DOCSLIB.ORG

Announcements Our Back Pages News Features SEM 2021 Annual

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Announcements Our Back Pages News Features SEM 2021 Annual Volume 55, Number 3 Summer 2021 SEM 2021 Annual Meeting in Atlanta Celebrating the Music and Contributions of Africa and Its Diaspora Oliver Greene, Local Arrangements Committee Chair The Local Arrangements Committee (LAC) for the 66th broaden the appeal of the discipline while showcasing Annual Meeting of SEM welcomes ethnomusicologists, cultural traditions unique to the site of the annual meeting. anthropologists, performing artists, administrators, stu- Special events include a public program titled “Walking dents, and music lovers to Atlanta, the city known as “The with My Ancestors – Africa in Atlanta,” featuring ethnomu- Cradle of the Civil Rights Move- sicologist Ama Aduonum on the ment,” “The City too Busy to Hate,” transatlantic slave experience, and and “Atlanta: People Seem to Like an African drumming ensemble. it Here.” Because the city is cul- Local scholar presentations will in- turally diverse and has played a clude papers by musicologist Marva significant role in the preservation Griffin Carter, interpreting a church of traditional African-derived music choir’s signifyin’ at a historic 1939 and contemporary urban music, premiere, and historian Maurice J. the committee has planned activi- Hobson discussing the political in- ties that promote the theme The fluence on Atlanta’s popular music Music of Africa and the African (1970s-1990s). Jason Orr’s film Diaspora in Atlanta. All activities FunkJazzKafe: Diary of a Decade scheduled (October 28-31) are (early 1990s – early 2000s) exam- related thematically to those of the ines the impact of a popular multi- Pre-Conference Symposium (Oc- arts event featuring celebrated tober 27), which will highlight the neo-soul musicians. musical contributions of Historically Black Colleges and Universities. All Performing groups from the three LAC activities also support under- host institutions include Afro-Nyota: represented communities in the city Dr. Ama Oforiwaa Aduonum. Photo by Lyndsie Schlink. Pan African Popular Music En- or region, many of whom, along Courtesy of Ama Oforiwaa Aduonum semble (Florida State University); with other cultures, have been the targets of institutional- Saxophone Ensemble (University of Georgia); and the ized racism, hate crimes, and, recently, voter suppression. Afro-Latin Jazz Ensemble (Georgia State University). Nevertheless, they represent the cultures many of us A Brazilian Drumming Workshop will be followed by an study and serve. Afro-Brazilian Dance Workshop, sponsored by the Dance, Movement, and Gesture Section. We are pleased to announce that for the 2021 meet- ing, SEM will allow undergraduate students to attend Planned excursions include: “Black Atlanta: A Tour of performances, presentations, paper and panel sessions, History, Education, and Culture” and an Emory University and workshops at no charge. This is a wonderful way to Archival View of Black Musicians. For relaxation, Saturday [continued on page 4] Features Announcements News Our Back Pages SEM 2021 Annual Meeting Incoming Editor of Ethno- Member News Conference Calendar in Atlanta musicology Institutional News Advertisements President’s Column Incoming Editor of SEM SEM Publications Newsletter Internet Resources The Society for Ethnomusicology, SEM Newsletter James Cowdery, Editor, SEM Newsletter SEM Membership RILM, CUNY Graduate Center The object of the Society for Ethnomusicology is the ad- 365 Fifth Avenue, New York, NY 10016 vancement of research and study in the field of ethnomu- [email protected] sicology, for which purpose all interested persons, regard- Adriane Pontecorvo, Editorial Assistant less of race, ethnicity, religion, gender, sexual orientation, or physical ability are encouraged to become members. SEM Newsletter is a vehicle for the exchange of ideas, Its aims include serving the membership and Society at news, and information among the Society’s members. large through the dissemination of knowledge concerning Readers’ contributions are welcome and should be sent to the music of the world’s peoples. The Society, incorporat- the editor. ed in the United States, has an international membership. The Society for Ethnomusicology publishes the SEM Members receive free copies of the journal and the Newsletter four times annually in January, April, July, and newsletter and have the right to vote and participate in the September, and distributes issues free to members of the activities of the Society. Society. _______________ Student (full-time only) (one year) ................................$40 Back issues, 1981 to present [volumes 14-18 (1981- Individual (one year) 1984), 3 times a year; vols. 19-32 (1985-1998), 4 times a • Income $25,000 or less ........................................... $60 year] are available and may be ordered at $2 each. Add • Income $25,000-$40,000 .........................................