SING for JUSTICE, MICHIGAN! an Interdisciplinary Event That Calls for Musicians Artists and Scholars to Consider Their Role As Ambassadors for Change
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YOU US WE ALL BAM Harvey Theater Nov 11—14 at 7:30Pm
#BAMNextWave #YouUsWeAll Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer YOU US WE ALL BAM Harvey Theater Nov 11—14 at 7:30pm Running time: one hour & 20 minutes, no intermission Music by Shara Worden Text, direction, and design by Andrew Ondrejcak B.O.X. (Baroque Orchestration X) Season Sponsor: Leadership support for opera at BAM provided by Aashish & Dinyar Devitre Endowment funding has been provided by The Andrew W. Mellon Foundation Fund for Opera and Music-Theater Major support for opera at BAM provided by The Francena T. Harrison Foundation Trust YOU US WE ALL CAST HOPE Shara Worden VIRTUE Helga Davis LOVE Martin Gerke DEATH Bernhard Landauer TIME Carlos Soto B.O.X. ENSEMBLE A Continuo/Rythm Section Theorbo, artistic direction Pieter Theuns Harpsichord, organ Anthony Romaniuk Baroque harp Jutta Troch Drums, percussion Mattijs Vanderleen An Alta Capella of Winds Cornett, flutes Lambert Colson Cornett, trumpet Jon Birdsong Sackbut (baroque trombone) Liza Malamut A Consort of Viols Treble viol, bass viol Liam Byrne Bass viol Pieter Vandeveire Violone Christine Sticher PRODUCTION CREDITS Stage, light, costume, projection design Andrew Ondrejcak Choreographer Seth Stewart Williams Production dramaturg Anne Seiwerath Executive producer/tour management ArKtype/Thomas O. Kriegsmann Production manager/lighting director Davison Scandrett Production stage manager Valerie Oliveiro Assistant stage manager Nina Segal Video design consultant Andrew Bauer Video supervisor Tei Blow Co-lighting design Lutz Deppe Co-costume design Zane Philstrom Assistant director Cecile Tonizzo Sound design David Schnirman/Hear No Evil Wig design Rick Gradone Make-up design Marco Campos Assistant, costumes and wardrobe Baille Younkman Assistant, costumes Julie Michaels Production assistant Veerle Van Rossom YOU US WE ALL is commissioned by B.O.X. -
Murat Eyuboglu William Debuys Murat Eyuboglu Murat Eyuboglu
Directed by Original Music by Murat Eyuboglu May 18, 2016 John Luther Adams Script by “visually captivating William Brittelle William deBuys and unsettling” Glenn Kotche Murat Eyuboglu Shara Nova “performed by some of the most Paola Prestini Cinematography by innovative soundsmiths around” Murat Eyuboglu Performed live by Sylvestre Campe Roomful of Teeth Edited by Glenn Kotche David Sarno Jeffrey Zeigler Narrated by Mark Rylance The Colorado River has cut through canyons, cultures, and centuries. Here are nine chapters in its fast-flowing journey. projectcolorado.com C THE 2 of 8 COLORADO For five million years the Colorado has carved some of the and narrated by the stage legend Mark Rylance, takes us on most majestic landscapes on the planet. It has also become a journey in nine chapters through the prehistoric settlements the lifeline of a vast portion of North America, providing the of the region, the period of European exploration, the dam- water that sustains nearly forty million people, half a dozen building era, modern industrial agriculture and immigration, major cities, and an immense agricultural empire. Because of and the impact of climate change. In its premiere, the film’s these demands, the river is so overused and overpromised presentation was accompanied by a live performance of its that it no longer flows to the sea or nourishes its delta. exhilarating score by vocal ensemble Roomful of Teeth, cellist The Colorado, set to music by today’s leading composers Jeffrey Zeigler, and composer-percussionist Glenn Kotche. CREDITS -
Sufjan Stevens/Osso Run Rabbit Run
