F Ontosv and Science Fiction
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sigma-348.Pdf
Sigma The Newsletter of PARSEC - www.parsec-sff.org March, 2015 - No. 348 ing stable member of the community. I've been told President’s Capsule numerous times in the midst of some supposed The quality of being amusing solemn conversation, "Joe, this is no joking matter!" or comic... To me, joking matters are serious. Even though the or one of the four fluids of the hint of levity makes my status take quite a tumble to- body: blood, phlegm, yellow ward frivolous. bile or black bile. I look for humor where I can find it. In surprising Funny thing. I've been thinking and hidden places. In a turn of phrase. In an obscure by Joe Coluccio about humor lately. reference. I can often hear the writer smiling over And speculative fiction, of course. some small innocent paragraph of seeming lightness Some of you know I was a member of a comedy and fluff that may often sum up the meaning of the group that performed both on AM and FM radio and whole work. Certainly you have smiled at the con- at various venues around Pittsburgh. The group was cerns of the Puppeteers or the antics of Louis Wu, or called The Lackzoom Acidophilus Hour. Yes, there those of you with more daring, the instability of the is a story about the name. But really it was an homage Kzinti. There is nothing more funny, paranoid and to many of the old commercially sponsored schizophrenic than any of the works of Philip K. radio/television comedy and variety hours. -
2019-05-06 Catalog P
Pulp-related books and periodicals available from Mike Chomko for May and June 2019 Dianne and I had a wonderful time in Chicago, attending the Windy City Pulp & Paper Convention in April. It’s a fine show that you should try to attend. Upcoming conventions include Robert E. Howard Days in Cross Plains, Texas on June 7 – 8, and the Edgar Rice Burroughs Chain of Friendship, planned for the weekend of June 13 – 15. It will take place in Oakbrook, Illinois. Unfortunately, it doesn’t look like there will be a spring edition of Ray Walsh’s Classicon. Currently, William Patrick Maynard and I are writing about the programming that will be featured at PulpFest 2019. We’ll be posting about the panels and presentations through June 10. On June 17, we’ll write about this year’s author signings, something new we’re planning for the convention. Check things out at www.pulpfest.com. Laurie Powers biography of LOVE STORY MAGAZINE editor Daisy Bacon is currently scheduled for release around the end of 2019. I will be carrying this book. It’s entitled QUEEN OF THE PULPS. Please reserve your copy today. Recently, I was contacted about carrying the Armchair Fiction line of books. I’ve contacted the publisher and will certainly be able to stock their books. Founded in 2011, they are dedicated to the restoration of classic genre fiction. Their forté is early science fiction, but they also publish mystery, horror, and westerns. They have a strong line of lost race novels. Their books are illustrated with art from the pulps and such. -
Discussion About Edwardian/Pulp Era Science Fiction
Science Fiction Book Club Interview with Jess Nevins July 2019 Jess Nevins is the author of “the Encyclopedia of Fantastic Victoriana” and other works on Victoriana and pulp fiction. He has also written original fiction. He is employed as a reference librarian at Lone Star College-Tomball. Nevins has annotated several comics, including Alan Moore’s The League of Extraordinary Gentlemen, Elseworlds, Kingdom Come and JLA: The Nail. Gary Denton: In America, we had Hugo Gernsback who founded science fiction magazines, who were the equivalents in other countries? The sort of science fiction magazine that Gernsback established, in which the stories were all science fiction and in which no other genres appeared, and which were by different authors, were slow to appear in other countries and really only began in earnest after World War Two ended. (In Great Britain there was briefly Scoops, which only 20 issues published in 1934, and Tales of Wonder, which ran from 1937 to 1942). What you had instead were newspapers, dime novels, pulp magazines, and mainstream magazines which regularly published science fiction mixed in alongside other genres. The idea of a magazine featuring stories by different authors but all of one genre didn’t really begin in Europe until after World War One, and science fiction magazines in those countries lagged far behind mysteries, romances, and Westerns, so that it wasn’t until the late 1940s that purely science fiction magazines began appearing in Europe and Great Britain in earnest. Gary Denton: Although he was mainly known for Sherlock Holmes, Arthur Conan Doyle also created the Professor Challenger stories like The Lost World. -
Apropiaciones Lovecraftianas De Temas Teosóficos
