Nuria Rial | Soprano

Total Page:16

File Type:pdf, Size:1020Kb

Nuria Rial | Soprano Nuria Rial | soprano Biography | March 2021 Nuria Rial studied voice and piano in her native Catalonia and was a member of Kurt Widmer's class at the Basel Academy of Music. In 2003, she was awarded the “Preis der Helvetia Patria Jeunesse Stiftung” by the Pro Europa - for her exceptional achievements as a singer. She has performed at all the leading music festivals in Europe and collaborates with such conductors as Ivan Fischer, Sir John Eliot Gardiner, Paul Goodwin, Trevor Pinnock, Howard Griffiths, Gustav Leonhardt, René Jacobs, Thomas Hengelbrock, Laurence Cummings, Neville Marriner and Teodor Currentzis as well as notable ensembles, including Concerto Köln, The English Concert, Kammerorchester Basel, Collegium 1704, Il Giardino Armonico, Les Musiciens du Louvre, Elbipolis Barockorchester, Le Cetra Basel, L’Arpeggiata, Festival Lucerne Strings, Accademia del Piacere and Il Pomo d’Oro. She appeared in important operatic productions in many of Europe's most prestigious opera houses: Cavalli's Eliogabalo (Eritea) at the Théâtre de la Monnaie in Brussels under René Jacobs; Monteverdi's L'Orfeo (Euridice) at the Staatsoper Unter den Linden in Berlin with René Jacobs and at the Grand Théâtre in Geneva with Giovanni Antonini; and Mozart's Die Zauberflöte (Pamina) at the Theatre Carlo Felice in Genova. Nuria Rial has been working a lot on Baroque music and performance practice. Alongside she is also interested in other genres. In 2012 for instance she persuaded in the role of Nuria in the contemporary opera Ainadamar by GoliJov at the Teatro Real Madrid, directed by Peter Sellars. On a world tour in 2015 and 2016 she sang the Pamina with the Budapest Festival Orchestra conducted by Ivan Fischer. Being enthused by chamber music, Nuria Rial cultivates partnerships with ensembles such as “Il pomo d’oro”, “Café Zimmermann”, “Les Cornets Noirs Basel” and „Artemandoline“ (CD bei der Sony). In her recital programmes she sings French and Spanish repertoire, but also German songs. Collaborations with the Casals Quartet, Andreas Staier, Alexander Melnikov and the guitarist Edin Karamazov are planned. Nuria Rial enJoys a vast discography, having recorded for such labels as Harmonia Mundi France (award- winning recording of Le Nozze di Figaro conducted by René Jacobs or recently “Traces to Anna Magdalena Bach”). Since 2009, she has an exclusive recording agreement with Sony Classical/BMG Masterworks. Her CD “Ave Maria” won the Dutch Edison Award. In 2009, the CD “Haydn - Arie per un'amante” with Michi Gaigg/ Orfeo Barockorchester won an Echo Classical Music Award, and she received a second Echo Award for her contribution to the CD “Teatro d'Amore”. 2010 followed the Echo Klassik for the CD “Via Crucis” with Christina Pluhar's L'Arpeggiata. Finally, in 2012 she was awarded another Echo for her CD Telemann with the Basel Chamber Orchestra in the category “Best Opera Arias”. Her most recent recordings are “Muera Cupido” with the gamba player Fahmi Alqhai and “Mother” with Dima Orsho and Musica Alta Ripa (both Sony Music), the first being dedicated to music from 18th century in Spain, the latter to Baroque arias and Arabic songs that are addressing the multiple facets of the role of a mother. For her CD “Muera Cupido” with the Accademia del Piacere, Nuria Rial received an Opus Klassik in 2020. Konzertdirektion Andrea Hampl • Karl-Schrader-Str. 6 • D - 10781 Berlin phone: +49 30 - 478 26 99 • mobile: +49 172 - 380 56 45 • fax: +49 30 - 478 37 92 • [email protected] • www.konzertdirektion.de Member of the German and European Association of Artist Managers page 1 of 1.
