Manuel De Liturgie Byzantine
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ARTES. JOURNAL of MUSICOLOGY Vol
“GEORGE ENESCU” NATIONAL UNIVERSITY OF ARTS IAŞI FACULTY OF PERFORMANCE, COMPOSITION AND MUSIC THEORY STUDIES RESEARCH CENTER “THE SCIENCE OF MUSIC” DOCTORAL SCHOOL – MUSIC FIELD ARTES. JOURNAL OF MUSICOLOGY vol. 23-24 ARTES 2021 RESEARCH CENTER “THE SCIENCE OF MUSIC” ARTES. JOURNAL OF MUSICOLOGY Editor-in-chief – Prof. PhD Laura Vasiliu, “George Enescu” National University of Arts, Iași, Romania Senior editor – Prof. PhD Liliana Gherman, “George Enescu” National University of Arts, Iași, Romania SCIENTIFIC COMMITTEE Prof. PhD Gheorghe Duțică, “George Enescu” National University of Arts, Iași, Romania Prof. PhD Maria Alexandru, “Aristotle” University of Thessaloniki, Greece Prof. PhD Valentina Sandu-Dediu, National University of Music Bucharest, Romania Prof. PhD Pavel Pușcaș, “Gheorghe Dima” National Music Academy, Cluj-Napoca, Romania Prof. PhD Mirjana Veselinović-Hofman, University of Arts in Belgrade, Serbia Prof. PhD Victoria Melnic, Academy of Music, Theatre and Fine Arts, Chișinău, Republic of Moldova Prof. PhD Violeta Dinescu, “Carl von Ossietzky” Universität Oldenburg, Germany Prof. PhD Nikos Maliaras, National and Kapodistrian University of Athens, Greece Lect. PhD Emmanouil Giannopoulos, “Aristotle” University of Thessaloniki, Greece EDITORS Assoc. Prof. PhD Irina Zamfira Dănilă, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Diana-Beatrice Andron, “George Enescu” National University of Arts, Iași, Romania Lect. PhD Rosina Caterina Filimon, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Gabriela Vlahopol, “George Enescu” National University of Arts, Iași, Romania Assist. Prof. PhD Mihaela-Georgiana Balan, “George Enescu” National University of Arts, Iași, Romania ISSN 2344-3871 ISSN-L 2344-3871 Translators: PhD Emanuel Vasiliu Assist. Prof. Maria Cristina Misievici DTP Ing. -
Atlas of American Orthodox Christian Monasteries
Atlas of American Orthodox Christian Monasteries Atlas of Whether used as a scholarly introduction into Eastern Christian monasticism or researcher’s directory or a travel guide, Alexei Krindatch brings together a fascinating collection of articles, facts, and statistics to comprehensively describe Orthodox Christian Monasteries in the United States. The careful examina- Atlas of American Orthodox tion of the key features of Orthodox monasteries provides solid academic frame for this book. With enticing verbal and photographic renderings, twenty-three Orthodox monastic communities scattered throughout the United States are brought to life for the reader. This is an essential book for anyone seeking to sample, explore or just better understand Orthodox Christian monastic life. Christian Monasteries Scott Thumma, Ph.D. Director Hartford Institute for Religion Research A truly delightful insight into Orthodox monasticism in the United States. The chapters on the history and tradition of Orthodox monasticism are carefully written to provide the reader with a solid theological understanding. They are then followed by a very human and personal description of the individual US Orthodox monasteries. A good resource for scholars, but also an excellent ‘tour guide’ for those seeking a more personal and intimate experience of monasticism. Thomas Gaunt, S.J., Ph.D. Executive Director Center for Applied Research in the Apostolate (CARA) This is a fascinating and comprehensive guide to a small but important sector of American religious life. Whether you want to know about the history and theology of Orthodox monasticism or you just want to know what to expect if you visit, the stories, maps, and directories here are invaluable. -
THO 3347 (H 2015) – Glossary of Terms
