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2019-05-06 Catalog P
Pulp-related books and periodicals available from Mike Chomko for May and June 2019 Dianne and I had a wonderful time in Chicago, attending the Windy City Pulp & Paper Convention in April. It’s a fine show that you should try to attend. Upcoming conventions include Robert E. Howard Days in Cross Plains, Texas on June 7 – 8, and the Edgar Rice Burroughs Chain of Friendship, planned for the weekend of June 13 – 15. It will take place in Oakbrook, Illinois. Unfortunately, it doesn’t look like there will be a spring edition of Ray Walsh’s Classicon. Currently, William Patrick Maynard and I are writing about the programming that will be featured at PulpFest 2019. We’ll be posting about the panels and presentations through June 10. On June 17, we’ll write about this year’s author signings, something new we’re planning for the convention. Check things out at www.pulpfest.com. Laurie Powers biography of LOVE STORY MAGAZINE editor Daisy Bacon is currently scheduled for release around the end of 2019. I will be carrying this book. It’s entitled QUEEN OF THE PULPS. Please reserve your copy today. Recently, I was contacted about carrying the Armchair Fiction line of books. I’ve contacted the publisher and will certainly be able to stock their books. Founded in 2011, they are dedicated to the restoration of classic genre fiction. Their forté is early science fiction, but they also publish mystery, horror, and westerns. They have a strong line of lost race novels. Their books are illustrated with art from the pulps and such. -
Discussion About Edwardian/Pulp Era Science Fiction
Science Fiction Book Club Interview with Jess Nevins July 2019 Jess Nevins is the author of “the Encyclopedia of Fantastic Victoriana” and other works on Victoriana and pulp fiction. He has also written original fiction. He is employed as a reference librarian at Lone Star College-Tomball. Nevins has annotated several comics, including Alan Moore’s The League of Extraordinary Gentlemen, Elseworlds, Kingdom Come and JLA: The Nail. Gary Denton: In America, we had Hugo Gernsback who founded science fiction magazines, who were the equivalents in other countries? The sort of science fiction magazine that Gernsback established, in which the stories were all science fiction and in which no other genres appeared, and which were by different authors, were slow to appear in other countries and really only began in earnest after World War Two ended. (In Great Britain there was briefly Scoops, which only 20 issues published in 1934, and Tales of Wonder, which ran from 1937 to 1942). What you had instead were newspapers, dime novels, pulp magazines, and mainstream magazines which regularly published science fiction mixed in alongside other genres. The idea of a magazine featuring stories by different authors but all of one genre didn’t really begin in Europe until after World War One, and science fiction magazines in those countries lagged far behind mysteries, romances, and Westerns, so that it wasn’t until the late 1940s that purely science fiction magazines began appearing in Europe and Great Britain in earnest. Gary Denton: Although he was mainly known for Sherlock Holmes, Arthur Conan Doyle also created the Professor Challenger stories like The Lost World. -
Apropiaciones Lovecraftianas De Temas Teosóficos
Chaves / Melancolia 3 (2018) pp. 35-59 APROPIACIONES LOVECRAFTIANAS DE TEMAS TEOSÓFICOS ISSN 2526-1096 [email protected] Enviado: 10/0518 Aceptado: 19/08/18 RESUMEN Se abordan en este ensayo algunas de las referencias teosóficas en la narrativa fantástica del escritor norteamericano H.P. Lovecraft, surgidas tanto de sus lecturas de autores teosóficos como W. Scott-Elliot, así como de sus conversaciones con colegas literatos conocedores de esas doctrinas esotéricas, como E. Hoffman Price. Se pone énfasis en dos temas: la antropogénesis blavatskiana y el mito del Libro de Dzyan, en términos de su impacto en el universo narrativo de Lovecraft. PALABRAS CLAVE: teosofía, H.P. Lovecraft, literatura fantástica. 