Recommended publications
  • 14 January 2011 Page 1 of 9
    Radio 3 Listings for 8 – 14 January 2011 Page 1 of 9 SATURDAY 08 JANUARY 2011 05:37AM virtuosity, but it's quite possible he wrote this concerto to play Mozart, Wolfgang Amadeus (1756-1791) himself. One early soloist commented that the middle SAT 01:00 Through the Night (b00wx4v1) Alma Dei creatoris (K.277) movement was 'too clever by half', but it's the finale that's The Genius of Mozart, presented by John Shea Ursula Reinhardt-Kiss (soprano); Annelies Burmeister (mezzo); catches most attention today, as it suddenly lurches into the Eberhard Büchner (tenor); Leipzig Radio Chorus & Symphony 'Turkish' (or more accurately Hungarian-inspired) style - and 01:01AM Orchestra), Herbert Kegel (conductor) the nickname has stuck. Mozart, Wolfgang Amadeus (1756-1791) Thamos, König in Ägypten (K.345) 05:43AM Conductor Garry Walker is no stranger to Mozart, last season Monteverdi Choir; English Baroque Soloists; cond. by John Mozart, Wolfgang Amadeus (1756-1791) he visited the St David's Festival in West Wales with the Eliot Gardiner 16 Minuets (K.176) (excerpts) Nos.1-4 orchestra, taking the 'Haffner' symphony. Today he conducts Slovak Sinfonietta, cond. Tara Krysa the players in Symphony No. 25, written when Mozart was a 01:50AM teenager. It's his first symphony in a minor key, and maybe the Mozart, Wolfgang Amadeus (1756-1791) 05:51AM passion and turbulence we hear in the outer movements a young Piano Sonata in C minor (K. 457) (1784) Mozart, Wolfgang Amadeus (1756-1791) man struggling out of his adolescence. Denis Burstein (piano) Quartet for strings in B flat major (K.458) "Hunt" Quatuor Mosaïques MOZART 02:15AM Violin Concerto No.
    [Show full text]
  • Friday 8 May 2020
    Koanga - New Zealand SO/John Hopkins Zealand National Youth Choir/Karen (EX Tartar TRL 020) Grylls (TRUST MMT 2016) 2:00 approx ELGAR: Nursery Suite - New Zealand JOPLIN: Maple Leaf Rag; Magnetic Rag (2) SO/James Judd (Naxos 8.557166) - Elizabeth Hayes (pno) (QUARTZ QTZ 2005) COPLAND: Down a Country Lane - Saint Friday 8 May 2020 BECK: Sinfonia in G minor Op 3/3 - Paul CO/Hugh Wolff (Teldec 77310) Toronto CO/Kevin Mallon (Naxos 5:00 approx 12:00 Music Through the Night 8.570799) BRAHMS: Violin Sonata No 2 in A Op 100 - RAMEAU: The Entrance of Polyhymnia, GAY: Virgins Are Like The Fair Flow'r, from Tasmin Little (vln), Piers Lane (pno) from Les Boréades - Ensemble The Beggar's Opera - Kiri Te Kanawa (sop), (Chandos CHAN 10977) Pygmalion/Raphaël Pichon (Harmonia National Phil/Richard Bonynge (Decca 475 VAUGHAN WILLIAMS: In the Fen Country - Mundi HMM902288) 459) London Festival Orch/Ross Pople (ASV CD DELIUS: Walk to the Paradise Garden - DETT: Eight Bible Vignettes - Denver DCA 779) Symphony Nova Scotia/Georg Tintner Oldham (piano) (New World NW 367) ANONYMOUS: Masque Dances - Alison (CBC Records SMCD 5134) HAN KUN SHA: Shepherd's Song - Melville (recorder), Margaret Gay (cello), CIMAROSA: Concerto in G for two flutes - Shanghai Quartet (Delos DE 3308) Peter Lehman (theorbo), Valerie Weeks Mathieu Dufour (fl), Alex Klein (ob), Czech 3:00 approx (hpschd) (EBS EBS 6016) National SO/Paul Freeman (Cedille CDR TELEMANN: Trumpet Concerto in D - DELIUS arr Fenby: Serenade, from Hassan 90000 080) Niklas Eklund (baroque tpt), - Julian Lloyd Webber
    [Show full text]
  • Universo Barroco 62.Series 20/21 80.Fronteras 94