THO 3347 (H 2015) – Glossary of Terms Akathist Literally, “not standing.” A hymn dedicated to our Lord, the Theotokos, a saint, or a holy event. Aposticha The stichera sung with psalm verses at the end of Vespers and Matins. These differ from the stichera at Psalm 140 (Vespers) and at the Praise Psalms (Matins), which are sung with fixed psalms, in that the psalm verses used (pripivs) vary with the day or feast, and do not end the singing of the whole psalm. See also stichery na stichovnych. Archieratikon Тhе book containing texts and rubrics for the solemn Hierarchical (a.k.a. Pontifical) Divine Liturgy. The Archieratikon also contains the sacrament of Ноlу Orders and special blessings and consecrations. Canon A system of nine odes (the Second Ode is sung only during Great Lent) sung at Matins after Psalm 50 and before the Praises. Each ode is connected traditionally with a scriptural canticle (see below for the nine scriptural canticles) and consists of an Irmos, a variable number of troparia and, on feasts, a katavasia. After the Third Ode a sidalen is usually sung, and after the Sixth Ode a kontakion and ikos, and after the Ninth Ode, the Svitelen is sung. The Canon has its own system of eight tones. Domatikon A theotokion sung after “Now…” (or “Glory… Now…”) at the end of Psalms 140, 141, 129, and 116 at Vespers on Friday and Saturday evenings, and on the eve of a Polyeleos saint or saints with a vigil in the same tone as the last sticheron of the saint (at “Glory…”). -
Liturgy As Ethicizer: Cultivating Ecological Consciousness Through a Coptic Orthodox Liturgical Ethos
Sacred Heart University DigitalCommons@SHU Catholic Studies Faculty Publications Catholic Studies 2020 Liturgy as Ethicizer: Cultivating Ecological Consciousness through a Coptic Orthodox Liturgical Ethos Stephen M. Meawad Follow this and additional works at: https://digitalcommons.sacredheart.edu/cath_fac Part of the Christian Denominations and Sects Commons, Environmental Studies Commons, and the Ethics in Religion Commons 1 Stephen M. Meawad Liturgy as Ethicizer: Cultivating Ecological Consciousness through a Coptic Orthodox Liturgical Ethos 1 – Introduction Eastern Orthodox Christianity’s recent expression of its ecological concern has been vast and strong, evidenced by its designation of September 1st as a day of prayer for the “protection of the environment” and also through the scholarly contributions of more than a dozen theologians and religious figures, including Patriarch Bartholomew, Elizabeth Theokritoff, and John Chryssavgis.1 Much of this witness can and does extend to Oriental Orthodoxy in numerous respects.2 Among others, some examples include similarities in the doctrine of creation, proper relation to non-human animals, spiritual degradation as a precursor to ecological degradation, and extending love of neighbor to include all of creation. Yet, analyzing ways that other families of Orthodoxy conceive of the relationship between ecology and theology—a promising endeavor—has remained largely untapped contemporarily. This project will examine the liturgical ethos of the Coptic Orthodox Church and how this ethos is effective in creating self-sustaining, ecologically aware communities. A more comprehensive version of this project would develop what might be called a politeia (behavior or ethos of a given community) of the Coptic Orthodox Church that would include monasticism and asceticism; fasting; agriculture and co-stewardship; and self-sustenance. -
Glossary of Liturgical Books (Resource Sheet 73)
Glossary of Liturgical Books (Resource Sheet 73) The Anthologion is a liturgical text that tries to encompasses as much of the basic liturgical text as as possible. An example of this text in Greek is the Synekthimos. A Slavonic example is the Velikij Sbnornik. The closest thing we have in English is the text:"Divine Prayers and Services of the Catholic Orthodox Church of Christ", by Fr. Seraphim Nassar—commonly known as "The Nassar Five-Pounder." Anthologia usually contain the daily the basic text of the Horologion, the Sunday Octoechos, the General Menaion, and Selections from the Menaion, Triodion, and Pentecostarion. The Apostolos ('book of the apostle'), also called the Epistle Lectionary, is the book containing prescribed readings from the Acts of the Apostles and the Epistles, arranged according to the Orthodox liturgical year. The lections are used in the first scripture reading in the Divine Liturgy, usually called the Epistle reading. This lectionary often includes the prokeimena and alleluias that are sung before and after the epistle reading, respectively. The Archieratikon ("book for the bishop," also spelled Arkhieratikon), is the bishop's liturgical service book. It is used in celebrating a Hierarchical Divine Liturgy, having pontifical editions of the Divine Liturgies of St. John Chrysostom and St. Basil the Great, as well as the Liturgy of the Presanctified Gifts, and other episcopal services, such as ordinations. Also known as the Tetraevangelion, the Evangelion is the Book of Gospels, usually arranged by the pericopes appointed to be read throughout the liturgical year. It is generally kept on the altar table in a metal case decorated with icons of the evangelists; tradition forbids the use of animal skin on the altar table. -
