The Invisibility of Older Lesbians
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Exploring Lesbian and Gay Musical Preferences and 'LGB Music' in Flanders
Observatorio (OBS*) Journal, vol.9 - nº2 (2015), 207-223 1646-5954/ERC123483/2015 207 Into the Groove - Exploring lesbian and gay musical preferences and 'LGB music' in Flanders Alexander Dhoest*, Robbe Herreman**, Marion Wasserbauer*** * PhD, Associate professor, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) ** PhD student, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) *** PhD student, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) Abstract The importance of music and music tastes in lesbian and gay cultures is widely documented, but empirical research on individual lesbian and gay musical preferences is rare and even fully absent in Flanders (Belgium). To explore this field, we used an online quantitative survey (N= 761) followed up by 60 in-depth interviews, asking questions about musical preferences. Both the survey and the interviews disclose strongly gender-specific patterns of musical preference, the women preferring rock and alternative genres while the men tend to prefer pop and more commercial genres. While the sexual orientation of the musician is not very relevant to most participants, they do identify certain kinds of music that are strongly associated with lesbian and/or gay culture, often based on the play with codes of masculinity and femininity. Our findings confirm the popularity of certain types of music among Flemish lesbians and gay men, for whom it constitutes a shared source of identification, as it does across many Western countries. The qualitative data, in particular, allow us to better understand how such music plays a role in constituting and supporting lesbian and gay cultures and communities. -
Venustheatre
VENUSTHEATRE Dear Member of the Press: Thank you so much for coverage of The Speed Twins by Maureen Chadwick. I wanted to cast two women who were over 60 to play Ollie and Queenie. And, I'm so glad I was able to do that. This year, it's been really important for me to embrace comedy as much as possible. I feel like we all probably need to laugh in this crazy political climate. Because I thought we were losing this space I thought that this show may be the last for me and for Venus. It turns out the new landlord has invited us to stay and so, the future for Venus is looking bright. There are stacks of plays waiting to be read and I look forward to spending the summer planning the rest of the year here at Venus. This play is a homage, in some ways, to The Killing of Sister George. I found that script in the mid-nineties when it was already over 30 years old and I remember exploring it and being transformed by the archetypes of female characters. To now be producing Maureen's play is quite an honor. She was there! She was at the Gateway. She is such an impressive writer and this whole experience has been very dierent for Venus, and incredibly rewarding. I hope you enjoy the show. All Best, Deborah Randall Venus Theatre *********************************************** ABOUT THE PLAYWRIGHT PERFORMANCES: receives about 200 play submissions and chooses four to produce in the calendar year ahead. Each VENUSTHEATRE Maureen Chadwick is the creator and writer of a wide range of award-winning, critically acclaimed and May 3 - 27, 2018 production gets 20 performances. -
Refugees in Europe, 1919–1959 Iii Refugees in Europe, 1919–1959
Refugees in Europe, 1919–1959 iii Refugees in Europe, 1919–1959 A Forty Years’ Crisis? Edited by Matthew Frank and Jessica Reinisch Bloomsbury Academic An imprint of Bloomsbury Publishing Plc LONDON • OXFORD • NEW YORK • NEW DELHI • SYDNEY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2017 © Matthew Frank, Jessica Reinisch and Contributors, 2017 This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the authors. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-1-4725-8562-2 ePDF: 978-1-4725-8564-6 eBook: 978-1-4725-8563-9 Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress. Cover image © LAPI/Roger Viollet/Getty Images Typeset by Deanta Global Publishing Services, Chennai, India To find out more about our authors and books visit www.bloomsbury.com. Here you will find extracts, author interviews, details of forthcoming events and the -
Enter Your Title Here in All Capital Letters
