Border, Breed Nor Birth
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The Cambridge Companion to Science Fiction
16 EDWARD JAMES Utopias and anti-utopias It is sometimes said that the ability of the writer to imagine a better place in which to live died in the course of the twentieth century, extinguished by the horrors of total war, of genocide and of totalitarianism. The genre of utopia, created unwittingly by Sir Thomas More when he published Utopia in 1516, died when idealism perished, a victim to twentieth-century pessimism and cynicism. It is the contention of this chapter that utopia has not disappeared; it has merely mutated, within the field of sf, into something very different from the classic utopia. Hoda M. Zaki, whose Phoenix Renewed (1988)isthe only published monograph on sf utopias, was on the point of recognizing this, although she failed; as a political scientist, she was still looking in vain for the classic utopia. She concluded that ‘the disappearance of utopian literature in the twentieth century is surprising’ and ‘an issue with serious implications for the entire body politics’. Her study was based on the nineteen novels which had won the Nebula Award between 1965 and 1982. Almost all these novels had utopian elements, she concluded, but none of them were actual utopias: although many of those novels offered critiques of the contemporary world, none of them offered the necessary coherent account of a superior and de- sirable alternative in the future. Modern sf thus had no utopias to offer, but only ‘tantalizing fragments in the utopian tradition’.1 However, one can use the same evidence to suggest something quite different: if almost all the novels had utopian elements, this is a demonstration of the profound way in which utopianism has permeated sf. -
Ivan's Final Dissertation
Copyright by Ivan Angus Wolfe 2009 The Dissertation Committee for Ivan Angus Wolfe certifies that this is the approved version of the following dissertation: Arguing In Utopia: Edward Bellamy, Nineteenth Century Utopian Fiction, and American Rhetorical Culture Committee: Jeffrey Walker, Supervisor Mark Longaker Martin Kevorkian Trish Roberts-Miller Janet Davis Gregory Clark Arguing In Utopia: Edward Bellamy, Nineteenth Century Utopian Fiction, and American Rhetorical Culture by Ivan Angus Wolfe, A.A.S.; B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of English The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2009 Dedication To Alexandra Acknowledgements I would like to thank my entire dissertation committee for their invaluable feedback during every step of my writing process. Jeffrey Walker was an invaluable director, always making time for my questions and responding with feedback to my chapters in a timely manner. Martin Kevorkian, Mark Longaker, Janet Davis, and Trish Roberts-Miller all also gave excellent advice and made themselves available whenever I needed them. Gregory Clark not only provided the initial impetus for my interest in this area, but graciously joined the committee despite his numerous commitments. Most graduate students would feel blessed to have such a conscientious and careful committee. I would also like to thank my wife, Alexandra, for her help. She has likely read this dissertation more times than anyone but me. Elizabeth Cullingford also deserves special thanks for being an excellent English department chair and making me feel welcome my first semester at UT as her Teaching Assistant for E316K. -
Nelson Slade Bond Collection, 1920-2006
