DOCSLIB.ORG

2010/11 Annual Review (PDF)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2010/11 Annual Review (PDF) Annual Review 2010/11 My instinct is that an important “ new national institution is just about to be born. David Aaronovitch, The Times” 1 JM_Annual Review_10-11_Portrait.indd 1 8/11/11 15:16:54 Royal Patron Honorary Patrons Rabbi Dr Abraham Levy OBE HRH The Prince of Wales Helen Bamber OBE Lord Moser KCB, CBE Honorary Presidents Rabbi Dr Tony Bayfield CBE Martin Paisner CBE Kenneth Rubens OBE Rt Hon Lord Woolf PC Naaz Coker Chief Rabbi Lord Sacks Sir Martin Gilbert CBE Sir Antony Sher KBE Vice-President Robert Craig Lord Janner Roger Wingate Chairman Museum Director Rt Hon Lord Young of Graffham DL Rickie Burman Trustees Anne Cowen Stephen Grabiner Ilona Rich Robert Craig Harry Handelsman Kenneth Rubens OBE Martin Finegold Lady Levene Henry Solomon Mike Frankl Martin Levy Rick Sopher Jonathan Gestetner Sally Macdonald Delia Goldring Lord Moser KCB, CBE Architects (Development project) Long & Kentish Exhibition Designers (Development project) Event Communications Bankers Coutts & Co Auditors FMCB Chartered Accountants Solicitors Finers Stephens Innocent 2 JM_Annual Review_10-11_Portrait.indd 2 8/11/11 15:16:54 The Jewish Museum is reopened in 2010 by our Royal Patron, HRH The Prince of Wales HRH The Prince of Wales 3 JM_Annual Review_10-11_Portrait.indd 3 8/11/11 15:16:57 A message from the Chairman It is now well over a year since we reopened our inspiring Museum after extensive rebuilding and renovation. In December 2010, we were delighted to welcome our Royal Patron, The Prince of Wales to visit the new Museum and unveil a plaque marking the historic occasion. I would like to thank all concerned, from our donors, without whom it would not have been possible, to the architects and contractors and to all of our own people who worked so long and hard to make it all happen. Since reopening, the Museum has hosted a number of diverse and stimulating exhibitions. Our most recent, Entertaining the Nation, explores the stories behind Jewish stars of music, stage and screen and the enormous contribution that Jews have made to the entertainment industry. The scale of this contribution is mirrored by the principal roles that members of our community have held in many other fields, from the arts to the armed forces, fashion to philanthropy, from medicine and the law to business and finance. In the years ahead we wish to show our full history: the story of an immigrant people, how we arrived and were received in a time of need, and the benefits that we have since brought to British society. In particular, the Museum wishes to continue to develop our work with other immigrant groups and faiths to bring better understanding between people of different faiths and backgrounds. During the last 12 months nearly 13,000 schoolchildren, both primary and secondary, have participated in the Museum’s acclaimed learning programme. Demand for our innovative and creative educational projects continues to grow and with your help we hope to fulfil this demand, providing a legacy of tolerance and inspiration for future generations. Rt Hon Lord Young of Graffham DL 4 Message from Chairman and Director JM_Annual Review_10-11_Portrait.indd 4 8/11/11 15:16:58 A message from A message from the Chairman the Director In March 2010 the Jewish Museum reopened after a major redevelopment, establishing a new museum of national and international significance. Our aim in transforming the Jewish Museum has been to create a museum that is welcoming to everyone – people of all ages, faiths and backgrounds. The new Museum is a place that makes a difference – a vibrant educational and cultural centre that challenges prejudice and racism, and builds interfaith connections and understanding. We are extremely grateful to all those who have helped to make this possible – above all, to the Heritage Lottery Fund, the charitable trusts and foundations and individual donors for their generous support, but also to the Trustees and the Museum team who have worked with such commitment to realise our vision. I would like to pay particular tribute to two outstanding individuals - Raymond Burton and Kenneth Rubens – both long-term supporters of the Museum, whose generosity provided the essential foundation on which other benefactors have built. We record with great sadness the death of Raymond Burton CBE in February 2011, at the age of 93. We will miss him greatly, but his legacy will live on in our new Museum. I look forward to continuing to work with our new Chairman, Lord Young of Graffham, building on the achievements of our former Chairman, Robert Craig. We thank all our supporters for their help and partnership, so crucial to the Museum’s development and vital programme of work. Rickie Burman 5 JM_Annual Review_10-11_Portrait.indd 5 8/11/11 15:16:59 A new museum for London, the UK and the world The year 2010/11 represents a landmark in the history of the Jewish Museum. After a £10 million transformation