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Review Essay the Quinto Suyo: New African Diaspora History from Peru
Review Essay The Quinto Suyo: New African Diaspora History from Peru Leo J. Garofalo, Connecticut College Malambo. By Lucía Charún-Illescas. Translated by Emmanuel Harris II. (Chicago: Swan Isle Press, 2004. 230 pp., translator’s note, glossary. $28.00 cloth.) Esclavos de la ciudad letrada: Esclavitud, escritura, y colonialismo en Lima (1650–1700). By José Ramón Jouve Martín. (Lima: Instituto de Estudios Peruanos, 2005. 206 pp., bibliography, illustrations. $9.00 paper.) Las máscaras de la representación: El sujeto esclavista y las rutas del racismo en el Perú (1775–1895). By Marcel Velázquez Castro. (Lima: Uni- versidad Nacional de San Marcos, 2005. 288 pp., bibliography, illustra- tions. $6.50 paper.) Breve historia de la esclavitud en el Perú: Una herida que no deja de sangrar. By Carlos Aguirre. (Lima: Fondo Editorial del Congreso del Perú, 2005. 280 pp., illustrations, bibliography, appendixes. $13.00 paper.) Inca rulers divided their empire into four parts, or suyos, and called it Tawantinsuyo, the “Empire of Four Parts.” The term Quinto Suyo (Fifth Part) combines Spanish with Quechua to draw attention to the sizeable, but often overlooked, segment of the Peruvian population with African heritage that claims a history of slavery, resistance, and survival. Quinto Suyo is a term popular with Afro-Peruvian advocacy groups fighting the marginalization of blacks, racial discrimination, and the omission of their history from most textbooks. By highlighting the little-known experiences and contributions of Peru’s black population, the new African diaspora history from Peru continues in this vein of exploring Afro-Peruvians’ deep Ethnohistory 56:2 (Spring 2009) DOI 10.1215/00141801-2008-060 Copyright 2009 by American Society for Ethnohistory 304 Review Essay historical engagement with wider Peruvian society and its institutions and practices of power. -
Peruvian History and Culture Abstract
Please note that course deadlines and dates are subject to modification. Last updated: December 9, 2020 Peruvian History and Culture Abstract Quick Fact Sheet: Type of Program Direct Enroll Language of Instruction English Course Study/Focus Sociology, # of Credits offered 3 Anthropology, Latinx Studies, Law, Psychology, World languages, Literature and Cultures, Social Services, Business, Ethics and Society, International Studies, Political Science, History, Latin, Peace and Conflict Studies *If you’re coming from a partner school, please contact your study abroad office before officially enrolling in any course. Program Details: This course is an innovative, online study abroad option for students that offers the opportunity to authentically explore and learn about another culture while earning university credits from the prestigious Pontificia Universidad Católica del Perú (PUCP) located in Lima, Peru. This course aims to present an overview of the history of Peru, from the Pre-Columbian Period to the present day. It presents a broad outline of Peru’s political and economic development, but focuses essentially on Peruvian culture, particularly in regard to its Andean heritage. Subjects covered include the environment, the various pre-Columbian cultures, political violence, gender and ethnic issues, and fantasy in Peruvian literature and cinema. When the course is over, students will have an adequate introductory grasp of Peru that will allow them to eventually pursue further studies or research that fulfil their interests. © 2020 EdOdyssey www.edodyssey.com | [email protected] | +1.857.284.1740 2 Please note that course deadlines and dates are subject to modification. Last updated: December 9, 2020 Instruction Delivery: This program centers around two equally important aspects: Academic Classes with Pontificia Universidad Católica del Perú (PUCP) and Cultural & Discussion Module that EdOdyssey will lead. -
Translating Quechua Poetic Expression in the Andes: Literature, the Social Body, and Indigenous Movements by Maria Elizabeth
Translating Quechua Poetic Expression in the Andes: Literature, the Social Body, and Indigenous Movements by Maria Elizabeth Gonzalez A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Comparative Literature) in The University of Michigan 2010 Doctoral Committee: Professor Philip J. Deloria, Co-Chair Associate Professor Santiago Colas, Co-Chair Professor Bruce Mannheim Professor Javier Sanjines Associate Professor Gustavo Verdesio © Maria Elizabeth Gonzalez 2010 To my inspiration, my son, the shining and brilliant Miguel, to my best friend and mother, a shining star, Leonor, to the shining pillar of stalwart principle, my father Ignacio, to my brothers in every path, Gonzalo and Ricardo, always, to my criollo Conservative Colombian ruling class grandparents whose code of conduct