Sufjan Stevens/Osso Run Rabbit Run ARTIST: Sufjan Stevens / Osso In 2001, Sufjan Stevens followed up his debut album, A Sun Came, with TITLE: Run Rabbit Run Enjoy Your Rabbit, a series of fourteen instrumentals programmatically in- GENRE: classical / indie spired by the animals of the Chinese Zodiac. Much later, in 2006, Bryce STREET DATE: October 6, 2009 Dessner (The National, Dark Was the Night compilation, Clogs) suggest- FORMAT: CD/2xLP ed that Sufjan re-arrange the entirety of Enjoy Your Rabbit for Osso, a string quartet that had previously contributed strings to Sufjan’s Illinois and LIMITED EDITION (CD): No My Brightest Diamond’s Bring Me The Workhorse. The result is Run Rabbit LIMITED EDITION (LP): Yes Run. EXPORT RESTRICTIONS: None RETURNABLE (CD): Yes “Osso’s readings take Mr. Stevens’ music to new places…” – The New York RETURNABLE (LP): No Times PACKAGING (CD): Gatefold PACKAGING (LP): Gatefold • Beautiful packaging includes reproductions of Jessica Dessner’s BOX LOT (CD): 35 exquisite pencil drawings BOX LOT (LP): 10 • Osso will be touring in the fall in support of this release UPC (CD): 656605604923 • Press campaign by Sacks & Company • Radio campaign by Team Clermont Track Listing: 1. Year of the Ox (arr. Michael Atkinson) (3:20) 2. Enjoy Your Rabbit (arr. Michael Atkinson) (3:36) 3. Year of the Monkey (arr. Michael Atkinson) (3:31) UPC (LP): 656605604916 4. Year of the Tiger (arr. Rob Moose) (3:22) 5. Year of the Dragon (arr. Nico Muhly) (3:22) 6. Year of the Snake (arr. Olivier Manchon) (5:05) 7. Year of the Horse (arr. -
Publication 2
KHU_playbill_cat.indd 1 6/4/14 2:44 PM Contents FORWARD..............................................4 Rebecca Ruth Hart ANCIENT EVENINGS.........................6 REN..........................................................8 KHU........................................................11 OSIRIS IN DETROIT.............................12 Angus Cook MAP........................................................16 LIBRETTO...........................................20 NOTES ON THE MUSIC...................27 Jonathan Bepler and Shane Anderson PROFILES.............................................28 CAST AND CREW..............................30 WHO’S WHO IN THE CAST.........32 ADDITIONAL INFORMATION.......35 “I believe in the practice and philosophy of what we have agreed to call magic, in what I must call the evocation of spirits, though I do not know what they are, in the power of creating magical illusions, in the visions of truth in the depths of the mind when the eyes are closed; and I believe…that the borders of our mind are ever shifting, and that many minds can flow into one another, as it were, and create or reveal a single mind, a single energy…and that our memories are part of one great memory, the memory of Nature herself.” W.B. Yeats Ideas of Good and Evil Epigraph to Norman Mailer’s Ancient Evenings The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn cellular phones off, as it interferes with audio recording equipment and telecommunications. Thank you. KHU_playbill_cat.indd 2-1 6/4/14 2:44 PM KHU_playbill_cat.indd 2-3 6/4/14 2:44 PM Forward With the promise of full support from Henry Ford’s son Edsel, William Rebecca Ruth Hart Valentiner, then director of the Detroit Institute of Arts, met with Rivera in San Francisco in 1930. -
A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century
A SCENE WITHOUT A NAME: INDIE CLASSICAL AND AMERICAN NEW MUSIC IN THE TWENTY-FIRST CENTURY William Robin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2016 Approved by: Mark Katz Andrea Bohlman Mark Evan Bonds Tim Carter Benjamin Piekut © 2016 William Robin ALL RIGHTS RESERVED ii ABSTRACT WILLIAM ROBIN: A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century (Under the direction of Mark Katz) This dissertation represents the first study of indie classical, a significant subset of new music in the twenty-first century United States. The definition of “indie classical” has been a point of controversy among musicians: I thus examine the phrase in its multiplicity, providing a framework to understand its many meanings and practices. Indie classical offers a lens through which to study the social: the web of relations through which new music is structured, comprised in a heterogeneous array of actors, from composers and performers to journalists and publicists to blog posts and music venues. This study reveals the mechanisms through which a musical movement establishes itself in American cultural life; demonstrates how intermediaries such as performers, administrators, critics, and publicists fundamentally shape artistic discourses; and offers a model for analyzing institutional identity and understanding the essential role of institutions in new music. Three chapters each consider indie classical through a different set of practices: as a young generation of musicians that constructed itself in shared institutional backgrounds and performative acts of grouping; as an identity for New Amsterdam Records that powerfully shaped the record label’s music and its dissemination; and as a collaboration between the ensemble yMusic and Duke University that sheds light on the twenty-first century status of the new-music ensemble and the composition PhD program. -
