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ANNUAL REPORT 2014-2015 School of Sciences and Mathematics Annual Report 2014‐2015
ANNUAL REPORT 2014-2015 School of Sciences and Mathematics Annual Report 2014‐2015 Executive Summary The 2014 – 2015 academic year was a very successful one for the School of Sciences and Mathematics (SSM). Our faculty continued their stellar record of publication and securing extramural funding, and we were able to significantly advance several capital projects. In addition, the number of majors in SSM remained very high and we continued to provide research experiences for a significant number of our students. We welcomed four new faculty members to our ranks. These individuals and their colleagues published 187 papers in peer‐reviewed scientific journals, many with undergraduate co‐authors. Faculty also secured $6.4M in new extramural grant awards to go with the $24.8M of continuing awards. During the 2013‐14 AY, ground was broken for two 3,000 sq. ft. field stations at Dixie Plantation, with construction slated for completion in Fall 2014. These stations were ultimately competed in June 2015, and will begin to serve students for the Fall 2015 semester. The 2014‐2015 academic year, marked the first year of residence of Computer Science faculty, as well as some Biology and Physics faculty, in Harbor Walk. In addition, nine Biology faculty had offices and/or research space at SCRA, and some biology instruction occurred at MUSC. In general, the displacement of a large number of students to Harbor Walk went very smoothly. Temporary astronomy viewing space was secured on the roof of one of the College’s garages. The SSM dean’s office expended tremendous effort this year to secure a contract for completion of the Rita Hollings Science Center renovation, with no success to date. -
Jason Collett Idols of Exile Mp3, Flac, Wma
Jason Collett Idols Of Exile mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Idols Of Exile Country: USA & Canada Released: 2006 Style: Folk Rock, Acoustic, Indie Rock MP3 version RAR size: 1658 mb FLAC version RAR size: 1248 mb WMA version RAR size: 1721 mb Rating: 4.5 Votes: 849 Other Formats: VQF DXD DMF VOX VOC WMA TTA Tracklist Hide Credits Fire Acoustic Guitar, Vocals – Jason*Backing Vocals – Amy Millan, Kevin DrewBass – Tony 1 ScherrDrums, Shaker, Tambourine, Triangle – Howie*Piano – Brendan CanningSynth – Liam O'NeilTom Tom [Toms] – Justin PeroffTrombone – Evan CranleyVibraphone – Jason Taite* Hangover Days Acoustic Guitar, Electric Guitar, Tres – Andrew WhitemanBacking Vocals – Leslie FeistClavinet – 2 Chris Brown Drums, Bass, Tambourine, Shaker, Guiro – Howie*Electric Guitar – Afie JurvanenPiano – Paul Taylor Vocals – Emily Haines, Jason* Brownie Hawkeye Acoustic Guitar, Vocals – Jason*Drums, Bass, Mandolin, Tambourine – Howie*Handclaps – 3 Andrew Cash, Gabrielle Hrynkiw, Kersti Mcleod, Kevin Drew, Patrick Gilmour, Ravenna BarkerPiano – Paul Taylor Synth – Liam O'NeilTrombone – Evan CranleyTrumpet – James ShawVibraphone, Glockenspiel – Jason Taite* We All Lose One Another Acoustic Guitar, Vocals – Jason*Backing Vocals – Andrew*, Gabrielle*, Kersti*, Kevin*, Patrick*, 4 Ravenna*Banjo – Charles SpearinBass – Julian BrownDrums, Tambourine, Harmonica – Howie*Electric Guitar – Kevin DrewOrgan – Chris Brown Piano – Paul Taylor Violin – Julie Penner Parry Sound Acoustic Guitar, Vocals – Jason*Backing -
Fibers & Textiles Business
Toray IR Day Medium-term Management Program “AP-G 2022” Fibers & Textiles Business June 5, 2020 Mitsuo Ohya Senior Vice President, General Manager, Fibers & Textiles Division Toray Industries, Inc. Copyright © 2020 Toray Industries, Inc. 0 Contents Ⅰ. Outline of Toray Group Fibers & Textiles Business Ⅱ. Business Environment Ⅲ. Fibers & Textiles Mid-term Management Program “AP-G 2022” Ⅳ. Future Direction of Toray Group Fibers & Textiles Business 1 Copyright © 2020 Toray Industries, Inc.. Positioning of the Fibers & Textiles Segment (Mar/2020) Net Sales Operating Profit Segments Major Products Billion Yen Billion Yen Fibers & Textiles 883.1 60.7 (40%) (39%) Performance 770.8 58.7 Chemicals (35%) (37%) Carbon Fiber 236.9 21.0 Composite Materials (11%) (13%) Environment & 252.3 11.2 Engineering (11%) (7%) 53.3 1.6 Life Science (2%) (1%) Others 18.2 3.4 Adjustment ▲25.5 TOTAL 2214.6 131.2 Copyright © 2020 Toray Industries, Inc. 2 Long-term Performance of the Fibers & Textiles Segment Net Sales(Billion Yen) Operating Income (Billion Yen) 1,000 80 E D A O ( P c o r s l o e a i i t a G l n c - z c n e o a S l o o s m h c A m b s u o i c i a o c r c b l c 900 r n o b e R u k r u n c e b d 70 a b c c b u y e b l e s s l c e e s r b i d i o b s u n i u b r s s r 800 y s t t t h e 60 s t r o n 700 g Y e n ) Rapid growth in China Emergence of Operating Income 50 600 Korea/Taiwan Net Sales: overseas 500 40 400 Strengthening of Advanced Materials Development 30 Strengthening of Industrial Materials Applications Net Sales: Japan 300 Establishment of 20 Shift to “Shingosen” Chinese Bases Domestic Production Expansion outside Japan 200 New Synthetic Demand in JPN Fiber Boom Business Expansion in (business Growth Regions & fields restructuring) Expansion of Global Operations 10 100 Differentiation of product lineup between Japan and overseas TC-II → TC-III Thorough rationalization through APS Strengthening business structure 0 (Action Program for Survival) as a Core Growth Driving Business 0 85 90 95 2000 05 10 15 19 Copyright © 2020 Toray Industries, Inc. -
Kongen Og Dronningen Av Norske Talkshow
KONGEN OG DRONNINGEN AV NORSKE TALKSHOW - EN SAMMENLIGNENDE ANALYSE AV SKAVLAN OG LINDMO Foto: NRK/Mette Randem Foto: NRK/Evy Andersen AV: LINDA CHRISTINE STRANDE Masteroppgave i medievitenskap Institutt for informasjons- og medievitenskap Universitetet i Bergen Våren 2013 Forord Det er mange som fortjener en takk for å ha hjulpet meg i arbeidet med denne masteroppgaven. Først og fremst vil jeg benytte anledningen til å takke min fantastiske veileder, Jostein Gripsrud. Med dine gode råd, din faglige kompetanse og, ikke minst, ditt upåklagelig gode humør har du ikke bare gjort arbeidet med oppgaven lettere, men også hyggeligere. Jeg er utrolig takknemlig for det. En stor takk vil jeg også rette til Fredrik Skavlan, Anne Lindmo og deres nære medarbeidere Marianne Torp Kierulf, Jan Petter Saltvedt og Stine Traaholt. Jeg setter veldig stor pris på at dere velvillig stilte opp til intervjuer. Jeg opplevde å bli utrolig godt tatt imot av dere, og fikk mange gode svar som har vært til stor nytte for meg i dette forskningsprosjektet. Jeg vil også takke mine kjære medstudenter som har sittet sammen med meg på rom 539. Vi døpte tidlig vårt kontorfellesskap GOE DAGA. Et navn som spesielt de siste, intense månedene har fremstått som mer og mer ironisk. Likevel er jeg sikkert på at vi, etter hvert når skuldrene senker seg, vil se tilbake på tiden som har vært med glede og savn. Vinterning og bråkebøter er begreper jeg alltid vil minnes med et smil om munnen. Sist, men ikke minst, vil jeg også rette en stor takk til familie og venner. Spesielt takk til verdens beste mamma og pappa. -
Integreringsretorikken I Arbeiderpartiet
Integreringsretorikken i Arbeiderpartiet Det nye norske vi Sjur Aaserud Masteroppgave ved institutt for lingvistiske og nordiske studier UNIVERSITETET I OSLO 14/11- 2014 Sammendrag Målet for denne oppgaven er å se på integreringsretorikken til Arbeiderpartiet. Jeg har brukt diskursmodellen til Fairclough for å belyse de ulike sidene av politiske tekster. Denne oppgaven er tredelt. En del er viet de sosiokulturelle arenaene for politiske tekster, den andre er viet den diskursive praksisen innenfor Arbeiderpartiet og det tredje segmentet er viet en teksthermenautisk analyse av Mangfold og muligheter. Forord Det er mange som skal takkes når regnskapet over nesten et og et halv år med masteroppgavejobbing skal gjøres opp. Først og fremst er det mange i selve Arbeiderpartiet jeg må takke: Kristine Kallset, Lise Christoffersen, Jonas Gahr Støre og Håkon Haugli. Min veileder i dette arbeidet har på tross av en ufattelig arbeidsmengde alltid funnet tid til meg og brutt illusjoner, sparket meg i gang og fått fokus på det som skulle bli den røde tråden i arbeidet. Takk Kjell Lars Berge! Ellers vil jeg takke Sindre Bangstad for interessante diskusjoner. Og som alltid min våpendrager Sofus Kjeka som alltid er der for gode diskusjoner. Og sist, men aller viktigst, min kjære Pil som mer eller mindre opprettholdt ”vårt lille vi” i en relativt monoman tilværelse. Innhold SAMMENDRAG ............................................................................................................................. 2 FORORD .......................................................................................................................................... -