35 Chaves / Melancolia 3 (2018) pp. 35-59 LOVECRAFTIAN APPROPRIATIONS OF THEOSOPHICAL SUBJECTS ABSTRACT: Some of the theosophical references in the fantastic narrative of the American writer H.P. Lovecraft are addressed in this essay, arising both from his readings of theosophical authors such as W. Scott-Elliot, as well as from his conversations with literary colleagues who were familiar with these esoteric doctrines, as E. Hoffman Price. Emphasis is placed on two themes: Blavatskian anthropogenesis and the myth of the Book of Dzyan, in terms of its impact on Lovecraft's narrative universe. KEY WORDS: Theosophy, H.P. Lovecraft, Fantastic Literature. José Ricardo Chaves es Doctor en literatura comparada por la UNAM. Es miembro del Centro de Poética del Instituto de Investigaciones Filológicas, y docente en la Facultad de Filosofía y Letras, con un trabajo enfocado sobre todo al estudio del romanticismo y del esoterismo en el siglo XIX y principios del XX, así como a la literatura fantástica de esa época, tanto en Europa como en América. -
Pseudoscience and Science Fiction Science and Fiction
Andrew May Pseudoscience and Science Fiction Science and Fiction Editorial Board Mark Alpert Philip Ball Gregory Benford Michael Brotherton Victor Callaghan Amnon H Eden Nick Kanas Geoffrey Landis Rudi Rucker Dirk Schulze-Makuch Ru€diger Vaas Ulrich Walter Stephen Webb Science and Fiction – A Springer Series This collection of entertaining and thought-provoking books will appeal equally to science buffs, scientists and science-fiction fans. It was born out of the recognition that scientific discovery and the creation of plausible fictional scenarios are often two sides of the same coin. Each relies on an understanding of the way the world works, coupled with the imaginative ability to invent new or alternative explanations—and even other worlds. Authored by practicing scientists as well as writers of hard science fiction, these books explore and exploit the borderlands between accepted science and its fictional counterpart. Uncovering mutual influences, promoting fruitful interaction, narrating and analyzing fictional scenarios, together they serve as a reaction vessel for inspired new ideas in science, technology, and beyond. Whether fiction, fact, or forever undecidable: the Springer Series “Science and Fiction” intends to go where no one has gone before! Its largely non-technical books take several different approaches. Journey with their authors as they • Indulge in science speculation—describing intriguing, plausible yet unproven ideas; • Exploit science fiction for educational purposes and as a means of promoting critical thinking; • Explore the interplay of science and science fiction—throughout the history of the genre and looking ahead; • Delve into related topics including, but not limited to: science as a creative process, the limits of science, interplay of literature and knowledge; • Tell fictional short stories built around well-defined scientific ideas, with a supplement summarizing the science underlying the plot. -
1943 Retrospective Hugo Award Results
Worldcon 76 in San Jose PO Box 61363 [email protected] Sunnyvale CA 94088-1363, +1-408-905-9366 USA For Immediate Release 1943 RETROSPECTIVE HUGO AWARD WINNERS REVEALED IN SAN JOSE, CA WORLDCON 76 REVEALS WINNERS FOR SCIENCE FICTION’S MOST PRESTIGIOUS FAN-NOMINATED AWARD SAN JOSE, CA, August 16, 2018: The winners of the 1943 Retrospective Hugo Awards were announced on Thursday, August 16, 2018, at the 76th World Science Fiction Convention. 703 valid ballots (688 electronic and 15 paper) were received and counted from the members of the 2018 World Science Fiction Convention. The Hugo Awards, presented first in 1953 and annually since 1955, are science fiction’s most prestigious award, and one of the World Science Fiction Convention’s unique and distinguished institutions. Since 1993, Worldcon committees have had the option of awarding Retrospective Hugo Awards for past Worldcon years prior to 1953 where they had not been presented 25, 50, or 100 years prior to the contemporary convention, with the exception of the hiatus during World War II when no Worldcon was convened. A recent change in this policy has now allowed for Retro Hugos to be awarded for the years 1942-1945. 