Queer Fun, Family and Futures in Duckie's Performance Projects 2010
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LGBTQ America: a Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History Is a Publication of the National Park Foundation and the National Park Service
Published online 2016 www.nps.gov/subjects/tellingallamericansstories/lgbtqthemestudy.htm LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History is a publication of the National Park Foundation and the National Park Service. We are very grateful for the generous support of the Gill Foundation, which has made this publication possible. The views and conclusions contained in the essays are those of the authors and should not be interpreted as representing the opinions or policies of the U.S. Government. Mention of trade names or commercial products does not constitute their endorsement by the U.S. Government. © 2016 National Park Foundation Washington, DC All rights reserved. No part of this publication may be reprinted or reproduced without permission from the publishers. Links (URLs) to websites referenced in this document were accurate at the time of publication. THEMES The chapters in this section take themes as their starting points. They explore different aspects of LGBTQ history and heritage, tying them to specific places across the country. They include examinations of LGBTQ community, civil rights, the law, health, art and artists, commerce, the military, sports and leisure, and sex, love, and relationships. MAKING COMMUNITY: THE PLACES AND15 SPACES OF LGBTQ COLLECTIVE IDENTITY FORMATION Christina B. Hanhardt Introduction In the summer of 2012, posters reading "MORE GRINDR=FEWER GAY BARS” appeared taped to signposts in numerous gay neighborhoods in North America—from Greenwich Village in New York City to Davie Village in Vancouver, Canada.1 The signs expressed a brewing fear: that the popularity of online lesbian, gay, bisexual, transgender, and queer (LGBTQ) social media—like Grindr, which connects gay men based on proximate location—would soon replace the bricks-and-mortar institutions that had long facilitated LGBTQ community building. -
Duckie Archive
DUCKIE ARCHIVE (DUCKIE) ©Bishopsgate Institute Catalogued by Various, 2018-2019. DUCKIE Duckie Archive 1996-2018 Name of Creator: Duckie Extent: 55 Files Administrative/Biographical History: Amended from the Duckie Website (2020): Duckie are lowbrow live art hawkers, homo-social honky-tonkers and clubrunners for disadvantaged, but dynamically developing authentic British subcultures. Duckie create good nights out and culture clubs that bring communities together. From their legendary 24-year weekly residency at the Royal Vauxhall Tavern to winning Olivier awards at the Barbican, they are purveyors of progressive working class entertainment who mix live art and light entertainment. Duckie combine vintage queer clubbing, LGBTQI+ heritage & social archeology & quirky performance art shows with a trio of socially engaged culture clubs: The Posh Club (our swanky showbiz palais for working class older folk, now regular in five locations), The Slaughterhouse Club (our wellbeing project with homeless Londoners struggling with booze, addiction and mental health issues), Duckie QTIPOC Creatives (our black and brown LGBTQI youth theatre, currently on a pause until we bag a funder). Duckie have long-term relationships with a few major venues including Barbican Centre, Rich Mix, Southbank Centre and the Brighton Dome, but we mostly put on our funny theatre events in pubs, nightclubs, church halls and community centres. They are a National Portfolio Organisation of Arts Council England and revenue funded by the Big Lottery Fund. Duckie produce about 130 events and 130 workshops each year - mostly in London and the South East - and our annual audience is about 30,000 real life punters. Custodial History: Deposited with Bishopsgate Institute by Simon Casson, 2017. -
Back and Welcome to Unity's 2021 Programme of Events
2021 SEASON unitytheatreliverpool.co.uk Welcome back and welcome to Unity’s 2021 programme of events. We are delighted to finally be sharing Showcasing Local Talent with you some of the exciting productions With over 40 events and 100 artists and activities that form a special year already involved, our specially curated of work from Unity. reopening activities are a manifestation of this. Like everyone, our 2020 wasn’t quite the year we had planned. Originally Supporting Artists intended to be a landmark celebration This new season includes 22 of our 40th anniversary, instead we Merseyside-based creatives and found our doors closing indefinitely. companies who feature as part of The implications of the pandemic our Open Call Programme. Created and shutdown of venues across the UK to provide income and performance were serious and far-reaching, but they opportunity to local artists after allowed us to take stock and question a year without both, the Open Call our role as an arts organisation. celebrates these artists, their stories, communities and lives. What has emerged is a renewed commitment for Unity to provide 2021 welcomes a huge-new event space and opportunity for people series as part of our talent development to be creative, enjoy high-quality programme - Creative’pool. This will entertainment and celebrate the provide personalised training, workshops, communities of Liverpool. We want advice, exclusive events and development to continue to inspire creative opportunities to over 200 artists a year. risk and achieve a fairer, more supportive and accessible world. Access for All After a year of such uncertainty some of you may understandably be nervous about venturing into buildings. -
