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Amjad Ali Khan & Sharon Isbin
SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S. -
SING for JUSTICE, MICHIGAN! an Interdisciplinary Event That Calls for Musicians Artists and Scholars to Consider Their Role As Ambassadors for Change
In collaboration with The American Choral Directors Association Presents SING FOR JUSTICE, MICHIGAN! An interdisciplinary event that calls for musicians artists and scholars to consider their role as ambassadors for change With performances and special guests: Stacey Gibbs, guest conductor Shara Nova, presenter Detroit Women’s Choir, Arianne Abela EMU Choral Ensembles, Brandon Johnson, Liza Calisesi Maidens, & Aaron Pollard MSU Youth Chamber Choir, Kyle Zeuch Oakland University Choral, Mike Mitchell Student & Faculty Panel, Harry Bhogal Peter Higgins, Women’s and Gender Studies Department Michael Doan, Philosophy Department Mary Larkin, LGBT Resource Center Candice Crutcher, Nat’l Assoc. for the Advancement of Colored People & Director of Political Action for SGA Amy Johnson, Communications, Media & Theatre Arts Friday, November 10, 2017 Pease Auditorium Welcome! The Eastern Michigan University Choral Department and the Michigan American Choral Directors Association are so pleased to welcome you to Sing for Justice, Michigan! Music has always been way for people to express themselves and the call for justice is not new to our age. We each understand that the arts have a role to play, and that is why we are here. To understand and to maximize that role is critical to the artist and we are here to discuss the intersection of arts and justice issues. While we have differences among us, the arts can be a common ground for people of myriad backgrounds, whether those variations be political, religious, cultural, or otherwise. Today we celebrate these differences and we gather to examine how we can help inspire others to celebrate them, as well. EMU and ACDA-MI are thrilled to host renowned composer and arranger Stacey Gibbs, singer-songwriter Shara Nova from the band My Brightest Diamond, and a variety of other presenters and performing ensembles as they seek to find ways to use the arts for justice issues. -
Oceanic Migrations
San Francisco Contemporary Music Players on STAGE series Oceanic Migrations MICHAEL GORDON ROOMFUL OF TEETH SPLINTER REEDS September 14, 2019 Cowell Theater Fort Mason Cultural Center San Francisco, CA SFCMP SAN FRANCISCO CONTEMPORARY MUSIC PLAYERS San Francisco Contemporary Music Brown, Olly Wilson, Michael Gordon, Players is the West Coast’s most Du Yun, Myra Melford, and Julia Wolfe. long-standing and largest new music The Contemporary Players have ensemble, comprised of twenty-two been presented by leading cultural highly skilled musicians. For 49 years, festivals and concert series including the San Francisco Contemporary Music San Francisco Performances, Los Players have created innovative and Angeles Monday Evening Concerts, Cal artistically excellent music and are one Performances, the Stern Grove Festival, Tod Brody, flute Kate Campbell, piano of the most active ensembles in the the Festival of New American Music at Kyle Bruckmann, oboe David Tanenbaum, guitar United States dedicated to contemporary CSU Sacramento, the Ojai Festival, and Sarah Rathke, oboe Hrabba Atladottir, violin music. Holding an important role in the France’s prestigious MANCA Festival. regional and national cultural landscape, The Contemporary Music Players Jeff Anderle, clarinet Susan Freier, violin the Contemporary Music Players are a nourish the creation and dissemination Peter Josheff, clarinet Roy Malan, violin 2018 awardee of the esteemed Fromm of new works through world-class Foundation Ensemble Prize, and a performances, commissions, and Adam Luftman, -
Berkeleysymphonyprogram2016
Mountain View Cemetery Association, a historic Olmsted designed cemetery located in the foothills of Oakland and Piedmont, is pleased to announce the opening of Piedmont Funeral Services. We are now able to provide all funeral, cremation and celebratory services for our families and our community at our 223 acre historic location. For our families and friends, the single site combination of services makes the difficult process of making funeral arrangements a little easier. We’re able to provide every facet of service at our single location. We are also pleased to announce plans to open our new chapel and reception facility – the Water Pavilion in 2018. Situated between a landscaped garden and an expansive reflection pond, the Water Pavilion will be perfect for all celebrations and ceremonies. Features will include beautiful kitchen services, private and semi-private scalable rooms, garden and water views, sunlit spaces and artful details. The Water Pavilion is designed for you to create and fulfill your memorial service, wedding ceremony, lecture or other gatherings of friends and family. Soon, we will be accepting