TOWARDS ZERO Agatha Christie
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Verdict Programme
Next at the Good Companions ... Hansel & Gretel A family pantomime December 12th, 13th, 14th & 15th Box Office: 07931 237206 If you would like to be involved contact Sylvia Daker for further details: 020 8959 2194 The Good Companions have a very extensive wardrobe and props collection and are very pleased to offer items for hire. Further information Tel: 020 7704 0299 www.thegoodcompanions.org.uk Tea and coffee is available for a small donation. The wine bar is open 30 minutes before the performance and for 20 minutes throughout the interval. A Letter From The Captain Backstage Dear Friends, I consider myself to be very lucky to have been Captain of the GC’s a number of times but it really is an immense Production Manager - Dawn Oliver privilege to be holding that position as we celebrate our Stage Manager - Marek Wedler 80th Anniversary. I joined the group at the tender age of fifteen and have been a member ever since! It is a place Set & Construction - Iain Savage, Daniel where, like others, I have met many wonderful people, some of whom have become my closest friends - it is my extended family. Pocklington, Joyce As with all Amateur Dramatic Societies we have had our ups and downs. Digweed, Mick Toon & Many of you will recall our desperation when some of our money was members of the cast stolen, of course we all share in the great sadness of losing close friends, who have meant so much and I especially recall the tears streaming down Lighting - Marko Saha my face as I stood on the corner of Church Close and watched our home burn down to the ground. -
FULL LIST of WINNERS the 8Th International Children's Art Contest
FULL LIST of WINNERS The 8th International Children's Art Contest "Anton Chekhov and Heroes of his Works" GRAND PRIZE Margarita Vitinchuk, aged 15 Novocherkassk, Rostov Oblast, Russia for “The Lucky One” Age Group: 14-17 years olds 1st place awards: Anna Lavrinenko, aged 14 Novocherkassk, Rostov Oblast, Russia for “Ward No. 6” Xenia Grishina, aged 16 Gatchina, Leningrad Oblast, Russia for “Chameleon” Hei Yiu Lo, aged 17 Hongkong for “The Wedding” Anastasia Valchuk, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Ward Number 6” Yekaterina Kharagezova, aged 15 Novocherkassk, Rostov Oblast, Russia for “Portrait of Anton Chekhov” Yulia Kovalevskaya, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Oversalted” Valeria Medvedeva, aged 15 Serov, Sverdlovsk Oblast, Russia for “Melancholy” Maria Pelikhova, aged 15 Penza, Russia for “Ward Number 6” 1 2nd place awards: Anna Pratsyuk, aged 15 Omsk, Russia for “Fat and Thin” Maria Markevich, aged 14 Gomel, Byelorussia for “An Important Conversation” Yekaterina Kovaleva, aged 15 Omsk, Russia for “The Man in the Case” Anastasia Dolgova, aged 15 Prokhladniy, Kabardino-Balkar Republic, Russia for “Happiness” Tatiana Stepanova, aged 16 Novocherkassk, Rostov Oblast, Russia for “Kids” Katya Goncharova, aged 14 Gatchina, Leningrad Oblast, Russia for “Chekhov Reading Out His Stories” Yiu Yan Poon, aged 16 Hongkong for “Woman’s World” 3rd place awards: Alexander Ovsienko, aged 14 Taganrog, Russia for “A Hunting Accident” Yelena Kapina, aged 14 Penza, Russia for “About Love” Yelizaveta Serbina, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Chameleon” Yekaterina Dolgopolova, aged 16 Sovetsk, Kaliningrad Oblast, Russia for “The Black Monk” Yelena Tyutneva, aged 15 Sayansk, Irkutsk Oblast, Russia for “Fedyushka and Kashtanka” Daria Novikova, aged 14 Smolensk, Russia for “The Man in a Case” 2 Masha Chizhova, aged 15 Gatchina, Russia for “Ward No. -