Pride Lineup R Ee Qb
F PRIDE LINEUP R EE QB Nottinghamshire’s Queer Bulletin August/September 2011 Number 61 The Pride stage will undergo meiosis and divide into 4. As well as the Main Stage (hosted by Harry Derbridge - from “The only way is Essex”), Politicians experience often scath- you can enjoy the Acoustic Stage, the Comedy Stage and a family zone - ing criticism on a daily basis in our The Village Green. Some of the performers featured are listed below. newspapers. On radio and televi- sion they are subject to the mock- MAIN STAGE ACOUSTIC STAGE COMEDY STAGE ery which is part of a tradition going Booty Luv Kenelis Julie Jepson back to - at least - the ancient Ruth Lorenzo Maniére des Suzi Ruffle Greeks. Cartoonists have a field day. David Cameron is portrayed Drag with No Name Bohémiens Rosie Wilby by one as a "Little Lord Fauntleroy" Fat Digester Gallery 47 Rachel Stubbins type and by another as a pink hu- Propaganda Betty Munroe & Josephine Ettrick-Hogg man condom with big wobbly Danny Stafford The Blue Majestix Carly Smallman Youth Spot The Idolins breasts. VILLAGE GREEN Jo Francis Emily Franklin Our mockery and fact-based criti- Captain Dangerous Wax Ersatz Asian Dance Group cisms of Kay Cutts pale beside this Vibebar May KB Pirate Show and beside what one reads on the Benjamin Bloom Selma Thurman Carlton Brass Band local Parish of Nottinghamshire Grey Matter Ball Bois display website, to which we referred. Poli- The Cedars Hosts: John Gill & Dog display team ticians need broad shoulders. Bear- NG1/@D2 Princess Babserella Tatterneers Band ing in mind the size of Mrs Cutts' "shoulders", the County Library QB ban is utterly predictable. -
Exploring Lesbian and Gay Musical Preferences and 'LGB Music' in Flanders
Observatorio (OBS*) Journal, vol.9 - nº2 (2015), 207-223 1646-5954/ERC123483/2015 207 Into the Groove - Exploring lesbian and gay musical preferences and 'LGB music' in Flanders Alexander Dhoest*, Robbe Herreman**, Marion Wasserbauer*** * PhD, Associate professor, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) ** PhD student, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) *** PhD student, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) Abstract The importance of music and music tastes in lesbian and gay cultures is widely documented, but empirical research on individual lesbian and gay musical preferences is rare and even fully absent in Flanders (Belgium). To explore this field, we used an online quantitative survey (N= 761) followed up by 60 in-depth interviews, asking questions about musical preferences. Both the survey and the interviews disclose strongly gender-specific patterns of musical preference, the women preferring rock and alternative genres while the men tend to prefer pop and more commercial genres. While the sexual orientation of the musician is not very relevant to most participants, they do identify certain kinds of music that are strongly associated with lesbian and/or gay culture, often based on the play with codes of masculinity and femininity. Our findings confirm the popularity of certain types of music among Flemish lesbians and gay men, for whom it constitutes a shared source of identification, as it does across many Western countries. The qualitative data, in particular, allow us to better understand how such music plays a role in constituting and supporting lesbian and gay cultures and communities. -
Hello Sailor! Canadian Edition Oral History Project a Research Report for the Maritime Museum of the Atlantic Halifax, Nova Scotia
Hello Sailor! Canadian Edition Oral History Project A Research Report for the Maritime Museum of the Atlantic Halifax, Nova Scotia Final Report Emily Burton and Bob Harding Researchers 30 March 2011 (Revised 10 May 2011) 1 Hello Sailor! Canadian Edition Final Report Emily Burton and Bob Harding Researchers 30 March 2011 (Revised 10 May 2011) I Literature Review & Bibliography II Methodology III Discussion of Findings (i) Preliminary and Going to Sea (ii) Work, Leisure and Language (iii) Diversity Onboard (iv) Seafarers in Port (v) Coming Home (vi) Trans-gendered Identity IV Recommendations of Potential Themes (i) Departure from ‘Heaven and Hell’ (ii) The Good, the Bad, and the Boring (iii) Sailor First (iv) Homophobia (v) Recommendations for Further Research 2 I Literature Review & Bibliography This brief essay reviews the literatures pertaining to the experiences of gay seafarers in the Canadian historical context. It focuses on three particular bodies of historical literature. First, it reviews treatments of gay seafarers and homosexuality within the broader historiography of North Atlantic seafaring. Second, it reveals the lack of scholarly attention to gay seafarers within Canadian gay and lesbian studies. Third, it examines how gay seafarers and homosexual culture at sea have been addressed within the American historiographical context. This essay also highlights how oral research enables scholars to more fully illuminate the experiences of gay sailors and the nature homosexual culture at sea. The essay demonstrates that while homosexuality has been addressed within the general historiography on North Atlantic seafaring, it remains a largely unexplored topic within the Canadian historiographical tradition. However, pioneering studies in the American context offer useful conceptual and methodological models for incorporating the history of gay seafaring culture into the Canadian narratives of seafaring as well as gay and lesbian history. -