    s ww w .cndm.mcu.e XII CENTRO NACIONAL DE DIFUSIÓN MUSICAL êNDICE 6. INTRODUCCIÓN 8.COMPOSITOR, ARTISTA Y GRUPO RESIDENTES 18. CICLOS TRANSVERSALES 28. UNIVERSO BARROCO 62. SERIES 20/21 80. FRONTERAS 94. LICEO DEC ÁMARA XXI 114. ANDALUCêA FLAMENCA 124. JAZZ EN EL AUDITORIO 144. XXVIII CICLO DE LIED 156. CICLOS DE ÓRGANO 172. MÚSICAS HISTÓRICAS DE LEÓN 182. CIRCUITOS 292. EDUCACIÓN 316. LOCALIDADES 326. CALENDARIO DE CONCIERTOS 336. ENCARGOS Y ESTRENOS DEL CNDM Un proyecto sólido sas; de ellos, más de la mitad son mujeres compositoras. Por último, se Francisco Lorenzo recuperan 54 composiciones del patrimonio musical histórico que serán estreno en tiempos modernos. Volvemos también a incentivar residencias que representan a nues- tros artistasyvalores más internacionales. En estaocasión, inaugura- mos una doble residencia, quer ecae en LinaT ur Bonet como solistay ensuformación MusicaAlchemica como grupo.T ur Bonet es versatili- Iniciamos esta nueva etapa con una certeza: la de habernos enfrentado dad, creatividad y explosión de belleza y colores al violín. Su imagina- con éxito al reto de desarrollar y culminar una temporada marcada por ción noc onoce límites y siempreestá dispuesta a asumir desafíos; un circunstancias complejas y desafiantes. Los tiempos nos han obligado a verdadero lujo, por tanto, que ella y Musica Alchemica sean artista y gru- ser flexibles, a aplazar conciertos, a reprogramar, a ajustar horarios y re- po residentes. pertorios, a mejorar las sinergias con nuestros socios y a afinar las he- Asimismo, es un placer y un privilegio tener como compositor resi- rramientas de comunicación…, en definitiva, a trabajarc on tesón para dente a una figura de la talla de Mauricio Sotelo, autor único, forjador de mantener viva la llama de la música, motor y razón de ser del CNDM.
    [Show full text]
  • Concerto Köln Allegro Yves Bertin, Bassoon
    CAL PERFORMANCES PRESENTS PROGRAM Saturday, November 3, 2012, 8pm Vivaldi Concerto for Bassoon and Orchestra First Congregational Church in E minor, R. 484 Allegro poco Andante Concerto Köln Allegro Yves Bertin, bassoon PROGRAM Dall’Abaco Concerto for Strings and Continuo in D major, Op. 5, No. 6 George Frideric Handel (1685–1759) Concerto Grosso in G major, Op. 6, No. 1 Allegro A tempo giusto Cantabile Allegro Ciaccona Adagio Rondeau Allegro Allegro Allegro Georg Philipp Telemann (1681–1767) Concerto for Concerto for Recorder, Transverse Evaristo Felice Dall’Abaco (1675–1742) Concerto for Two Flutes, Strings, and Flute, Strings, and Continuo in E minor Continuo in E minor, Op. 5, No. 3 Largo Allegro Allegro Adagio cantabile Largo Presto assai — Adagio — Prestissimo — Presto Adagio — Cordula Breuer, recorder Largo Marion Moonen, transverse flute Passepied I and II Antonio Vivaldi (1678–1741) Concerto for String Orchestra and Continuo This project has been funded with support from the European Commission. (Concerto a Quattro) in G minor, R. 156 This publication reflects the views only of its author, and the Commission cannot be Allegro held responsible for any use which may be made of the information contained therein. Adagio Allegro Concerto Köln gratefully acknowledges the generous support of MBL High End Audio and TÜV-Rheinland. Vivaldi Concerto for Sopranino Recorder and Orchestra in C major, R. 443 Allegro Largo Allegro molto Cal Performances’ 2012–2013 season is sponsored by Wells Fargo. Cordula Breuer, sopranino recorder INTERMISSION 10 CAL PERFORMANCES CAL PERFORMANCES 11 ORCHESTRA ROSTER PROGRAM NOTES Concerto Köln George Frideric Handel (1685–1759) that could be used either as intermission features Concerto Grosso in G major, Op.