1943 Retrospective Hugo Award Winners Best Fan Writer Forrest J Ackerman Best Fanzine Le Zombie, edited by Arthur Wilson "Bob" Tucker Best Professional Artist Virgil Finlay Best Editor - Short Form John W. Campbell Best Dramatic Presentation - Short Form Bambi, written by Perce Pearce, Larry Morey, et al., directed by David D. Hand et al. (Walt Disney Productions) For Immediate Release more Page 2 1943 RETROSPECTIVE HUGO AWARD WINNERS REVEALED IN SAN JOSE, CA Best Short Story "The Twonky," by Lewis Padgett (C.L. -
INTERVIEW with ROBERT BLOCH - 1 - by Jean-Marc Lofficier
INTERVIEW WITH ROBERT BLOCH - 1 - By Jean-Marc Lofficier INTERVIEW WITH ROBERT BLOCH Randy and Jean-Marc Lofficier RL: Who do you consider to be at the root of your inspiration for your writing of terror and horror fiction? RB: Well, I spent eleven years in an advertising agency! Actually, as a child I was interested in reading that sort of thing. But, I was more interested, and I think most imaginative children are, in the mysteries of death, age and cruelty. Why do these things happen? Why do people do these things to one another? An innocent child believes in the protection and security of his daddy and mama, his friends and his safe home environment. Then to read and learn about these things is a great shock. I've done a good deal of talking with many other contemporary writers of this sort of fiction, people like Stephen King, Peter Straub, Richard Matheson and half-a- dozen others. They all had the same experience; they all feel this was their motivation. Some kids don't think about these things particularly, but I did. Particularly when I was hiding under the bed or in the closet after seeing something like Lon Chaney in The Phantom of the Opera for the first time at the age of 8 or 9. I decided, as I guess most of these people did, if you can't lick ‘em, join ‘em. So, I learned the method of what it is that terrifies other people as well. Yet, I tried to do it in a way that is safe. -
Henry Kuttner, a Memorial Symposium
EDITED BY K /\ R E N A N 0 E R S 0 M A S E V A G R A M ENTERPRISE Tomorrow and. tomorrow "bring no more Beggars in velvet, Blind, mice, pipers'- sons; The fairy chessmen will take wing no more In shock and. clash by night where fury runs, A gnome there was, whose paper ghost must know That home there’s no returning -- that the line To his tomorrow went with last year’s snow, Gallegher Plus no longer will design Robots who have no tails; the private eye That stirred two-handed engines, no more sees. No vintage seasons more, or rich or wry, That tantalize us even to the lees; Their mutant branch now the dark angel shakes Arid happy endings end when the bough breaks. Karen Anderson 2. /\ MEMORIAL symposium. ■ In Memoriams Henry Kuttnei; (verse) Karen Anderson 2 Introduction by the Editor 4 Memoirs of a Kuttner Reader Poul Anderson 4 The Many Faces of Henry Kuttner Fritz Leiher 7 ’•Hank Helped Me” Richard Matheson 10 Ray Bradbury 11 The Mys^&r.y Hovels of Henry Kuttner Anthony. Boucher . .; 12 T^e Closest Approach • Robert Bloch . 14 Extrapolation (fiction) Henry Kuttner Illustrated by John Grossman ... (Reprinted from The Fanscient, Fall 1948) 19 Bibliography of the Science-Fantasy Works of Henry.. Kuttner Compiled by Donald H..Tuck 23 Kotes on Bylines .. Henry Kuttner ... (Reproduced from a letter) 33 The verse on Page 2 is reprinted from the May, 1958 issue of The Magazine of Fantasy and Science-Fiction, Illustrations by Edd Cartier on pages 9, 18, and 23 are reproduced respectively from Astounding Science Fiction. -
Issue 349, April 2015