Transgender, and Queer History Is a Publication of the National Park Foundation and the National Park Service
Published online 2016 www.nps.gov/subjects/tellingallamericansstories/lgbtqthemestudy.htm LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History is a publication of the National Park Foundation and the National Park Service. We are very grateful for the generous support of the Gill Foundation, which has made this publication possible. The views and conclusions contained in the essays are those of the authors and should not be interpreted as representing the opinions or policies of the U.S. Government. Mention of trade names or commercial products does not constitute their endorsement by the U.S. Government. © 2016 National Park Foundation Washington, DC All rights reserved. No part of this publication may be reprinted or reproduced without permission from the publishers. Links (URLs) to websites referenced in this document were accurate at the time of publication. INCLUSIVE STORIES Although scholars of LGBTQ history have generally been inclusive of women, the working classes, and gender-nonconforming people, the narrative that is found in mainstream media and that many people think of when they think of LGBTQ history is overwhelmingly white, middle-class, male, and has been focused on urban communities. While these are important histories, they do not present a full picture of LGBTQ history. To include other communities, we asked the authors to look beyond the more well-known stories. Inclusion within each chapter, however, isn’t enough to describe the geographic, economic, legal, and other cultural factors that shaped these diverse histories. Therefore, we commissioned chapters providing broad historical contexts for two spirit, transgender, Latino/a, African American Pacific Islander, and bisexual communities. -
The Power of the Prime Minister
Research Paper Research The Power of the Prime Minister 50 Years On George Jones THE POWER OF THE PRIME MINISTER 50 YEARS ON George Jones Emeritus Professor of Government London School of Economics & Political Science for The Constitution Society Based on a lecture for the Institute of Contemporary British History, King’s College, London, 8 February 2016 First published in Great Britain in 2016 by The Constitution Society Top Floor, 61 Petty France London SW1H 9EU www.consoc.org.uk © The Constitution Society ISBN: 978-0-9954703-1-6 © George Jones 2016. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the publisher of this book. THE POWER OF THE PRIME MINISTER 3 Contents About the Author 4 Foreword 5 Introduction 9 Contingencies and Resource Dependency 11 The Formal Remit and Amorphous Convention 13 Key Stages in the Historical Development of the Premiership 15 Biographies of Prime Ministers are Not Enough 16 Harold Wilson 17 Tony Blair – almost a PM’s Department 19 David Cameron – with a department in all but name 21 Hung Parliament and Coalition Government 22 Fixed-term Parliaments Act, 2011 25 Party Dynamics 26 Wilson and Cameron Compared 29 Enhancing the Prime Minister 37 Between Wilson and Cameron 38 Conclusions 39 4 THE POWER OF THE PRIME MINISTER About the Author George Jones has from 2003 been Emeritus Professor of Government at LSE where he was Professor of Government between 1976 and 2003. -
Venustheatre
VENUSTHEATRE Dear Member of the Press: Thank you so much for coverage of The Speed Twins by Maureen Chadwick. I wanted to cast two women who were over 60 to play Ollie and Queenie. And, I'm so glad I was able to do that. This year, it's been really important for me to embrace comedy as much as possible. I feel like we all probably need to laugh in this crazy political climate. Because I thought we were losing this space I thought that this show may be the last for me and for Venus. It turns out the new landlord has invited us to stay and so, the future for Venus is looking bright. There are stacks of plays waiting to be read and I look forward to spending the summer planning the rest of the year here at Venus. This play is a homage, in some ways, to The Killing of Sister George. I found that script in the mid-nineties when it was already over 30 years old and I remember exploring it and being transformed by the archetypes of female characters. To now be producing Maureen's play is quite an honor. She was there! She was at the Gateway. She is such an impressive writer and this whole experience has been very dierent for Venus, and incredibly rewarding. I hope you enjoy the show. All Best, Deborah Randall Venus Theatre *********************************************** ABOUT THE PLAYWRIGHT PERFORMANCES: receives about 200 play submissions and chooses four to produce in the calendar year ahead. Each VENUSTHEATRE Maureen Chadwick is the creator and writer of a wide range of award-winning, critically acclaimed and May 3 - 27, 2018 production gets 20 performances. -