    [Show full text]
  • NEWSLETTER of the American Handel Society
    NEWSLETTER of The American Handel Society Volume XXI, Number 3 Winter 2006 AMERICAN HANDEL SOCIETY- PRELIMINARY SCHEDULE (Paper titles and other details of program to be announced) Thursday, April 19, 2006 Check-in at Nassau Inn, Ten Palmer Square, Princeton, NJ (Check in time 3:00 PM) 6:00 PM Welcome Dinner Reception, Woolworth Center for Musical Studies Covent Garden before 1808, watercolor by Thomas Hosmer Shepherd. 8:00 PM Concert: “Rule Britannia”: Richardson Auditorium in Alexander Hall SOME OVERLOOKED REFERENCES TO HANDEL Friday, April 20, 2006 In his book North Country Life in the Eighteenth Morning: Century: The North-East 1700-1750 (London: Oxford University Press, 1952), the historian Edward Hughes 8:45-9:15 AM: Breakfast, Lobby, Taplin Auditorium, quoted from the correspondence of the Ellison family of Hebburn Hall and the Cotesworth family of Gateshead Fine Hall Park1. These two families were based in Newcastle and related through the marriage of Henry Ellison (1699-1775) 9:15-12:00 AM:Paper Session 1, Taplin Auditorium, to Hannah Cotesworth in 1729. The Ellisons were also Fine Hall related to the Liddell family of Ravenscroft Castle near Durham through the marriage of Henry’s father Robert 12:00-1:30 AM: Lunch Break (restaurant list will be Ellison (1665-1726) to Elizabeth Liddell (d. 1750). Music provided) played an important role in all of these families, and since a number of the sons were trained at the Middle Temple and 12:15-1:15: Board Meeting, American Handel Society, other members of the families – including Elizabeth Liddell Prospect House Ellison in her widowhood – lived in London for various lengths of time, there are occasional references to musical Afternoon and Evening: activities in the capital.
    [Show full text]
  • Elizabeth Wallfisch, Violin; Paul Goodwin, Oboe; Lisa Beznosiuk, Flute; Rachel Beckett, Recorder; Richard Tunnicliffe, Cello; Paul Nicholson, Harpsichord
    A2 HANDEL Twenty Sonatas, “Opus 1“. • Elizabeth Wallfisch, violin; Paul Goodwin, oboe; Lisa Beznosiuk, flute; Rachel Beckett, recorder; Richard Tunnicliffe, cello; Paul Nicholson, harpsichord. • HYPERION CDA66921/3 [DDD]; three discs: 54:40, 58:09, 58:45. Produced by Martin Compton. (Distributed by Harmonia Mundi USA.) Sonatas: in D, HWV371 (“No. 13“); in B Minor, HWV376 (“Halle Sonata No. 3“); in G Minor, HWV360 (“op. 1, no. 2“); in B♭, HWV357; in F, HWV369 (“op. 1, no. 11“); in E Minor, HWV375 (“Halle Sonata No. 2“); in D Minor, HWV359a (“op. 1, no. 1“); in A Minor, H 374 (“Halle Sonata No. 3“); in D Minor, HWV367a (“op. 1, no. 9a“); in G, HWV358; in E Minor, HWV 379 (“op. 1, no. 1a“); in A Minor, HWV 362 (“op. 1, no. 4“); in C Minor (“op. 1, no. fl“); in B♭, HWV377; in G, HWV363b (“op. 1, no. 5“); in A, HWV361 (“op. 1, no. 3“); in E Minor, HWV359b (“op. 1, no. 1b“); in C, HWV365 (“op. 1, no. 7“); in G Minor, HWV364a (“op. 1, no. 6“); in B Minor, HWV367b (“op. 1, no. 9“). HANDEL The Complete Sonatas for Recorder. • Marion Verbruggen, recorder, flute; Ton Koopman, harpsichord, chest organ; Jaap ter Linden, cello. • HARMONIA MUNDI FRANCE HMU 907151 [DDD]; 57:37. Produced by Tini Mathot. (Distributed by Harmonia Mundi USA.) Sonatas: in F, HWV 369; in A Minor, HWV 362; in G Minor, HWV 360; in C, HWV 365; in D Minor, HWV 367b; in Bb, HWV 377. Oh dear. What a tangled web is woven by Handel's so-called opus 1.