we reopened to the public, dramatically reimagining not only the stories that we tell, but the space in which we tell them. Our galleries, more than trebled in size, have been completely redesigned, and sit within a light and spacious building. The development project was made possible by a major Heritage Lottery Fund grant, together with grants from trusts and foundations and generous private donations. Through our opening season of launch events we reached out to our key stakeholders – donors, museum Friends, museum professionals, the Jewish community, educationalists, the interfaith world – establishing our aim to bring partnership working into the heart of what we do. The reopening was widely covered by national and international press and media, raising the Museum’s profile and enabling us to reposition the Jewish Museum as an outstanding cultural attraction for London and beyond. What the new Museum Changing exhibitions gallery has to offer In addition to our permanent galleries, we The only museum in London dedicated to now have an attractive new gallery space for a minority group, the new Jewish Museum our dynamic programme of special exhibitions, explores Jewish heritage and identity as part with high profile displays on a wide-range of of the wider story of multicultural Britain. themes, drawing in new and diverse audiences. Four new permanent galleries Dedicated education facilities Welcome Gallery: An innovative multimedia We are now able to offer visiting school exhibit, introducing visitors to a diverse range groups an enhanced educational experience, of Jewish people including a fourth generation with an Education Space and multi-purpose smoked salmon manufacturer, an Indian-born Auditorium to house our high quality learning marathon-running great-grandmother, a taxi-driver programme. Our workshops for schools and and an ex-army engineer. families draw on the learning opportunities that have been incorporated throughout the Judaism - A Living Faith: Newly commissioned design of the Museum galleries. films, rare and beautiful ceremonial objects and interactive displays enable visitors to explore Judaism in all its diversity as it is lived in today’s Britain. A high quality visitor History - A British Story: Exploring how and experience why Jewish people have come to the UK from around the world and the challenges of making The new Museum includes a brand new cafe a new home in a new country. and shop, the Foyle Research Library, as well as our 100-seat auditorium. A high quality The Holocaust Gallery: Examining the impact of architectural design features throughout, of Nazism through the experiences and poignant providing a warm and vibrant space for the personal items of London-born Auschwitz survivor Museum’s wide-ranging programme of education Leon Greenman and other survivors who have programmes, cultural events and activities. made their home in Britain. 6 JM_Annual Review_10-11_Portrait.indd 6 8/11/11 15:17:00 At last the UK has a Jewish cultural “ institution of which if can be justly proud. This opening of the newly refurbished museum is a truly momentous occasion for the annals of Jewish culture in this country.” Visitor, March 2010 7 JM_Annual Review_10-11_Portrait.indd 7 8/11/11 15:17:03 Exhibitions and Public Events The Museum draws on Jewish heritage and culture as the catalyst for exploring fresh and challenging subjects which speak to a broad public. At the heart of our programming strategy is the aim to develop exhibitions and events that appeal to new as well as existing audiences. Expanding on the themes explored in our permanent galleries, our changing exhibitions programme offers a dynamic cultural experience in which the Jewish story is of contemporary relevance to our visitors. Working with world-class designers, our exhibitions are developed to the highest standard, making use of up-to-date exhibition technology. The accompanying public programmes of daytime and evening events – film screenings, creative workshops, comedy shows, multimedia performance, walking tours – engage both young and old, further expanding our reach. Alan Yentob, Museum Director Rickie Burman and Simon Schama at the opening of Illumination: Hebrew Treasures from the Vatican and Major British Collections What a wonderful idea to bring this material together on this “ occasion. I do hope it is the successful occasion it deserves to be and another small building block in strengthening Jewish-Catholic relations in this country. Tony Blair, former Prime Minister and Founder of the Faith Foundation,” on the Illumination Exhibition 8 Exhibitions and Public Events JM_Annual Review_10-11_Portrait.indd 8 8/11/11 15:17:06 Exhibitions Illumination: Hebrew Treasures from the Vatican and Major British Collections Our first exhibition after reopening featured rare and ancient manuscripts from major international collections, brought together for the first time. Displays included loans from the Vatican Library, British Library, Bodleian Library and Lambeth Palace.