Marshall University Marshall Digital Scholar Guides to Manuscript Collections Search Our Collections 2006 0749: Nelson Slade Bond Collection, 1920-2006 Marshall University Special Collections Follow this and additional works at: https://mds.marshall.edu/sc_finding_aids Part of the Fiction Commons, Intellectual History Commons, Playwriting Commons, and the Social History Commons Recommended Citation Nelson Slade Bond Collection, 1920-2006, Accession No. 2006/04.0749, Special Collections Department, Marshall University, Huntington, WV. This Finding Aid is brought to you for free and open access by the Search Our Collections at Marshall Digital Scholar. It has been accepted for inclusion in Guides to Manuscript Collections by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. 0 REGISTER OF THE NELSON SLADE BOND COLLECTION Accession Number: 2006/04.749 Special Collections Department James E. Morrow Library Marshall University Huntington, West Virginia 2007 1 Special Collections Department James E. Morrow Library Marshall University Huntington, WV 25755-2060 Finding Aid for the Nelson Slade Bond Collection, ca.1920-2006 Accession Number: 2006/04.749 Processor: Gabe McKee Date Completed: February 2008 Location: Special Collections Department, Morrow Library, Room 217 and Nelson Bond Room Corporate Name: N/A Date: ca.1920-2006, bulk of content: 1935-1965 Extent: 54 linear ft. System of Arrangement: File arrangement is the original order imposed by Nelson Bond with small variations noted in the finding aid. The collection was a gift from Nelson S. Bond and his family in April of 2006 with other materials forwarded in May, September, and November of 2007. -
Contribution Mdc 6Ème Rappor
Table des matières Contexte ….............................................................................................................................................. 3 Le réseau des parcs culturels ................................................................................................................... 4 Parc culturel de l’Ahaggar ....................................................................................................................... 5 Parc culturel du Tassili n’Ajjer................................................................................................................ 5 Parc culturel de l’Atlas saharien .............................................................................................................. 5 Parc culturel de Tindouf .......................................................................................................................... 6 Parc culturel de Touat Gourara Tidikelt .................................................................................................. 6 I. Conserver, gérer durablement, développer et valoriser la biodiversité des parcs culturels en développant des synergies avec les parcs nationaux ............................................................................... 6 I.1. Renforcer l’implication de la population locale dans un cadre organisé avec l’appui de l’Etat ....... 6 I.1.1. Gestion collaborative des ressources ............................................................................................. 6 I.2. Renforcement du système -
Sendtnera 2: 39-170
© Biodiversity Heritage Library, http://www.biodiversitylibrary.org/; www.biologiezentrum.at 39 Revision der altweltlichen anuellen Arten der Gattung Astragalus L. (Leguminosae) von D. PODLECH Abstract: D. PODLECH, Revision der altweltlichen annuellen Arten der Gattung Astragalus L. (Legumi- nosae). - Sendtnera 2: 39-170. 1994. - ISSN 0944-0178. The present study deals with a systematic revision of the annual species of Astragalus in the Old World. The hitherto described 32 sections are reduced to 14 with partly other delimitation. These HTQ Ankylotus (4 species), Annulares (12 species), Biserrula (1 species), Bucerates (7 species), Cyamodes (1 species), Dipelta (1 species). Epiglottis (1 species), Heterodontus (4 species), Hispiduli (8 species), Oxyglottis (6 species), Pentaglottis (1 species), Thlaspidium (1 species). The sections Platyglottis (9 species) and Sesamei (22 species), which were revised short times ago are not treated again. The 78 species in total are all nearly related and form the subgenus Trimeniaeus Bunge. The annual Astragalus