 3500-HASSELT3500-HASSELT NEW RELEASES / 19’ jaargang 5X per jaar: jan-maart-mei-juli-okt / Afgiftekantoor: 3500 Hasselt 1 - P 206555 vr 1 okt 2010 SHELLAC (US) + THE EX (NL) V.U. JO LIJNEN, Burg. Bollenstraat 54, 3500 Hasselt V.U. O Winnaar Beste Cinematografie en Speciale Prijs van de Jury Sitges Internationaal Filmfestival O Winnaar Beste Cinematografie en Speciale Prijs van de Jury Sitges Internationaal Filmfestival Gouden Palm Nominatie Cannes 2009 O ENTER THE VOID(FR/DE/IT / 2009 / 35 mm / 154’) Cast Nathaniel Brown, Paz de la Huerta, Cyril Roy, Emily Alyn Lind, Jesse Kuhn, Olly Alexander... O Gouden Palm Nominatie Filmfestival van Cannes 2009 O Winnaar Beste Cinematografie en Speciale Prijs van de Jury Sitges Internationaal Filmfestival Sinds kort wonen Oscar (Nathaniel Brown) en zijn zus Linda (Paz de la Huerta) in Tokyo. Oscar leeft van de inkom- sten van kleine drugdeals en Linda werkt als stripper in een nachtclub. Tijdens een inval van de politie wordt Oscar Regie geraakt door een kogel. Hij ligt op sterven maar zijn geest, die gezworen heeft om zijn zuster nooit achter te laten, weigert de wereld van de levenden te verlaten. Tijdens de dwaaltocht van zijn geest door de stad worden de visioenen Gaspar Noé chaotischer en zijn ze een ware nachtmerrie. Het verleden, het heden en de toekomst vermengen zich in een hallucino- gene draaikolk. De in Argentinië geboren Franse regisseur Gaspar Noé schreef in 2002 filmgeschiedenis met de hondsbrutale maar uiterst vindingrijke prent Irréversible. -
Gardner • Even Orpheus Needs a Synthi Edit No Proof
James Gardner Even Orpheus Needs a Synthi Since his return to active service a few years ago1, Peter Zinovieff has appeared quite frequently in interviews in the mainstream press and online outlets2 talking not only about his recent sonic art projects but also about the work he did in the 1960s and 70s at his own pioneering computer electronic music studio in Putney. And no such interview would be complete without referring to EMS, the synthesiser company he co-founded in 1969, or namechecking the many rock celebrities who used its products, such as the VCS3 and Synthi AKS synthesisers. Before this Indian summer (he is now 82) there had been a gap of some 30 years in his compositional activity since the demise of his studio. I say ‘compositional’ activity, but in the 60s and 70s he saw himself as more animateur than composer and it is perhaps in that capacity that his unique contribution to British electronic music during those two decades is best understood. In this article I will discuss just some of the work that was done at Zinovieff’s studio during its relatively brief existence and consider two recent contributions to the documentation and contextualization of that work: Tom Hall’s chapter3 on Harrison Birtwistle’s electronic music collaborations with Zinovieff; and the double CD Electronic Calendar: The EMS Tapes,4 which presents a substantial sampling of the studio’s output between 1966 and 1979. Electronic Calendar, a handsome package to be sure, consists of two CDs and a lavishly-illustrated booklet with lengthy texts. -
The Art of Depression with Sonic Boom
The Art of Depression With Sonic Boom Bittles‘ Magazine Sonic Boom is not only a fantastic name for a band, it is also the nom de plume of Peter ›Sonic Boom‹ Kember, who was one of the founding members of the exceedingly excellent Spacemen 3. Spectrum is the only commercially available album he ever released under this name, yet it still stands as a momentous record that bewitches with its dense, layered sound. Released over 20 years ago, it isn’t of its time, or this time, or any time. In fact it is something else, separated from trends, fads or anything else which dilutes music to a turgid meaningless mess. By JOHN BITTLES Peter’s first band Spacemen 3 saw him, and close friend Jason Pierce (who later went on to form Spiritualized) play together with a varied assortment of musicians all linked together in their love of weird psychedelic rock. For almost ten years the band gave the world the type of