Dossier Premsa Primavera So
EL FESTIVAL CARTELL PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA PRIMAVERA A LA CIUTAT ORGANITZACIÓ I PARTNERS TICKETS I PUNTS DE VENDA CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA CONTACTE ANNEX I: PRIMAVERAPRO ANNEX II: BIOGRAFIES D’ARTISTES EL FESTIVAL Primavera Sound ha centrat sempre els seus esforços en ajuntar en els seus cartells les últimes propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més un- derground de la música electrònica i de ball. El festival ha comptat al llarg de la seva història amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Arcade Fire, passant per Queens of the Stone Age, Nine Inch Nails, Kendrick Lamar, Neil Young, Sonic Youth, Portishead, Pet Shop Boys, Pavement, Echo & The Bunnymen, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Cat Power, Public Enemy, Grinderman, Franz Ferdinand, Television, Devo, Enrique Morente, The White Stripes, LCD Soundsystem, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Swans, Melvins, The National, Psychic TV, Spiritualized, The Cure, Bon Iver, La Buena Vida, Death Cab For Cutie, Iggy & The Stooges, De La Soul, Marianne Faithfull, Mazzy Star, Blur, Wu-Tang Clan, Phoenix, The Jesus and Mary Chain, o Tame Impala, entre molts d’altres. Primavera Sound s’ha consolidat com el festival urbà per excel·lència amb unes característiques úniques que ho han projectat internacionalment com a cita cultural de referència. -
Decemberists Albums Free Download Torrent the Decemberists Release Music Video on Bittorrent
decemberists albums free download torrent The Decemberists Release Music Video on BitTorrent. The indie rock band “The Decemberists” has more faith in BitTorrent than MTV. The band from Portland, Oregon want their video to be available to a wide public, and BitTorrent is the easiest way to do so. For the most part, MTV and VH1 won’t touch video unless bands have sold a huge number of records, it’s impossible to get rotation.” Publishing a video on BitTorrent, is cheap, easy and efficient. The hardcore fans helped to seed the torrent and within a couple of days the torrent was downloaded more that 2000 times. Slim Moon, founder of Kill Rock Stars, the Decemberists’ record label responds: “No matter where you stand on issues of copyright, a network like BitTorrent is really for exactly this kind of thing When you have content that you want to freely distribute, it seems like … the most logical way to distribute.” The video for “Sixteen Military Wives” was shot for less than $6,000 at a high school in Portland, Oregon, and features members of the band participating in a Model United Nations, a simulation popular in high schools to teach students about problem-solving and international relations. In the video, Decemberists singer Colin Meloy represents the United States and boldly declares war on Luxembourg, a not-so-subtle jab at the Bush administration’s decision to go to war. By the way, their album “Castaways and Cutouts” probably looks familiar to most people in the BitTorrent community. The Decemberists Albums: Ranked from Worst to Best. -
Longlists 2015