Load more

Recommended publications
  • Partial List of Institutional Clients
    Lord Cultural Resources has completed over 2500 museum planning projects in 57+ countries on 6 continents. North America Austria Turkey Israel Canada Belgium Ukraine Japan Mexico Czech Republic United Kingdom Jordan USA Estonia Korea Africa France Kuwait Egypt Central America Germany Lebanon Morocco Belize Hungary Malaysia Namibia Costa Rica Iceland Philippines Nigeria Guatemala Ireland Qatar South Africa Italy Saudi Arabia The Caribbean Tunisia Aruba Latvia Singapore Bermuda Liechtenstein Asia Taiwan Trinidad & Tobago Luxembourg Azerbaijan Thailand Poland Bahrain United Arab Emirates South America Russia Bangladesh Oceania Brazil Spain Brunei Australia Sweden China Europe New Zealand Andorra Switzerland India CLIENT LIST Delta Museum and Archives, Ladner North America The Haisla Nation, Kitamaat Village Council Kamloops Art Gallery Canada Kitimat Centennial Museum Association Maritime Museum of British Columbia, Victoria Alberta Museum at Campbell River Alberta Culture and Multiculturalism Museum of Northern British Columbia, Alberta College of Art and Design (ACAD), Calgary Prince Rupert Alberta Tourism Nanaimo Centennial Museum and Archives Alberta Foundation for the Arts North Vancouver Museum Art Gallery of Alberta, Edmonton Port Alberni Valley Museum Barr Colony Heritage Cultural Centre, Lloydminster Prince George Art Gallery Boreal Centre for Bird Conservation, Slave Lake National Historic Site, Port Alberni Canada West Military Museums, Calgary R.B. McLean Lumber Co. Canadian Pacific Railway, Calgary Richmond Olympic Experience
    [Show full text]
  • The Carlyle Society
    THE CARLYLE SOCIETY SESSION 2006-2007 OCCASIONAL PAPERS 19 • Edinburgh 2006 President’s Letter This number of the Occasional Papers outshines its predecessors in terms of length – and is a testament to the width of interests the Society continues to sustain. It reflects, too, the generosity of the donation which made this extended publication possible. The syllabus for 2006-7, printed at the back, suggests not only the health of the society, but its steady move in the direction of new material, new interests. Visitors and new members are always welcome, and we are all warmly invited to the annual Scott lecture jointly sponsored by the English Literature department and the Faculty of Advocates in October. A word of thanks for all the help the Society received – especially from its new co-Chair Aileen Christianson – during the President’s enforced absence in Spring 2006. Thanks, too, to the University of Edinburgh for its continued generosity as our host for our meetings, and to the members who often anonymously ensure the Society’s continued smooth running. 2006 saw the recognition of the Carlyle Letters’ international importance in the award by the new Arts and Humanities Research Council of a very substantial grant – well over £600,000 – to ensure the editing and publication of the next three annual volumes. At a time when competition for grants has never been stronger, this is a very gratifying and encouraging outcome. In the USA, too, a very substantial grant from the National Endowment for the Humanities means that later this year the eCarlyle project should become “live” on the internet, and subscribers will be able to access all the volumes to date in this form.
    [Show full text]
  • Annual Review 2019 Contents
    Annual Review 2019 Contents A word from the Chief Executive 3 A word from the Chairman 4 Introduction from a member 5 Our vision 6 Our mission 6 Employment 7 New Chapters 8 Langdon Brady Club 9 Langdon College 10 Supported Living 11 Social 12 Volunteering 13 Jewish Culture 14 Fundraising & events 15 Our financial year 16 Employers 17 Patrons 18 Trustees 19 Looking ahead 20 ANNUAL REVIEW 2019 • 2 A word from the Chief Executive My first year as Langdon’s Chief Executive has been one of listening, learning and understanding. It has been a year in which we have been able to focus the organisation’s mission and purpose and to embark upon a process in which we can develop a new five-year strategy that all our stakeholders can support. As a parent of a daughter with a severe learning disability, I know only too well the essential role that organisations such as Langdon play in the lives of members and their families and the challenge of working against the low expectations that society has of people with learning disabilities and those with autistic spectrum disorders. We aspire to provide a ‘greenhouse’ for our members, in which our members, rather than a ‘warehouse’ in which it is too easy to see care as a need in itself rather than a means to much more positive outcomes. Our staff are the most important asset of the organisation and the past year has demonstrated the significant amount of work we have to do to equip them to have the depth of skills and knowledge required to meet our members’ needs.
