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Kate Galloway 274 Court St. Apt. 104, Middletown, CT 06457 Mobile: (959) 888-2803; E-Mail: [email protected] Wesleyan University, Department of Music Website: https://wesleyan.academia.edu/KateGalloway EMPLOYMENT Visiting Assistant Professor 2016-2019 Wesleyan University, Department of Music, Middletown, CT Postdoctoral Research Fellow and Adjunct Assistant Professor 2012-2016 Memorial University of Newfoundland, St. John’s, NL School of Music and the Research Centre for the Study of Music, Media and Place (MMaP) Funded by the Social Sciences and Humanities Research Council of Canada (SSHRC) Postdoctoral Fellowship and Insight Development Grant, 2012 SSHRC Postdoctoral Prize awarded to the most outstanding SSHRC Postdoctoral award recipient Sessional Assistant Professor University of Western Ontario, Faculty of Music, London, ON 2012 Sessional Assistant Professor University of Guelph, School of Fine Art & Music, Guelph, ON 2010-2012 Sessional Assistant Professor Wilfrid Laurier University, Faculty of Music, Waterloo, ON 2011 Graduate Teaching Assistant and Instructor of Record University of Toronto, Faculty of Music and University of Toronto ScarborouGh Campus, Department of Visual and PerforminG Arts & Department of the Humanities, Toronto, ON 2003-2010 EDUCATION Doctor of Philosophy, Musicology/Ethnomusicology University of Toronto, Faculty of Music, Toronto, ON 2010 “Sounding Nature, Sounding Place”: Alternative Performance Spaces, Participatory Experience, and Ritual Performance in R. Murray Schafer’s Patria Cycle” Master of Arts, Musicology/Ethnomusicology University of Toronto, Faculty of Music, Toronto, ON 2005 Bachelor of Music Queen’s University, School of Music, Kingston, ON 2003 GRADUATE CERTIFICATE Digital Humanities Graduate Certificate Department of EnGlish, University of Victoria, Victoria, BC & Digital Humanities Summer Institute 2016 COLLEGE FELLOWSHIP Junior Fellow Massey ColleGe in the University of Toronto, Toronto, ON 2005-2010 1 AWARDS AND GRANTS Mellon Seminar on Race and Pedagogy, Wesleyan University ($1500 USD) 2018 College of the Environment Research Grant, Bird Song Heroes and WhaleSynths: Listening to Nonhuman Musicality and Aural Culture with Mobile Media, Wesleyan University ($7000) 2018 Allbritton Center for the Study of Public Life Collaborative Research Network Seed Grant, Wesleyan Sound Studies Network, Wesleyan University ($1500) 2018 AMS Keitel-Palisca/MPD Travel Grant ($350 USD) 2018 Faculty-Student Intern GISOS Research Award, Wesleyan University ($4,040 USD) 2018 Allbritton Center Service Learning Initiative Grant, Wesleyan University ($4,000 USD) 2018 Faculty Fellow in Universal Design Learning (CPI), Wesleyan University ($1,000 USD) 2018 Faculty Fellow in the Sustainability Across the Curriculum Initiative, Wesleyan University ($500 USD) 2018 Davis Foundation Grant, Project-Based LearninG Initiative, Wesleyan University ($2,000 USD) 2017 Christian A. Johnson Endeavor Foundation Writing Pedagogy Seminar, Wesleyan University ($750 USD) 2017 AMS Keitel-Palisca/MPD Travel Grant ($450 USD) 2017 AMS Keitel-Palisca/MPD Travel Grant ($425 USD) 2016 Cambridge University Press Award, Society for American Music ($500/books) 2016 • Awarded for the paper “Soundscaping the Radio: Experimental Soundwork and Hildegard Westerkamp’s Community Soundwalking on Vancouver Co-op Radio” Digital Humanities Training Scholarship, University of Victoria ($1,200 CAD) 2016 AMS Keitel-Palisca/MPD Travel Grant ($680 USD) 2015 Memorial University Professional Development Fund ($1,000 CAD) 2015 Judith Tick Fellowship, Society for American Music ($1,000 USD) 2015 • Project Title: “Soundscaping the Radio: Hildegard Westerkamp's Community Engagement on Vancouver’s Co-op Radio” SSHRC Insight Development Grant 2014-2017 Awarded by the Social Sciences and Research Council of Canada ($74,910 CAD) • Project Title: “Sounding Environments: Ecomusicological Thought and Practice in Experimental Music” • Received score of 15.88/18, 196 awards granted across the Humanities and Social Sciences with 762 applications in the Emerging Scholars category, 285 awards granted from 1128 applications combining the Emerging and Established Scholars categories Digital Humanities Training Scholarship, University of Victoria ($1,200 CAD) 2015 Adrienne Fried Block Fellowship, Society for American Music ($1,500 USD) 2014 • Project Title: “Cityscapes to Landscapes: Collaborations and Collisions between Natural and Built Environments in Hildegard Westerkamp’s Soundscape Compositions” Digital Humanities Training Scholarship, University of Victoria ($950 CAD) 2014 Cambridge University Press Award, Society for American Music ($500/books) 2013 • Awarded for the paper “Sounding and Composing the Harbour: Recontextualizing and Repurposing