and its core of kindness led my mother, and then me, down all the right paths, Carlos and Elvira the eternal lovers of more than sixty years, to Faustina, my grandmother who minced no words and to whom I gave the gift of lecto-scripted literacy when I was a girl, while she taught me how to know goodness when I see it without erring, sunqulla, and to all my polyglot kin, my allies and friends. ii Acknowledgments To María Eugenia Choque, Ramón Conde, and Carlos Mamani I owe my gratitude for sharing with me what it all meant to them, for inviting me to share in all their THOA activities during my fieldwork, their ground breaking meetings among Indigenous Peoples of the Andean region and beyond; to all the CONAMAQ Mallkus whose presence inspired, and to all the Quechua and Aymara women who shared with good humor sunqulla. -
Rebecca Riger Tsurumi. the Closed Hand: Images of the Japanese in Modern Peruvian Literature
Studies in 20th & 21st Century Literature Volume 39 Issue 1 Article 14 2015 Rebecca Riger Tsurumi. The Closed Hand: Images of the Japanese in Modern Peruvian Literature. West Lafayette, Indiana: Purdue UP, 2012. xv + 314 pp. Miguel Gonzalez-Abellas Washburn University, [email protected] Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Japanese Studies Commons, Latin American Languages and Societies Commons, Latin American Literature Commons, and the Modern Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Gonzalez-Abellas, Miguel (2015) "Rebecca Riger Tsurumi. The Closed Hand: Images of the Japanese in Modern Peruvian Literature. West Lafayette, Indiana: Purdue UP, 2012. xv + 314 pp.," Studies in 20th & 21st Century Literature: Vol. 39: Iss. 1, Article 14. https://doi.org/10.4148/2334-4415.1821 This Book Review is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Rebecca Riger Tsurumi. The Closed Hand: Images of the Japanese in Modern Peruvian Literature. West Lafayette, Indiana: Purdue UP, 2012. xv + 314 pp. Abstract Review of Rebecca Riger Tsurumi. The Closed Hand: Images of the Japanese in Modern Peruvian Literature. West Lafayette, Indiana: Purdue UP, 2012. xv + 314 pp. Keywords Book review, Japanese culture, Peruvian literature This book review is available in Studies in 20th & 21st Century Literature: https://newprairiepress.org/sttcl/vol39/ iss1/14 Gonzalez-Abellas: Rebecca Riger Tsurumi. -
La Narrativa Peruana Contemporánea Y La Violencia Política
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2010 Ambigüedades éticas y estéticas: La narrativa peruana contemporánea y la violencia política Gabriel T Saxton-Ruiz University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Latin American Literature Commons Recommended Citation Saxton-Ruiz, Gabriel T, "Ambigüedades éticas y estéticas: La narrativa peruana contemporánea y la violencia política. " PhD diss., University of Tennessee, 2010. https://trace.tennessee.edu/utk_graddiss/749 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Gabriel T Saxton-Ruiz entitled "Ambigüedades éticas y estéticas: La narrativa peruana contemporánea y la violencia política." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Modern Foreign Languages. Luis C. Cano, Major Professor We have read this dissertation and recommend its acceptance: Michael Handelsman, Nuria Cruz-Cámara, Jana Morgan Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Gabriel T. -
Welcome to LI
Welcome to LI MFilled with opportunities 2 Begin your tour here... Lima 360° Gastronomic Lima Lima, from the The table where 04 Andes to the 14 it all comes world together History Gastronomy guide An ancient The taste of Lima 06 city 16 Map Showcase 08 Historic A crucible of center 18 products Cultural Callao 10 industries 20 The historic All the arts port Adventure Tours Outdoor Lima itinerary 12 Lima 22 Schedule 24 Lima calendar A city that looks out over the Pacific Ocean from a natural balcony, home to nearly 10 million people with countless stories, immigrants from a thousand different places. A city with a past and future, with innovators and entrepreneurs, with art, handcrafts, and industry. A city that tastes delicious and knows how to celebrate life. Lima, a city filled with opportunities. 04 Jorge Chávez Internacional Lima 360º Airport Principal Port: El Callao Lima, from the Andes to the world Located on the central coast of South America, Lima brings together the variety and complexity of an entire country in a single vibrant and captivating metropolis. It is the only city that looks out over the sea yet begins in the Andes. 5000 years of history Spanish 0-5000 meters 19.4º founding: meters average 18 January 1535 9 886 647 154 Lima has inhabitants average elevation temperature (INEI, 2015) nd 2 Highest ranked in Latin America (2016) 18 848 207 passengers 176 865 aircraft Every Lima Politically, Lima 27 refers to a region, a airlines province, a city: Metropolitan + Info: lima-airport.com Lima, and a district. -