January Menaion
Byzantine Monthly Menaion Volume Five: January Metropolitan Cantor Institute Byzantine Catholic Seminary Pittsburgh, PA Foreword A Menaion is a liturgical book which contains the changeable parts of Byzantine divine services for a given month. The volume in your hands is the fourth of a series of twelve books for use in Byzantine Catholic parishes. Each day is provided with the following material: (1) Synaxarion (brief life of the saints remembered) (2) Troparia and Kontakia (3) Prokeimena and Alleluiaria (4) Communion Hymn. On major feasts, the proper antiphons (when there are any) and the Magnification and Irmos (appointed to take the place of It is truly proper) are also included. Texts which are contained in the Faithful’s Book published by the Byzantine Catholic Church are reproduced with their musical settings from that book. Those texts were translated by the Inter-Eparchial Liturgical Commission, and then set to plainchant by the Inter-Eparchial Music Commission. Many of the Troparia contained in this volume of the Menaion are, in fact, common texts (i.e., they are used on more than one feast). These texts, too, come from the work of the IELC/IEMC, as are all the Prokeimena and Alleluiaria and Communion Hymns. The texts of the Troparia and Kontakia that are not from the above-mentioned source are almost always taken from the Order of Matins published by the Sisters of the Order of Saint Basil the Great, and we acknowledge these texts with gratitude. This volume is intended to be used annually. Because of this, cantors must use the Typikon of the Metropolitan Church to discern how materials from the Menaion are to be combined with the Sunday Ochtoechos. -
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qÜÉ=eçäó= bìÅÜçäçÖáçå= Pieuxologion `eqouab <<Œ‚Ϲ]<îq÷ç¤] Table of Contents THE LAST SUPPER ii Table of Contents H. H. POPE SHENOUDA III iii Table of Contents “He that eateth my flesh, and drinketh my blood, dwelleth in me, and I in him.” (Joh 6:56) “So likewise ye, except ye utter by the tongue words easy to be understood, how shall it be known what is spoken? for ye shall speak into the air.” (1Co 14:9) “If any man speak in an unknown tongue, let it be by two, or at the most by three, and that by course; and let one interpret. But if there be no interpreter, let him keep silence in the church; and let him speak to himself, and to God.” (1Co 14:27-28) iv Table of Contents TABLE OF CONTENTS Table of Contents .................................................................................................................................................... v Vespers & Matins Incense ...................................................................................................................................... 1 Prayer of Thanksgiving ....................................................................................................................................... 2 Introduction of the Prayer of Incense .................................................................................................................. 6 Prayer of the Incense ........................................................................................................................................... 7 Offering of the Incense ...................................................................................................................................... -
The Byzantine Euchologion