scuzzy garage noise that most lost and alienated young teens only ever see in particularly vivid wet dreams. Sonic Boom. Photo by Xi Weg Since the split of Spacemen 3 back in 1991 Peter Kember has been releasing quality head music under various aliases including Spectrum (sublime indie rock) and E.A.R. (Experimental Audio Research) (strange drone type sounds). He is also equally well known as a producer having lent his production nous to the likes of MGMT, Panda Bear, Teen and, just recently, the ten tracks of psychedelic weirdness that make up the marvellous album Chambers by Lorelle Meets The Obsolete. -
Lgbts Confront Persecution
Volume 85 - Issue 10 November 16, 2012 LGBTs confront persecution Airband to Campus group offers support to LGBT students take the place BY TYLER LEHMANN of NBDC FEATURES CO-EDITOR BY GILLIAN ANDERSON Recalling dirty looks on campus and A once-popular Northwestern event, harassment in dorms, Northwestern Airband, will be introduced to a new College’s lesbian, gay, bisexual and generation of students. transgender students said they are Airband is a competition in which “persecuted” at the school. In response, groups create a lip-syncing performance NW’s unofficial student-run LGBT to a song or mix of songs. advocacy group has expanded its efforts “It is lip syncing but not the band to raise awareness of perceived LGBT type of lip syncing,” said Aaron discrimination on campus. Beadner, director of student programs. “Everyone should have a place where Most students were still in high they feel safe and free to be who they school when Airband last took place are and not feel judged or persecuted, and on campus four years ago. Some we want to be that for anyone who needs former students who remember it us,” said senior Keely Wright, executive are now working for NW, and a few administrator of LEAP, an organization current students have heard about it for LGBT-affirming students that is from recent graduates. unaffiliated with NW. “I remember Airband as a student,” Taking its name from the acronym said Drew Schmidt who graduated “Love, Education, Acceptance, Pride,” from NW in 2005 and is now the the group clashes with NW’s official audiovisual technician at NW. -
SING for JUSTICE, MICHIGAN! an Interdisciplinary Event That Calls for Musicians Artists and Scholars to Consider Their Role As Ambassadors for Change
In collaboration with The American Choral Directors Association Presents SING FOR JUSTICE, MICHIGAN! An interdisciplinary event that calls for musicians artists and scholars to consider their role as ambassadors for change With performances and special guests: Stacey Gibbs, guest conductor Shara Nova, presenter Detroit Women’s Choir, Arianne Abela EMU Choral Ensembles, Brandon Johnson, Liza Calisesi Maidens, & Aaron Pollard MSU Youth Chamber Choir, Kyle Zeuch Oakland University Choral, Mike Mitchell Student & Faculty Panel, Harry Bhogal Peter Higgins, Women’s and Gender Studies Department Michael Doan, Philosophy Department Mary Larkin, LGBT Resource Center Candice Crutcher, Nat’l Assoc. for the Advancement of Colored People & Director of Political Action for SGA Amy Johnson, Communications, Media & Theatre Arts Friday, November 10, 2017 Pease Auditorium Welcome! The Eastern Michigan University Choral Department and the Michigan American Choral Directors Association are so pleased to welcome you to Sing for Justice, Michigan! Music has always been way for people to express themselves and the call for justice is not new to our age. We each understand that the arts have a role to play, and that is why we are here. To understand and to maximize that role is critical to the artist and we are here to discuss the intersection of arts and justice issues. While we have differences among us, the arts can be a common ground for people of myriad backgrounds, whether those variations be political, religious, cultural, or otherwise. Today we celebrate these differences and we gather to examine how we can help inspire others to celebrate them, as well. EMU and ACDA-MI are thrilled to host renowned composer and arranger Stacey Gibbs, singer-songwriter Shara Nova from the band My Brightest Diamond, and a variety of other presenters and performing ensembles as they seek to find ways to use the arts for justice issues. -