Chaves / Melancolia 3 (2018) pp. 35-59 APROPIACIONES LOVECRAFTIANAS DE TEMAS TEOSÓFICOS ISSN 2526-1096 [email protected] Enviado: 10/0518 Aceptado: 19/08/18 RESUMEN Se abordan en este ensayo algunas de las referencias teosóficas en la narrativa fantástica del escritor norteamericano H.P. Lovecraft, surgidas tanto de sus lecturas de autores teosóficos como W. Scott-Elliot, así como de sus conversaciones con colegas literatos conocedores de esas doctrinas esotéricas, como E. Hoffman Price. Se pone énfasis en dos temas: la antropogénesis blavatskiana y el mito del Libro de Dzyan, en términos de su impacto en el universo narrativo de Lovecraft. PALABRAS CLAVE: teosofía, H.P. Lovecraft, literatura fantástica. 35 Chaves / Melancolia 3 (2018) pp. 35-59 LOVECRAFTIAN APPROPRIATIONS OF THEOSOPHICAL SUBJECTS ABSTRACT: Some of the theosophical references in the fantastic narrative of the American writer H.P. Lovecraft are addressed in this essay, arising both from his readings of theosophical authors such as W. Scott-Elliot, as well as from his conversations with literary colleagues who were familiar with these esoteric doctrines, as E. Hoffman Price. Emphasis is placed on two themes: Blavatskian anthropogenesis and the myth of the Book of Dzyan, in terms of its impact on Lovecraft's narrative universe. KEY WORDS: Theosophy, H.P. Lovecraft, Fantastic Literature. José Ricardo Chaves es Doctor en literatura comparada por la UNAM. Es miembro del Centro de Poética del Instituto de Investigaciones Filológicas, y docente en la Facultad de Filosofía y Letras, con un trabajo enfocado sobre todo al estudio del romanticismo y del esoterismo en el siglo XIX y principios del XX, así como a la literatura fantástica de esa época, tanto en Europa como en América. -
Pseudoscience and Science Fiction Science and Fiction
Andrew May Pseudoscience and Science Fiction Science and Fiction Editorial Board Mark Alpert Philip Ball Gregory Benford Michael Brotherton Victor Callaghan Amnon H Eden Nick Kanas Geoffrey Landis Rudi Rucker Dirk Schulze-Makuch Ru€diger Vaas Ulrich Walter Stephen Webb Science and Fiction – A Springer Series This collection of entertaining and thought-provoking books will appeal equally to science buffs, scientists and science-fiction fans. It was born out of the recognition that scientific discovery and the creation of plausible fictional scenarios are often two sides of the same coin. Each relies on an understanding of the way the world works, coupled with the imaginative ability to invent new or alternative explanations—and even other worlds. Authored by practicing scientists as well as writers of hard science fiction, these books explore and exploit the borderlands between accepted science and its fictional counterpart. Uncovering mutual influences, promoting fruitful interaction, narrating and analyzing fictional scenarios, together they serve as a reaction vessel for inspired new ideas in science, technology, and beyond. Whether fiction, fact, or forever undecidable: the Springer Series “Science and Fiction” intends to go where no one has gone before! Its largely non-technical books take several different approaches. Journey with their authors as they • Indulge in science speculation—describing intriguing, plausible yet unproven ideas; • Exploit science fiction for educational purposes and as a means of promoting critical thinking; • Explore the interplay of science and science fiction—throughout the history of the genre and looking ahead; • Delve into related topics including, but not limited to: science as a creative process, the limits of science, interplay of literature and knowledge; • Tell fictional short stories built around well-defined scientific ideas, with a supplement summarizing the science underlying the plot. -
1943 Retrospective Hugo Award Results
Worldcon 76 in San Jose PO Box 61363 [email protected] Sunnyvale CA 94088-1363, +1-408-905-9366 USA For Immediate Release 1943 RETROSPECTIVE HUGO AWARD WINNERS REVEALED IN SAN JOSE, CA WORLDCON 76 REVEALS WINNERS FOR SCIENCE FICTION’S MOST PRESTIGIOUS FAN-NOMINATED AWARD SAN JOSE, CA, August 16, 2018: The winners of the 1943 Retrospective Hugo Awards were announced on Thursday, August 16, 2018, at the 76th World Science Fiction Convention. 703 valid ballots (688 electronic and 15 paper) were received and counted from the members of the 2018 World Science Fiction Convention. The Hugo Awards, presented first in 1953 and annually since 1955, are science fiction’s most prestigious award, and one of the World Science Fiction Convention’s unique and distinguished institutions. Since 1993, Worldcon committees have had the option of awarding Retrospective Hugo Awards for past Worldcon years prior to 1953 where they had not been presented 25, 50, or 100 years prior to the contemporary convention, with the exception of the hiatus during World War II when no Worldcon was convened. A recent change in this policy has now allowed for Retro Hugos to be awarded for the years 1942-1945. 1943 Retrospective Hugo Award Winners Best Fan Writer Forrest J Ackerman Best Fanzine Le Zombie, edited by Arthur Wilson "Bob" Tucker Best Professional Artist Virgil Finlay Best Editor - Short Form John W. Campbell Best Dramatic Presentation - Short Form Bambi, written by Perce Pearce, Larry Morey, et al., directed by David D. Hand et al. (Walt Disney Productions) For Immediate Release more Page 2 1943 RETROSPECTIVE HUGO AWARD WINNERS REVEALED IN SAN JOSE, CA Best Short Story "The Twonky," by Lewis Padgett (C.L. -