vogelii (sect. Herpocaulos) which was treated by PODLECH 1984 is excluded from the subgen. Trimeniaeus because it is a clear derivative of perennial groups of subgen. Cercidothrix. The annual A. ophiocarpus Bunge and A. mirus Sirj. & Rech.f are treated as genera of its own out of which the latter is decribed as a new genus Barnebyella Podlech. Während bei den perennen altweltlichen (jrruppen der Gattung Astragalus dem Haartyp - ob basifx oder medifix - eine entscheidende systematische Bedeutung zugemessen wird, verwischt sich dieser Unterschied bei einer Reihe der einjährigen Arten. Fast alle altweltlichen annuellen Ästragali sind trotz stark verschiedener Indumentausbildung nahe miteinander verwandt und stellen nach unseren Vorstellungen eine sehr alte Gruppe dar, die sich in den Trockengebieten der altweltlichen Nordhemisphäre entfaltet hat (PODLECH 1991). -
F Ontosv and Science Fiction
THE MAGAZINE OF f ontosv AND Science Fiction JAN VARY 40¢ · Pacifist by MACK REYNOLDS DAMON KNIGHT ISAAC ASIMOV ZHURAVLEVA VA WENZELL BROWN Including Y enture Science Fiction Pacifist MACK REYNOLDS s Starlight Rhapsody ZHURAVLEVA VALENTINA 21 The Follower WENZELL BROWN 29 Books A VRAM DAVIDSON 40 The Tree of Time (2nd of 2 parts) DAMON KNIGHT 46 Thaw and Serve ALLEN KIM LANG 88 Nackles CURT CLARK 97 Science: Round and Round and ••• ISAAC ASIMOV 104 The Book of Elijah EDWARD WELLEN 114 Ferdinand Feghoot: LXVIII GRENDEL BRIAilTON 122 Appointment at Ten O'clock BOBEB.T LORY 123 F&SF Marketplace 129 Cover by Ed Emsb (illustrating ''The Tree of Time") Joseph W. Ferman, PUBLISHER Avram Davidson, EXECUTIVE EDITOR Jsaac Anmov, SCIENCE EDITOR Edward L. Ferman, MANAGING EDITOR Ted Whitt, ASSISTANT EDITOR The Magazine of Fantasy and ScieNCe Fiction, Vol..,.e Z6, No. 1, Wlwle No. 1,Z, Jan. 1964. Published monthly by Mercury Press, Inc., at 40~ a copy. Annual subscription $4.50; $5.00 in Canada and the Pan American Un1on; $5.50 in all other countries. Publi cation office, 10 Ferry Street, Concord, N. H. Editorial and general mail should be sent to 347 East Hrd St., New York 22, N. Y. Seco11d Class postage paid at Cot~cord, N.H. Prixted in U. S. A. C) 1963 by Mercury Press, Inc. All rights, includit~g translations into other lln•UIIIJfiiS, reserved. Submissions must be accompanied by stamp_ed, self-addressed novdD,es; tlw Pulilloer fU~t<-s "" responsibility for rdvrn Df N~UDiieited •antUCri,ts. Christmas Gift Rates $4.00 for one subscription (Your own, now or renewal, or first gift) $3.00 each additional subscription Order now-pcry in January. -
SFRA Newsletter
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 6-1-2001 SFRA ewN sletter 252 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 252 " (2001). Digital Collection - Science Fiction & Fantasy Publications. Paper 71. http://scholarcommons.usf.edu/scifistud_pub/71 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #2S2 Ifay/June 200' Coeditors: Barbara Lucas Shelley Rodrjgo Blanctiard Nonfiction lerie lIeil Barron Fiction Ie riews: Shelley Rodrjgo Blancliard The SFRAReview (ISSN 1068-395X) is published six times a year by the Science Fiction ResearchAssociation (SFRA) and distI~bUld to SFRA mem bers.lndividual issues are not for sale. For information about the SFRA and its benefits, see the description at the back of this issue. For a membership application, contact SFRA Treasurer Dave Mead or get one from the SFRA website: <www.sfra.org>. SUBMISSIONS The SFRAReview editors encourage submissions, including essays, review essays that cover several related texts, and interviews. Please send submis sions or queries to both coeditors. If you would like to review nonfiction or fiction, please contact the respec tive editor and/or email [email protected]. Barbara Lucas, Coeditor 1352 Fox Run Drive, Suite 206 Willoughby, OH 44094 <[email protected]> Shelley Rodrigo Blanchard, Coeditor & Fiction Reviews Editor 6842 S. -
DOUBLE:BILL Symposium