pre-planning arrangements. For more information, please telephone us at 510-658-2588 or visit us at mountainviewcemetery.org. Berkeley Symphony 2016/17 Season 5 Message from the Music Director 7 Message from the Board President 9 Message from the Executive Director 11 Board of Directors & Advisory Council 12 Orchestra 14 Season Sponsors 18 Berkeley Symphony Legacy Society 21 Program 25 Program Notes 39 Music Director: Joana Carneiro 43 Artists’ Biographies 51 Berkeley Symphony 55 Music in the Schools 57 2016/17 Membership Benefits 59 Annual Membership Support 66 Broadcast Dates Mountain View Cemetery Association, a historic Olmsted designed cemetery located in the foothills of 69 Contact Oakland and Piedmont, is pleased to announce the opening of Piedmont Funeral Services. -
Decemberists Albums Free Download Torrent the Decemberists Release Music Video on Bittorrent
decemberists albums free download torrent The Decemberists Release Music Video on BitTorrent. The indie rock band “The Decemberists” has more faith in BitTorrent than MTV. The band from Portland, Oregon want their video to be available to a wide public, and BitTorrent is the easiest way to do so. For the most part, MTV and VH1 won’t touch video unless bands have sold a huge number of records, it’s impossible to get rotation.” Publishing a video on BitTorrent, is cheap, easy and efficient. The hardcore fans helped to seed the torrent and within a couple of days the torrent was downloaded more that 2000 times. Slim Moon, founder of Kill Rock Stars, the Decemberists’ record label responds: “No matter where you stand on issues of copyright, a network like BitTorrent is really for exactly this kind of thing When you have content that you want to freely distribute, it seems like … the most logical way to distribute.” The video for “Sixteen Military Wives” was shot for less than $6,000 at a high school in Portland, Oregon, and features members of the band participating in a Model United Nations, a simulation popular in high schools to teach students about problem-solving and international relations. In the video, Decemberists singer Colin Meloy represents the United States and boldly declares war on Luxembourg, a not-so-subtle jab at the Bush administration’s decision to go to war. By the way, their album “Castaways and Cutouts” probably looks familiar to most people in the BitTorrent community. The Decemberists Albums: Ranked from Worst to Best. -
Y | Opera | Studies Today Developing New Opera in the Age of #Metoo
Y | Opera | Studies Today Developing New Opera in the Age of #MeToo A Zoom Conference May 8, 2020 Yale Department of Music May 6 – 7 VIdeo streaMIng of prism (ellen reId and roxIe perkIns, 2018) A link will be emailed to registered participants of the conference. Music Ellen Reid Libretto Roxie Perkins Director James Darrah Conductor Julian Wachner Producer Beth Morrison Projects Featuring Rebecca Jo Loeb, Anna Schubert, noVus ny, and The Choir of Trinity Wall Street Sound design Garth MacAleavey Choreographer and assistant director Chris Emile Set design Adam Rigg Costume design Molly Irelan Lighting design Pablo Santiago-Brandwein May 8 10 a.m. WelcoMe and IntroductIon Gundula Kreuzer lIghtnIng talks and dIscussIon I: neW opera and gender Wayne Heisler Jr. “Bigger than Germont; Or, the Operatic Canon as Codependency” Jane Forner “Opera as Activism and Social Critique: The Works of Cecilie Ore, 2008 – 2019” Lucy Caplan “‘A Little Woman with a Big Thought’: Gender and Labor in a New Production of Shirley Graham’s Tom-Tom” Chair and Respondent: Ryan Minor 11:15 Short break 11:30 lIghtnIng talks and dIscussIon II: opera and/as experIMent Joy Calico “Engaging Experimental Opera: Chaya Czernowin’s Infinite Now (2017)” W. Anthony Sheppard “Shara Nova’s You Us We All and #MeToo” Chair and Respondent: Alessandra Campana poster presentatIon “Ms., Opera, Music, Mr.: A Rhetorical Analysis of Contemporary Classical Music Criticism” Allison Chu and Frances Pollock Chair and Respondent: Suzanne Stewart-Steinberg 1 p.m. lunch break 2:00 conVersatIon: -
An Original Chamber Opera and a Critical Essay on the Trajectory
VIOLETTING THROUGH AUGUST’S END (OR THE SUNSET IN WATER, THE CARILLON-CHIME IN SQUARE): AN ORIGINAL CHAMBER OPERA AND A CRITICAL ESSAY ON THE TRAJECTORY OF AMERICAN MINIMALIST OPERA James Joseph Doyle Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS December 2014 APPROVED: Joseph Klein, Major Professor and Division Chair Peter Mondelli, Minor Professor Andrew May, Committee Member Benjamin Brand, Director of Graduate Studies in the College of Music James Scott, Dean of the College of Music Mark Wardell, Dean of the Toulouse Graduate School Doyle, James Joseph. Violetting through August’s End (or the sunset in water, the carillon-chime in square): An Original Chamber Opera and a Critical Essay on the Trajectory of American Minimalist Opera. Master of Arts (Composition), December 2014, 130 pp., 35 figures, bibliography, 37 