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Kate Galloway 274 Court St
Kate Galloway 274 Court St. Apt. 104, Middletown, CT 06457 Mobile: (959) 888-2803; E-Mail: [email protected] Wesleyan University, Department of Music Website: https://wesleyan.academia.edu/KateGalloway EMPLOYMENT Visiting Assistant Professor 2016-2019 Wesleyan University, Department of Music, Middletown, CT Postdoctoral Research Fellow and Adjunct Assistant Professor 2012-2016 Memorial University of Newfoundland, St. John’s, NL School of Music and the Research Centre for the Study of Music, Media and Place (MMaP) Funded by the Social Sciences and Humanities Research Council of Canada (SSHRC) Postdoctoral Fellowship and Insight Development Grant, 2012 SSHRC Postdoctoral Prize awarded to the most outstanding SSHRC Postdoctoral award recipient Sessional Assistant Professor University of Western Ontario, Faculty of Music, London, ON 2012 Sessional Assistant Professor University of Guelph, School of Fine Art & Music, Guelph, ON 2010-2012 Sessional Assistant Professor Wilfrid Laurier University, Faculty of Music, Waterloo, ON 2011 Graduate Teaching Assistant and Instructor of Record University of Toronto, Faculty of Music and University of Toronto ScarborouGh Campus, Department of Visual and PerforminG Arts & Department of the Humanities, Toronto, ON 2003-2010 EDUCATION Doctor of Philosophy, Musicology/Ethnomusicology University of Toronto, Faculty of Music, Toronto, ON 2010 “Sounding Nature, Sounding Place”: Alternative Performance Spaces, Participatory Experience, and Ritual Performance in R. Murray Schafer’s Patria Cycle” Master of -
Call for Papers Special Issue Medical Ethnomusicology and Music Therapy
Voices is an interdisciplinary peer reviewed journal founded in 2001 by Professor Carolyn Kenny and Professor Brynjulf Stige. It is an Open Access peer reviewed journal that invites dialogue and discussion about music, health, and social change. The journal values inclusiveness and socio-cultural awareness and has increasingly nurtured a critical edge that refines the focus on cultural issues and social justice. Further information at https://voices.no/index.php/voices/index CALL FOR PAPERS SPECIAL ISSUE MEDICAL ETHNOMUSICOLOGY AND MUSIC THERAPY Guest editors Jane Edwards (Ireland/Australia), Gregory Barz (USA), and Busskorn Binson (Thailand) Medical ethnomusicology is an emerging interdisciplinary area of study. Hailed as “representing a new stage of collaborative discourse among researchers, musicians, and practitioners”; FSU web site http://fla.st/1prUG2O, it refers to knowledge which spans the globe of traditional cultural practices of music, health, and healing. To date little dialogue between music therapy and medical ethnomusicology has occurred. This special issue of Voices presents an opportunity to open further dialogue seeking clarification of the differences and synergies between music therapy and medical ethnomusicology, in order to discover and develop new collaborations and alignments. Individual authors or collaborating practitioners and scholars who wish to discuss, present, critique, or describe practices in ethnomusicology that relate to health and well- being, or practices in music therapy that align with medical ethnomusicology are invited to submit scholarly papers for consideration in a special issue of the journal to be published in 2015. Guidelines for Voices submissions can be found at https://voices.no/index.php/voices/about/submissions#onlineSubmissions Authors should use the online submission system for the journal located at https://voices.no/index.php/voices/about/submissions#onlineSubmissions When uploading the paper authors should choose the special issue option from the relevant menu. -
ABSTRACT Title of Thesis: RESEARCH ON
ABSTRACT Title of Thesis: RESEARCH ON MUSIC AND HEALING IN ETHNOMUSICOLOGY AND MUSIC THERAPY May May Chiang, Master of Arts, 2008 Directed By: Professor J. Lawrence Witzleben Department of Musicology and Ethnomusicology, Chair. This thesis examines current developments in the research and discourse on music and healing. Ethnomusicology has involved extensive work on documenting traditional music and healing traditions; however, ethnomusicologists have neglected to contribute their knowledge and effort to healthcare-oriented research. Music therapy, on the other hand, has been focusing on the benefit of the patient, but rarely relates its practices to traditional music and healing traditions or non-Western music. Despite the recent establishment of the Medical Ethnomusicology Special Interest Group in the Society for Ethnomusicology and increasing awareness of world music and cultural diversity in music therapy, scholars in the two fields have not yet collaborated with each other extensively. The motivations for this thesis are: to review previous developments in research on music and healing, to find out the reasons for the changes in the research trends of the past decade, and to see possible research directions in the future. RESEARCH ON MUSIC AND HEALING IN ETHNOMUSICOLOGY AND MUSIC THERAPY By May May Chiang Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2008 Advisory Committee: Professor J. Lawrence Witzleben, Chair Professor Robert Provine Professor Jonathan Dueck © Copyright by May May Chiang 2008 Acknowledgements I would like to show my appreciation to the ethnomusicologists and music therapists with whom I have communicated, especially to Dr. -