Music Festivals in Catalonia in a European Context. Factors of Competitiveness of a Dynamic Creative Industry
MUSIC FESTIVALS IN CATALONIA IN A EUROPEAN CONTEXT. FACTORS OF COMPETITIVENESS OF A DYNAMIC CREATIVE INDUSTRY. by Maria Ruiz de Cossío Advisor: Paloma Fernández Pérez Degree in International Business Faculty of Economics and Business University of Barcelona Academic year 2017-2018 2 FESTIVALES EN CATALUÑA EN UN CONTEXTO EUROPEO. FACTORES DE COMPETITIVIDAD DE UNA INDUSTRIA CREATIVA DINÁMICA. Este estudio pretende identificar el contexto y las características de los festivales de música en Cataluña, especialmente en un contexto geográfico más amplio, con el objetivo de evaluar hasta qué grado este modelo encaja dentro del marco europeo. Estos eventos se encuentran en una fase de crecimiento y popularidad entre el público sin precedentes, que ha sido facilitada por las nuevas tendencias turísticas, empresariales y de ocio y los ha llevado a ser los eventos culturales más populares en Europa. Son puntos clave en estrategias culturales y turísticas alrededor de Europa, dan trabajo a miles de personas y funcionan como dinamizadores económicos en las regiones donde se celebran. Este estudio analizará el contexto histórico y económico de los festivales Catalanes y Europeos, sus características y tendencias en la actualidad (estado del arte), el efecto que algunos fenómenos han tenido sobre ellos (como las tecnologías digitales, la recesión económica y el crecimiento en popularidad) y las diferencias que separan ambos ecosistemas y los hacen únicos. Palabras clave: Festivales de música, Industrias creativas, Gestión cultural, Gestión de eventos, Eventos culturales, Tendencias de ocio, Tendencias turísticas, Macro-eventos MUSIC FESTIVALS IN CATALONIA IN A EUROPEAN CONTEXT. FACTORS OF COMPETITIVENESS OF A DYNAMIC CREATIVE INDUSTRY. This study aims to identify the context and features of music festivals in Catalonia, especially in a broader geographical context, in order to assess the extent to which our model fits in the European framework. -
YOU US WE ALL BAM Harvey Theater Nov 11—14 at 7:30Pm
#BAMNextWave #YouUsWeAll Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer YOU US WE ALL BAM Harvey Theater Nov 11—14 at 7:30pm Running time: one hour & 20 minutes, no intermission Music by Shara Worden Text, direction, and design by Andrew Ondrejcak B.O.X. (Baroque Orchestration X) Season Sponsor: Leadership support for opera at BAM provided by Aashish & Dinyar Devitre Endowment funding has been provided by The Andrew W. Mellon Foundation Fund for Opera and Music-Theater Major support for opera at BAM provided by The Francena T. Harrison Foundation Trust YOU US WE ALL CAST HOPE Shara Worden VIRTUE Helga Davis LOVE Martin Gerke DEATH Bernhard Landauer TIME Carlos Soto B.O.X. ENSEMBLE A Continuo/Rythm Section Theorbo, artistic direction Pieter Theuns Harpsichord, organ Anthony Romaniuk Baroque harp Jutta Troch Drums, percussion Mattijs Vanderleen An Alta Capella of Winds Cornett, flutes Lambert Colson Cornett, trumpet Jon Birdsong Sackbut (baroque trombone) Liza Malamut A Consort of Viols Treble viol, bass viol Liam Byrne Bass viol Pieter Vandeveire Violone Christine Sticher PRODUCTION CREDITS Stage, light, costume, projection design Andrew Ondrejcak Choreographer Seth Stewart Williams Production dramaturg Anne Seiwerath Executive producer/tour management ArKtype/Thomas O. Kriegsmann Production manager/lighting director Davison Scandrett Production stage manager Valerie Oliveiro Assistant stage manager Nina Segal Video design consultant Andrew Bauer Video supervisor Tei Blow Co-lighting design Lutz Deppe Co-costume design Zane Philstrom Assistant director Cecile Tonizzo Sound design David Schnirman/Hear No Evil Wig design Rick Gradone Make-up design Marco Campos Assistant, costumes and wardrobe Baille Younkman Assistant, costumes Julie Michaels Production assistant Veerle Van Rossom YOU US WE ALL is commissioned by B.O.X. -