BRIAN W. ALDISS ALLEN KIM LANG POUL ANDERSON KEITH LAUMER PIERS ANTHONY FRITZ LEIBER ISAAC ASIMOV ROBERT A. W. LOWNDES CHARLES BEAUMONT RICHARD LUPOFF GREG BENFORD KATHERINE MacLEAN ALFRED BESTER anne McCaffrey JAMES BLISH J. FRANCIS McCOMAS ROBERT BLOCH DEAN MCLAUGHLIN ANTHONY BOUCHER P. SCHUYLER MILLER LEIGH BRACKETT MICHAEL MOORCOCK RAY BRADBURY LARRY NIVEN MARION ZIMMER BRADLEY ANDRE NORTON REGINALD BRETNOR ALAN E. NOURSE JOHN BRUNNER ANDREW J. OFFUTT KENNETH BULMER ALEXEI PANSHIN ---------------------------------------------- JOHN W. CAMPBELL EMIL PETAJA s JOHN CARNELL H. BEAM PIPER ’ TERRY CARR FREDERIK POHL SYMPOSIUM JOHN CHRISTOPHER ARTHUR PORGES 3r ARTHUR C. CLARKE DANNIE PLACHTA tr HAL CLEMENT MACK REYNOLDS I MARK CLIFTON JOANNA RUSS GROFF CONKLIN ERIC FRANK RUSSELL BASIL DAVENPORT FRED SABERHAGEN AVRAM DAVIDSON JAMES H. SCHMITZ B io HANK DAVIS T. L. SHERRED CHARLES DE VET ROBERT SILVERBERG LESTER DEL REY CLIFFORD D. SIMAK AUGUST DERLETH E. E. 'DOC SMITH PHILIP K. DICK GEORGE 0. SMITH GORDON R. DICKSON JERRY SOHL jllopii HARLAN ELLISON NORMAN SPINRAD PHILIP JOSE FARMER THEODORE STURGEON DANIEL F. GALOUYE JEFF SUTTON DAVID GERROLD WILLIAM F. TEMPLE H. L. GOLD THEODORE L. THOMAS MARTIN GREENBERG WILSON TUCKER JAMES E. GUNN PIERRE VERSINS EDMOND HAMILTON KURT VONNEGUT, JR. double-.bill HARRY HARRISON TED WHITE ZENNA HENDERSON KATE WILHELM JOE HENSLEY ROBERT MOORE WILLIAMS JOHN JAKES JACK WILLIAMSON LEO P. KELLEY RICHARD WILSON DAMON KNIGHT ROBERT F. YOUNG DEAN R. KOONTZ ROGER ZELAZNY $3. the DOUBLE BILL Symposium ...being 94 replies to 'A Questionnaire for Professional Science Fiction Writers and Editors' as Created by: LLOYD BIGGLE, JR. Edited, and Published by: BILL MALLARDI & BILL BOWERS Bill BowersaBill Mallardi press 1969 Portions of this volume appeared in the amateur magazine Double:Bill. -
Australian Science Fiction Review 7
ctence AUSTRALIAN SCIENCE FICTION REVIEW Editor: JOHN BANGSUND February 1967 Number 7 Shadow: Lee Harding EDITORIAL page 2 JOHN BANGSUND THE PSALMS OF OLAF STAPLEDON 3 REVIEWS 8 PAUL STEVENS THE GOGGLEBOX BEMS 21 MORLOCKS 24 LEE HARDING THE COSMOLOGICAL EYE 32 Reviewed in this issue... EDGAR PANGBORN A MIRROR FOR OBSERVERS 8 EDGAR PANGBORN DAVY . 9 HARRY HARRISON MAKE ROOM.’ MAKE ROOM! 10 THOMAS M. DISCH MANKIND UNDER THE LEASH 12 URSULA K. LeGUIN PLANET OF EXILE 13 URSULA K. LeGUIN ROCANNON'S WORLD 13 WOLLHEIM & CARR (ed) WORLD'S BEST SF 1966 14 FREDERIK POHL (ed) STAR FOURTEEN 15 D. F. JONES COLOSSUS 16 RICK RAPHAEL CODE THREE 16 KEITH LAUMER CATASTROPHE PLANET 17 KEITH LAUMER A PLAGUE OF DEMONS 17 ROGER ZELAZNY THE DREAM MASTER 18 MACK REYNOLDS OF GODLIKE POWER 18 CHARLES HARNESS THE ROSE 18 JAMES COLVIN THE DEEP FIX 19 CHRISTINE BROOKE-ROSE SUCH 19 Correspondents... WILLIAM F. TEMPLE WALT WILLIS HARRY WARNER JR PHIL ’ MULDOWNEY GRAHAM HALL PAUL STEVENS ANDREW ESCOT AUSTRALIAN SCIENCE FICTION REVIEW is published by John Bangsund at 19 Gladstone Avenue Northcote N.1,6 Melbourne Australia CONTENTS of this issue copyright by the authors SUBSCRIPTION RATES • in Australia U.S.A, and Canada $3.60 per twelve issues in U.K. and New Zealand £1.7.6 TRADES accepted LETTERS welcomed COVER by Anon (assisted by Anon) ILLUSTRATIONS - page 2 by Steve Rasmussen, pages 1,15 by J. Bangsund IN VINO VERITAS (AMONG OTHER THINGS) ('That is nearly true/’ said the abbot, beginning to look resolute, as the rosebud at his nose-tip deepened into damask. -
Science Fiction Whatever