$75 $2.50/order for postage. • Income $40,000-$60,000 ......................................... $85 • Income $60,000-$90,000 ....................................... $110 Address changes, orders for back issues of the SEM • Income $90,000 and above .................................. $140 Newsletter, and all other non-editorial inquires should be Spouse/Partner Individual (one year) ...........................$35 sent to the Business Office, Society for Ethnomusicology, Indiana University, 800 East 3rd Street, Bloomington, IN, Life membership .......................................................$2000 47405. [email protected]. Spouse/Partner Life ................................................. $2200 Sponsored (one year, including postage) ..................... $50 Society for Ethnomusicology Overseas postage (one year) .......................................$16 For institutional memberships, please visit the University Board of Directors of Illinois Press website. Tomie Hahn (Interim President & President-Elect) Rensselaer Polytechnic Institute Guidelines for Contributors Alejandro L. Madrid (First Vice President) Email articles and shorter entries for consideration to the Cornell University SEM Newsletter Editor. Copy deadlines: Summer Issue (15 June) Frederick Lau (Second Vice President) Winter Issue (15 Dec.) Fall Issue (1 Sep.) Chinese University of Hong Kong Spring Issue (15 Mar.) Tes Slominski (Secretary) Independent Scholar, Charlottesville, VA Advertising Rates The Newsletter accepts digital files (e.g., jpg) for advertis- ing. Adriana Helbig (Treasurer) University of Pittsburgh Full page: $200 1/3 page: $60 2/3 page: $145 1/6 page: $40 Jean Ngoya Kidula (Member-at-Large, Groups & Pro- 1/2 page: $110 fessional Development) University of Georgia Ethnomusicology: Back Issues Ethnomusicology, the Society’s journal, is currently Alisha Lola Jones (Member-at-Large, Prizes) published three times a year. Back issues are available Indiana University, Bloomington through the SEM Business Office, Indiana University, 800 East 3rd Street, Bloomington, IN, 47405-3657; 812-855- Beverley Diamond (Past-President) 6672; [email protected]. Memorial University ISSN 0036-1291 2 Scenes of Perseverance Tomie Hahn, Interim President & President-Elect I hope everyone has been well. Acknowledging that the Of course, ethnomusicologists reading this fully under- year has been deeply challenging for numerous reasons, stand the great challenge of presenting online! The nu- I am curious how everyone has been coping and carrying ances of sound qualities via online transmission, including on while being shuttered in. What spatial and directional qualities, projects arose or fell aside because can render a presentation nearly of the inability to conduct on-site unintelligible. However, imagine fieldwork? Because you were research based on conveying unable to perform music, ritual, qualities of touch, taste, energy and or dance with others in the same presence, space, and so on. I was ways, how have you and your com- delighted that presenters last fall at munities moved along? SEM’s conference and recently at the Uncommon Senses conference Many students have needed to took on the challenge of the (senso- delay or change their research. ry muted) online scene to enhance The dissertations I have been their presentations in clever, inno- overseeing this year included a vative ways. The online conference range of diversions—full revisions contexts afforded unique avenues of their carefully crafted proposals, to explore, and I observed present- reducing the number of field sites, ers’ open their sensory vocabu- conducting interviews online, and laries, their sense of humor, and expanding the number of people daringly walk compelling edges of interviewed, to name a few. In imagination. I believe the ingenuity, all cases there were challenges. born from sheer urgency, fostered However, while these challenges were initially viewed as a type of growth beyond our usual presenter vocabular- unsurmountable, in each situation I observed the ob- ies. When we meet again in person, will these innovations stacles transformed the research in unique ways that I continue to broaden and influence our conferences? I believe would not have emerged without such a dramatic believe they will! struggle. Don’t get me wrong, the impositions on each dissertation were considerable and required great effort. But allow me to consider an expansive perspective of Emotions surged. New strategies and designs surfaced. transmission and emergent growth. Viral transmission, on In some cases, objectives and intentions shifted. a micro(biological) level, has the potential to alter bodies in myriad ways.
