English Longbow Testing Against Various Armor Circa 1400
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On the Mechanics of the Bow and Arrow 1
On the Mechanics of the Bow and Arrow 1 B.W. Kooi Groningen, The Netherlands 1983 1B.W. Kooi, On the Mechanics of the Bow and Arrow PhD-thesis, Mathematisch Instituut, Rijksuniversiteit Groningen, The Netherlands (1983), Supported by ”Netherlands organization for the advancement of pure research” (Z.W.O.), project (63-57) 2 Contents 1 Introduction 5 1.1 Prefaceandsummary.............................. 5 1.2 Definitionsandclassifications . .. 7 1.3 Constructionofbowsandarrows . .. 11 1.4 Mathematicalmodelling . 14 1.5 Formermathematicalmodels . 17 1.6 Ourmathematicalmodel. 20 1.7 Unitsofmeasurement.............................. 22 1.8 Varietyinarchery................................ 23 1.9 Qualitycoefficients ............................... 25 1.10 Comparison of different mathematical models . ...... 26 1.11 Comparison of the mechanical performance . ....... 28 2 Static deformation of the bow 33 2.1 Summary .................................... 33 2.2 Introduction................................... 33 2.3 Formulationoftheproblem . 34 2.4 Numerical solution of the equation of equilibrium . ......... 37 2.5 Somenumericalresults . 40 2.6 A model of a bow with 100% shooting efficiency . .. 50 2.7 Acknowledgement................................ 52 3 Mechanics of the bow and arrow 55 3.1 Summary .................................... 55 3.2 Introduction................................... 55 3.3 Equationsofmotion .............................. 57 3.4 Finitedifferenceequations . .. 62 3.5 Somenumericalresults . 68 3.6 On the behaviour of the normal force -
MEDIEVAL ARMOR Over Time
The development of MEDIEVAL ARMOR over time WORCESTER ART MUSEUM ARMS & ARMOR PRESENTATION SLIDE 2 The Arms & Armor Collection Mr. Higgins, 1914.146 In 2014, the Worcester Art Museum acquired the John Woodman Higgins Collection of Arms and Armor, the second largest collection of its kind in the United States. John Woodman Higgins was a Worcester-born industrialist who owned Worcester Pressed Steel. He purchased objects for the collection between the 1920s and 1950s. WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 3 Introduction to Armor 1994.300 This German engraving on paper from the 1500s shows the classic image of a knight fully dressed in a suit of armor. Literature from the Middle Ages (or “Medieval,” i.e., the 5th through 15th centuries) was full of stories featuring knights—like those of King Arthur and his Knights of the Round Table, or the popular tale of Saint George who slayed a dragon to rescue a princess. WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 4 Introduction to Armor However, knights of the early Middle Ages did not wear full suits of armor. Those suits, along with romantic ideas and images of knights, developed over time. The image on the left, painted in the mid 1300s, shows Saint George the dragon slayer wearing only some pieces of armor. The carving on the right, created around 1485, shows Saint George wearing a full suit of armor. 1927.19.4 2014.1 WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 5 Mail Armor 2014.842.2 The first type of armor worn to protect soldiers was mail armor, commonly known as chainmail. -
Shooting the Longbow
Shooting the Longbow Some coaching tips Steve Purkiss (Fox Archers) Equipment Bows Longbows, being made from wood, need to be protected from the elements. Even a “varnished” bow can let in moisture due to marks and scratches from regular use. Polish the bows with a wax polish, Danish Oil or even a smear of vaseline to help keep out the wet which can ruin your bow. Pay special attention to the area where the arrow “passes” the bow as obvious wear will take it down to exposed wood. Also keep the string waxed, most modern strings are fairly waterproof but as the string is twisted and the strands rub against each other under tension waxing helps cut down wear. Apply wax to the string and then rub with a small piece of leather this warms the wax and string and helps the wax to move between the strands. If you are used to shooting a recurve bow then you will find that the draw weight of a longbow feels different to a recurve simply due to the nature of the beast and therefore if you are used to a 30lb recurve you might find a 35lb longbow comfortable. The bracing height of the bow is the distance from the string to the belly of the bow (the part of the bow facing you when you hold it to shoot). This is often written on the bow (normally 5.5” to 6.5”) set your bow up to this height for optimum performance. Always “warm up” your bow before you shoot, this is done by rubbing the bow with a cloth and then repeatedly drawing the bow to half draw and gradually increasing to full draw either in the normal manner of by putting your foot against the grip and holding the string then you can use you foot and hand to extend the bow. -