titles. When the dust settles, John Adams’s Nixon in China and Philip Glass’s Einstein on the Beach may stand as the most important operas of the latter twentieth century. The critical essay portion of this thesis examines the trajectory of minimalist opera, from its beginnings with Glass’s Einstein on the Beach through the more romantic operas of John Adams, Steve Reich’s multimedia opera The Cave, David Lang’s musical-influenced The Difficulty of Crossing a Field, and finally the post-minimalist operas currently being staged by young composer Nico Muhly. It examines the differences between the more abstract trajectory established by the early Glass operas and the plot driven trajectory established by operas more commonly associated with John Adams, most significantly Nixon in China. -
News Release
FOR IMMEDIATE RELEASE - April 7, 2020 Press Contact: Maggie Stapleton, Jensen Artists 646.536.7864 x2 [email protected] American Composers Orchestra Announces Connecting ACO Community A new solo commissioning initiative in response to the COVID-19 crisis with online world premieres beginning Sunday, April 19, 2020 at 5pm EST on Zoom $5 tickets available through Eventbrite | More information at https://bit.ly/ACOConnect New York, NY – In response to the impacts of COVID-19 on composers and performers, American Composers Orchestra announces Connecting ACO Community, a new initiative to commission short works for solo instrument or voice. Each composer will receive $500 to write the work, and each performer will receive $500 to perform the work, with the rights to stream for six months. With these seven premieres, ACO aims to support artists who need financial assistance; to create new work that will live beyond this crisis; and to provide virtual, interactive performances to ACO’s supporters and the general public. Premieres of the new works will take place each Sunday at 5pm EST, beginning Sunday, April 19, 2020 at 5pm EST with violinist Miranda Cuckson performing a new work by Ethan Iverson, hosted on Zoom. Ticketholders will receive a private link to join the performance, and all of the proceeds from the ticket sales will go solely to fund artists involved in this project. If the $5 entrance fee poses a barrier to participation, interested listeners will be asked to fill out an anonymous form at https://bit.ly/ACOConnectComp or email Aiden Feltkamp at [email protected] to request a fee waiver. -
May 23–June 11, 2016
FOR RELEASE: March 8, 2016 PROGRAM UPDATES AND Contact: Katherine E. Johnson NEW EVENTS ADDED (212) 875-5718; [email protected] UPDATED May 25, 2016 May 23–June 11, 2016 THREE-WEEK EXPLORATION OF TODAY’S MUSIC PRESENTED BY THE NEW YORK PHILHARMONIC AND TWELVE PARTNERS IN EIGHT VENUES THROUGHOUT NEW YORK CITY NEWLY ADDED: Insights Series: Free NY PHIL BIENNIAL Preview Night with Alan Gilbert, May 11 at David Rubenstein Atrium NY PHIL BIENNIAL Play Dates: Post-Concert Meet-Ups with Composers and Artists #biennialist Social Media Contest Programs for New York City Electroacoustic Music Festival with Works by More Than 30 Composers June 5–7, 2016, at National Sawdust BOULEZ’s Messagesquisse and STUCKY’s Second Concerto for Orchestra Added to Finale Program with Alan Gilbert and the New York Philharmonic In Tribute to the Late Composers June 11 at David Geffen Hall From May 23 to June 11, 2016, the New York Philharmonic and Music Director Alan Gilbert will present the second NY PHIL BIENNIAL, a wide-ranging exploration of today’s music by an array of contemporary and modern composers. A flagship project of the New York Philharmonic, the NY PHIL BIENNIAL brings together an international roster of composers, performers, and curatorial voices for concerts presented both on the Lincoln Center campus and in venues throughout the city. The 2016 NY PHIL BIENNIAL will feature works by more than 100 composers, more than half of whom are American, spanning in age and experience from students to iconic legends. Reflecting the Philharmonic’s growing collaborations with music education organizations from New York City to Asia, in the second NY PHIL BIENNIAL the Philharmonic will present new-music programs from some of the country’s top music schools, ranging from high school to university levels, and youth choruses from the East and West Coasts. -
Final Dissertation Submission