Load more

Recommended publications
  • Call for Papers Special Issue Medical Ethnomusicology and Music Therapy
    Voices is an interdisciplinary peer reviewed journal founded in 2001 by Professor Carolyn Kenny and Professor Brynjulf Stige. It is an Open Access peer reviewed journal that invites dialogue and discussion about music, health, and social change. The journal values inclusiveness and socio-cultural awareness and has increasingly nurtured a critical edge that refines the focus on cultural issues and social justice. Further information at https://voices.no/index.php/voices/index CALL FOR PAPERS SPECIAL ISSUE MEDICAL ETHNOMUSICOLOGY AND MUSIC THERAPY Guest editors Jane Edwards (Ireland/Australia), Gregory Barz (USA), and Busskorn Binson (Thailand) Medical ethnomusicology is an emerging interdisciplinary area of study. Hailed as “representing a new stage of collaborative discourse among researchers, musicians, and practitioners”; FSU web site http://fla.st/1prUG2O, it refers to knowledge which spans the globe of traditional cultural practices of music, health, and healing. To date little dialogue between music therapy and medical ethnomusicology has occurred. This special issue of Voices presents an opportunity to open further dialogue seeking clarification of the differences and synergies between music therapy and medical ethnomusicology, in order to discover and develop new collaborations and alignments. Individual authors or collaborating practitioners and scholars who wish to discuss, present, critique, or describe practices in ethnomusicology that relate to health and well- being, or practices in music therapy that align with medical ethnomusicology are invited to submit scholarly papers for consideration in a special issue of the journal to be published in 2015. Guidelines for Voices submissions can be found at https://voices.no/index.php/voices/about/submissions#onlineSubmissions Authors should use the online submission system for the journal located at https://voices.no/index.php/voices/about/submissions#onlineSubmissions When uploading the paper authors should choose the special issue option from the relevant menu.
    [Show full text]
  • ABSTRACT Title of Thesis: RESEARCH ON
    ABSTRACT Title of Thesis: RESEARCH ON MUSIC AND HEALING IN ETHNOMUSICOLOGY AND MUSIC THERAPY May May Chiang, Master of Arts, 2008 Directed By: Professor J. Lawrence Witzleben Department of Musicology and Ethnomusicology, Chair. This thesis examines current developments in the research and discourse on music and healing. Ethnomusicology has involved extensive work on documenting traditional music and healing traditions; however, ethnomusicologists have neglected to contribute their knowledge and effort to healthcare-oriented research. Music therapy, on the other hand, has been focusing on the benefit of the patient, but rarely relates its practices to traditional music and healing traditions or non-Western music. Despite the recent establishment of the Medical Ethnomusicology Special Interest Group in the Society for Ethnomusicology and increasing awareness of world music and cultural diversity in music therapy, scholars in the two fields have not yet collaborated with each other extensively. The motivations for this thesis are: to review previous developments in research on music and healing, to find out the reasons for the changes in the research trends of the past decade, and to see possible research directions in the future. RESEARCH ON MUSIC AND HEALING IN ETHNOMUSICOLOGY AND MUSIC THERAPY By May May Chiang Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2008 Advisory Committee: Professor J. Lawrence Witzleben, Chair Professor Robert Provine Professor Jonathan Dueck © Copyright by May May Chiang 2008 Acknowledgements I would like to show my appreciation to the ethnomusicologists and music therapists with whom I have communicated, especially to Dr.