The Byzantine Euchologion by George N. Filias - rev. Theodoros J. Koumarianos University of Athens The Euchologion is a codex that contains a collection of prayers. The composite word is made from the Greek words εὐχή (prayer) and λόγιον (collection). It is the Prayer Book used bishops, priests and deacons for all kinds of Ἀκολουθίαι in the Byzantine Rite, such as the Holy Mysteries, the Offices and other Prayers. In this article Filias first discusses the content of the Euchologion followed by its origins, evolution and history. He places the manuscript tradition into groups according to textual content. Focus is then given to the liturgical function of the Euchologion and related codex structures with examples of problems concerning nomenclature. The article ends with an outline of scholarly research in particular most recent studies along with a useful appendix exhibiting the contents of a Euchologion. The text of each Prayer in the Euchologion almost always contains references to scriptural passages and biblical events, as well as praises and thanksgiving to God for His benefactions, and finally petitions to God. Every single Prayer is constructed in a dialogical form between God and man. Prayers are usually written down in small groups, each group constituting a different Service, such as the Holy Liturgy, the rite of Baptism, Vespers, Matins, the Great Blessing of Waters on Theophany, the rite of Matrimony, and the Burial Service. A Euchologion also includes rubrics or liturgical instructions for the proper performance of Services, independent from the rest of its contents. During the first five centuries there was freedom in the recitation of Prayers, and writing them down for reciting was unnecessary. -
THO 3347 Byzantine Liturgy of the Hours and Liturgical Year Winter 2015, Thursdays 17:30-20:30, Room 1141
1 THO 3347 Byzantine Liturgy of the Hours and Liturgical Year Winter 2015, Thursdays 17:30-20:30, Room 1141 Professor: Fr. Michael Winn Office Phone: 613-727-1255, Cell Phone: 613-894-5833 Email: [email protected] (please use only this email address for this course) SYLLABUS January 15, 2015 Introduction; Distribution of Syllabus, Course Overview Class 1 January 22, 2015 Byzantine Liturgy of the Hours I Class 2 Anthropological, Sociological, and Psychological Issues; Related to the Celebration of the Hours Reading: George Guiver, Company of Voices: Daily Prayer and the People of God, 3-45. January 29, 2015 Byzantine Liturgy of the Hours II Class 3 New Testament, Pre-Nicean, and Patristic Heritage; History of the Byzantine Office in Particular Reading: George Guiver, Company of Voices: Daily Prayer and the People of God, 49-114. Supplemental Reading: Robert Taft, The Liturgy of the Hours in East and West, 3-29, 273-291. READING QUIZ #1 will occur at the beginning of this class. February 5, 2015 Byzantine Liturgy of the Hours III Class 4 General Theology of the Liturgy of the Hours Reading: George Guiver, Company of Voices: Daily Prayer and the People of God, 149-200. Supplemental Reading: Robert Taft, The Liturgy of the Hours in East and West, 331-373. February 12, 2015 Byzantine Liturgy of the Hours IV Class 5 Byzantine Vespers: Structure and Meaning Readings: Robert Taft, “Thanksgiving for the Light: Towards a Theology of Vespers,” in Beyond East and West: Problems in Liturgical Understanding, 127-149. Alexander Schmemann, For the Life of the World, 59-65. -
A Concise Glossary of the Genres of Eastern Orthodox Hymnography
Journal of the International Society for Orthodox Church Music Vol. 4 (1), Section III: Miscellanea, pp. 198–207 ISSN 2342-1258 https://journal.fi/jisocm A Concise Glossary of the Genres of Eastern Orthodox Hymnography Elena Kolyada [email protected] The Glossary contains concise entries on most genres of Eastern Orthodox hymnography that are mentioned in the article by E. Kolyada “The Genre System of Early Russian Hymnography: the Main Stages and Principles of Its Formation”.1 On the one hand the Glossary is an integral part of the article, therefore revealing and corroborating its principal conceptual propositions. However, on the other hand it can be used as an independent reference resource for hymnographical terminology, useful for the majority of Orthodox Churches worldwide that follow the Eastern Rite: Byzantine, Russian, Bulgarian, Serbian et al., as well as those Western Orthodox dioceses and parishes, where worship is conducted in English. The Glossary includes the main corpus of chants that represents the five great branches of the genealogical tree of the genre system of early Christian hymnography, together with their many offshoots. These branches are 1) psalms and derivative genres; 2) sticheron-troparion genres; 3) akathistos; 4) canon; 5) prayer genres (see the relevant tables, p. 298-299).2 Each entry includes information about the etymology of the term, a short definition, typological features and a basic statement about the place of a particular chant in the daily and yearly cycles of services in the Byzantine rite.3 All this may help anyone who is involved in the worship or is simply interested in Orthodox liturgiology to understand more fully specific chanting material, as well as the general hymnographic repertoire of each service. -