Ultrasuede® HP: Beautiful Possibilities
US Letter (Narrowest): 7.75 x 11” US Letter (Narrower): 7.8125 x 11” US Letter: 8.5 x 11” Ultrasuede® HP: SPECIFICATIONS Beautiful Possibilities Style: 5538 Ultrasuede® HP combines the beauty and soft, appeal- Width: 55” / 1,420mm ing comfort of the finest suede with the supreme perfor- Put-up: 33 yard / 30m R.O.T. mance of ultra-fine fiber. Conscientiously engineered to Weight: Approx. 11.1 oz. per sq. yard / 375g per sq. meter incorporate partially plant-based polyester, Ultrasuede® HP is both versatile and easy-care, exceptionally durable Thickness: 1mm yet luxurious, modern yet classically stylish. Its strength Fiber Fineness: 0.19 denier lies in its elegance, making it perfectly suited for resi- Composition: For inquiries, please visit: ABOUT TORAY dential and contract furnishings, as well as automotive, 49% Polyester Ultra-Fine Fiber (30% plant-based); marine and aviation interiors. 31% Polyester Woven Scrim; 20% Polyurethane ultrasuede.us/contact Toray Industries, Inc., founded in 1926, is a Japan-based advanced materials Available in nearly 100 colors, it is also an ideal material CHARACTERISTICS MEETS OR EXCEEDS You may also contact our regional office directly: industry group developing its businesses for fashion, accessories, footwear, mobile devices and in 26 countries and regions worldwide. In Abrasion: ASTM D 3597 (7.4) beyond. addition to the fibers & textiles created Wyzenbeek–200,000 double rubs NORTH AMERICA Toray International America Inc. at the time of its establishment, Toray has ■ Responsibly engineered utilizing partially plant- Air Permeability: ASTM D 737 Ultrasuede Department gone on to create cutting-edge, high- based technology. -
Langues, Accents, Prénoms & Noms De Famille
Les Secrets de la Septième Mer LLaanngguueess,, aacccceennttss,, pprréénnoommss && nnoommss ddee ffaammiillllee Il y a dans les Secrets de la Septième Mer une grande quantité de langues et encore plus d’accents. Paru dans divers supplément et sur le site d’AEG (pour les accents avaloniens), je vous les regroupe ici en une aide de jeu complète. D’ailleurs, à mon avis, il convient de les traiter à part des avantages, car ces langues peuvent être apprises après la création du personnage en dépensant des XP contrairement aux autres avantages. TTaabbllee ddeess mmaattiièèrreess Les différentes langues 3 Yilan-baraji 5 Les langues antiques 3 Les langues du Cathay 5 Théan 3 Han hua 5 Acragan 3 Khimal 5 Alto-Oguz 3 Koryo 6 Cymrique 3 Lanna 6 Haut Eisenör 3 Tashil 6 Teodoran 3 Tiakhar 6 Vieux Fidheli 3 Xian Bei 6 Les langues de Théah 4 Les langues de l’Archipel de Minuit 6 Avalonien 4 Erego 6 Castillian 4 Kanu 6 Eisenör 4 My’ar’pa 6 Montaginois 4 Taran 6 Ussuran 4 Urub 6 Vendelar 4 Les langues des autres continents 6 Vodacci 4 Les langages et codes secrets des différentes Les langues orphelines ussuranes 4 organisations de Théah 7 Fidheli 4 Alphabet des Croix Noires 7 Kosar 4 Assertions 7 Les langues de l’Empire du Croissant 5 Lieux 7 Aldiz-baraji 5 Heures 7 Atlar-baraji 5 Ponctuation et modificateurs 7 Jadur-baraji 5 Le code des pierres 7 Kurta-baraji 5 Le langage des paupières 7 Ruzgar-baraji 5 Le langage des “i“ 8 Tikaret-baraji 5 Le code de la Rose 8 Tikat-baraji 5 Le code 8 Tirala-baraji 5 Les Poignées de mains 8 1 Langues, accents, noms -
MINIATURE DESIGNER BINDINGS the Neale M