    [Show full text]
  • BENJAMIN D. KOEN, Ph.D
    BENJAMIN D. KOEN, Ph.D. PROFESSIONAL EXPERIENCE Associate Professor: Hong Kong Baptist University Department of Music (2019- ) Oxford University Press Editorial Advisory Board: Medical Ethnomusicology, New York: Oxford University Press (2011- ) Oxford University Press HandBook Editor: New York: Oxford University Press (2008- ) Sound Health Global, Founder & Director: Life, Health, & Business Coaching. Providing education, coaching, consulting, training, programs and services in holistic health, wellness, and healing; weight loss and fitness; personal development and transformation, and service-based business development aligned with your passion and life purpose (2015- ) Musician, Composer, Recording Artist, Studio & Master Class Teacher Music Performance Areas: saxophones, flutes, clarinets, hand drums, percussion, didgeridoo, improvisation, composition, jazz, world music, new music, film music, and mixed media, including poetry, spoken word, and art (1992- ) International Director: Xiamen University International Center for Medical Anthropology Xiamen University, www.medicalanthropology.org (2016-2019) Distinguished Professor: Medical, Cognitive, and Applied Ethnomusicology, Medical and Psychological Anthropology, Medical Humanities. Xiamen University, College of Humanities, Department of Anthropology (2012-2018) Professor of Interdisciplinary Humanities (Courtesy Appointment) Florida State University (2011- 2016) Professor: Medical, Cognitive, and Applied Ethnomusicology; Medical and Psychological Anthropology. Xiamen University, College
    [Show full text]
  • Interdisciplinary Collaboration Between Music Therapy and Medical Ethnomusicology Purpose Statement of the Problem Methods Refer
    Interdisciplinary Collaboration Between Music Therapy and Medical Ethnomusicology And the Perceived Impact on Individuals Recovering From Traumatic Brain Injuries Sidney Johnson ([email protected]) Creative Arts Therapies Georgia College and State University Statement of the Problem Delimitations • A plethora of possible positive effects and benefits exist in the interdisciplinary • Due to the current COVID-19 pandemic, it is imperative the research study is conducted after the situation subsides globally. collaboration between music therapy and medical ethnomusicology (1). • The study is to occur abroad Spain at a music therapy and/or medical ethnomusicology clinic; thus funding to conduct the • Combining and utilizing techniques from both fields to help clients more efficiently research is a significant and necessary consideration. reach a specific goal will likely become more commonplace and desirable for future • I am not yet fully fluent in Spanish. therapeutic treatment plans (1). • By expanding, utilizing, and fusing various music therapy and medical ethnomusicology techniques, music therapists, medical ethnomusicologists, and clients alike are sure to Methods gain and benefit from such interaction, cooperation, and synergy between the two healthcare fields (1). • Little to no observational, interview-based, or evidence-based research study has been Assumptions/Conceptual Framework completed focusing on interdisciplinary collaboration between music therapy and • I am pursing a qualitative research study due to the continually evolving, fluctuating nature of the medical ethnomusicology (1). two healthcare fields and overall topics discussed. • Furthermore, no healthcare field interdisciplinary collaboration study has been • completed focusing specifically on participants recovering from traumatic brain injuries During summer 2019, I worked at Adam’s Camp in Winter Park, Colorado – a week-long therapy (2).