EXPLORING THE COMPOSITION AND FORMATION OF LESBIAN SOCIAL TIES by LAURA S. LOGAN B.A., University of Nebraska at Kearney, 2006 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF ARTS Department of Sociology, Anthropology, and Social Work College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2008 Approved by: Major Professor Dana M. Britton Copyright LAURA S. LOGAN 2008 Abstract The literature on friendship and social networks finds that individuals form social ties with people who are like them; this is termed “homophily.” Several researchers demonstrate that social networks and social ties are homophilous with regard to race and class, for example. However, few studies have explored the relationship of homophily to the social ties of lesbians, and fewer still have explicitly examined sexual orientation as a point of homophily. This study intends to help fill that gap by looking at homophily among lesbian social ties, as well as how urban and non-urban residency might shape homophily and lesbian social ties. I gathered data that would answer the following central research questions: Are lesbian social ties homophilous and if so around what common characteristics? What are lesbians’ experiences with community resources and how does this influence their social ties? How does population influence lesbian social ties? Data for this research come from 544 responses to an internet survey that asked lesbians about their social ties, their interests and activities and those of their friends, and the cities or towns in which they resided. Using the concepts of status and value homophily, I attempt to make visible some of the factors and forces that shape social ties for lesbians. -
OUT of TIME and out of PLACE Habitus Dislocation and the Importance of Affinity Groups for Older Lesbians and Bisexual Women
OUT OF TIME AND OUT OF PLACE Habitus dislocation and the importance of affinity groups for older lesbians and bisexual women JILL WILKENS ORCID IDENTIFIER:0000-0002-2261-6696 THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY LONDON SOUTH BANK UNIVERSITY September 2016 1 I hereby declare that this thesis has not been and will not be submitted in whole or in part to another university for the award of any other degree. Signature: Jill Wilkens 2 Acknowledgements Without the thirty-five participants and the gate-keepers who gave me access to them, this research would not exist. Skeggs (1997) observes that the affectivity of research is diminished through the ‘academic analytical filtering process’ (p.15) but I hope some trace of my participants’ resilience and good humour remains. Their warm hospitality and patience in answering my questions made the interviews a joy. Nothing could make transcription a pleasure, but their attention to detail when reviewing their transcripts, made the process feel worthwhile. Most importantly, the courage and joie de vivre with which they have lived their lives and told their stories are an inspiration to generations of women, including my own, for which I am truly grateful. As someone born in the 1960s, I am mindful of my privilege and protection. The experiences of self-concealment, discrimination, family estrangement and harassment bear little resemblance to my own and those of my contemporaries, although I do not suggest that they have been eradicated. Back and Puwar (2012) urge us to ‘take time, think carefully and slowly’ (p.13), a luxurious imperative not easily followed given the pace and pressure of current academic funding regimes. -
Changing Englishness: in Search of National Identity*
ISSN 1392-0561. INFORMACIJOS MOKSLAI. 2008 45 Changing Englishness: In search of national identity* Elke Schuch Cologne University of Applied Sciences Institute of Translation and Multilingual Communication Mainzer Str. 5, D-50678 Köln, Germany Ph. +49-221/8275-3302 E-mail: [email protected] The subsumation of Englishness into Britishness to the extent that they were often indistinguishable has contributed to the fact that at present an English identity is struggling to emerge as a distinct category. While devolved Scotland, Wales and Northern Ireland have been able to construct a strong sense of local identity for themselves in opposition to the dominant English, England, without an e�uivalent Other, has never had to explain herself in the way Scotland or Wales have had to. But now, faced with the af- ter-effects of globalisation, devolution and an increasingly cosmopolitan and multicultural society as a conse�uence of de-colonisation and migration, the English find it difficult to invent a postimperial identity for themselves. This paper argues that there are chances and possibilities to be derived from the alleged crisis of Englishness: Britain as a nation-state has always accommodated large numbers of non-English at all levels of society. If England manages to re-invent itself along the lines of a civic, non- ethnic Britishness with which it has been identified for so long, the crisis might turn into the beginning of a more inclusive and cosmopolitan society which acknowledges not just the diversification of the people, particularly the legacy of the Empire, but also realises that the diversity of cultures has to be accommo- dated within a common culture. -
Newsreaders As Eye Candy: the Hidden Agenda of Public Service Broadcasting