The Neale M. Albert Collection of MINIATURE DESIGNER BINDINGS The Neale M. Albert Collection of MINIATURE DESIGNER KLBINDINGS — , Photographs by Tom Grill / • KLCONTENTS Frontispiece: Neale M. Albert, , silver gelatin photograph by Patricia Juvelis by Lee Friedlander Some Thoughts on the Neale M. Albert Collection of Miniature Designer Bindings and the Grolier Club Traditions Copyright © by Piccolo Press/NY by Neale M. Albert All rights reserved. No part of this book may be reproduced in any form without written permission from Piccolo Press/NY. --- Printed and bound in China ABOUT MINIATUREKL DESIGNER BINDINGS Some Thoughts on the Neale Albert Collection of Contemporary Designer Bindings and the Grolier Club Traditions a tradition that started in , with two exhibitions of fine bindings, the not be called a “contemporary” binding exhibition. In there was another I Grolier Club honors its namesake, the sixteenth century bibliophile and contemporary American binding exhibition, “Contemporary American patron of book binders, Jean Grolier, vicomte d’Aguisy. Jean Grolier’s collec- Hand Bindings.” In , the Grolier embarked on the first of a continuing tion of fine bindings, commissioned by him from binders working in his day, is series of collaborative exhibitions with the Guild of Book Workers on the still a benchmark for collectors of contemporary bindings. Since its founding in occasion of the fiftieth anniversary of that group’s founding. In , an exhi- , and continuing with this exhibition of Neale Albert’s collection of con- bition of contemporary English book bindings was organized. In “The temporary designer bindings on miniature books, the Grolier Club has mount- th Anniversary of the Guild of Book Workers,” and in , “Finely ed over exhibitions of finely bound books. -
Does the Nordic Region Speak with a FORKED Tongue?
Does the Nordic Region Speak with a FORKED Tongue? The Queen of Denmark, the Government Minister and others give their views on the Nordic language community KARIN ARVIDSSON Does the Nordic Region Speak with a FORKED Tongue? The Queen of Denmark, the Government Minister and others give their views on the Nordic language community NORD: 2012:008 ISBN: 978-92-893-2404-5 DOI: http://dx.doi.org/10.6027/Nord2012-008 Author: Karin Arvidsson Editor: Jesper Schou-Knudsen Research and editing: Arvidsson Kultur & Kommunikation AB Translation: Leslie Walke (Translation of Bodil Aurstad’s article by Anne-Margaret Bressendorff) Photography: Johannes Jansson (Photo of Fredrik Lindström by Magnus Fröderberg) Design: Mar Mar Co. Print: Scanprint A/S, Viby Edition of 1000 Printed in Denmark Nordic Council Nordic Council of Ministers Ved Stranden 18 Ved Stranden 18 DK-1061 Copenhagen K DK-1061 Copenhagen K Phone (+45) 3396 0200 Phone (+45) 3396 0400 www.norden.org The Nordic Co-operation Nordic co-operation is one of the world’s most extensive forms of regional collaboration, involving Denmark, Finland, Iceland, Norway, Sweden, and the Faroe Islands, Greenland, and Åland. Nordic co-operation has firm traditions in politics, the economy, and culture. It plays an important role in European and international collaboration, and aims at creating a strong Nordic community in a strong Europe. Nordic co-operation seeks to safeguard Nordic and regional interests and principles in the global community. Common Nordic values help the region solidify its position as one of the world’s most innovative and competitive. Does the Nordic Region Speak with a FORKED Tongue? The Queen of Denmark, the Government Minister and others give their views on the Nordic language community KARIN ARVIDSSON Preface Languages in the Nordic Region 13 Fredrik Lindström Language researcher, comedian and and presenter on Swedish television. -
Development of Nonwoven Fabrics for Clothing Applications
e e Sci nce Cheema et al., J Textile Sci Eng 2018, 8:6 til & x e E T n : g DOI 10.4172/2165-8064.1000382 f o i n l e a e n r r i n u g o Journal of Textile Science & Engineering J ISSN: 2165-8064 Research Article Article OpenOpen Access Access Development of Nonwoven Fabrics for Clothing Applications Cheema MS1*, Anand SC1 and Shah TH2 1Institute of Materials Research and Innovation, University of Bolton, Deane Road, Bolton BL3 5AB, United Kingdom 2National Textile University, Pakistan Abstract The apparel fabric manufacturing is a growing sector of the global textile industry and the fabrics used in this market are mainly produced by the conventional methods such as weaving and knitting processes. These methods of making apparel fabrics are length and costly. However, because of the advancements in nonwoven technology, nonwoven fabrics are finding a niche market in the clothing industry because of its cost effectiveness and high speeds of nonwoven production processes. We have carried out an extensive study on the development of apparel- like nonwoven