1 the Mortal and Divine Histories of Mongán Mac
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Übersetzung: Druid Magic by Maya Magee Sutton, Ph.D
Übersetzung: Druid Magic by Maya Magee Sutton, Ph.D. and Nicholas R. Mann Rufe Deinen „Inneren“ Druiden ins Leben ! Druid Magic bietet Dir ein Abenteuer an – den Druiden in Deinem Inneren zu erwecken. Du kannst auf Grund Deiner Wurzeln, die auf die spirituelle Tradition Deiner Vorfahren zurückgehen, ein Druide werden. Du kannst ein Druide werden, der seine Kreativität und geistige Kraft aus seinem tiefsten Inneren schöpft. Du kannst ein Druide werden, der die geheiligte Kraft der Flüsse, Hügel, Tiere und Haine kennt. Du kannst ein Druide werden, der die Individualität in sich selbst, in allen Wesen, im Umfeld, selbst im Boden (im Land) respektiert. Momentan erlebt diese Geisteshaltung eine Renaissance – Druidentum existiert wieder und lebt ! Als Magier, als Heiler, als Lehrer (Lernender, Gelehrter) und als Barde – die Druiden bewahrten und vermittelten das Wissen der alten Kelten. Dieses Buch verbindet Geschichte, Mythologie und Rituale um Dir aufzuzeigen, wie Du druidisches Wissen für Dein (weiteres) Leben anwendest. • Lerne Dein äußeres Erscheinungsbild zu verändern • Entdecke die Bedeutung der Prophezeihungen von Ogham • Mache ein Ritual in Deinem Hinterhof • Geh an Bord – zu einer mystischen Reise in die Otherworlds (Parallelwelten?) • Stürze Dich hinein in die Weisheit der Druiden – betritt das Reich der Magie ! Maya Magee Sutton, Ph.D., geb. 1938 lehrte über 20 Jahre an der Universität von New Mexico – wo sie das keltologische Institut begründete. Außerdem lehrt sie Keltische Mythologie und Angewandtes Druidentum. Sie ist U.S. und irische Staatsbürgerin. Nicholas R. Mann schrieb mehrere Bücher über keltische Tradition – wie z.B. The Isle of Avalon oder The Keltic Power Symbols. Er ist britonisch- schottischer Abstammung und lebt eher abgeschieden in den Wäldern von New Mexico. -
Univerzita Karlova V Praze Fakulta Humanitních Studií
Univerzita Karlova v Praze Fakulta humanitních studií OBOR: STUDIUM HUMANITNÍ VZDĚLANOSTI Bakalá řská práce na téma: TROJFUNKČNÍ STRUKTURA V IRSKÉ MYTOLOGII Autorka: Martina Tajbnerová Vedoucí práce: Dr Dalibor Antalík 2006 Prohlašuji, že jsem práci vypracovala samostatn ě s použitím uvedené literatury a souhlasím s jejím eventuálním zve řejn ěním v tišt ěné nebo elektronické podob ě. V Písku dne……. …………………………. 2 OBSAH I.Úvod …………………………………………………………………………………………4 II. Rešerše: a)Idea Indoevropanství…………………………………………………………….6 b)Trojfunk ční struktura u Dumézila ………………………………………………8 c)T ři funkce………………………………………………………………………14 d)Dumézilovy poznatky o trojfunk ční struktu ře u ostrovních Kelt ů………..……20 e)Navazující práce Françoise Le Roux…………………………………………..26 f)Navazující práce Jaana Puhvela………………………………………………..30 III. Samotná práce: a) Keltové………………………………………………………………………..33 b) Nejstarší irské literární památky………………………………………………34 c) T ři poklady Tuatha de Danaan ů a t ři nartské dary…………………………….37 d) Válka funkcí – II. bitva na Mag Tuired?……………………………………...38 e) T ři funkce v mytologii-rozd ělení……………………………………………...41 e1)1.fce-právní a magická:Nuada a Manannan………43 e2)2. fce-vále čná a bojová: Ogma……………………48 e3).3.fce- prosperity a plodnosti: Dagda ……………..50 f)Lug-multifunk ční postava..……………………………………………………..54 IV. Záv ěr……………………………………………………………………………………..57 V.Seznam použité literatury ………………………………………………………………...59 VI. P říloha ……………………………………………………………………………………61 3 I. ÚVOD Tato bakalá řská práce si klade za cíl prokázat trojfunk ční rozd ělení boh ů v keltské mytologii a stru čně popsat jednotlivé funkce (svrchovanost, sílu fyzickou a bojovou a plodnost) a jim p říslušné postavy vystupující v irských mýtech. Celá studie vychází z teorie Georgese Dumézila, která p ředpokládá, že takzvaná trojfunk ční struktura je p řízna čná pouze pro mýty indoevropských národ ů. -
Robert Graves the White Goddess
ROBERT GRAVES THE WHITE GODDESS IN DEDICATION All saints revile her, and all sober men Ruled by the God Apollo's golden mean— In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall. FOREWORD am grateful to Philip and Sally Graves, Christopher Hawkes, John Knittel, Valentin Iremonger, Max Mallowan, E. M. Parr, Joshua IPodro, Lynette Roberts, Martin Seymour-Smith, John Heath-Stubbs and numerous correspondents, who have supplied me with source- material for this book: and to Kenneth Gay who has helped me to arrange it. Yet since the first edition appeared in 1946, no expert in ancient Irish or Welsh has offered me the least help in refining my argument, or pointed out any of the errors which are bound to have crept into the text, or even acknowledged my letters. -