Page 92 Journalism Education Volume 1 number 1 Newsreaders as eye candy: the hidden agenda of public service broadcasting Claire Wolfe and Dr. Barbara Mitra Worcester University Abstract: Television news adds to the wider discourses that permeate society about feminine beauty. Women still face much greater pressure than men regarding their physical appearance and body image. How they look mat- ters, especially with regards to newsreaders and broad- casters. We investigated the opinions of journalists and audiences about the appearance of women newsreaders and found that physical appearance plays a significant role for female presenters. Also, our research suggests that where women are glamorised they are belittled in terms of intelligence and their abilities. The audience for television news are aware of the narrow versions of beau- ty that are being presented and note that they would like to see more diverse representations of women reading the news. Keywords: newsreaders, gender, sexualisation, age, representation, beauty, television news, discourse. Aims This study investigates the physical appearance of male and female newsreaders in Eng- land with reference to age, credibility and industry response. We argue that television news implicitly promotes stereotypical physical attractiveness, particularly for women. Recent research demonstrates that television is still the main source of news for many older people (Clausen, 2004 cited in Weibel, Wissmath and Groner, 2008, p.466) and hence forms part of the discourses that permeate society (Giles, 2009, p.318). Women looking good Much has been written about the preoccupation with image for women in the media (see Downs and Har- rison, 1985; Demarest and Allen, 2005; Wykes and Gunter, 2005) and how these reinforce dominant dis- courses of beauty as well as patriarchal norms. -
BENGRY Final 17 SEPT 2014
Final draft of ‘Who is the Queer Consumer? Historical Perspectives on Capitalism and Homosexuality’. In Consuming Behaviours: Identity, Politics and Pleasure in Twentieth-Century Britain, edited by Mark Crowley, Sandra Dawson, and Erika Rappaport. London: Berg, Forthcoming 2014. Please do not distribute. Who is the Queer Consumer? Historical Perspectives on Capitalism and Homosexuality In his 1902 New Year editorial ‘Beau Brummell Jr.’, pseudonymous editor of Fashion, the early men’s lifestyle magazine, explicitly denied that the magazine was ‘effeminate’ or designed to appeal to ‘young (and old) gentlemen who wear corsets and spend the morning in Bond Street getting their hair curled’. Were this true, he countered, ‘Fashion would be crowded with unpleasant advertisements, and the proprietor would be a very wealthy man’.1 More interesting even than Brummell’s derision of effeminate men was his identification of them at even this early date as prospective consumers. A generation later, in a 1925 article for the populist magazine John Bull, Freda Utley alerted Britons to the danger of Bond Street’s ‘Languid Youth’. In particular she noted his affluent consumption: a gold cigarette case and ‘last-word clothes’. She described his ‘vices’ as ‘exotic’ and from the ‘East’, suggesting homosexual deviance.2 And in 1963, following the John Vassall queer spy scandal, the Sunday Mirror continued to rely on consumerist understandings of homosexuality in its primer on ‘How to Spot a Possible Homo’.3 Such men, Lionel Crane instructed readers, could be found on Bond Street in Queer Consumer 1 BENGRY London, Tokyo’s Ginza, Rome’s Via Veneto and other world-renowned, metropolitan sites of fashionable consumption. -
50 Years of BBC Television News
Foreword BBC Television News is 50 years old at 7.30pm on July 5th, 2004. Since its launch half a century ago BBC Television News has maintained its core commitment to strong, impartial, distinctive journalism covering events both here and across the globe.The broadcasting landscape may have changed beyond all recognition but in today’s multi-channel world it continues to be a trusted voice in the UK and across the globe. Television News now belongs to the wider stable of BBC News - the largest broadcast news operation in the world with more than 2,000 journalists and over 40 newsgathering bureaux, the majority of which are overseas. It is responsible for the BBC One bulletins, Breakfast and Breakfast with Frost, Newsnight, 60 seconds on BBC Three and the news output on BBC Four. It is also responsible for the two BBC continuous news channels, BBC News 24 and BBC World. The size and scope of BBC News, its journalists and specialists, means that it can cover stories and issues that sometimes other broadcasters can’t. More than 18,000 hours of programming originate from BBC Television News every year.That equates to an average of almost 50 hours of output every day. Over the past five decades this has included reports on all the major news stories and pivotal moments from the first man on the moon, the assassination of John F Kennedy, to famine in Ethiopia, the Vietnam war, and the current war in Iraq. BBC Television News has been there for moments of great historical change such as the fall of communism and the end of apartheid as well as tragic stories, including the death of Princess Diana and the September 11th attacks. -
Butch, Femme, Dyke, Or Lipstick, Aren't All Lesbians the Same?: an Exploration of Labels and "Looks" Among Lesbians in the U.S