At 1 anta Science Fiction Organizations and Whatever Newsletter Kay AUG GREAT feet... Alas, we have never run a photo of Kathy, and it has been a long time since we ran one of her illos. The illo pro blem should be fixed before the end of Letters the year. I would love to fix the photo problem, too. If only the black patent leather did not glare under photo flood lights — its worse than bare head skin and you cannot powder it, either. _ Dear ASFOAWN: . —CELK0-- 1 Your continued generosity with co -----000O000— pies of ASFOAWN has not been matched by prompt enough responses from me. In Dear ASFOAWN: fact, you were overly generous with what I suppose was the May issue, which con It may come as a shock to your tained the May Con Calendar, because I younger readers, but not everything Joe received two copies of it in separate Celko says is strictly reliable. We envelopes. Or may be you've been misled will be charitable and attribute to his by that baseless rumor about my having notoriously poor eyesight (we won't had myself cloned in an effort to speed mention his depraved imagination) the up my output of LOCs. fact that he mistook my pet spider Bhernard for a tattoo. Ehernard normal-; I'm amazed by the appearance of L. ly lives in my pocket, but as the bikini Sprague de Camp. I first saw him in was much too small to have anything of person in either 1960 or 1961 at a the sort, Bhernard had to do the best he PhillyCon. -
Afro-Future Females
Afro-Future Females Barr_final.indb 1 4/15/2008 2:52:25 AM Barr_final.indb 2 4/15/2008 2:52:25 AM Afro-Future Females Black Writers Chart Science Fiction’s Newest New-Wave Trajectory Edited by MARLEEN S. BARR T H E O H I O S TAT E U N I V E R S I T Y P R E ss / Columbus Barr_final.indb 3 4/15/2008 2:52:25 AM Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Afro-future females : black writers chart science fiction’s newest new-wave trajectory / edited by Marleen S. Barr. p. cm. Includes bibliographical references. ISBN-13: 978–0–8142–1078–9 (cloth : alk. paper) 1. Science fiction, American. 2. Science fiction, American—History and criticism. 3. American fiction—African American authors—History and criticism. 4. American fic- tion—Women authors—History and criticism. 5. Women and literature—United States— History—20th century. 6. Women and literature—United States—History—21st century. I. Barr, Marleen S. PS648.S3A69 2008 813.’0876209928708996073—dc22 2007050083 This book is available in the following editions: Cloth (ISBN 978–0–8142–1078–9) CD-ROM (ISBN 978–0–8142–9156–6) Cover design by Janna Thompson Chordas. Text design by Jennifer Shoffey Forsythe. Type set in Adobe Minion. Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 Barr_final.indb 4 4/15/2008 2:52:25 AM Contents PRefAce “All At One Point” Conveys the Point, Period: Or, Black Science Fiction Is Bursting Out All Over ix IntRODUctiOns: “DARK MAtteR” MAtteRS l Imaginative Encounters Hortense J. -
Hoggar - Tassili L’Immensité Rassurante
Hoggar - Tassili L’immensité rassurante Hoggar - Tassili Le Sahara Le Sahara est le plus grand désert du monde. Il occupe 8 millions de km2 dont 2 millions passent par le territoire algérien. Il s’étend de la Mauritanie à la mer Rouge et de la méditerranée au lac Tchad, se partageant entre 11 pays. Paradoxalement ; dans ce monde hostile ; la vie s’accroche et s’adapte sous ses diverses formes. Le Hoggar Le Hoggar (du tamachek Ahaggar) est une chaîne de montagnes du Sahara central, dans le sud de l’Algérie. C’est un massif circulaire dominé par le plateau de l’Atakor (le crâne), d’une altitude moyenne de 2 000 m, hérissé de pitons attei- gnant presque 3 000 m. Le Hoggar est essentiellement constitué de roches volcaniques et métamorphiques. Le relief, aux multiples et folles architectures aus- si étonnantes les unes que les autres constitue des paysages gran- dioses. A chaque détour, la vue qui s’offre dans toute sa splendeur laisse le visiteur saisi, envoûté. Le calme, parfois bercé par le chant du vent, conjugué avec la ma- jesté de la roche taillé par l’ingéniosité de l’érosion, incite à la contemplation, au recueillement et à la détente. C’est un monde fascinant, un livre d’histoire et de découvertes, un univers de quiétude, de sagesse et de mystères. Un univers qui in- cite au voyage dans l’espace et dans le temps, à la rencontre de soi. Les amateurs de photographie devront s’attendre à être saisis d’une frénétique envie de tout immortaliser.