    [Show full text]
  • (A Company Limited by Guarantee) Trustees‟ Annual Report and Financial Statements for the Year Ended 31 March 2016
    Norwood Ravenswood (A Company Limited by Guarantee) Trustees‟ Annual Report and Financial Statements For the year ended 31 March 2016 Registered Charity Number: 1059060 Registered Company Number: 03263519 Contents Page Charity Information………………………………………………………………………………………………………….. 3 Trustees‟ Annual Report: ………………………………………………………………………………………………… 4-16 Objectives and Activities …………………………………………………………………………………………….. 4 Structure, Governance and Management ………………………………………………………………….. 5 Strategic Report: ……………………………………………………………………………………………………………. 10 - 16 Strategic Priorities ……………………………………………………………………………………………………… 10 Achievements and Performance ………………………………………………………………………………… 10 Financial Review ………………………………………………………………………………………………………… 12 Plans for Future Periods …………………………………………………………………………………………….. 13 Principal Risks and Uncertainties………………………………………………………………………………… 14 Independent Auditor‟s Report …………………………………………………………………………………………. 17 Consolidated Statement of Financial Activities ………………………………………………………………… 18 Consolidated Balance Sheet ………………………………………………………………………………………….. 19 Consolidated Statements of Cash Flows …………………………………………………………………………. 20 Notes to the Financial Statements …………………………………………………………………………………. 21-45 2 Norwood Ravenswood – for the year ended 31 March 2016 CHARITY INFORMATION Patron HM The Queen Patron of Children‟s‟ Services Cherie Blair Patron of Adults‟ Services Norma Brier Patron of Volunteering Chief Rabbi Ephraim Mirvis Presidents Lord Jon Mendelsohn (appointed 16 Nov 2015) Lady Nicola Mendelsohn CBE (appointed 16 Nov
    [Show full text]
  • Submission to the Prime Minister's Holocaust
    SUBMISSION TO THE PRIME MINISTER’S HOLOCAUST COMMISSION BY THE BOARD OF DEPUTIES OF BRITISH JEWS THE BOARD OF DEPUTIES OF BRITISH JEWS CONTENTS Introduction 1 1. Our starting point 2 2. Jewish perspectives & Recommendations 3 3. Education 7 4. Commemorative events, Memorials & Museums 10 5. How to preserve survivor testimony for future generations 13 6. Other issues 14 7. In conclusion 15 Appendix 1 – Our consultation 16 Appendix 2 – Holocaust Memorial Day: Statement of Commitment 17 Front cover image courtesy of The Wiener Library Designed by Graphical - www.graphicalagency.com 1 SUBMISSION TO THE PRIME MINISTER’S HOLOCAUST COMMISSION INTRODUCTION The Board of Deputies of British Jews, set up in 1760, is the recognised voice of the Jewish Community in Britain. It exists to promote and defend the religious and civil liberties of British Jewry and to promote its standing. Nearly 300 Deputies represent local communities and organisations in a democratically elected body ZKLFKLVWKHƪUVWSRUWRIFDOOIRUJRYHUQPHQWDQGRWKHUIDLWKJURXSVRQLVVXHV relating to the Jewish community. On issues of importance, such as Holocaust remembrance and education, the Board reaches out through its Deputies and its close relationship with the other organisations to the whole community to consult and to listen, ensuring that we speak with a strong and consistent voice. Most of the community’s major communal organisations have contributed to this document and are listed in Appendix 1, along with details of our consultation process. Many are also submitting their own documents. We particularly urge the Commission to consider, alongside this document, submissions from the main synagogal bodies, the Regional Representative Councils, the Scottish Council of Jewish Communities, and of course, the Charedi community, each of which bring a particular perspective.
    [Show full text]
  • BFI FAN FILM EXHIBITION FUND AWARDS OVER £750,000 to UK EXHIBITORS to SUPPORT DIVERSE PROGRAMMING and BRING BACK AUDIENCES Nati
    BFI FAN FILM EXHIBITION FUND AWARDS OVER £750,000 TO UK EXHIBITORS TO SUPPORT DIVERSE PROGRAMMING AND BRING BACK AUDIENCES National Lottery funding aims to re-engage audiences with collective, big screen film experiences London, Monday 14 December 2020: Over 140 film exhibitors around the UK have received a share of £759,159 to boost cultural programming and activities to engage diverse audiences as lockdown restrictions ease. The BFI FAN Film Exhibition Fund supports activity to re-engage audiences with collective, big screen film experiences at film festivals, mixed arts venues, and both community and traditional cinemas around the UK. This particular strand of support has been made available via BFI‘s National Lottery funding to the BFI Film Audience Network (FAN). BFI FAN is a unique collaboration of eight Film Hubs managed by leading film organisations across the UK, who each distribute the funding in their region or nation. The BFI FAN Film Exhibition Fund will enable FAN Members to deliver a broad range of programming once they restart, ensuring excellent British and international independent cinema is available to audiences all over the UK. Other priorities of the fund are incentivising exhibitors to embed inclusion and environmental sustainability into their approach to reopening, post closure during the pandemic restrictions. The BFI FAN Film Exhibition Fund was also supported by a donation from global streaming platform MUBI. The total figure awarded to Film Hub Scotland members of £220,000 includes additional funding from Screen Scotland as announced in early November. Film Hub Wales announced Film Exhibition Fund awards totalling £52,000, also in November.