    [Show full text]
  • Nuria Rial Y Maurice Steger Se Inspiran En El Canto De Los Pájaros Para Grabar 'Baroque Twitter'
    NURIA RIAL Y MAURICE STEGER SE INSPIRAN EN EL CANTO DE LOS PÁJAROS PARA GRABAR `BAROQUE TWITTER' La soprano española Nuria Rial y el virtuoso flautista suizo Maurice Steger se han asociado con la galardonada Kammerorchester de Basilea para grabar un fascinante álbum barroco, con un programa de arias y conciertos inspirados en el canto de los pájaros. Baroque Twitter está integrado por algunas obras conocidas y otras raramente escuchadas de compositores como Antonio Vivaldi (1678-1741), Francesco Mancini (1672-1737), Pietro Torri (1650 - 1737), Tomaso Albinoni (1671 - 1751) o el maestro Alessandro Scarlatti (1660 - 1725). Nuria Rial y Maurice Steger se encuentran entre los artistas más exitosos en el campo de la música antigua. Ambos ya han recibido los premios Echo Klassik. Su primer álbum juntos revela cuán magníficamente se mezcla la peculiar voz de Nuria Rial con el sonido de la flauta de Steger. El álbum ofrece a los oyentes un emocionante viaje al mundo de la poesía y la música barroca de principios del siglo XVIII. En su búsqueda de obras para incluir en su álbum han descubierto algunas joyas deslumbrantes En el aria "Rondinella che dal nido" de la ópera Ifigenia en Tauride, de Leonardo Vinci (1696? -1730), los arpegios frenéticos en las cuerdas sugieren las alas zumbantes de una golondrina, mientras que en el aria ªBell©augelletto che vai scherzandoº, de Francesco Gasparini (1661-1727), el amanecer es recibido por un canto de pájaro imitado por flautista y soprano. Nuria Rial estudió canto y piano en su Cataluña natal y fue miembro de la clase de Kurt Widmer en la Academia de Música de Basilea.
    [Show full text]
  • Concertos for Oboe and Oboe D'amore
    J.S. Bach Concertos for Oboe and Oboe d’amore Gonzalo X. Ruiz Portland Baroque Orchestra Monica Huggett J.S. Bach (1685-1750) Concertos for Oboe and Oboe d’amore Gonzalo X. Ruiz, baroque oboes Portland Baroque Orchestra Concerto for oboe in G minor, BWV 1056R Concerto for oboe d’amore in A major, BWV 1055R Reconstruction of BWV 1056, Concerto in F minor for Harpsichord Reconstruction of BWV 1055, Concerto in A major for Harpsichord 1 I. [Moderato] 3:10 10 I. [Allegro] 3:56 2 II. Largo 2:25 11 II. Larghetto 4:39 3 III. Presto 3:13 12 III. Allegro ma non tanto 4:08 Concerto for oboe in F major, BWV 1053R Concerto for violin and oboe in C minor, BWV 1060R Reconstruction of BWV 1053, Concerto in E major for Harpsichord Reconstruction of BWV 1060, Concerto in C minor for Two Harpsichords 4 I. [Allegro] 7:05 Monica Huggett, violin soloist 5 II. Siciliano 4:56 13 I. Allegro 4:30 6 III. Allegro 5:46 14 II. Adagio 4:30 15 III. Allegro 3:27 Concerto for oboe in D minor, BWV 1059R Reconstruction based on a concerto fragment and Cantatas 35 and 156 16 Aria from Cantata 51: “Höchster, mache deine Güte” 4:56 7 I. Allegro 5:12 Transcribed by Gonzalo X. Ruiz 8 II. Adagio 2:26 9 III. Presto 3:02 Total Time 67:21 Performed on Period Instruments 2 Gonzalo X. Ruiz, baroque oboes Born in La Plata, Argentina, Gonzalo X. Ruiz is one of the world’s most critically acclaimed baroque oboists.