Longlist 1/2015 Jury Orchestermusik Schumann: Symphonien Vol. III. WDR SO, Holliger (audite) Grieg: Symphonie c-moll, Klavierkonzert. WDR SO, Aadland (audite) Schreker, Toch u.a: Radio-Musiken. O der Staatsoperette Dresden, Theis (cpo) Mahler: Symphonie Nr. 5. WDR SO, Saraste (Hänssler) Halvorsen: Orchesterwerke. Bergen PhilO, N.Järvi (Chandos) „Masterpieces“. Werke von Mahler, Debussy u.a. San Francisco SO, Tilson Thomas (SFSMedia) CPE Bach: Hamburger Symphonien. Ensemble Resonanz, Minasi (Es-Dur) Haydn & Gluck: Symphonien u.a. Il Giardino Armonico, Antonini (Alpha) Strawinsky: Le sacre du printemps. Tonhalle O Zürich, Zinman (Sony) Mendelssohn & Schumann: Symphonien u.a. London SO, Gardiner (LSOLive) Jury Konzerte Beethoven: Klavierkonzert Nr. 5, Chorphantasie. Andsnes, Mahler Chamber O (Sony) Beethoven: Klavierkonzerte Nr. 1 & 2. Schwizgebel, London Phil O, Th. Fischer (Aparté) Szymanowski: Violinkonzerte Nr. 1 & 2, Mythen. Skride & Skride, Oslo Phil O, V. Petrenko (Orfeo) Schostakowitsch: Violinkonzerte Nr. 1 & 2. Tetzlaff, Helsinki Phil O, Storgårds (Ondine) Mozart & Haydn: Klavierkonzerte u.a. Tharaud, DiDonato, Violons du Roy, Labadie (Erato) JS Bach: Klavierkonzerte BWV 1052-1058. Kronenberg, Zürcher KammerO (Genuin) Walton: Cellokonzert u.a. Poltéra, Sao Paulo SO, Shipway (BIS) Jury Kammermusik Beethoven: Werke für Violoncello & Klavier. Queras, Melnikov (harmonia mundi) JS Bach & Ysaÿe: Sonaten u.a. Weithaas (CAvi) Schostakowitsch & Schnittke: Streichquartette. Pacifica Q (Cedille) Le Beau: Violinsonate op. 10 u.a. Niziol, Severin, Korsunskaya (MDG) Bartók: Quartette Nr. 1 und Nr. 5. Meta4 (Hänssler) Josef Suk: Sämtliche Streichquartette. Minguet Q, Kirschnereit (cpo) Mendelssohn & Berg: Streichquartette. Tetzlaff Q (CAvi) „Romance oubliée“. Werke von Glasunow, Vierne u. a..Zimmermann, Hoppe (Myrios) Poulenc, Beethoven, Barber u.a.: Werke für Bläser & Klavier. -
David Lang's Death Speaks, with Bryce Dessner, Shara Worden
Preview: David Lang's Death Speaks, with Bryce Dessner1, 1S/2h0a/r1a2 Worden &Owen Pallett - Glide Maga… Enter Email Features Preview: David Lang's Death Speaks, with Email Address: Enter Email Bryce Dessner, Shara Worden & Owen Pallett By Peter Zimmerman January 20, 2012 …more Glide stuff related to this article » New s: Sufjan Stevens, Serengeti & Son Lux Tease Forthcoming Beak & Claw EP On Wednesday, January 25, 2012, Stanford University's Lively Arts Series will host the world premiere of Pulitzer Prize-winning composer David Lang's (Stanford '78) piece, Death Speaks. Commissioned by Lively Arts » New s: yMusic & Shara Worden Offer Free and Carnegie Hall, Death Speaks makes its debut at Stanford's Dinkelspiel Auditorium. The first part of the Unreleased Track program includes Lang's 2007 work, The Little Match Girl Passion (winner of the 2008 Pulitzer Price and 2010 » CD: yMusic - Beautiful Mechanical Grammy Award). Passion features Paul Hillier's Theatre of Voices ensemble, which rarely travels to the United States for performances. A post-performance discussion with Lang immediately follows the performances. » CD: My Brightest Diamond - All Things Will Unwind “Death Speaks was commissioned specifically to go on a program with my piece The Little Match Girl Passion,” » Feature: My Brightest Diamond Continues To says Lang. “The opportunity came without many other parameters, so there were a lot of questions I had to Add It All Up With All Things Will Unwind answer. What would it be like to put together an ensemble of successful indie composer/performers and invite them back into classical music, the world from which they sprang? I asked rock musicians Bryce Dessner, » New s: My Brightest Diamond Set To Release Owen Pallett, and Shara Worden to join me, and we added Nico Muhly, who although not someone who left Album in October classical music is certainly known and welcome in many musical environments. -
Y | Opera | Studies Today Developing New Opera in the Age of #Metoo
Y | Opera | Studies Today Developing New Opera in the Age of #MeToo A Zoom Conference May 8, 2020 Yale Department of Music May 6 – 7 VIdeo streaMIng of prism (ellen reId and roxIe perkIns, 2018) A link will be emailed to registered participants of the conference. Music Ellen Reid Libretto Roxie Perkins Director James Darrah Conductor Julian Wachner Producer Beth Morrison Projects Featuring Rebecca Jo Loeb, Anna Schubert, noVus ny, and The Choir of Trinity Wall Street Sound design Garth MacAleavey Choreographer and assistant director Chris Emile Set design Adam Rigg Costume design Molly Irelan Lighting design Pablo Santiago-Brandwein May 8 10 a.m. WelcoMe and IntroductIon Gundula Kreuzer lIghtnIng talks and dIscussIon I: neW