    [Show full text]
  • SEM Student News Vol 4
    SEM{STUDENTNEWS} An initiative of the Student Concerns Committee of the Society for Ethnomusicology IN THIS ISSUE Welcome! Letter from the Editor 1 SCC Update 2 Community News 3 Applied + Activist Ethno Redefining “Applied” Ethnomusicology 4 A Community of Writers 5 The State of the Field 6 Dear SEM 7 Responsibility and the Ethnomusicologist 8 Working in the Applied Sector 10 Want to stay in the Volume 4 | Spring/Summer 2012 Volume A Musical Exploration in Rhythmic Immersion 11 SEM Student News loop? Join your Organizations + Resources 12 peers by ‘liking’ us on Facebook, and Our Staff 16 get the latest updates and calls for submissions! Being a _______ Ethnomusicologist choosing our adjectives Welcome to the fourth volume of and social engagement is one I our research, but also strengthens SEM Student News. In this issue, constantly face in both my it? we highlight the subfields of professional and personal lives. applied and activist Colleagues often ask me why I Many of our teachers and mentors ethnomusicology, questioning how bother with all the ethics reviews, are conducting community-based, our work as scholars can be community meetings, and collaborative research and writing connected to the broader social, collaborative editing. Community that specifically seeks to address educational, and research members often ask me why my this question. And yet, so many communities in which we find work should matter to them, what times we hear how experimental ourselves. As a medical greater purpose I can serve, and writing, social engagement, or ethnomusicologist researching what results I can guarantee. How public scholarship had to wait until indigenous health and an activist can we reconcile these two often- they were post-dissertation, post- working in educational opposing positions, and foster a job, post-book, post-tenure, post-I- documentary media, the productive and meaningful have-already-proven-myself-as-an- relationship between academics dialogue that not only facilitates continued on next page..
    [Show full text]
  • Announcements Our Back Pages News Features Implementation Of
    Volume 52, Number 2 Spring 2018 Colorado-based Paola Ines y Norte-Sur performing “Gracias a la vida.” Ethno Nights at the Mercury Cafe, SEM 2017 Annual Meeting. Photo: Sarah Morelli. Implementation of SEM 2017–2022 Strategic Plan SEM has begun implementation of its 2017–2022 who offered advice over the past two years. At present, Strategic Plan, which includes a wide-ranging agenda the Society is developing specific initiatives in pursuit for expanding the capacity of the Society as a medium of the major goals of the plan and will offer a progress for dialogue, a resource for members and the general report to the membership at the 2018 Annual Meeting public, and an agent for change in today’s world. The in Albuquerque. The plan’s various goals suggest many Society thanks the many contributors to this plan, opportunities for new projects. Please address any including the Strategic Planning Committee, (Andrew communications to Gregory Barz (SEM President) at Weintraub – Chair, Gage Averill, Virginia Danielson, [email protected] and Stephen Stuempfle Joanna Bosse, Maria Mendonça, Michael Birenbaum (SEM Executive Director) at [email protected]. Quintero, and Sylvia Nannyonga Tamusuza); the Board; the Council; and other groups and individuals Read the 2017–2022 Strategic Plan Features Announcements News Our Back Pages President’s Column New Moderator of SEM-L AIIS Fellowship Competition SEM Publications 2017–2022 Strategic Plan Two Draft Statements Member News Conference Calendar Forum: The Lure of Universals Ethics Statement Institutional
    [Show full text]
  • Transcending the Limitations of Institutionalization Through Music: Ethnomusicology in a Nursing Home
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository TRANSCENDING THE LIMITATIONS OF INSTITUTIONALIZATION THROUGH MUSIC: ETHNOMUSICOLOGY IN A NURSING HOME BY THERESA ALLISON DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology in the Graduate College of the University of Illinois at Urbana-ChampaiGn, 2010 Urbana, Illinois Doctoral Committee: Professor Emeritus Bruno Nettl, Chair Professor Emeritus Clark E. CunninGham Associate Professor Gabriel Solis Professor Thomas R. Turino ABSTRACT This is an ethnoGraphic study of the music life of the EnGlish speakers in a 430-bed not-for-profit nursinG home. Research took place between AuGust 2006 and June 2008, and included participation in both musical and non-musical activities at the home, formal and informal interviews, volunteerinG with the activities staff, and large-Group observations. In this monoGraph, I treat the nursinG home as an artificially constructed community in order to examine the role of music in daily life for the people to who live in, work at, and visit the Home. Particular attention is paid to the role of songwriting in an institution, the role of the sing-along for its participants, and the role of music and memory in the context of end-stage dementia. The study was desiGned to elucidate the followinG humanities research question: how do institutionaliZed elders use music to cope with increasinG physical, cognitive and social limitations? What I learned was that they do no such thinG.