    [Show full text]
  • MOONWINDS & CORS Madrigal I LIEDER Càmera
    fonament, a manera de xacona. Música sensible prOpers CONCERTS a L’AUDitOri COMeNTARI i expressiva, no exempta de recursos propers al virtuosisme barroc italià, tot i que amb un TEMPORADA 2012-2013 JOsep Maria Guix caire melangiós molt septentrional, que palesa Circuit: Nacions / tecla / retrats d’artista / segles Circuit: tecla / antiga la procedència estoniana de l’autor. XX i XXI / en Família CHRISTOpHe rOUSSET Colpit per les religions orientals i afí als principis L’OBC aMB aLEXANDRE tHARAUD XXXV Festival de Música antiga de Barcelona El rerefons religiós –o si es vol, espiritual– de l’Església ortodoxa, John Tavener s’inscriu maig 2013 maig 2013 MOONWINDS vertebra el programa del concert d’avui, que en la llarga tradició anglesa que sorgeix amb la Dv 3 → 21h / Ds 4 → 19h / Dg 5 → 11h Dt 7 → 20.30h arrenca amb una peça cabdal, La Creació de polifonia isabelina i arriba, sense sotracs, fins a # Sala 1 Pau Casals # Sala 3 Tete montoliu Joseph Haydn, en l’adaptació duta a terme pel les obres de Holst, Britten o Harvey. En la seva Manuel Hernández silva director Christophe rousset clavicèmbal seu col·lega coetani Georg Druschetzky. música, veu i instruments es fusionen en un tot alexandre tharaud piano Esperonat pel gran èxit dels oratoris handeli- que, com una sofisticada lletania, insisteix a Obres de: De Chambonnières, & CORS Obres de: J. s. Bach, revueltas, M Froberger, Couperin i D’anglebert ans que va escoltar durant les seves estades cercar un temps congelat capaç d’abocar-nos Villa-Lobos i Ginastera londinenques, el vell mestre austríac va endins- Preu: 28€ a un oceà de misticisme.
    [Show full text]
  • Download Booklet
    Rial_BL_Layout 1 16/03/11 21:44 Página 2 p h o t o © M Nuria Rial, soprano e r c è R i a cd i: l José Miguel Moreno, vihuelas & Renaissance guitar cd ii: [01-07] Orphénica Lyra Carlos Mena, countertenor Guido Balestracci, Alba Fresno, Sergi Casademunt, violas da gamba Juan Carlos de Mulder, Renaissance guitar Fernando Paz, recorders David Mayoral, percussion José Miguel Moreno, vihuela & direction [08-11] Orphénica Lyra Jordi Domènech, countertenor Fernando Paz, recorders Fahmi Alqhai, viola da gamba Eligio Quinteiro, Renaissance guitar Álvaro Garrido, percussio n José Miguel Moreno, vihuelas, Baroque guitar & direction [12-19] El Concierto Español Emilio Moreno, violin & direction 5 Rial_BL_Layout 1 16/03/11 21:44 Página 4 Nuria Rial 17 Mudarra : Si me llaman a mí 2:52 18 Mudarra : Claros y frescos ríos 4:03 The Spanish Album 19 Mudarra : Beatus ille 0:57 20 Vásquez - Fuenllana : Duélete de mí, señora 3:04 cd i 21 Pisador : La mañana de Sant Juan 2:34 22 Fuenllana : Fantasía [instr.] 2:38 from Claros y frescos ríos, with José Miguel Moreno (complete album) 23 Fuenllana : Passeávase el rey moro 2:46 01 Anonymous : Qué me queréis, caballero 1:12 24 Pisador : Dezilde al caballero 2:05 02 Esteban Daça : Quién te hizo Juan Pastor 3:09 03 Juan Vásquez - Diego Pisador : En la fuente del rosel 0:55 cd ii 04 Daça : A tierras agenas 2:58 05 Mateo Flecha - Miguel de Fuenllana : Teresica hermana 1:56 from Miguel de Fuenllana: Orphénica Lyra , with Orphénica Lyra and José Miguel Moreno 06 Cristóbal de Morales - Fuenllana : De Antequera sale el moro
    [Show full text]