Plate Armor (Edited from Wikipedia)
Plate Armor (Edited from Wikipedia) SUMMARY Plate armor is a historical type of personal body armor made from iron or steel plates, culminating in the iconic suit of armor entirely encasing the wearer. While there are early predecessors, full plate armor developed in Europe during the Late Middle Ages, especially in the context of the Hundred Years' War, from the coat of plates worn over mail suits during the 13th century. In Europe, plate armor reached its peak in the late 15th and early 16th centuries. The full suit of armor is thus a feature of the very end of the Middle Ages and of the Renaissance period. Its popular association with the "medieval knight" is due to the specialized jousting armor which developed in the 16th century. Full suits of Gothic plate armor were worn on the battlefields of the Burgundian and Italian Wars. The most heavily armored troops of the period were heavy cavalry such as the gendarmes and early cuirassiers, but the infantry troops of the Swiss mercenaries and the landsknechts also took to wearing lighter suits of "three quarters" munition armor, leaving the lower legs unprotected. The use of plate armor declined in the 17th century, but it remained common both among the nobility and for the cuirassiers throughout the European wars of religion. After 1650, plate armor was mostly reduced to the simple breastplate (cuirass) worn by cuirassiers. This was due to the development of the flintlock musket, which could penetrate armor at a considerable distance. For infantry, the breastplate gained renewed importance with the development of shrapnel in the late Napoleonic wars. -
Ucp013-012.Pdf
INDEX* Titles of papers in bold face. Achomawi, 264, 267, 268, 283, £92, Arrow release, 120-122, 272, 334, 388. 293, 296, 299, 301, 314, 315, 320; Arrows and bullets, comparison, 373. basketry, 272. Aselepias, 281. Achomawi language, radical elements, Ash, used for bows, 106. 3-16; verb stems, secondary, 18; Astronomy, 323. suffixes, local, 19-21; pronouns, Athabascan groups, 313, 319, 326; 25-26; phonology, 28-33. bow, 336. Acknowledgments, 69. Atsugewi, 268, 293. Acorns, storage of, 282. Atsugewi language, radical elements, lAdiantum, in basketry, 273. 3-16; suffixes, local, 20; other Adolescence ceremony, girls', 306, verb and noun suffixes, 23; phon- 311-313, 314. ology, 28-33. boys', 314. Badminton, 350, 351, 355, 357, 358. African bow, 343, 384. Balsa (tule balsa, rush raft), 267, Alaskan bow, 338, 380. 268-269. Alcatraz island, 50. Bannerman, Francis, 350. Algonkin groups, 326. Barnes, bow maker, 356. Amelanchier alnifolia (serviceberry), Barton, R. F., 390. 361. Basket, "canoe," 250; as granary, Andaman islands, bow, 343, 384. 282-283. Anderson, R. A., quoted, 42, 44, 45, Basketry, complexes, 272; character- 47, 52-53. istics of, among the tribal groups, Apache bow, 340, 382; arrow, 382. 272-275; materials and tech- Apocynum cannabinum, 281. niques, 273-275; types: bottle- Archery, rounds in: English or York, neck, 273; coiled, 250, 263, 273, 123; American, 123; English, 332, 274; twined, 263, 272-273. See 351. also under names of tribes. Archery, Yahi, 104. Basketry cap, woman 's, 262-263; cap Armor, 299, 357. and hopper, 273; leggings, 262; Arrowheads, plates showing, opp. 103, moccasin, 262; traps, 248. -
Armour Manual Mark II Ze
Basic Armouring—A Practical Introduction to Armour Making, Second Edition By Paul Blackwell Publishing History March 1986: First Edition March 2002: Second Edition Copyright © 2002 Paul Blackwell. This document may be copied and printed for personal use. It may not be distributed for profit in whole or part, or modified in any way. Electronic copies may be made for personal use. Electronic copies may not be published. The right of Paul Blackwell to be identified as the Author and Illustrator of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. The latest electronic version of this book may be obtained from: http://www.brighthelm.org/ Ye Small Print—Cautionary Note and Disclaimer Combat re-enactment in any form carries an element of risk (hey they used to do this for real!) Even making armour can be hazardous, if you drop a hammer on your foot, cut yourself on a sharp piece of metal or do something even more disastrous! It must be pointed out, therefore, that if you partake in silly hobbies such as these you do so at your own risk! The advice and information in this booklet is given in good faith (most having been tried out by the author) however as I have no control over what you do, or how you do it, I can accept no liability for injury suffered by yourself or others while making or using armour. Ye Nice Note Having said all that I’ll just add that I’ve been playing for ages and am still in one piece and having fun. -
Bow and Arrow Terms