Negotiating Sound, Place, Ritual and Community: The Extended-Length Concert Percussion Music of John Luther Adams by James Michael Peter Drake A thesis suBmitted in conformity with the requirements for the degree of Doctor of Musical Arts Faculty of Music University of Toronto © Copyright By James Michael Peter Drake 2019 Negotiating Sound, Place, Ritual and Community: The Extended- Length Concert Percussion Music of John Luther Adams James Michael Peter Drake Doctor of Musical Arts Faculty of Music University of Toronto 2019 ABstract American composer John Luther Adams has been recognized as one of the most important and innovative composers of contemporary classical music. Adams is well-known for his musical connections to the natural environment, and for espousing the idea of “music as place”. These overarching themes, combined with composition techniques that take inspiration from natural phenomena and organic processes, have led to works that often have a formal structure at their core, but a combination of rhythms, harmonies and textures that is unlike any other mainstream composer working today. Through his associations with many notable contemporary percussionists, Adams has written compositions that have made a particularly strong impact in contemporary percussion music, especially through his affinity for writing for “non-pitched” instruments. He has also shown an affinity for compositions that are expansive in duration. Three compositions that share these characteristics are the main focus of this study: Strange and Sacred Noise, The Mathematics of Resonant Bodies and Ilimaq. I suggest that along with environment and place, ritual is a key component in Adams’ compositions, and that highlighting aspects of ritual may help lead to a greater feeling of ii community and/or Victor and Edith Turner’s concept of communitas between performers and audience. -
John Cage: the Text Pieces I 23
21ST CENTURY MUSIC JANUARY 2000 INFORMATION FOR SUBSCRIBERS 21ST-CENTURY MUSIC is published monthly by 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. Subscription rates in the U.S. are $84.00 per year; subscribers elsewhere should add $36.00 for postage. Single copies of the current volume and back issues are $8.00 (large back orders must be ordered by volume and be pre-paid). Please allow one month for receipt of first issue. Domestic claims for non-receipt of issues should be made within 90 days of the month of publication, overseas claims within 180 days. Thereafter, the regular back issue rate will be charged for replacement. Overseas delivery is not guaranteed. Send orders to 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. e-mail: [email protected]. Typeset in Times New Roman. Copyright 2000 by 21ST-CENTURY MUSIC. This journal is printed on recycled paper. Copyright notice: Authorization to photocopy items for internal or personal use is granted by 21ST-CENTURY MUSIC. INFORMATION FOR CONTRIBUTORS 21ST-CENTURY MUSIC invites pertinent contributions in analysis, composition, criticism, interdisciplinary studies, musicology, and performance practice; and welcomes reviews of books, concerts, music, recordings, and videos. The journal also seeks items of interest for its calendar, chronicle, comment, communications, opportunities, publications, recordings, and videos sections. Typescripts should be double-spaced on 8 1/2 x 11 -inch paper, with ample margins. Authors with access to IBM compatible word-processing systems are encouraged to submit a floppy disk, or e-mail, in addition to hard copy. Prospective contributors should consult "The Chicago Manual of Style," 13th ed. -
ABSTRACT of MUSICAL ARTS PROJECT Andrew Michael Bliss
ABSTRACT OF MUSICAL ARTS PROJECT Andrew Michael Bliss The Graduate School University of Kentucky 2008 DAVID LANG: DECONSTRUCTING A CONSTRUCTIVIST COMPOSER ______________________________________________________________ ABSTRACT OF MUSICAL ARTS PROJECT ______________________________________________________________ A musical arts project submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the College of Fine Arts at the University of Kentucky By Andrew Michael Bliss Lexington, Kentucky Director: James B. Campbell, Professor of Music Lexington, Kentucky 2008 Copyright © Andrew Michael Bliss 2008 ABSTRACT OF MUSICAL ARTS PROJECT DAVID LANG: DECONSTRUCTING A CONSTRUCTIVIST COMPOSER The percussion compositions of David Lang hold a prominent place within the percussion solo repertoire. Lang’s constructivist approach to composition, as well as his resistance to tradition, has secured him a highly respected position among performers and composers alike. Percussion repertoire is yet to receive the in-depth scholarship that it currently warrants. Considering the relative youth of the genre, a Pulitzer Prize winning composer such as Lang’s interest in percussion writing should not be overlooked. Furthermore, the logistical nature of dealing with percussion notation, orchestration, and performance requires a specialist, making it difficult for most musicologists to offer the proper insight and observations. This monograph exposes the complex and multi-dimensional solo percussion works of David Lang, specifically The Anvil Chorus, Scraping Song, and Unchained Melody. The document provides insight into the composer’s intentions while offering strategies to confront the physical and psychological issues that arise when preparing these works for performance. It also deconstructs Lang’s compositional processes and reveals the similarities in his approach from piece to piece, thus clarifying his style.