  • Program Notes
    GENEVA CONCERTS presents HesperusHesperus "The Buxtehude Project" Friday, March 30, 2007 ● 8:15 p.m. Smith Opera House 1 GENEVA CONCERTS, INC. 2006-2007 SEASON Friday, 29 September 2006, 8:15 p.m. State Street Ballet of Santa Barbara Carmen A passionate story of lust, treachery and fate, based on the fabled temptress of Seville, told in ballet and set to the music of Georges Bizet. Thursday, 2 November 2006, 8:15 p.m. Syracuse Symphony Orchestra Daniel Hege, conductor “Shakespeare in Music” Walton, Mendelssohn, Sibelius, Strauss Saturday, 20 January 2007, 8:15 p.m. Cantus One of America’s finest professional male vocal ensembles, Cantus’ repertoire spans many periods and genres including Gregorian chant, Renaissance motets, contemporary works, art songs, folk music, spirituals, and pop. Friday, 9 March 2007, 8:15 p.m. Rochester Philharmonic Orchestra Pinchas Zukerman, conductor and violin Ariana Ghez, oboe Bach, Stravinsky, Elgar Friday, 30 March 2007, 8:15 p.m. Hesperus “The Buxtehude Project” Saturday, 21 April 2007, 8:15 p.m. Syracuse Symphony Orchestra Ron Spigelman, conductor Allen Vizzutti, trumpet De Falla, Vizzutti, Bernstein, Copland Performed at the Smith Opera House, 82 Seneca Street, Geneva, NY These concerts are made possible, in part, with public funds from the New York State Council on the Arts, a state agency, and by a continuing subscription from Hobart and William Smith Colleges. 2 GENEVA CONCERTS, INC. Friday, March 30, 2007 • 8:15 p.m. HesperusHesperus “The Buxtehude Project” Jubilate Domino: Celebrating Dietrich Buxtehude
    [Show full text]
  • The 2018 Guide Festivals
    April 2018 The 2018 Guide Festivals FEATURE ARTICLE 10 Questions, Two (Very Different) Festivals Editor’s Note Our fifth annual Guide to Summer Festivals is our biggest yet, with some 85 annotated entries, plus our usual free access to the 1400 listings in the Musical America database. The details for the 85—dates, locations, artistic directors, programming, guest artists, etc.—have been provided by the festivals themselves, in response to a questionnaire sent to our list of Editor’s Picks. Those are determined by a number of factors: it’s hardly a surprise to see the big-budget events, such as Salzburg, Tanglewood, and Aspen, included. But budget is by no means the sole criterion. The 2018 Guide Programming, performers, range and type of events offered—all of these factor into the equation. For our feature article, we chose two highly regarded events and asked them one set of questions, just for the purposes of compare and contrast. Since George Loomis traveled to Ravenna last summer and knows Ojai well, we decided he was the perfect candidate to get the answers. Our hunch that the two couldn’t be more different turned out to be quite accurate: one takes place over a weekend, the over a two-month period; one is in the U.S., the other in Europe; one is rural, the other urban; one’s in a valley, the other by the sea; one focuses on contemporary fare, the other on traditional; one houses its artists in homes, the other in hotels; one is overseen by a man, the other by Festivals a woman; Ojai’s venues are primarily outdoor and strictly 20th century, Ravenna’s are mostly indoor and date as far back as the sixth century.
    [Show full text]