    [Show full text]
  • Download Syllabus
    Draft Syllabus Subject To Change 1 Music and Madness Carmel Raz This undergraduate seminar offers historical, critical, and cross-cultural perspectives on music as a cause, symptom, and treatment of madness. The course is intended to foster interdisciplinary engagement between students interested in music, medicine, literature, philosophy, and anthropology, and to provide them with critical tools to examine constructions of music and altered mental states in social, scientific, and historical contexts. In every class, we will investigate a number of approaches to a given mental state by discussing readings by musicologists, ethnomusicologists, historians, disability studies, and medico-scientific researchers. No musical background or skills are necessary to participate. In addition to an in-depth presentation of readings in class (approximately corresponding to one reading in each disciplinary area), students will complete occasional brief responses and quizzes, and will submit a final research paper. Assignments and Grading Breakdown: 1. Final paper (ca. 15-20 pages) and presentation (40% of grade) 2. Active class participation (25% of grade) • Come to class prepared to critique the readings assigned each class. 3. Written responses / quizzes (10% of grade) 4. Introduction of two or three readings, assigned in class (25% of grade) • Two or three depends on the length and difficulty of the texts. • Students introducing the text should send me a short summary – ca. 300 words of the text’s main arguments and 3-5 discussion questions by 8pm on the Saturday prior to their presentation. Policies: • No computers, tablets, or phones in the classroom. • Office hours: Thursday at 11-11:45am at my office in the Heyman Center, room 313.
    [Show full text]
  • Altered State of Consciousness (ASC)
    Sound Affects: Sound Therapy, Altered States of Consciousness and Improved Health and Wellbeing by Lyz Cooper MA, MSc, FICNM Abstract A study using a specific method of sound therapy (Himalayan singing bowls, transitioning to Gongs, transitioning to crystal singing bowls, transitioning to therapeutic percussion) was delivered in two ways – by a live soundbath, where subjects lay on the floor and received around 35 minutes of sound, and by a recording of the same which was available online. The focus of this research was to answer the following questions. 1. Is live sound more or less effective than digitally recorded and delivered sound and across what domains? 2. What are the consciousness altering effects of this method and to what degree are the domains effected? 3. What are the therapeutic benefits of sound induced ASC? Data was analysed by a test known as a Chi Square analysis to gauge significance. Statistically significant, highly significant and extremely significant data was produced in the domains of Physical Relaxation, Imagery, Ineffability, Transcendence of Time and Space, Positive Mood, Insightfulness, Disembodiment and Unity across both live and recorded studies. These findings have far-reaching implications for the use of sound therapy, specifically sound induced altered states of consciousness (ASC) going forward. Introduction and Context Over a 20 year period of working with therapeutic sound using techniques developed by myself, many people receiving sound therapy treatments have received benefit from life-limiting health issues such as anxiety dis-orders, chronic pain, arthritis, irritable bowel syndrome to name a few. The thousands of case studies undertaken by our students and the team at The British Academy of Sound Therapy (BAST) have highlighted common experiences that individuals receiving treatments and relaxation sessions share.