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2013 Butch, Femme, Dyke, Or Lipstick, Aren't All Lesbians The Same?: An Exploration Of Labels And "Looks" Among Lesbians In The U.S. South Danielle Kerr University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the Sociology Commons Recommended Citation Kerr, Danielle, "Butch, Femme, Dyke, Or Lipstick, Aren't All Lesbians The Same?: An Exploration Of Labels And "Looks" Among Lesbians In The U.S. South" (2013). Electronic Theses and Dissertations. 1153. https://egrove.olemiss.edu/etd/1153 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. BUTCH, FEMME, DYKE, OR LIPSTICK, AREN'T ALL LESBIANS THE SAME? AN EXPLORATION OF LABELS AND "LOOKS" AMONG LESBIANS IN THE U.S. SOUTH A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of Sociology and Anthropology The University of Mississippi by DANIELLE E. KERR August 2013 Copyright Danielle E. Kerr 2013 ALL RIGHTS RESERVED ABSTRACT This thesis is an exploratory qualitative sociological analysis of gender, sexuality, and race among “out” lesbians in the U.S. South. In this thesis, I explore the following questions: (1) what labels are self-identified lesbians in the South using and/or applying to themselves, and how do they use them? (2) How do they talk about and experience their dress as a part of their identity? (3) How are lesbians doing gender and sexuality in both private and professional environments? (4) How does Southern location influence lesbians’ conceptualization of their gender and sexuality? This research expands current understandings in the literature regarding the complex intersections of gender, sexual identity, and race in a Southern lesbian group. -
Chiaroscuro: the Uses of 'Homophobia'and Homophobic
The University of Sydney Faculty of Education and Social Work Chiaroscuro: The uses of ‘Homophobia’ and Homophobic Violence in Armed Conflicts and Political Transitions JOSE FERNANDO SERRANO-AMAYA A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy August 2014 ii Abstract This research connects studies of gender and sexualities with studies of political conflicts, conflict resolution and democratisation, using two in-depth case studies (Colombia and South Africa). It explores the hypothesis that homophobia, or the set of hatreds bundled under that term, plays a fundamental role in the dispute for hegemony between antagonists during political transitions. The study shows how homophobia, as a form of gender and sexual violence, has both a constructive and deconstructive character in political transitions. It contributes to the transformation of gender and sexual orders required by warfare and deployed by armed groups. It also reinforces the creation of consensus around the projects of change implemented by them. From the perspective of individuals and their organisations such hatreds are part of the embodied experience of violence caused by protracted conflicts and social inequalities. In their struggles for dignity, such violence becomes a reason to mobilise and to transform themselves into political activists. This PhD research is important for theoretical, methodological and political reasons. Theoretically, it creates links between fields of study that have been developed separately from each other, reading concepts applied in one field with the lens of the other. Debates on ‘non-normative’ sexualities are useful in discussing normative concepts such as ‘conflict resolution’. Methodologically, the research analyses issues of documentation, memory and case construction that are of relevance in the field of human rights and gender in post-conflict reconstruction. -
Look Who's Talking
Look Who’s Talking Cultural Diversity, Public Service Broadcasting and the National Conversation Mukti Jain Campion Guardian Research Fellow Nuffield College Oxford Look Who’s Talking Cultural Diversity Public Service Broadcasting and the National Conversation A report by Mukti Jain Campion Published by Nuffield College Oxford October 2005 This report is also available online at http://www.nuff.ox.ac.uk/guardian/lookwhostalking.pdf Summary Public service broadcasting has a vital role to play in mediating the National Conversation and in helping the diverse communities of the UK to learn about each other. To do this effectively it must reach as much of the population as possible and be trusted to portray all groups accurately and fairly, particularly those who are currently marginalised in society. However, there is a widespread recognition that broadcasters have been slow to make progress on what has become known as cultural diversity, reflecting the full variety of people and perspectives that make up Britain today. This report sets out to examine the reasons why. Based on the views of over one hundred programme-makers across the broadcasting industry who have personal and professional experience of the barriers to achieving diversity on air, the report highlights the ineffectiveness of existing industry approaches. It examines in detail the many aspects of the programme-making process which can marginalise voices outside the mainstream of society, from commissioning and production to scheduling and promotion. It demonstrates the value of a diverse programme-making workforce and explores why there are still so few people from minorities in senior creative or editorial roles.