Views and Literary Or Film Awards
(De)humanizing Narratives of Terrorism in Spain and Peru Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Melissa Doran, M.A. Graduate Program in Spanish and Portuguese The Ohio State University 2014 Dissertation Committee: Ulises Juan Zevallos-Aguilar, Advisor Ignacio Corona Aurélie Vialette Copyright by Melissa Doran 2014 2 Abstract Both Spain and Peru experienced protracted violent conflicts between insurgent groups and State forces during the second half of the twentieth century. In Spain, this involved Euskadi Ta Askatasuna (ETA), a radical Basque nationalist organization which sought Basque autonomy via armed struggle in a conflict which lasted from 1959 until 2011. In Peru, the insurgent threat was represented by Sendero Luminoso, a Maoist guerrilla insurgency based in the Peruvian highlands that sought drastic sociopolitical change within Peru. Sendero Luminoso launched what they deemed a people’s war in 1980, and the bloody conflict that ensued continued until 1992. The damage caused by each of these conflicts was monumental, both in terms of the loss of human life and damage to infrastructure in both countries. In this dissertation I examine the depiction of these conflicts in a selection of Peruvian and Spanish novels and films. I argue that each work promotes a certain version of the conflict it describes, and that this can be revealed through an analysis of the humanizing and dehumanizing discourses at play in the representation of the actors in both of these conflicts. From Peru, I will examine Santiago Roncagliolo’s novel Abril rojo (2006) and Fabrizio Aguilar’s film Paloma de papel (2003). -
Peru's Modern Culture
A Cultural Tour Around Fabulous Peru ○○○○○○○○○○○ 1 TABLE OF CONTENTS Foreword 03 Peru, General Information 05 Peru, Millennial Culture Ϭϳ Symbols that Identify Peru 11 Peru’s Pre-Columbian Art 15 Peru’s Colonial Art 21 Peru, Melting Pot of Races 25 Peru’s Dresses 27 Peru’s Folklore - Songs, Music and Dances : Coast 31 Peru’s Folklore - Songs, Music and Dances : Highlands 35 Peru’s Folklore - Songs, Music and Dances : Amazon Region 38 Peru’s Folklore - Songs, Peruvians Believers by Nature 39 Peru, Gourmet’s Paradise : Coast 44 Peru, Gourmet’s Paradise : Highlands 49 Peru, Gourmet’s Paradise: Sweets and Desserts 51 Peru, Gourmet’s Paradise: Beverages 55 Peru’s Architecture 57 Peru’s Handicrafts 66 Peru’s Modern Culture : Photography, Cinema, Theater, Music and Dance 74 Peru’s Modern Culture : Literature, Poetry, Painting, Sculpture 78 Major Festivals and Holidays 87 A Cultural Tour Around Fabulous Peru ○○○○○○○○○○○ 2 FOREWORD Peru is an extraordinary country with a rich and diverse historical background and is known for its ancient culture as cradle of civilization. The purpose of this booklet is to provide a panoramic cultural overview of Peru, the archaeological, cultural and ecological jewel of America. From the pre-Columbian cultures, the Inca splendor of Machu Picchu, its coastal desert region, the towering mountains, the verdant jungle waterways of the majestic Amazon River, to the rich artistic expressions of its people — Peru has something for everyone to enjoy. Talk to any scientists and they will tell you that Peru is one of the most exciting destinations for archaeologists today. From Caral, the oldest city in the Americas, to the mysterious Inca ruins of Machu Picchu and the Sacred Valley, to the spectacular gold, silver and jewel encrusted artifacts recently uncovered in the tombs of the Lords of Sipan, to ongoing digs along the Northern coast and highlands, Peru is an ever-expanding open-air museum. -
Appropriations of Chinese Culture In
#13 APPROPRIATIONS OF CHINESE CULTURE IN CONTEMPORARY SOUTH AMERICAN LITERATURE: A CONTRIBUTION TO A TENTATIVE MAP BASED ON THE WORKS OF CÉSAR AIRA, BERNARDO CARVALHO AND SIU KAM WEN Álvaro Fernández Bravo CONICET, Argentina Illustration || Meritxell Duran Translation || Sharyn Cameron 50 Article || Received on: 01/02/2015 | International Advisory Board’s suitability: 21/05/2015 | Published: 07/2015 License || Creative Commons Attribution Published -Non commercial-No Derivative Works 3.0 License. 452ºF Abstract || This article examines contemporary networks of readings between China and South American literature. Through works by César Aira, Bernardo Carvalho and Siu Kam Wen, it explores new configurations of comparative and world literature and different circuits of symbolic transference. Translation and stereotype are central categories to understand this zone of literary intersection. Keywords || Comparative Literature | World Literature | China and Latin America | Translation | Stereotype 51 Hacerse chino es hacerse escritor César Aira (1993:77) 0. Introduction 452ºF. #13 (2015) 50-70. 452ºF. This article has its starting point in the crisis of area studies, which meant the flourishing of Latin Americanism and the restructuring of the boundaries of Comparative Literature flourished in the face of the strengthening of World Literature studies. The organisation of the field of literary studies is subject to change and in the last few years it has undergone revisions which call into question its organisation (Apter, 2006; Spivak, 2005), jurisdiction (Bhabha, 2013: 71-78), dimension (Damrosch, 2008) and composition (Moretti, 2000, 2005; Trigo, 2012). The rise in interest, partly by new generations of students, readers and critics exposed to cultural globalisation, to understand beyond established cannons, has also contributed to the growth and transformation of Comparative Literature. -