    [Show full text]
  • Anglo-Jewry's Experience of Secondary Education
    Anglo-Jewry’s Experience of Secondary Education from the 1830s until 1920 Emma Tanya Harris A thesis submitted in fulfilment of the requirements For award of the degree of Doctor of Philosophy Department of Hebrew and Jewish Studies University College London London 2007 1 UMI Number: U592088 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U592088 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract of Thesis This thesis examines the birth of secondary education for Jews in England, focusing on the middle classes as defined in the text. This study explores various types of secondary education that are categorised under one of two generic terms - Jewish secondary education or secondary education for Jews. The former describes institutions, offered by individual Jews, which provided a blend of religious and/or secular education. The latter focuses on non-Jewish schools which accepted Jews (and some which did not but were, nevertheless, attended by Jews). Whilst this work emphasises London and its environs, other areas of Jewish residence, both major and minor, are also investigated.
    [Show full text]
  • The London Residency 2015
    season review 2014 / 15 John Tomlinson © Sidd Khajuria John Tomlinson Sir Nicholas Kenyon © Sheila Rock Sir Nicholas Kenyon Now, more than ever, we need the arts. We need London is arguably the leading global city to them to try to understand our fractured world, live, work and do business. Recent reports have bring people together in shared communities, and confirmed it as the top global tourist destination celebrate our common humanity. Over the past as well as the world's leading financial centre. year the Barbican has offered an extraordinary A major reason for this success is the quality wealth of events to its audiences, who have of London’s artistic offer in which the Barbican responded with openness and adventurousness. plays a key role, fittingly complementing the creativity and dynamism of the City itself. We’ve had our highest attendance figures ever for a programme that ranges more widely, and This year we have become more global than ever, has travelled further afield, than ever before. touring work such as the hugely popular Digital This remarkable achievement reflects the Revolution exhibition to Stockholm and Athens and commitment of our artists and performers, artistic Juliette Binoche in Antigone around Europe and planners, support services and technical staff. the USA. We’ve also attracted an international audience to our programme at the Centre with We have been fortunate to attract some of the most tickets booked from 97 different countries. charismatic performers of our day: Juliette Binoche in the Barbican’s co-production of Antigone; Benedict Closer to home the Barbican and Guildhall School’s Cumberbatch in Sonia Friedman Productions’ staging creative learning programme continues to have of Hamlet; and Sir Simon Rattle with the Berliner a hugely positive impact in our neighbouring east Philharmoniker and the London Symphony Orchestra.
    [Show full text]
  • Thesis Title the Lagermuseum Creative Manuscript and 'Encountering Auschwitz: Touring the Auschwitz-Birkenau State Museum' C
    Thesis Title The Lagermuseum Creative Manuscript and ‘Encountering Auschwitz: Touring the Auschwitz-Birkenau State Museum’ Critical Thesis Author Dr Claire Griffiths, BA (Hons), MA, PhD Qualification Creative and Critical Writing PhD Institution University of East Anglia, Norwich School of Literature, Drama and Creative Writing Date January 2015 Word Count 91,102 (excluding appendices) This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract The Lagermuseum My creative manuscript – an extract of a longer novel – seeks to illuminate a little- known aspect of the history of the Auschwitz concentration and death camp complex, namely the trade and display of prisoner artworks. However, it is also concerned with exposing the governing paradigms inherent to contemporary encounters with the Holocaust, calling attention to the curatorial processes present in all interrogations of this most contentious historical subject. Questions relating to ownership, display and representational hierarchies permeate the text, characterised by a shape-shifting curator figure and artworks which refuse to adhere to the canon he creates for them. The Lagermuseum is thus in constant dialogue with my critical thesis, examining the fictional devices which often remain unacknowledged within established
    [Show full text]
  • Geoffrey Best
    GEOFFREY BEST Geoffrey Francis Andrew Best 20 November 1928 – 14 January 2018 elected Fellow of the British Academy 2003 by BOYD HILTON Fellow of the Academy Restless and energetic, Geoffrey Best moved from one subject area to another, estab- lishing himself as a leading historian in each before moving decisively to the next. He began with the history of the Anglican Church from the eighteenth to the twentieth century, then moved by turns to the economy and society of Victorian Britain, the history of peace movements and the laws of war, European military history and the life of Winston Churchill. He was similarly peripatetic in terms of institutional affili- ation, as he moved from Cambridge to Edinburgh, then Sussex, and finally Oxford. Although his work was widely and highly praised, he remained self-critical and could never quite believe in his own success. Biographical Memoirs of Fellows of the British Academy, XIX, 59–84 Posted 28 April 2020. © British Academy 2020. GEOFFREY BEST Few historians write their autobiography, but since Geoffrey Best did A Life of Learning must be the starting-point for any appraisal of his personal life.1 It is a highly readable text—engaging, warm-hearted and chatty like the man himself—but inevit- ably it invites interrogation. For example, there is the problem of knowing when the author is describing how he felt on past occasions and when he is ruminating about those feelings in retrospect. In the latter mode he writes that he has ‘never ceased to be surprised by repeatedly discovering how ignorant, wrong and naïve I have been about people and institutions, and still am’ (p.