    [Show full text]
  • Statement on Institutional Reviews Boards (Irb)
    SOCIETY FOR ETHNOMUSICOLOGY ETHICS COMMITTEE STATEMENT ON INSTITUTIONAL REVIEWS BOARDS (IRB) INTRODUCTION This statement represents the Society for Ethnomusicology’s (henceforth SEM) position regarding the IRB review process and is intended to help IRB panels understand the nature of ethnomusicological research and to help ethnomusicologists understand the purpose of IRB requirements. SEM understands that the IRB review process is designed to ensure that research is conducted at the highest possible standard and held to the highest levels of ethical integrity, but that, in some circumstances, IRB requirements do not adequately accommodate practical exigencies of ethnomusicological research. The research paradigms and administrative protocol enshrined in IRB review processes are based on the need to protect subjects and animals in medical and social research and are based on Westernized moral and legal foundations. In some circumstances, these paradigms and protocols may be contrary to appropriate ethical behaviors in cross-cultural contexts or the moral values of research participants and field interlocutors. While SEM recognizes the value of a process aimed at ensuring that appropriate ethical standards are maintained, SEM is concerned that IRB processes may in some cases be unduly unsympathetic toward ethnomusicological research practice. This document seeks to facilitate a common understanding between IRB members and ethnomusicologists as to what the appropriate interface between IRBs and ethnomusicologist might look like. SEM recognizes the need to respect and protect the rights of research participants and those of researchers. Because concepts and types of research, research practices, research participants, consent, confidentiality, and authorship differ between disciplines and fields, the quality of research and the wellbeing of the individuals and communities involved is best ensured by field-specific ethics oversight.
    [Show full text]
  • Sound-Prayer-Meditation Dynamics in Health and Healing
    International Journal of Social Science and Humanity, Vol. 1, No. 4, November 2011 Sound-Prayer-Meditation Dynamics in Health and Healing Benjamin D. Koen center of diverse practices of healing where beliefs in the Abstract—Over the last two decades, research in supernatural or spiritual dimension frame the contexts where anthropology, music, and medicine has dramatically increased healing occurs. While prayer is often mentioned in the concerning sound and healing, prayer and healing, or ethnographic research, its role and relationship to sound is meditation and healing. Yet, the connection among sound, not critically examined. Moreover, in biomedical research prayer, and meditation in healing has been largely avoided. To approach this problem, this paper presents the concerning intercessory prayer and the mind-body dynamic, sound-prayer-meditation dynamics model as a culturally other issues arise. That research grapples with the questions sensitive and flexible framework for conducting and analyzing of spirituality and religiosity without unpacking the loaded research. meanings in cultural practices or belief systems and their roles in healing. The general approach taken in biomedical Index Terms— Cognitive flexibility, entrainment, healing, research is to implement a practice of prayer in a controlled, medical anthropology, meditation, prayer, sound. clinical setting and compare outcomes between test and control groups [6], [7], [8], [9]. However, biomedical research has yet to critically consider the important factors of I. INTRODUCTION
    [Show full text]
  • Medical Music: Anthropological Perspectives on Music Therapy
    Georgia State University ScholarWorks @ Georgia State University Anthropology Theses Department of Anthropology 12-16-2015 Medical Music: Anthropological Perspectives on Music Therapy Stephen McMasters Follow this and additional works at: https://scholarworks.gsu.edu/anthro_theses Recommended Citation McMasters, Stephen, "Medical Music: Anthropological Perspectives on Music Therapy." Thesis, Georgia State University, 2015. https://scholarworks.gsu.edu/anthro_theses/103 This Thesis is brought to you for free and open access by the Department of Anthropology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Anthropology Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MEDICAL MUSIC: ANTHROPOLOGICAL PERSPECTIVES ON MUSIC THERAPY by STEPHEN McMASTERS Under the Direction of Steven P. Black, PhD ABSTRACT Music-based healing is utilized as a healing tool in many cultural contexts around the world. This thesis examines the cultural practice of music therapy in the context of the larger discipline of medicine in the United States through an ethnographic study of music therapists in the Greater Atlanta area. It contextualizes this data with research in medical ethnomusicology that explores cross-cultural traditions of music in healing rituals. It also connects music therapy to the observation that forces of globalization are strongly correlated with an increase in rates of inequality, poverty, stress, and disease. This thesis discusses how Atlanta-area music therapists use music healing with patients suffering from physical and mental disease and how economic stratification impacts access to music therapy. It is concerned with deeper and not immediately evident processes taking place in music therapy, such as the role of music as a medium and facilitator in healing.
    [Show full text]