BENJAMIN D. KOEN, Ph.D
BENJAMIN D. KOEN, Ph.D. PROFESSIONAL EXPERIENCE Associate Professor: Hong Kong Baptist University Department of Music (2019- ) Oxford University Press Editorial Advisory Board: Medical Ethnomusicology, New York: Oxford University Press (2011- ) Oxford University Press HandBook Editor: New York: Oxford University Press (2008- ) Sound Health Global, Founder & Director: Life, Health, & Business Coaching. Providing education, coaching, consulting, training, programs and services in holistic health, wellness, and healing; weight loss and fitness; personal development and transformation, and service-based business development aligned with your passion and life purpose (2015- ) Musician, Composer, Recording Artist, Studio & Master Class Teacher Music Performance Areas: saxophones, flutes, clarinets, hand drums, percussion, didgeridoo, improvisation, composition, jazz, world music, new music, film music, and mixed media, including poetry, spoken word, and art (1992- ) International Director: Xiamen University International Center for Medical Anthropology Xiamen University, www.medicalanthropology.org (2016-2019) Distinguished Professor: Medical, Cognitive, and Applied Ethnomusicology, Medical and Psychological Anthropology, Medical Humanities. Xiamen University, College of Humanities, Department of Anthropology (2012-2018) Professor of Interdisciplinary Humanities (Courtesy Appointment) Florida State University (2011- 2016) Professor: Medical, Cognitive, and Applied Ethnomusicology; Medical and Psychological Anthropology. Xiamen University, College -
Interdisciplinary Collaboration Between Music Therapy and Medical Ethnomusicology Purpose Statement of the Problem Methods Refer
Interdisciplinary Collaboration Between Music Therapy and Medical Ethnomusicology And the Perceived Impact on Individuals Recovering From Traumatic Brain Injuries Sidney Johnson ([email protected]) Creative Arts Therapies Georgia College and State University Statement of the Problem Delimitations • A plethora of possible positive effects and benefits exist in the interdisciplinary • Due to the current COVID-19 pandemic, it is imperative the research study is conducted after the situation subsides globally. collaboration between music therapy and medical ethnomusicology (1). • The study is to occur abroad Spain at a music therapy and/or medical ethnomusicology clinic; thus funding to conduct the • Combining and utilizing techniques from both fields to help clients more efficiently research is a significant and necessary consideration. reach a specific goal will likely become more commonplace and desirable for future • I am not yet fully fluent in Spanish. therapeutic treatment plans (1). • By expanding, utilizing, and fusing various music therapy and medical ethnomusicology techniques, music therapists, medical ethnomusicologists, and clients alike are sure to Methods gain and benefit from such interaction, cooperation, and synergy between the two healthcare fields (1). • Little to no observational, interview-based, or evidence-based research study has been Assumptions/Conceptual Framework completed focusing on interdisciplinary collaboration between music therapy and • I am pursing a qualitative research study due to the continually evolving, fluctuating nature of the medical ethnomusicology (1). two healthcare fields and overall topics discussed. • Furthermore, no healthcare field interdisciplinary collaboration study has been • completed focusing specifically on participants recovering from traumatic brain injuries During summer 2019, I worked at Adam’s Camp in Winter Park, Colorado – a week-long therapy (2). -
Popular Music Pedagogy: Peer Learning in Practice
Popular music pedagogy: peer learning in practice Author Lebler, Don Published 2008 Journal Title Music Education Research DOI https://doi.org/10.1080/14613800802079056 Copyright Statement © 2008 Taylor & Francis. This is the author-manuscript version of the paper. Reproduced in accordance with the copyright policy of the publisher.Please refer to the journal link for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/26123 Link to published version http://www.tandf.co.uk/journals/carfax/14613808.html Griffith Research Online https://research-repository.griffith.edu.au Popular music pedagogy: peer-learning in practice DON LEBLER Lecturer Popular and Contemporary Music, Queensland Conservatorium Griffith University [email protected] Abstract The inclusion of popular music as a content area in music education is not uncommon. The musicological study of popular music is well established in higher education, and even the practice of popular music is becoming more common in both secondary education and the post-compulsory sector. However, when this occurs, it is likely to be taught in more or less the same way as other more established content areas like western classical music or jazz, with teachers being in control of the process and the curriculum, the feedback and the assessment. But popular music is usually learned in the broader community as a self-directed activity, sometimes including interactions with peers and group activities, but rarely under the direction of an expert mentor/teacher. One Australian conservatorium has adopted the pedagogy of popular music through the creation of a scaffolded self-directed learning environment within its bachelor of popular music program. -