Delia Derbyshire Sound and Music for the BBC Radiophonic Workshop, 1962-1973
Delia Derbyshire Sound and Music For The BBC Radiophonic Workshop, 1962-1973 Teresa Winter PhD University of York Music June 2015 2 Abstract This thesis explores the electronic music and sound created by Delia Derbyshire in the BBC’s Radiophonic Workshop between 1962 and 1973. After her resignation from the BBC in the early 1970s, the scope and breadth of her musical work there became obscured, and so this research is primarily presented as an open-ended enquiry into that work. During the course of my enquiries, I found a much wider variety of music than the popular perception of Derbyshire suggests: it ranged from theme tunes to children’s television programmes to concrete poetry to intricate experimental soundscapes of synthesis. While her most famous work, the theme to the science fiction television programme Doctor Who (1963) has been discussed many times, because of the popularity of the show, most of the pieces here have not previously received detailed attention. Some are not widely available at all and so are practically unknown and unexplored. Despite being the first institutional electronic music studio in Britain, the Workshop’s role in broadcasting, rather than autonomous music, has resulted in it being overlooked in historical accounts of electronic music, and very little research has been undertaken to discover more about the contents of its extensive archived back catalogue. Conversely, largely because of her role in the creation of its most recognised work, the previously mentioned Doctor Who theme tune, Derbyshire is often positioned as a pioneer in the medium for bringing electronic music to a large audience. -
Mojoearlier Results Are Tremendous
INCLUDES MOTOWN THE UNKNOWN 15-TRACK A SOUL REVOLUTION JOY DIVISION CD! Y PLUS! HE MAC NOW! “It’s a miracle that we survived” STATUS QUO MARK HOLLIS R.I.P. AND! BRITISH JAZZ BLOWS UP! MAY 2019 £5.75 US$11.99 CAN$14.99 If your CD is missing please inform your newsagent. For copyright reasons the CD is not available in some overseas territories. Lias Saoudi, torch-carrying FILTER ALBUMS provocateur. These New hypnosis rule, though, remains town (the New York strut of duet of self-destruction. After to be seen. Enlightening 2017’s City Music). With Oh My all of it, JPW is left at the sink, Puritans nevertheless. God, Morby launches a more repeating, “Your love’s the ★★ Charles Waring overtly spiritual quest, hurting kind,” unable or investigating the tensions unwilling to give it up. Inside The Rose between the sacred and Chris Nelson INFECTIOUS MUSIC. CD/DL/LP profane – or “horns on my Underwhelming fourth Our Native head, wings from my album from Southend Daughters shoulder,” as he puts it on The Cranberries erstwhile avant-garde ★★★★ O Behold. A blast of Mary world-beaters Lattimore’s harp on Piss River #### SongsOfOur or Savannah’s glassy Dirty Slimmed down In The End Native Daughters Projectors-style choir hint at to the core the celestial, but if Morby BMG. CD/DL/LP fraternal duo SMITHSONIAN FOLKWAYS. CD/DL Edwyn Collins speaks in tongues, they are still Final album, with Step of Jack and New history from onet very much those of Bob Dylan #### Street back producing George Barnett leader of the Carolina and Leonard Cohen – earthly, after the 2016 Chocolate Drops. -
Dorothy," Announces New Dates