    [Show full text]
  • Illustrated History Atlas Martin Gilbert Preface
    JERUSALEM Illustrated History Atlas Martin Gilbert Preface In this Atlas, I trace the history of Jerusalem from biblical times to the present day. Each map is illustrated by a facing page of prints or photographs. The sixty-six maps, taken together, are intended to provide a broad survey of Jerusalem's history, with special emphasis on the City's development during the last hundred and fifty years, when it grew from a remote and impoverished provincial town of the Ottoman Empire, with a population of less than 40,000, to a capital city with a population of more than 360,000. In the bibliography, beginning on page 124, I have listed those maps, atlases, guide books, travellers' tales and historical works which I consulted while preparing the maps, and on which I drew for the contemporary material which they contained for each decade of the city's history. I am extremely grateful to all those individuals who gave me advice, encouragement and materials, both in London and Jerusalem, during my work on the maps and illustrations for this volume: in particular I should like to thank Azaria Alon, Professor Yehoshua Ben-Arieh, Ruth Cheshin, Fritz Cohen, David S. Curtis, David Eldan, Oded Eran, Rabbi Hugo Gryn, Peter Halban, Mrs. Adina Haran, Ya'acov Harlap, Dr. Michael Heymann, Dr. Benjamin Jaffe, Mrs. Sheila Koretz, Henry Kendall, Teddy Kollek, Tomi Lamm, Menahem Levin, Irene Lewitt, G. Eric Matson, Margaret McAfee, Martin Paisner, Professor Leo Picard, Zev Radovan, David Rubinger, Michael Sacher, Hanna Safieh, Lord Samuel, Mrs. Yael Vered, Dr. Zev Vilnay, Mrs.
    [Show full text]
  • Ageing Well Within the Jewish Community in the 21St Century Contents
    An agenda for ageing well within the Jewish Community in the 21st century Contents 01 An Introduction 03 Executive Summary 05 A Blessing: A Jewish Perspective 06 Putting the Agenda in context 08 1. Spritual and Emotional Wellbeing 10 2. Intellectual and Life-long Learning 12 3. Active Participation & Connection 14 4. Independence and Healthy Living 16 5. Care 18 Next Steps 19 Acknowledgements 20 Action Plan 21 Glossary of Terms An Introduction The Torah considers growing The Background old a blessing; ‘zakein’ (old) is synonymous with wise. • The Jewish community has twice the number of people over 60 Our heroes and heroines compared to the general UK population. Yet most of our resources – were not young – Abraham, energy and money – are directed towards young people. • The Jewish community does welfare well. Sarah, Moses. It would • But growing old is not just about welfare. benefit us all if the Jewish • This report consulted with over 500 people representing a cross community began to section of the Jewish community. challenge youth obsessed • This report is not about being old; it’s about ageing – which we are all doing. culture. The Key Recommendations • The Jewish community should ensure that, as we age, we are enabled and encouraged to flourish and participate to the best of our physical and mental abilities. • The emphasis should change from welfare to inclusion. • Communal organisations should change to ensure they actively include older people. • The community needs to focus on this important and growing area. • The community needs to listen to what people are saying rather than deciding what they want and need.
    [Show full text]