opera and gender Wayne Heisler Jr. “Bigger than Germont; Or, the Operatic Canon as Codependency” Jane Forner “Opera as Activism and Social Critique: The Works of Cecilie Ore, 2008 – 2019” Lucy Caplan “‘A Little Woman with a Big Thought’: Gender and Labor in a New Production of Shirley Graham’s Tom-Tom” Chair and Respondent: Ryan Minor 11:15 Short break 11:30 lIghtnIng talks and dIscussIon II: opera and/as experIMent Joy Calico “Engaging Experimental Opera: Chaya Czernowin’s Infinite Now (2017)” W. Anthony Sheppard “Shara Nova’s You Us We All and #MeToo” Chair and Respondent: Alessandra Campana poster presentatIon “Ms., Opera, Music, Mr.: A Rhetorical Analysis of Contemporary Classical Music Criticism” Allison Chu and Frances Pollock Chair and Respondent: Suzanne Stewart-Steinberg 1 p.m. lunch break 2:00 conVersatIon: -
News Release
FOR IMMEDIATE RELEASE - April 7, 2020 Press Contact: Maggie Stapleton, Jensen Artists 646.536.7864 x2 [email protected] American Composers Orchestra Announces Connecting ACO Community A new solo commissioning initiative in response to the COVID-19 crisis with online world premieres beginning Sunday, April 19, 2020 at 5pm EST on Zoom $5 tickets available through Eventbrite | More information at https://bit.ly/ACOConnect New York, NY – In response to the impacts of COVID-19 on composers and performers, American Composers Orchestra announces Connecting ACO Community, a new initiative to commission short works for solo instrument or voice. Each composer will receive $500 to write the work, and each performer will receive $500 to perform the work, with the rights to stream for six months. With these seven premieres, ACO aims to support artists who need financial assistance; to create new work that will live beyond this crisis; and to provide virtual, interactive performances to ACO’s supporters and the general public. Premieres of the new works will take place each Sunday at 5pm EST, beginning Sunday, April 19, 2020 at 5pm EST with violinist Miranda Cuckson performing a new work by Ethan Iverson, hosted on Zoom. Ticketholders will receive a private link to join the performance, and all of the proceeds from the ticket sales will go solely to fund artists involved in this project. If the $5 entrance fee poses a barrier to participation, interested listeners will be asked to fill out an anonymous form at https://bit.ly/ACOConnectComp or email Aiden Feltkamp at [email protected] to request a fee waiver. -
My Brightest Diamond Comes to Marcus Center's Vogel
Press Contact: Molly Sommerhalder Phone: 414-273-7121 ext. 399 Email: [email protected] For Immediate Release MY BRIGHTEST DIAMOND COMES TO MARCUS CENTER’S VOGEL HALL FOR ONE NIGHT ONLY ON SATURDAY, NOVEMBER 15 TICKETS ON SALE THIS SUNDAY, AUGUST 10 “Along with her often-gorgeous singing, Ms. Worden presents an ambitious series of arrangements…the songs glow with rumination…”—The New York Times Milwaukee, WI (Tuesday, August 5, 2014) – The Marcus Center for the Performing Arts and WMSE is thrilled to welcome an evening with My Brightest Diamond on Saturday, November 15 at 8:00 pm. Tickets are $17.50 and go on sale this Sunday, August 10 at 12:00 pm at the Marcus Center Box Office. Ticket can be purchased by phone at 414-273-7206 or online at MarcusCenter.org and Ticketmaster.com. Groups 10+ call 414-273-7121 ext. 210 or 213. Since debuting as My Brightest Diamond in 2006, Shara Worden, acclaimed singer, songwriter and musician, has released three full-length albums, including her most recent, 2011’s All Things Will Unwind. Of the album, The New York Times praises, “…she has a keen sense of the dramatic, and a sure understanding of dynamics,” while allmusic asserts, “All Things Will Unwind finds this musical auteur at the top of her game, maturing, pushing her already broad boundaries, and brimming with imagination.” In addition to her work as My Brightest Diamond, Worden has collaborated and performed with various musicians, artists and filmmakers, including Matthew Barney, Sufjan Stevens, Bryce and Aaron Dressner (The National), The Decemberists, Bon Iver, David Byrne, The Blind Boys of Alabama, Laurie Anderson, Matthew Ritchie, Murat Eyuboglu, Brooklyn Rider and yMusic, among others.