SEM 63 Annual Meeting
SEM 63rd Annual Meeting Society for Ethnomusicology 63rd Annual Meeting, 2018 Individual Presentation Abstracts SEM 2018 Abstracts Book – Note to Reader The SEM 2018 Abstracts Book is divided into two sections: 1) Individual Presentations, and 2) Organized Sessions. Individual Presentation abstracts are alphabetized by the presenter’s last name, while Organized Session abstracts are alphabetized by the session chair’s last name. Note that Organized Sessions are designated in the Program Book as “Panel,” “Roundtable,” or “Workshop.” Sessions designated as “Paper Session” do not have a session abstract. To determine the time and location of an Individual Presentation, consult the index of participants at the back of the Program Book. To determine the time and location of an Organized Session, see the session number (e.g., 1A) in the Abstracts Book and consult the program in the Program Book. Individual Presentation Abstracts Pages 1 – 76 Organized Session Abstracts Pages 77 – 90 Society for Ethnomusicology 63rd Annual Meeting, 2018 Individual Presentation Abstracts Ethiopian Reggae Artists Negotiating Proximity to Repatriated Rastafari American Dreams: Porgy and Bess, Roberto Leydi, and the Birth of Italian David Aarons, University of North Carolina, Greensboro Ethnomusicology Siel Agugliaro, University of Pennsylvania Although a growing number of Ethiopians have embraced reggae music since the late 1990s, many remain cautious about being too closely connected to the This paper puts in conversation two apparently irreconcilable worlds. The first is repatriated Rastafari community in Ethiopia whose members promote themselves that of George Gershwin’s Porgy and Bess (1935), a "folk opera" reminiscent of as reggae ambassadors. Since the 1960s, Rastafari from Jamaica and other black minstrelsy racial stereotypes, and indebted to the Romantic conception of countries have been migrating (‘repatriating’) to and settling in Ethiopia, believing Volk as it had been applied to the U.S. -
The Routledge Research Companion to Popular Music Education Popular
This article was downloaded by: 10.3.98.104 On: 29 Sep 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK The Routledge Research Companion to Popular Music Education Gareth Dylan Smith, Zack Moir, Matt Brennan, Shara Rambarran, Phil Kirkman Popular music education Publication details https://www.routledgehandbooks.com/doi/10.4324/9781315613444.ch3 Rupert Till Published online on: 02 Feb 2017 How to cite :- Rupert Till. 02 Feb 2017, Popular music education from: The Routledge Research Companion to Popular Music Education Routledge Accessed on: 29 Sep 2021 https://www.routledgehandbooks.com/doi/10.4324/9781315613444.ch3 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. Rupert Till A step into the light 3 Popular -
Utopian Ecomusicologies and Musicking Hornby Island
WHAT IS MUSIC FOR?: UTOPIAN ECOMUSICOLOGIES AND MUSICKING HORNBY ISLAND ANDREW MARK A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN ENVIRONMENTAL STUDIES YORK UNIVERSITY TORONTO, CANADA August, 2015 © Andrew Mark 2015 Abstract This dissertation concerns making music as a utopian ecological practice, skill, or method of associative communication where participants temporarily move towards idealized relationships between themselves and their environment. Live music making can bring people together in the collective present, creating limited states of unification. We are “taken” by music when utopia is performed and brought to the present. From rehearsal to rehearsal, band to band, year to year, musicking binds entire communities more closely together. I locate strategies for community solidarity like turn-taking, trust-building, gift-exchange, communication, fundraising, partying, education, and conflict resolution as plentiful within musical ensembles in any socially environmentally conscious community. Based upon 10 months of fieldwork and 40 extended interviews, my theoretical assertions are grounded in immersive ethnographic research on Hornby Island, a 12-square-mile Gulf Island between mainland British Columbia and Vancouver Island, Canada. I describe how roughly 1000 Islanders struggle to achieve environmental resilience in a uniquely biodiverse region where fisheries collapsed, logging declined, and second-generation settler farms were replaced with vacation homes in the 20th century. Today, extreme gentrification complicates housing for the island’s vulnerable populations as more than half of island residents live below the poverty line. With demographics that reflect a median age of 62, young individuals, families, and children are squeezed out of the community, unable to reproduce Hornby’s alternative society. -
Educating Popular Musicians: Insights Into Music Teaching and Learning on Higher and Further Education Programmes in Ireland