Sigma The Newsletter of PARSEC - www.parsec-sff.org April, 2015 - No. 349 PM. I arrive at about 12:30PM and will in the future President’s Capsule be there by Noon. The hour or so before the meeting It seems that spring has sprung. begins is a great time when people trickle in and talk Turns my head metaphorically spontaneously about what movies they have seen, and practically to re-creation. what books they are reading, what conventions and I’m not sure what clod put the be- shows they will attend. It is a wonderful time. I urge ginning of the year at frigid and fal- you to become part. low January, but it would have been I have seen some email from people who are Par- better done in April. Oh, if I’m ever by Joe Coluccio sec members living out of city and state who have re- emperor… quested audio or video of the meetings. There are So, what of SF in this “new” beginning? some problems with the idea. I will be glad to ask any It is harder than ever to bring to light new SF works of the guest speakers and others if they are willing to and new talent, what with everyone publishing every- be recorded. BUT. Video and/or audio takes equip- thing everywhere. I read all the mags both pro and not ment. I don’t perceive that as a real problem. I have and am amazed at the sheer vision exhibited on the enough audio equipment and can scrape together digital and print pages. -
S. Petersen's Field Guide to Lovecraftian
7th Edition Horror Roleplaying in the Worlds of H. P. Lovecraft Petersen’s Field Guide to Lovecraftian Horrors SampleBy Sandy Petersen file Revised by Mike Mason Chaosium Inc. 1 Concept and text : Sandy Petersen Original project development and editorial : Lynn Willis Revised edition editorial and development : Mike Mason Professor Westbury Illinois Carter Foreword: Mike Mason Licensing: Michael O’Brien, James Lowder, and Mike Mason With Special thanks to Nick Nacario and Christian Grussi Howard Phillips Lovecraft Illustrations : Loïc Muzy, Mariusz Gandzel & Claire Delépée 1890–1937 S Petersen Guide to Lovecraftian Horrors © copyright 2015, 2020 Chaosium Inc. All rights reserved. Call of Cthulhu © copyright 1981–2020 Chaosium Inc. All rights reserved. Chaosium Arcane Symbol (the Star Elder Sign) © copyright 1983 Chaosium Inc. All rights reserved. Call of Cthulhu, Chaosium Inc., and the Chaosium logo are registered trademarks of Chaosium Inc. Pulp Cthulhu is a trademark of Chaosium Inc. All rights reserved. Ithaqua © copyright 2020 the Estate of August Derleth. Used with permission. Nyogtha © copyright 2020 the Estate of Henry Kuttner. Used with permission. Some Henry Kuttner elements may be in the public domain. Chthonian and Yibb-Tstll © copyright 2020 Brian Lumley. Used with permission. Abhoth, Atlach-Nacha, and Tsathoggua © copyright 2020 the Estate of Clark Ashton Smith. Used with permission. Chaosium recognizes that credits and copyrights for the Cthulhu Mythos can be difficult to identify, and that some elements of the Mythos may be in the public domain. If you have corrections or additions to any credits given here, please contact us at [email protected]. This is a work of fiction. -
MG 545 – Allan Cushon Collection
MG 545 – Allan Cushon collection Dates: ca.1790 – 2006 (inclusive) ; 1880-1960 (predominant) Extent: 260 cm graphic and textual materials; 4 black and white photographs Biography: For many years, Allan Cushon was the owner of Saskatoon’s most recognizable locksmithing shop, Burnett’s Key’s. Allan was a University of Saskatchewan Alumnus, and an avid collector of books, magazines, and other things with particular focus on mysteries, Sherlockian works, and anything to do with locks and keys. Allan passed away in 2014. Scope and Content: This collection contains books, magazines, and a variety of ephemera associated with themes of Canadiana, advertising, keys, locks, and locksmithing, mysteries, socialism, sex and gender, science fiction, western living, adventure. Arrangement: This collection contains books, magazines, and a variety of ephemera. Much of the material consists of advertising (dating from the Victorian era to the present), and Canadiana. Other themes include socialism, sex and gender, science fiction, western living, and adventure. In line with Cushon's interests as a locksmith, there are also a variety of materials relating to locks, keys, and locked room mysteries. Series I: Saskatchewania/ Canadiana