Service and Akathist to Saint Elisabeth Romanov
SERVICE ТО OUR VENERABLE MOTHER, THE HOLY NEW MARTYR GRAND DUCHESS ELIZABETH Commemorated on July 5 AT LITTLE VESPERS At “Lord, I have cried..., ’’ stichera for four verses, in the Seventh Tone : ome, let us praise and hymn the nun and martyr Elizabeth, C a faithful warrior in Christ’s army, an illustrious star which super- naturally arose in the West and finished its course in the East, and which by its appearance gave light to the darkness of this godless age, only to shine even more brightly afterwards in the Kingdom of Christ our God, for He is the King of Glory, the Dayspring of all dawns. (twice) ell us, О Elizabeth, what mysteries thou dost now behold: T the things which thou didst desire to see from thy youth, and for whose sake thou didst forsake the imaginary pleasures of this passing life, and didst account as nothing the malice of thy tormentors. Thus may we also be incurably wounded by this blessed desire; and having suffered well the pain of this salutary sickness, may we ignore what is temporal in order to obtain eternal good things. 1 witnesses of the Lord, ye holy martyrs, clear mirrors of the hile resplendent in royal glory on earth, thou didst have О divine glory, if the night of godlessness had not been il- Wthe Kingdom of God within thyself, О Grand Duchess lu¬mined by the light of your struggles, how would we have seen Elizabeth; therefore, thou art rightly called a royal martyr, and thou the path to salvation? And if the Russian land had not been made hast received a most precious crown from Christ, the King of Glory, fertile by your blood, how would it have been kept from drying up with Whom thou now dost reign. -
Post-Communial Sticheron in the Byzantine-Slavic Liturgical Formularies: Musical and Liturgical Aspects
Proceedings of the 10th WSEAS International Conference on ACOUSTICS & MUSIC: THEORY & APPLICATIONS Post-Communial Sticheron in the Byzantine-Slavic Liturgical Formularies: Musical and Liturgical Aspects ŠIMON MARINČÁK ‘Michael Lacko’ Center of Spirituality East-West University of Trnava Komenského 14, 04001 Košice SLOVAKIA [email protected] Abstract: – Liturgical formularies of the Byzantine (or Constantinopolitan) tradition have undergone many intercalations and omissions that have modified its actual cursus during the centuries. Post-Communial Sticheron ‘We have seen the true light’ belongs to more recent additions and have not been explained satisfactorily yet. This chant has not been a stable part of the liturgical formulary before 17th century and its insertion and stabilization after the Communion rites is still quite obscure. Interesting is its musical mutation from the original Octoechal modal musical system to a system of a free composition is some cultural traditions, again, not explained satisfactorily yet. This paper will bring the historical overview that will set into chronological table the process of accession of this sticheron into the Byzantine liturgical formularies, as well as the comparison of various musical models both Octoechal and compositional. Key Words: – Music, Liturgy, Byzantine, Chant, Rite, Eucharistic Formulary. 1 Introduction of the Little Vespers or Lord, I have cried of the Byzantine Church as direct descendant of the pure Great Vespers on Saturday evening before the Constantinopolitan tradition [1] uses three feast of Pentecost (eighth Sunday after the Pascha) principal liturgical formularies: liturgy of St Basil [3]. It is inserted into Byzantine liturgies of CHR the Great (henceforth the BAS), liturgy of St John and BAS and is performed right after the Chrysostom (henceforth the CHR), and liturgy of communion rites.