Educating Popular Musicians: Insights into Music Teaching and Learning on Higher and Further Education Programmes in Ireland by Miranda Cournane The University of Sheffield Department of Music July 2019 Submitted for the Degree of Master of Philosophy This page intentionally left blank 2 Abstract The aim of this thesis is to investigate approaches to the teaching and learning of popular music in higher and further education institutions in the Republic of Ireland. Despite the proliferation of popular music in contemporary culture, very little research has been conducted into how popular musicians are educated in Ireland. This research presents an analysis of case study data using Interpretative Phenomenological Analysis (IPA) as a framework. The research examines how students of popular music approach their learning and whether their needs are adequately supported in higher and further education settings. The research also investigates how the study of popular music is valued at institutional level. Findings highlight the importance of informal learning, authentic learning environments, technology, performance and industry engagement amongst popular music students and tutors. Findings also show an inconsistent approach to the facilitation of these learning needs within higher and further education institutions in Ireland. Disparate attitudes between students and teaching staff in relation to the value of studying music in higher education is also evidenced in the findings. The research makes an important contribution to the field of popular music education in Ireland and provides a number of recommendations for the delivery of popular music programmes in higher and further education. 3 Acknowledgements I would like to thank the teaching staff and music students who participated in my research study over the past number of years. -
Reimagining Music Teacher Education Programs As Multimusical Constellations
ISSN: 1968-2065 Reimagining Music Teacher Education Programs as Multimusical Constellations By Lloyd McArton University of Toronto Abstract Through the concept of musical practices, adapted from Wenger’s (1998) notion of practice within a community, this paper explores ways in which universities could develop and equalize multiple and diverse musical practices into constellations. Providing future music educators with opportunities to engage and participate in a variety of musical practices is essential, so as to be better prepared to facilitate a wide spectrum of musical experiences with their students. Such practices could include the existing staple genres of choral, orchestral, concert band, and jazz musics, but also more scarcely institutionalized genres of popular music styles, regionally relevant indigenous and vernacular musics, online musical platforms, and music production. The creativity and autonomy characteristic of these musics represent more than deficiencies to be shoehorned into existing Western art music programs: They are skills best developed in the context of actual music making within real musical practices. Equalizing the inclusion and interaction of diverse musical practices as constellations in music teacher education programs would go a long way in disrupting the hegemony of existing programs, preparing teachers to engage with and responsibly guide students in a variety of musical practices rather than tokenizing and underrepresenting all that sits outside the bubble of Western art music. Keywords: diversity, equity, higher education, music teacher training, anti-eurocentrism, authenticity, communities of practice McArton, L. (2020). Reimagining music teacher education programs as multimusical constellations. Visions of Research in Music Education, 35. Retrieved from http://www.rider.edu/~vrme. -
Announcements Our Back Pages News Features Implementation Of
Volume 52, Number 2 Spring 2018 Colorado-based Paola Ines y Norte-Sur performing “Gracias a la vida.” Ethno Nights at the Mercury Cafe, SEM 2017 Annual Meeting. Photo: Sarah Morelli. Implementation of SEM 2017–2022 Strategic Plan SEM has begun implementation of its 2017–2022 who offered advice over the past two years. At present, Strategic Plan, which includes a wide-ranging agenda the Society is developing specific initiatives in pursuit for expanding the capacity of the Society as a medium of the major goals of the plan and will offer a progress for dialogue, a resource for members and the general report to the membership at the 2018 Annual Meeting public, and an agent for change in today’s world. The in Albuquerque. The plan’s various goals suggest many Society thanks the many contributors to this plan, opportunities for new projects. Please address any including the Strategic Planning Committee, (Andrew communications to Gregory Barz (SEM President) at Weintraub – Chair, Gage Averill, Virginia Danielson, [email protected] and Stephen Stuempfle Joanna Bosse, Maria Mendonça, Michael Birenbaum (SEM Executive Director) at [email protected]. Quintero, and Sylvia Nannyonga Tamusuza); the Board; the Council; and other groups and individuals Read the 2017–2022 Strategic Plan Features Announcements News Our Back Pages President’s Column New Moderator of SEM-L AIIS Fellowship Competition SEM Publications 2017–2022 Strategic Plan Two Draft Statements Member News Conference Calendar Forum: The Lure of Universals Ethics Statement Institutional