Collecting Series II: Advertising and Souvenirs Collection Series III: Keys, Locks and Locksmithing collection Series IV: Magazines Collection Series V: Mysteries/Sherlockian Series VI: Miscellaneous Collections Series VII: Personal Restrictions: There are no restrictions on access. Finding aid by Stevie Horn, 2015. Edited for formatting by Lisa Carpenter and Amy Putnam, 2018. Box 1 Series I: Saskatchewania/ Canadiana Collecting 1. Bladon Family Scrapbook – ca. 1884-1889, 1999 Includes 1999 article “In A Prairie Attic: Bladon Family Toys” describing the acquisition by the WDM of 1700 artifacts from a local family who settled in the area around 1920. -
Discussion About Henry Kuttner and C.L. Moore
Science Fiction Book Club Interview with Allen Mueller August 2019 Allen Mueller is an expert on Henry Kuttner and C.L. Moore. He wrote his MA thesis on them and has published several articles about them. Øyvind Strømsvåg: What was the reason for using so many different pseudonyms as Kuttner did? As with many authors, the Kuttners started using pseudonyms in situations where they had more than one story in a given publication (in a few cases, the Kuttners had up to 4 stories in a given magazine) and also as a way of distancing themselves from weaker stories published in less prestigious magazines. In a letter to August Derleth, Kuttner spoke quite frankly about, “sending (Leo) Margulies my W. T. duds.” Sam Moskowitz claimed that Kuttner was forced to publishing under pseudonyms for a time due to the negative criticism he received for publishing “The Time Trap,” with its (tame by today’s standard) sexual content. I also believe that, after a time, the pseudonyms took on a life of their own, in a sense. Fritz Leiber relates an appropriate anecdote after Kuttner’s death, “(Kuttner) and Bob (Bloch) had just been amusing themselves by formulating the personalities of a few pen names. As I recall a few of them, Lewis Padgett was a retired accountant who liked to water the lawn of an evening and then mosey down to the corner drugstore to pick up a quart of ice cream and whose wife collected recipes to surprise her bridge club. Lawrence O’Donnell was a wild Irishman who lived in Greenwich Village with a malicious black cat who had an infallible instinct for check letters and generally managed to chew up their contents before his master had shaken loose from his latest hangover. -
2019-07-08 Catalog P
Pulp-related books and periodicals available from Mike Chomko for July and August 2019 Given that I’m writing these words in early September, I’m way behind on my bookselling chores. As I’ve relayed via email, between PulpFest 2019 and helping my wife with her mother — now in hospice care — this summer has been extremely busy. PulpFest is over for another year — actually eleven months, given the timing of this catalog. The convention’s organizing committee is already working on next year’s gathering. It will take place August 6 - 9 at the DoubleTree by Hilton Pittsburgh — Cranberry, located in Mars, Pennsylvania. PulpFest 2020 will focus on Bradbury, BLACK MASK, and Brundage. We may even throw in a touch of Brackett and Burroughs for good measure. In October, we’ll be announcing our very special guest of honor. Over the Labor Day weekend, Dianne and I drove to the Burlington area of Vermont to acquire a substantial collection of pulps, digests, vintage paperbacks, first edition hardcovers, underground comics, fanzines, and more. The primary focus of the magazine collection is the science fiction genre. There are also miscellaneous periodicals from the adventure, detective, hero, spicy, and war genres. The collection contains magazines in both the pulp and digest formats. The vintage paperbacks run the gamut of genres that are popular in that area of book collecting. PulpFest will begin selling the collection via auction during our 2020 convention. Given its size, it will take a number of years to disperse the entire collection. Now begins the difficult and time-consuming work of organizing, cataloging, lotting, and photographing the collection.