Cuchulain of Muirtheme
Cuchulain of Muirtheme Lady Gregory Cuchulain of Muirtheme Table of Contents Cuchulain of Muirtheme..........................................................................................................................................1 Lady Gregory.................................................................................................................................................1 Dedication of the Irish Edition to the People of Kiltartan.............................................................................1 Note by W.B. Yeats.......................................................................................................................................2 Notes by Lady Gregory..................................................................................................................................3 Preface by W. B. Yeats...........................................................................................................................................12 I. Birth of Cuchulain....................................................................................................................................15 II. Boy Deeds of Cuchulain..........................................................................................................................18 III. Courting of Emer...................................................................................................................................23 IV. Bricrius Feast.........................................................................................................................................34 -
Appendixes Appendix A
APPENDIXES APPENDIX A Yeats's Notes in The Collected Poems, 1933 The Spelling of Gaelic Names In this edition of my poems I have adopted Lady Gregory's spelling of Gaelic names, with, I think, two exceptions. The 'd' of 'Edain' ran too well in my verse for me to adopt her perhaps more correct 'Etain,' and for some reason unknown to me I have always preferred 'Aengus' to her 'Angus.' In her Gods and Fighting Men and Cuchulain of Muirthemne she went as close to the Gaelic spelling as she could without making the names unpro nounceable to the average reader.'-1933. Crossways. The Rose (pages 3, 25) Many of the poems in Crossways, certainly those upon Indian subjects or upon shepherds and fauns, must have been written before I was twenty, for from the moment when I began The Wanderings of Oisin, which I did at that age, I believe, my subject-matter became Irish. Every time I have reprinted them I have considered the leaving out of most, and then remem bered an old school friend who has some of them by heart, for no better reason, as I think, than that they remind him of his own youth.' The little Indian dramatic scene was meant to be the first scene of a play about a man loved by two women, who had the one soul between them, the one woman waking when the other slept, and knowing but daylight as the other only night. It came into my head when I saw a man at Rosses Point carrying two salmon. -
Test Abonnement
L E X I C O N O F T H E W O R L D O F T H E C E L T I C G O D S Composed by: Dewaele Sunniva Translation: Dewaele Sunniva and Van den Broecke Nadine A Abandinus: British water god, but locally till Godmanchester in Cambridgeshire. Abarta: Irish god, member of the de Tuatha De Danann (‘people of Danu’). Abelio, Abelionni, Abellio, Abello: Gallic god of the Garonne valley in South-western France, perhaps a god of the apple trees. Also known as the sun god on the Greek island Crete and the Pyrenees between France and Spain, associated with fertility of the apple trees. Abgatiacus: ‘he who owns the water’, There is only a statue of him in Neumagen in Germany. He must accompany the souls to the Underworld, perhaps a heeling god as well. Abhean: Irish god, harpist of the Tuatha De Danann (‘people of Danu’). Abianius: Gallic river god, probably of navigation and/or trade on the river. Abilus: Gallic god in France, worshiped at Ar-nay-de-luc in Côte d’Or (France) Abinius: Gallic river god or ‘the defence of god’. Abna, Abnoba, Avnova: goddess of the wood and river of the Black Wood and the surrounding territories in Germany, also a goddess of hunt. Abondia, Abunciada, Habonde, Habondia: British goddess of plenty and prosperity. Originally she is a Germanic earth goddess. Accasbel: a member of the first Irish invasion, the Partholans. Probably an early god of wine. Achall: Irish goddess of diligence and family love. -
Le Cycle Mythologique Irlandais Et La Mythologie Celtique / Par H