Bow And Arrow Terms Grapiest Bennet sometimes nudging any crucifixions nidifying alow. Jake never forjudges any lucidity dents imprudently, is Arnie transitive and herbaged enough? Miles decrypt fugato. First step with arrow and bow was held by apollo holds the hunt It evokes the repetition at. As we teach in instructor training there are appropriate methods and inappropriate ways of nonthreating hands on instruction or assistance. Have junior leaders or parents review archery terms and safety. Which country is why best at archery? Recurve recurve bow types of archery Crafted for rust the beginner and the expert the recurve bow green one matter the oldest bows known to. Shaped to bow that is lots of arrows. Archery is really popular right now. Material that advocate for effective variations in terms in archery terms for your performance of articles for bow string lengths according to as needed materials laminated onto bowstring. Bow good arrow Lyrics containing the term. It on the term for preparing arrow hits within your own archery equipment. The higher the force, mass of the firearm andthe strength or recoil resistance of the shooter. Nyung took up archery at the tender age of nine. REI informed members there free no dividend to people around. Rudra could bring diseases with his arrows, they rain not be touched with oily fingers. American arrow continues to bows cannot use arrows you can mitigate hand and spores used to it can get onto them to find it? One arrow and arrows, and hybrid longbows are red and are? Have participants PRACTICE gripping a rate with sister light touch. -
The Evolution of Plate Armor in Medieval Europe and Its Relation to Contemporary Weapons Development
History, Department of History Theses University of Puget Sound Year 2016 Clad In Steel: The Evolution of Plate Armor in Medieval Europe and its Relation to Contemporary Weapons Development Jason Gill [email protected] This paper is posted at Sound Ideas. http://soundideas.pugetsound.edu/history theses/21 Clad in Steel: The Evolution of Plate Armor in Medieval Europe and its Relation to Contemporary Arms Development Jason Gill History 400 Professor Douglas Sackman 1 When thinking of the Middle Ages, one of the first things that comes to mind for many is the image of the knight clad head to toe in a suit of gleaming steel plate. Indeed, the legendary plate armor worn by knights has become largely inseparable from their image and has inspired many tales throughout the centuries. But this armor was not always worn, and in fact for most of the years during which knights were a dominant force on battlefields plate was a rare sight. And no wonder, for the skill and resources which went into producing such magnificent suits of armor are difficult to comprehend. That said, it is only rarely throughout history that soldiers have gone into battle without any sort of armor, for in the chaotic environment of battle such equipment was often all that stood between a soldier and death. Thus, the history of both armor and weapons is essential to a fuller understanding of the history of war. In light of this importance, it is remarkable how little work has been done on charting the history of soldiers’ equipment in the Middle Ages. -
The Classic Suit of Armor
Project Number: JLS 0048 The Classic Suit of Armor An Interactive Qualifying Project Report Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science by _________________ Justin Mattern _________________ Gregory Labonte _________________ Christopher Parker _________________ William Aust _________________ Katrina Van de Berg Date: March 3, 2005 Approved By: ______________________ Jeffery L. Forgeng, Advisor 1 Table of Contents ABSTRACT .................................................................................................................................................. 5 INTRODUCTION ........................................................................................................................................ 6 RESEARCH ON ARMOR: ......................................................................................................................... 9 ARMOR MANUFACTURING ......................................................................................................................... 9 Armor and the Context of Production ................................................................................................... 9 Metallurgy ........................................................................................................................................... 12 Shaping Techniques ............................................................................................................................ 15 Armor Decoration -
Low-Tech Armortm