INTERVIEW with ROBERT BLOCH - 1 - by Jean-Marc Lofficier
INTERVIEW WITH ROBERT BLOCH - 1 - By Jean-Marc Lofficier INTERVIEW WITH ROBERT BLOCH Randy and Jean-Marc Lofficier RL: Who do you consider to be at the root of your inspiration for your writing of terror and horror fiction? RB: Well, I spent eleven years in an advertising agency! Actually, as a child I was interested in reading that sort of thing. But, I was more interested, and I think most imaginative children are, in the mysteries of death, age and cruelty. Why do these things happen? Why do people do these things to one another? An innocent child believes in the protection and security of his daddy and mama, his friends and his safe home environment. Then to read and learn about these things is a great shock. I've done a good deal of talking with many other contemporary writers of this sort of fiction, people like Stephen King, Peter Straub, Richard Matheson and half-a- dozen others. They all had the same experience; they all feel this was their motivation. Some kids don't think about these things particularly, but I did. Particularly when I was hiding under the bed or in the closet after seeing something like Lon Chaney in The Phantom of the Opera for the first time at the age of 8 or 9. I decided, as I guess most of these people did, if you can't lick ‘em, join ‘em. So, I learned the method of what it is that terrifies other people as well. Yet, I tried to do it in a way that is safe. -
Henry Kuttner, a Memorial Symposium
EDITED BY K /\ R E N A N 0 E R S 0 M A S E V A G R A M ENTERPRISE Tomorrow and. tomorrow "bring no more Beggars in velvet, Blind, mice, pipers'- sons; The fairy chessmen will take wing no more In shock and. clash by night where fury runs, A gnome there was, whose paper ghost must know That home there’s no returning -- that the line To his tomorrow went with last year’s snow, Gallegher Plus no longer will design Robots who have no tails; the private eye That stirred two-handed engines, no more sees. No vintage seasons more, or rich or wry, That tantalize us even to the lees; Their mutant branch now the dark angel shakes Arid happy endings end when the bough breaks. Karen Anderson 2. /\ MEMORIAL symposium. ■ In Memoriams Henry Kuttnei; (verse) Karen Anderson 2 Introduction by the Editor 4 Memoirs of a Kuttner Reader Poul Anderson 4 The Many Faces of Henry Kuttner Fritz Leiher 7 ’•Hank Helped Me” Richard Matheson 10 Ray Bradbury 11 The Mys^&r.y Hovels of Henry Kuttner Anthony. Boucher . .; 12 T^e Closest Approach • Robert Bloch . 14 Extrapolation (fiction) Henry Kuttner Illustrated by John Grossman ... (Reprinted from The Fanscient, Fall 1948) 19 Bibliography of the Science-Fantasy Works of Henry.. Kuttner Compiled by Donald H..Tuck 23 Kotes on Bylines .. Henry Kuttner ... (Reproduced from a letter) 33 The verse on Page 2 is reprinted from the May, 1958 issue of The Magazine of Fantasy and Science-Fiction, Illustrations by Edd Cartier on pages 9, 18, and 23 are reproduced respectively from Astounding Science Fiction. -
Issue 349, April 2015
Sigma The Newsletter of PARSEC - www.parsec-sff.org April, 2015 - No. 349 PM. I arrive at about 12:30PM and will in the future President’s Capsule be there by Noon. The hour or so before the meeting It seems that spring has sprung. begins is a great time when people trickle in and talk Turns my head metaphorically spontaneously about what movies they have seen, and practically to re-creation. what books they are reading, what conventions and I’m not sure what clod put the be- shows they will attend. It is a wonderful time. I urge ginning of the year at frigid and fal- you to become part. low January, but it would have been I have seen some email from people who are Par- better done in April. Oh, if I’m ever by Joe Coluccio sec members living out of city and state who have re- emperor… quested audio or video of the meetings. There are So, what of SF in this “new” beginning? some problems with the idea. I will be glad to ask any It is harder than ever to bring to light new SF works of the guest speakers and others if they are willing to and new talent, what with everyone publishing every- be recorded. BUT. Video and/or audio takes equip- thing everywhere. I read all the mags both pro and not ment. I don’t perceive that as a real problem. I have and am amazed at the sheer vision exhibited on the enough audio equipment and can scrape together digital and print pages. -
The Cambridge Companion to Science Fiction