Le cycle mythologique irlandais et la mythologie celtique / par H. d'Arbois de Jubainville,... Source gallica.bnf.fr / Bibliothèque nationale de France Arbois de Jubainville, Henri d' (1827-1910). Le cycle mythologique irlandais et la mythologie celtique / par H. d'Arbois de Jubainville,.... 1884. 1/ Les contenus accessibles sur le site Gallica sont pour la plupart des reproductions numériques d'oeuvres tombées dans le domaine public provenant des collections de la BnF.Leur réutilisation s'inscrit dans le cadre de la loi n°78-753 du 17 juillet 1978 : *La réutilisation non commerciale de ces contenus est libre et gratuite dans le respect de la législation en vigueur et notamment du maintien de la mention de source. *La réutilisation commerciale de ces contenus est payante et fait l'objet d'une licence. Est entendue par réutilisation commerciale la revente de contenus sous forme de produits élaborés ou de fourniture de service. Cliquer ici pour accéder aux tarifs et à la licence 2/ Les contenus de Gallica sont la propriété de la BnF au sens de l'article L.2112-1 du code général de la propriété des personnes publiques. 3/ Quelques contenus sont soumis à un régime de réutilisation particulier. Il s'agit : *des reproductions de documents protégés par un droit d'auteur appartenant à un tiers. Ces documents ne peuvent être réutilisés, sauf dans le cadre de la copie privée, sans l'autorisation préalable du titulaire des droits. *des reproductions de documents conservés dans les bibliothèques ou autres institutions partenaires. Ceux-ci sont signalés par la mention Source gallica.BnF.fr / Bibliothèque municipale de .. -
The Mammoth Book of Celtic Myths and Legends
PETER BERRESFORD ELLIS is a foremost authority on the Celts and the author of many books in the field including The Celtic Empire (1990), Celt and Saxon (1993), Celt and Greek (1997), Celt and Roman (1998) and The Ancient World of the Celts (1998).Under the pseudonym Peter Tremayne he is the author of the bestselling Sister Fidelma murder mysteries set in Ireland in the seventh Century. Praise for Celtic Myths and Legends ‘For those interested in our Celtic past this selection will be a tremendous source of enjoyment and instruction.’ Contemporary Review ‘The introduction is the most comprehensive and lucid explanation of Celtic lore.’ Alan Lambert, The New Humanity ‘Peter Berresford Ellis brings to bear not only his extensive knowledge of the source material but also his acclaimed skills of storytelling to produce an original and enthralling collection.’ Ipswich Evening News Also available The Mammoth Book of Awesome Comic Fantasy The Mammoth Book of Best New Erotica The Mammoth Book of Best New Horror 2000 The Mammoth Book of Best New Science Fiction 14 The Mammoth Book of Bridge The Mammoth Book of British Kings & Queens The Mammoth Book of Chess The Mammoth Book of Comic Fantasy The Mammoth Book of Endurance and Adventure The Mammoth Book of Erotica (New Edition) The Mammoth Book of Erotic Photography The Mammoth Book of Fantasy The Mammoth Book of Gay Erotica The Mammoth Book of Great Detective Stories The Mammoth Book of Gay Short Stories The Mammoth Book of Haunted House Stories The Mammoth Book of Hearts of Oak The Mammoth Book -
Bababababababababababa
PART SEVEN THE DRUID MISCELLANY Introduction Most of the material in this section is of very little importance to most pre 1986 Carleton Druids (because of its heavy Celtic Pagan orientation), but I feel that it has great importance for understanding the later NRDNA, and it may be of use to modern Carleton Druids. The books have been pretty much reprinted in order and verba- tim from DC(E). This is better preserves the historical nature of these documents, to show the approach and “angle” that the DC(E) of 1976 was presenting, especially to the compilers of religious ency- clopedists. Many issues of The Druid Chronicler magazine would essentially add to this section from 1976 to 1980. I removed the Book of Footnotes, broke it up and placed them under the appropri- ate texts rather than stuffing all of them in this obscure section of ARDA. I have added those sections and indicated so. As with every section of this collection, none of this material is necessarily indicative of the opinion of any other Druid except that of the author(s). The material is not dogmatic or canonical, and can not be assumed to represent the Reform as a whole. Most of it is terribly out of date, and much better recent materials are available. Day 1 of Foghamhar Year XXXIV of the Reform (August 1st, 1996 c.e.) Michael Schardin THE DRYNEMTUM PRESS BABABABABABABABABABABABABABAB The Original Chapter Contents OtherOther: The Humanist Society:* check local phone book. in DC(E) The Theosophical Society:* clpb Different Strokes The Vedanta Society:* The Pronunciation -