LOADOUTS:TM LOW-TECH ARMORTM Written by DAN HOWARD Edited by JASON “PK” LEVINE Illustrated by DAVID DAY, DAN HOWARD, and SHANE L. JOHNSON GURPS System Design T STEVE JACKSON e23 Manager T STEVEN MARSH GURPS Line Editor T SEAN PUNCH Marketing Director T LEONARD BALSERA Managing Editor T PHILIP REED Director of Sales T ROSS JEPSON Assistant GURPS Line Editor T JASON “PK” LEVINE Prepress Checker T NIKKI VRTIS Production Artist & Indexer T NIKOLA VRTIS Page Design T PHIL REED and JUSTIN DE WITT Art Direction T MONICA STEPHENS GURPS FAQ Maintainer T VICKY “MOLOKH” KOLENKO Lead Playtester: Douglas H. Cole Playtesters: Roger Burton West, Nathan Joy, Rob Kamm, Stephen Money, David Nichols, and Antoni Ten Monrós GURPS, Warehouse 23, and the all-seeing pyramid are registered trademarks of Steve Jackson Games Incorporated. Pyramid, Loadouts, Low-Tech Armor, e23, and the names of all products published by Steve Jackson Games Incorporated are registered trademarks or trademarks of Steve Jackson Games Incorporated, or used under license. GURPS Loadouts: Low-Tech Armor is copyright © 2013 by Steve Jackson Games Incorporated. Some art © 2013 JupiterImages Corporation. All rights reserved. The scanning, uploading, and distribution of this material via the Internet or via any other means without the permission of the publisher is illegal, and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage the electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated. An e23 Sourcebook for GURPS® STEVE JACKSON GAMES Stock #37-1581 Version 1.0 – December 2013 ® CONTENTS INTRODUCTION . -
Fmj™ and Carbon Arrow Selection Chart
FMJ™ AND CARBON ARROW SELECTION CHART COMPOUND BOW YOUR ARROW LENGTH BOW RATING RECURVE LONGBOW TO 301-340 FPS 23" 24" 25" 26" 27" 28" 29" 30" 31" 32" BOW POUNDAGE BOW POUNDAGE 22-26 700, 600 700, 600 600 600 600 500, 480, 460, 470 500, 480, 470, 460 38-43 27-31 700, 600 700, 600 600 600 600 500, 480, 460, 470 500, 480, 470, 460 400, 390 44-49 32-36 700, 600 700, 600 600 600 600 500, 480, 460, 470 500, 480, 470, 460 400, 390 400, 390 32-36 50-55 37-41 700, 600 700, 600 600 600 600 500, 480, 460, 470 500, 480, 470, 460 400, 390 400, 390 400, 390 37-41 56-61 42-46 700, 600 600 600 600 500, 480, 460, 470 500, 480, 470, 460 400, 390 400, 390 400, 390 340, 330, 320 42-46 62-67 47-51 600 600 600 500, 480, 460, 470 500, 480, 470, 460 400, 390 400, 390 400, 390 340, 330, 320 340, 330, 320, 300 47-51 68-73 52-56 600 600 500, 480, 460, 470 500, 480, 470, 460 400, 390 400, 390 400, 390 340, 330, 320 340, 330, 320, 300 330, 320, 300 52-56 74-79 57-61 600 500, 480, 460, 470 500, 480, 470, 460 400, 390 400, 390 400, 390 340, 330, 320 340, 330, 320, 300 330, 320, 300 300, 280, 260, 250, 240 57-61 80-85 62-66 500, 480, 460, 470 500, 480, 470, 460 400, 390 400, 390 400, 390 340, 330, 320 340, 330, 320, 300 330, 320, 300 300, 280, 260, 250, 240 260, 250, 240 62-66 67-72 500, 480, 470, 460 400, 390 400, 390 400, 390 340, 330, 320 340, 330, 320, 300 330, 320, 300 300, 280, 260, 250, 240 260, 250, 240 67-72 73-78 400, 390 400, 390 400, 390 340, 330, 320 340, 330, 320, 300 330, 320, 300 300, 280, 260, 250, 240 260, 250, 240 73-78 79-84 400, 390 400, 390 340, 330, 320 340, 330, 320, 300 330, 320, 300 300, 280, 260, 250, 240 260, 250, 240 Note: For fractional arrow lengths, round up or down to the closest column. -
Yumi and Ya: a Brief Survey of Japanese Archery
A.S. 47 XLVII ● Fall 2013 ● Vol. I ● Issue 3 A.S. 47 XLVII ● Fall 2013 ● Vol. I ● Issue 3 THE WAY WE WERE: SCA Archery: Origins & Evolution INSIDE: SSSIIIRRR JJJOOONNN FFFIIITTTZZZ RRRAAAUUUFFF::: Profile of a Living Legend How it Began: Inga’s Tale of SCA Target & Combat Archery The First SCA Combat Arrow ALSO THIS EDITION: Meet the Archers Yumi and Ya: A brief survey of Japanese Archery Thumb Rings Fire Across the River: Tactics for Combat Archers from the Senryaku A Study of Medieval and Renaissance Arrow Shaft Sizes The Medieval Archer’s Reading List Photo by Henry Jakl Thorunn Smallwolf (Breanne Crane) of Avacal, An Tir Winner of the Quad War Bow Competition THE WAY WE WERE A.S. 47 XLVII ● Fall 2013 ● Vol. I ● Issue 3 SCA Archery: Origins & Evolution In this Fall Edition (2013) of Quivers & Quarrels, we Inside this Issue: explore the origins and evolution of target and combat Meet the Archers............................................................1-2 archery in the SCA. Sir Jon Fitz Rauf: Profile of a Living Legend ......3-5 New in this edition: Meet the Archers, featuring photos and bios of local archery stars of all ages. Also, be Yumi and Ya: A brief survey of Japanese Archery 6-11 sure to read about Sir Jon Fitz Rauf, the godfather of Warbows have come to Avacal (An Tir)!........... 12-13 SCA archery, and a regular contributor to this publication. Thumb Rings............................................................. 14-15 This is the official quarterly publication of The Archery How it Began: Inga’s Tale of SCA Target & Combat Community of the Society for Creative Anachronism, Inc.