Urban Pamphleteer #2 Regeneration Realities
Regeneration Realities Urban Pamphleteer 2 p.1 Duncan Bowie# p.3 Emma Dent Coad p.5 Howard Read p.6 Loretta Lees, Just Space, The London Tenants’ Federation and SNAG (Southwark Notes Archives Group) p.11 David Roberts and Andrea Luka Zimmerman p.13 Alexandre Apsan Frediani, Stephanie Butcher, and Paul Watt p.17 Isaac Marrero- Guillamón p.18 Alberto Duman p.20 Martine Drozdz p.22 Phil Cohen p.23 Ben Campkin p.24 Michael Edwards p.28 isik.knutsdotter Urban PamphleteerRunning Head Ben Campkin, David Roberts, Rebecca Ross We are delighted to present the second issue of Urban Pamphleteer In the tradition of radical pamphleteering, the intention of this series is to confront key themes in contemporary urban debate from diverse perspectives, in a direct and accessible – but not reductive – way. The broader aim is to empower citizens, and inform professionals, researchers, institutions and policy- makers, with a view to positively shaping change. # 2 London: Regeneration Realities The term ‘regeneration’ has recently been subjected to much criticism as a pervasive metaphor applied to varied and often problematic processes of urban change. Concerns have focused on the way the concept is used as shorthand in sidestepping important questions related to, for example, gentrification and property development. Indeed, it is an area where policy and practice have been disconnected from a rigorous base in research and evidence. With many community groups affected by regeneration evidently feeling disenfranchised, there is a strong impetus to propose more rigorous approaches to researching and doing regeneration. The Greater London Authority has also recently opened a call for the public to comment on what regeneration is, and feedback on what its priorities should be. -
Transgender History / by Susan Stryker
u.s. $12.95 gay/Lesbian studies Craving a smart and Comprehensive approaCh to transgender history historiCaL and Current topiCs in feminism? SEAL Studies Seal Studies helps you hone your analytical skills, susan stryker get informed, and have fun while you’re at it! transgender history HERE’S WHAT YOU’LL GET: • COVERAGE OF THE TOPIC IN ENGAGING AND AccESSIBLE LANGUAGE • PhOTOS, ILLUSTRATIONS, AND SIDEBARS • READERS’ gUIDES THAT PROMOTE CRITICAL ANALYSIS • EXTENSIVE BIBLIOGRAPHIES TO POINT YOU TO ADDITIONAL RESOURCES Transgender History covers American transgender history from the mid-twentieth century to today. From the transsexual and transvestite communities in the years following World War II to trans radicalism and social change in the ’60s and ’70s to the gender issues witnessed throughout the ’90s and ’00s, this introductory text will give you a foundation for understanding the developments, changes, strides, and setbacks of trans studies and the trans community in the United States. “A lively introduction to transgender history and activism in the U.S. Highly readable and highly recommended.” SUSAN —joanne meyerowitz, professor of history and american studies, yale University, and author of How Sex Changed: A History of Transsexuality In The United States “A powerful combination of lucid prose and theoretical sophistication . Readers STRYKER who have no or little knowledge of transgender issues will come away with the foundation they need, while those already in the field will find much to think about.” —paisley cUrrah, political -
Sexualities and Genders in Education
SEXUALITIES AND GENDERS IN EDUCATION Towards Queer Thriving Adam J. Greteman QUEER Series Editors STUDIES & William F. Pinar EDUCATION Nelson M. Rodriguez, & Reta Ugena Whitlock Queer Studies and Education Series editors William F. Pinar Department of Curriculum and Pedagogy University of British Columbia Vancouver, British Columbia, Canada Nelson M. Rodriguez Department of Women’s, Gender, and Sexual Studies The College of New Jersey Ewing, New Jersey, USA Reta Ugena Whitlock Department of Educational Leadership Kennesaw State University Kennesaw, Georgia, USA LGBTQ social, cultural, and political issues have become a defining fea- ture of twenty-first century life, transforming on a global scale any number of institutions, including the institution of education. Situated within the context of these major transformations, this series is home to the most compelling, innovative, and timely scholarship emerging at the intersec- tion of queer studies and education. Across a broad range of educational topics and locations, books in this series incorporate lesbian, gay, bisexual, transgender, and intersex categories, as well as scholarship in queer theory arising out of the postmodern turn in sexuality studies. The series is wide- ranging in terms of disciplinary/theoretical perspectives and methodolog- ical approaches, and will include and illuminate much needed intersectional scholarship. Always bold in outlook, the series also welcomes projects that challenge any number of normalizing tendencies within academic scholar- ship from works that move beyond established frameworks of knowledge production within LGBTQ educational research to works that expand the range of what is institutionally defined within the field of education as relevant queer studies scholarship. More information about this series at http://www.palgrave.com/gp/series/14522 Adam J.