fabrics. The resultant fabric showed improved drape, hand, durability and thermophysiological comfort characteristics than the reference samples for apparel applications. Results of the study also showed that the developed nonwoven fabrics showed nearly 200% higher tensile strength than the reference nonwoven fabrics. Furthermore, it also showed improved air permeability, for example, the resultant nonwoven fabric exhibited 500% higher air permeability value as compared with the Evolon fabric at 100 Pa pressure. Thus the results of the study indicate that the resultant nonwoven fabrics may be used in a wide range of apparel applications, which can lead to additional benefits in terms of cost and time. -
Engraving and Cutting Synthetic Suede with a Universal Laser System
Engraving and Cutting Synthetic Suede with a Universal Laser System Introduction A Universal laser system is ideal for cutting and engraving natural and synthetic fabrics. A Universal laser system can cut fabric more quickly and accurately than hand or knife cutting and eliminates edge fraying. A Universal laser system can also engrave a photograph, text or artwork directly onto the surface of many fabrics to create a very unique look. Some of these fabrics include felt, leather, denim, canvas, nylon, silk and polyester. Of the many fabrics that can be laser cut and engraved, one of the easiest and most popular to work with is synthetic suede. Synthetic suede, also known as Ultrasuede®, is a polyester or nylon microfiber material that has the look and feel of real suede. It is available in a wide variety of designer colors and cuts and engraves beauti- fully. Engraving into the surface of synthetic suede darkens the material and produces a high contrast appearance. Synthetic suede is easy to sew and can be used to create garments such as jackets, vests, dresses and skirts. It is also ideal for creating appliqués and all kinds of craft projects. In this tutorial you will learn how to use a Universal laser system to cut and engrave simulated suede to create a decorative throw pillow. Throw pillows are fun to make and a great introduction into the basics of cutting and engraving fabric. We hope you find the process rewarding and enjoyable. Sincerely, The Universal Laser Systems Training Staff © 2014 Universal Laser Systems, Inc Engraving and Cutting Synthetic Suede Section 1: Preparing the Artwork 1.1: In this tutorial you will learn how to engrave and cut the design shown in Graphic 1 to create a deco- rative throw pillow. -
A Guide to Labelling When Is Leather Not Leather? Different Materials Have Different Benefits, but Labels Can Be Confusing
LEATHER & LEATHER ALTERNATIVES A GUIDE TO LABELLING WHEN IS LEATHER NOT LEATHER? DIFFERENT MATERIALS HAVE DIFFERENT BENEFITS, BUT LABELS CAN BE CONFUSING. GET THE FACTS. Leather is of natural origin and made from the hide or skin of an animal. The internationally recognised definition of leather as the International Standard Organisation (ISO) is: Hide or Skin with its original fibrous structure more or less intact, tanned to be imputrescible, where the hair or wool may or may REAL not have been removed. LEATHER TO BE CLEAR TO CONSUMERS ABOUT THE ORIGIN AND BENEFITS OF THE MATERIALS USED TO MAKE THE PRODUCT THEY ARE BUYING, THE TERM LEATHER SHOULD ONLY BE USED FOR MATERIALS THAT MEET THIS DEFINITION. ‘Vegan leather’ is usually either artificial or synthetic, or one of a new variety of alternative materials. Any material that is not of animal origin can be referred to as vegan. It is important to note that ‘vegan’ does not necessarily mean ‘natural’ and there is no relationship with the environmental impact of the product and VEGAN whether or not it is biodegradable or can be recycled unless it is specifically stated. LEATHER It is deceiving to call a material ‘Vegan Leather’, but this is often done to market the material to imply it has the beauty, natural quality and long lasting benefits of leather. Synthetic or artificial materials made to look like leather are usually oil-based from fossil-fuel resources. They are usually made with polyester or nylon, coated with PVC or PU. Synthetic leather is not as comfortable to wear as genuine leather as it does not allow the skin to breathe in the same way.