Writings from Peru and India Through a Postcolonial Lens
LIMITS OF COMPARATIVISM? WRITINGS FROM PERU AND INDIA THROUGH A POSTCOLONIAL LENS by Lipi Biswas Sen A thesis submitted in conformity with the requirements for the degree of Doctor of Philosphy Graduate Department of Spanish University of Toronto © Copyright by Lipi Biswas Sen 2009 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-67744-5 Our file Notre référence ISBN: 978-0-494-67744-5 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
An Example of an Understudied Genre in Ricardo Palma, the Essay
Middle Atlantic Review of Latin American Studies, 2019 Vol. 3, No. 2, 39-57 “Sistema decimal entre los antiguos peruanos”: An Example of an Understudied Genre in Ricardo Palma, The Essay Thomas Ward Loyola University Maryland [email protected] Peruvian author Ricardo Palma gained prominence as South America’s preeminent literary figure with his tradiciones, but he also cultivated lesser-known genres such as poetry and theater, as well as the essay, the topic of the present study. This article investigates why Palma’s “Sistema decimal entre los antiguos peruanos” is an essay and not a tradición, an apparent, yet erroneous category for it, since it appeared in Peruvian Traditions. In it, Palma utilizes a philological analysis of the anonymous play Ollantay and Inca Garcilaso de la Vega’s Royal Commentaries to prove that the Inkas used the decimal system of numbers. The present article considers why this piece is an essay by comparing its constituent elements with the characteristics of the essay as José Luis Gómez Martínez outlines them, including discursivity, lack of a rigid structure, incitement to reflection, digression, and vagueness in quoting practices. If Palma completes a philological commentary on Ollantay and the Royal Commentaries, the present article accomplishes a philological analysis of Palma’s “Sistema decimal,” which reveals qualities properly belonging to the essay. Keywords: Ricardo Palma, Inkas, essay, discursivity, Inca Garcilaso de la Vega, Ollantay, Peruvian literature El autor peruano Ricardo Palma logró preeminencia como luminaria literaria sudamericana mediante sus “tradiciones”, pero se dedicó también a géneros menos conocidos en su obra, como la poesía y el teatro, además del ensayo, sujeto de este estudio. -
PAOLIELLO Antonio
Chinese, Tusan and Kuei: the representation or chinese peruvian identity in Siu Kam Wen’s short stories* Antonio Paoliello** Abstract This article explores the ways in which Chinese Peruvian writer Siu Kam Wen portrays Chinese identity in the short stories contained in El Tramo final (The Final Stretch). Siu Kam Wen is considered one of the most important authors of the Generation of 1980 and the collection analysed in the present article represents a milestone in Peruvian literature. Published in Lima in 1985, El tramo final is the first work by a Peruvian narrator of ethnic Chinese background to depict the Chinese Peruvian experience from within. Through this article, I aim at investigating how the short stories by Siu help us understand the specificity of Chinese Peruvian life, especially in Lima’s Chinese Quarter, and to what extent they invigorate and/or refute the ideas on ethnic Chinese people that prevail in mainstream Peruvian society. Keywords Siu Kam Wen; El tramo final; chinese identity; Lima’s Chinatown; sino-peruvian literature. Resumo O artigo explora as maneiras pelas quais o escritor sino-peruano Siu Kam Wen representa a identidade chinesa nos contos de El Tramo final (O trecho final). Siu Kam Wen é considerado um dos autores mais importantes da Geração do 1980 e a coleção analisada no presente artigo representa um marco na literatura peruana. Publicado em Lima, em 1985, El tramo final é o primeiro trabalho escrito por um narrador sino-peruano que descreve a experiência chinesa no Peru desde dentro. O objetivo deste artigo é investigar como os contos de Siu nos ajudam a entender a especificidade da vida chinesa no Peru, especialmente no bairro chinês de Lima, e em que medida eles revigoram e/ou refutam as idéias sobre os chineses que prevalecem na sociedade peruana.