16 EDWARD JAMES Utopias and anti-utopias It is sometimes said that the ability of the writer to imagine a better place in which to live died in the course of the twentieth century, extinguished by the horrors of total war, of genocide and of totalitarianism. The genre of utopia, created unwittingly by Sir Thomas More when he published Utopia in 1516, died when idealism perished, a victim to twentieth-century pessimism and cynicism. It is the contention of this chapter that utopia has not disappeared; it has merely mutated, within the field of sf, into something very different from the classic utopia. Hoda M. Zaki, whose Phoenix Renewed (1988)isthe only published monograph on sf utopias, was on the point of recognizing this, although she failed; as a political scientist, she was still looking in vain for the classic utopia. She concluded that ‘the disappearance of utopian literature in the twentieth century is surprising’ and ‘an issue with serious implications for the entire body politics’. Her study was based on the nineteen novels which had won the Nebula Award between 1965 and 1982. Almost all these novels had utopian elements, she concluded, but none of them were actual utopias: although many of those novels offered critiques of the contemporary world, none of them offered the necessary coherent account of a superior and de- sirable alternative in the future. Modern sf thus had no utopias to offer, but only ‘tantalizing fragments in the utopian tradition’.1 However, one can use the same evidence to suggest something quite different: if almost all the novels had utopian elements, this is a demonstration of the profound way in which utopianism has permeated sf. -
Ivan's Final Dissertation
Copyright by Ivan Angus Wolfe 2009 The Dissertation Committee for Ivan Angus Wolfe certifies that this is the approved version of the following dissertation: Arguing In Utopia: Edward Bellamy, Nineteenth Century Utopian Fiction, and American Rhetorical Culture Committee: Jeffrey Walker, Supervisor Mark Longaker Martin Kevorkian Trish Roberts-Miller Janet Davis Gregory Clark Arguing In Utopia: Edward Bellamy, Nineteenth Century Utopian Fiction, and American Rhetorical Culture by Ivan Angus Wolfe, A.A.S.; B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of English The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2009 Dedication To Alexandra Acknowledgements I would like to thank my entire dissertation committee for their invaluable feedback during every step of my writing process. Jeffrey Walker was an invaluable director, always making time for my questions and responding with feedback to my chapters in a timely manner. Martin Kevorkian, Mark Longaker, Janet Davis, and Trish Roberts-Miller all also gave excellent advice and made themselves available whenever I needed them. Gregory Clark not only provided the initial impetus for my interest in this area, but graciously joined the committee despite his numerous commitments. Most graduate students would feel blessed to have such a conscientious and careful committee. I would also like to thank my wife, Alexandra, for her help. She has likely read this dissertation more times than anyone but me. Elizabeth Cullingford also deserves special thanks for being an excellent English department chair and making me feel welcome my first semester at UT as her Teaching Assistant for E316K. -
Nelson Slade Bond Collection, 1920-2006
Marshall University Marshall Digital Scholar Guides to Manuscript Collections Search Our Collections 2006 0749: Nelson Slade Bond Collection, 1920-2006 Marshall University Special Collections Follow this and additional works at: https://mds.marshall.edu/sc_finding_aids Part of the Fiction Commons, Intellectual History Commons, Playwriting Commons, and the Social History Commons Recommended Citation Nelson Slade Bond Collection, 1920-2006, Accession No. 2006/04.0749, Special Collections Department, Marshall University, Huntington, WV. This Finding Aid is brought to you for free and open access by the Search Our Collections at Marshall Digital Scholar. It has been accepted for inclusion in Guides to Manuscript Collections by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. 0 REGISTER OF THE NELSON SLADE BOND COLLECTION Accession Number: 2006/04.749 Special Collections Department James E. Morrow Library Marshall University Huntington, West Virginia 2007 1 Special Collections Department James E. Morrow Library Marshall University Huntington, WV 25755-2060 Finding Aid for the Nelson Slade Bond Collection, ca.1920-2006 Accession Number: 2006/04.749 Processor: Gabe McKee Date Completed: February 2008 Location: Special Collections Department, Morrow Library, Room 217 and Nelson Bond Room Corporate Name: N/A Date: ca.1920-2006, bulk of content: 1935-1965 Extent: 54 linear ft. System of Arrangement: File arrangement is the original order imposed by Nelson Bond with small variations noted in the finding aid. The collection was a gift from Nelson S. Bond and his family in April of 2006 with other materials forwarded in May, September, and November of 2007.