The Nature of the British Fairies of Medieval and Folk Literature an Annotated Bibliography 1900-1983
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 8-1985 The Nature of the British Fairies of Medieval and Folk Literature an Annotated Bibliography 1900-1983 Constance Reik Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Folklore Commons Recommended Citation Reik, Constance, "The Nature of the British Fairies of Medieval and Folk Literature an Annotated Bibliography 1900-1983" (1985). Master's Theses. 1388. https://scholarworks.wmich.edu/masters_theses/1388 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE NATURE OF THE BRITISH FAIRIES OF MEDIEVAL AND FOLK LITERATURE AN ANNOTATED BIBLIOGRAPHY 1900-1983 by Constance Reik A Thesis Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Master of Arts The Medieval Institute Western Michigan University Kalamazoo, Michigan August 1985 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. THE NATURE OF THE BRITISH FAIRIES OF MEDIEVAL AND FOLK LITERATURE AN ANNOTATED BIBLIOGRAPHY 1900-1983 Constance Reik, M.A. Western Michigan University, 1985 This thesis f i l l s the need for a bibliography of works on the British fairies. It is essentially an annotated bibliography with an introduction which will help illuminate the fairies of the ancient and medieval literature (through Shakespeare) and the folk literature of Britain. -
The Multivocality of the Cross of the Scriptures
THE MULTIVOCALITY OF THE CROSS OF THE SCRIPTURES: CLAIMING VICTORY, KINGSHIP, AND TERRITORY IN EARLY MEDIEVAL IRELAND by Caitlin Hutchison A dissertation submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Art History Spring 2019 © 2019 Caitlin Hutchison All Rights Reserved THE MULTIVOCALITY OF THE CROSS OF THE SCRIPTURES: CLAIMING VICTORY, KINGSHIP, AND TERRITORY IN EARLY MEDIEVAL IRELAND by Caitlin Hutchison Approved: __________________________________________________________ Lawrence Nees, Ph.D. Chair of the Department of Art History Approved: __________________________________________________________ John Pelesko, Ph.D. Interim Dean of the College of Arts and Sciences Approved: __________________________________________________________ Douglas J. Doren, Ph.D. Interim Vice Provost for Graduate and Professional Education I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: __________________________________________________________ Lawrence Nees, Ph.D. Professor in charge of dissertation I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: __________________________________________________________ Lauren Petersen, Ph.D. Member of dissertation committee I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: __________________________________________________________ Denva Gallant, Ph.D. Member of dissertation committee I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. -
Incenso Di Apollo
1 Il Libro degli Incantesimi olii, pozioni ed incantesimi wicca Merlyn Elfwood 2 Sommario Wicca: un’introduzione pag. 4 1 - Gli strumenti dell’Arte pag. 8 * Le basi 2 - Gli Dei pag. 24 3 - Il calendario magico pag. 38 4 - Erbe, frutti, resine ed i loro usi magici pag. 48 5 - Gli incensi di erbe, frutti, resine pag. 72 6 - Gli olii magici pag. 98 7 - Incantesimi vari pag.114 * Incantesimi, cuscini ed inchiostri magici, rituali, divinazione 8 - Gli Esseri Fatati pag.124 * Vedere ed attirare gli Esseri Fatati * Le Fate dei giardini 9 - Curiosità magiche pag.135 10 - Giorni fausti ed infausti pag.142 Bibliografia pag.145 3 Wicca: un’introduzione Da tempo immemorabile gli umani hanno perso il reale contatto con la loro vera Grande Madre, la Natura. Al giorno d’oggi fioriscono le erboristerie, gli agriturismi, i centri e le associazioni che si occupano di “naturale”, un “naturale” sempre filtrato da altri umani, una Natura senza insetti, senza serpenti, senza fatica. E senza magia. Per coloro che abitano nelle città l’alienamento dalla Madre Terra è pressoché totale ed è impressionante pensare a quale timore e fastidio prova la maggior parte dei cittadini nei confronti delle semplici mosche e degli innocui moscerini, per non parlare di cosa troppi umani (cittadini e non) sono capaci di fare agli altri animali quali cani, gatti, uccelli (e non solo) per seguire i loro meschini egoismi, non riconoscendoli come figli della stessa Madre e sfruttandoli, troppo spesso seviziandoli crudelmente in ogni modo ed infine abbandonandoli o uccidendoli… Anche