the Soundscape and Sense of Place in the Harbour Symphony” SSHRC Postdoctoral Prize 2012 Awarded by the Social Sciences and Research Council of Canada ($10,000 CAD) • Awarded each year to the most outstanding SSHRC Postdoctoral award recipient SSHRC Postdoctoral Research Fellowship, Social Sciences and Humanities Research Council of Canada 2012-2014 Memorial University of Newfoundland, St. John’s, NL School of Music and the Research Centre for the Study of Music, Media and Place ($83,000 CAD) • Supervised by Dr. Beverley Diamond and Dr. Ellen Waterman • Received top percentile score of 29/30, 145 awards granted across the Humanities and Social Sciences with 986 applications SSHRC Doctoral Fellowship, Social Sciences and Humanities Research Council of Canada ($40,000 CAD) 2007-2009 Ontario Graduate Student (OGS) Scholarship 2007 • Declined for SSHRC ($10,000 CAD) University of Toronto Doctoral Fellowship ($20,000 CAD) 2006 Frederic Hudd Travel Fellowship, University of Toronto ($6,000 CAD) 2005-2010 University of Toronto Travel Fellowship, University of Toronto ($4,000 CAD) 2005-2010 Ontario Graduate Student (OGS) Scholarship ($20,000 CAD) 2005-2006 Gordon Cressy Student Leadership Award, University of Toronto 2005 Finalist, George Proctor Student Paper Prize, Canadian University Music Society 2005 2 • For the paper “Revitalizing Ritual: The Role of Ritual Performance in R. Murray Schafer’s Patria Cycle” Lau Scholarship for Graduate Studies, University of Toronto ($1,500 CAD) 2004-2005 Ontario Graduate Student (OGS) Scholarship ($10,000 CAD) 2004-2005 Graduated Dean’s Honors List, First Class Honors, Queen’s University 2003 PUBLICATIONS Monographs Remix, Reuse, Recycle: Music, Media Technology, and Remediating the Environment • Under Contract with Oxford University Press (Music/Media Series). Manuscript delivery January 2020 Indigenous Soundings and Decolonizing Sound Art • Proposal in development for submission Summer/Fall 2020 Bird Song Heroes and WhaleSynths: Listening to Nonhuman Musicality and Aural Culture with Mobile Media • Proposal in development for submission Summer/Fall 2020 Peer-Reviewed Articles Published “Listening to and Composing with the Soundscapes of Climate Change.” Special Issue: Climate Realism: The Aesthetics of Weather, Climate, and Atmosphere, edited by Jeff Diamanti, Lynn Badia, and Marija Cetinić. Resilience: A Journal of the Environmental Humanities 7, no. 1 (Winter 2019). [In Production]. “Curating the Aural Cultures of the Battery: Soundwalking, Auditory Tourism, and Interactive Locative Media Sound Art.” Tourist Studies 18, no. 4 (2018): 442–466. https://doi.orG/10.1177/1468797617723764 “Making and Learning with Environmental Sound: Maker Culture, EcomusicoloGy, and the Digital Humanities in Music History PedaGoGy.” Special Issue: TeachinG EcomusicoloGy: ListeninG to Nature, ListeninG to Difference, edited by Rachel Mundy. Journal of Music History Pedagogy 8, no. 1 (2017): 45–71. http://www.ams- net.orG/ojs/index.php/jmhp/article/view/216 “Materiality and Aural Memory in the Harbour Symphony (St. John’s, Newfoundland).” Sound Studies: An Interdisciplinary Journal 1, no. 1 (2015): 119–144. http://dx.doi.orG/10.1080/20551940.2015.1079079 “Ecotopian Spaces: Soundscapes of Environmental Advocacy and Awareness.” Social Alternatives 33, no. 3 (2014): 71– 78. “Roughing it in the Woods: Community Experience and the Cultural Practice of Patria.” MUSICultures 39, no. 2 (2012): 30–60. “Pathways and Pilgrimages: The In-Between Spaces in the Patria Cycle.” Intersections: Canadian Journal of Music 28, no. 1 (2007): 134–145. Forthcoming “The Ecology and Spirituality of Environmental Music.” Guest Editor Introduction. Special Issue: Music, Sound, and the Aurality of the Environment in the Anthropocene: Spiritual and ReliGious Perspectives, edited by Kate Galloway. YJMR: Yale Journal of Music and Religion (ForthcominG 2019). “The Aurality of Pipeline Politics and ListeninG for Nacreous Clouds: VoicinG Traditional EcoloGical Knowledge in Tanya Tagaq’s Animism and Retribution.” Special Issue: Popular Music and the Anthropocene, edited by Paul Harkins and François Ribac. Popular Music 37, no. 2 (ForthcominG 2020). 3 In Review “Participatory Performance and the EcoloGy of Site-Specific Opera in R. Murray Schafer’s Patria 9: The Enchanted Forest.” [Under Review with Ethnomusicology]. “Soundscape and Spatiality in R. Murray Schafer’s The Princess of the Stars” [Revisions Submitted, Journal of the Society for American Music]. “PlayinG (with) the Sonic Environment: Digital StorytellinG with Game Audio, Indigenous Modernity, and the Spatiality of Never Alone” [Under Review with Music and the Moving Image]. In Preparation “The Matter, Bodies, and Things of Site-Specific Environmental Performance.” Special
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