March 24, 2016 For Immediate Release KEVIN MORBY SHARES NEW VIDEO/SINGLE, "DOROTHY," ANNOUNCES NEW DATES SINGING SAW OUT 4/15 ON DEAD OCEANS Today, Kevin Morby shares "Dorothy" the second single and video off his forthcoming album, Singing Saw (out 4/15 on Dead Oceans). The song, a self-reflection of Kevin's life as a musician on the road, is named after his guitar, which is in turn named after his grandmother. "Being a musician, when you find yourself at home and off of tour, all the people, places and things you encountered on tour seem like some wild dream," says Kevin. "Dorothy, my guitar, represents the people I've encountered and experiences I've had over the past 7 years of touring, because she has always been there with me." The video for "Dorothy" is a beautiful representation of this sentiment. It follows a very mobile Morby as he traverses and passes by seemingly surreal situations, the fever dream that is the road for him and so many other musicians like him. WATCH THE VIDEO FOR "DOROTHY" https://www.youtube.com/watch?v=pWDvlekoPkg Also, Kevin has added some new dates to his tour. He was one of the best artists at SXSW last week, according to many, including Entertainment Weekly, who said "In a blistering Wednesday evening set at Mohawk’s House of Vans event, the former member of psych-folk outfit Woods and his backing band jammed with melodic intensity — many of those tunes from Morby’s upcoming album Singing Saw that called to mind Desire-era Bob Dylan." KEVIN MORBY TOUR DATES (new dates in bold): Thu. -
Maqueta JUN08.FH11
A bocajarro: Entrevista a Lucía Jiménez Candente: Hogueras 2008 #80 Moda: Under Construction Junio 2008 junio ´08 Sumario Nos vemos en las barracas ay dos momentos claros que dividen el año en dos semestres para los miembros de Üalà. Primero, cuando os informamos de la oferta en Nochevieja, con un diciembre de trasiego que nos hace pasar al año siguiente veinte días antes. Y segundo, cinco meses más tarde, cuando os contamos lo que se va a cocer durante las Hogueras. Hacemos tantas llamadas, es tal el mareo y tantas las noticias de última hora, que cuando llega la fiesta en sí, nues tra Cremá hace tiempo que terminó. Pero merece la pena el estrés cuan do luego nos ponemos a distribuir la revista de junio en las mascletás y comprobamos que nuestro esfuerzo le es muy útil a los lectores. En nues tro Especial de Hogueras, no sólo encontraréis las fechas más señaladas de la programación oficial, sino que podréis hacer un repaso de las barra cas que se levantarán desde el viernes 20 para que todos disfrutemos de las noches. Así que nada, ahí nos vemos. En las barracas. 06 Editorial 76 A.R.T. 08 Un mes en imágenes 80 Letras 12 Imperdibles 82 Noche 30 Agenda Conciertos 90 Guía Ü 34 Agenda Deejays 104 Reportaje Fresc Co 36 Agenda Escena 114 Directorio Alicante 38 Agenda Exposiciones 116 Plano Alicante 40 Moda 118 Directorio Elche 48 Especial Hogueras 119 Plano Elche 58 Entrevista a Lucía Jiménez 120 Directorio Otros 62 Entrevista a Sikiátriko 122 Plano San Vicente 64 Ritmos 123 Plano Campello + 68 De Película Plano Playa San Juan 70 Sr. -
Crinew Music Re Uoft
CRINew Music Re u oft SEPTEMBER 11, 2000 ISSUE 682 VOL. 63 NO. 12 WWW.CMJ.COM MUST HEAR Universal/NIP3.com Trial Begins With its lawsuit against MP3.com set to go inent on the case. to trial on August 28, Universal Music Group, On August 22, MP3.com settled with Sony the only major label that has not reached aset- Music Entertainment. This left the Seagram- tlement with MP3.com, appears to be dragging owned UMG as the last holdout of the major its feet in trying to reach a settlement, accord- labels to settle with the online company, which ing to MP3.com's lead attorney. currently has on hold its My.MP3.com service "Universal has adifferent agenda. They fig- — the source for all the litigation. ure that since they are the last to settle, they can Like earlier settlements with Warner Music squeeze us," said Michael Rhodes of the firm Group, BMG and EMI, the Sony settlement cov- Cooley Godward LLP, the lead attorney for ers copyright infringements, as well as alicens- MP3.com. Universal officials declined to corn- ing agreement allowing (Continued on page 10) SHELLAC Soundbreak.com, RIAA Agree Jurassic-5, Dilated LOS AMIGOS INVIWITI3LES- On Webcasting Royalty Peoples Go By Soundbreak.com made a fast break, leaving the pack behind and making an agreement with the Recording Word Of Mouth Industry Association of America (RIAA) on aroyalty rate for After hitting the number one a [digital compulsory Webcast license]. No details of the spot on the CMJ Radio 200 and actual rate were released.