A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2002 A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays. Bonny Ball Copenhaver East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the English Language and Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Copenhaver, Bonny Ball, "A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays." (2002). Electronic Theses and Dissertations. Paper 632. https://dc.etsu.edu/etd/632 This Dissertation - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. The Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays A dissertation presented to the Faculty of the Department of Educational Leadership and Policy Analysis East Tennessee State University In partial fulfillment of the requirements for the degree Doctor of Education in Educational Leadership and Policy Analysis by Bonny Ball Copenhaver May 2002 Dr. W. Hal Knight, Chair Dr. Jack Branscomb Dr. Nancy Dishner Dr. Russell West Keywords: Gender Roles, Feminism, Modernism, Postmodernism, American Theatre, Robbins, Glaspell, O'Neill, Miller, Williams, Hansbury, Kennedy, Wasserstein, Shange, Wilson, Mamet, Vogel ABSTRACT The Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays by Bonny Ball Copenhaver The purpose of this study was to describe how gender was portrayed and to determine how gender roles were depicted and defined in a selection of Modern and Postmodern American plays. -
Marten Stol WOMEN in the ANCIENT NEAR EAST
Marten Stol WOMEN IN THE ANCIENT NEAR EAST Marten Stol Women in the Ancient Near East Marten Stol Women in the Ancient Near East Translated by Helen and Mervyn Richardson ISBN 978-1-61451-323-0 e-ISBN (PDF) 978-1-61451-263-9 e-ISBN (EPUB) 978-1-5015-0021-3 This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivs 3.0 License. For details go to http://creativecommons.org/licenses/ by-nc-nd/3.0/ Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. Original edition: Vrouwen van Babylon. Prinsessen, priesteressen, prostituees in de bakermat van de cultuur. Uitgeverij Kok, Utrecht (2012). Translated by Helen and Mervyn Richardson © 2016 Walter de Gruyter Inc., Boston/Berlin Cover Image: Marten Stol Typesetting: Dörlemann Satz GmbH & Co. KG, Lemförde Printing and binding: cpi books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Table of Contents Introduction 1 Map 5 1 Her outward appearance 7 1.1 Phases of life 7 1.2 The girl 10 1.3 The virgin 13 1.4 Women’s clothing 17 1.5 Cosmetics and beauty 47 1.6 The language of women 56 1.7 Women’s names 58 2 Marriage 60 2.1 Preparations 62 2.2 Age for marrying 66 2.3 Regulations 67 2.4 The betrothal 72 2.5 The wedding 93 2.6 -
The Search for the "Manchurian Candidate" the Cia and Mind Control
THE SEARCH FOR THE "MANCHURIAN CANDIDATE" THE CIA AND MIND CONTROL John Marks Allen Lane Allen Lane Penguin Books Ltd 17 Grosvenor Gardens London SW1 OBD First published in the U.S.A. by Times Books, a division of Quadrangle/The New York Times Book Co., Inc., and simultaneously in Canada by Fitzhenry & Whiteside Ltd, 1979 First published in Great Britain by Allen Lane 1979 Copyright <£> John Marks, 1979 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner ISBN 07139 12790 jj Printed in Great Britain by f Thomson Litho Ltd, East Kilbride, Scotland J For Barbara and Daniel AUTHOR'S NOTE This book has grown out of the 16,000 pages of documents that the CIA released to me under the Freedom of Information Act. Without these documents, the best investigative reporting in the world could not have produced a book, and the secrets of CIA mind-control work would have remained buried forever, as the men who knew them had always intended. From the documentary base, I was able to expand my knowledge through interviews and readings in the behavioral sciences. Neverthe- less, the final result is not the whole story of the CIA's attack on the mind. Only a few insiders could have written that, and they choose to remain silent. I have done the best I can to make the book as accurate as possible, but I have been hampered by the refusal of most of the principal characters to be interviewed and by the CIA's destruction in 1973 of many of the key docu- ments. -
Mhgap Training Manuals
Mental Health Gap Action Programme mhGAP training manuals for the mhGAP intervention guide for mental, neurological and substance use disorders in non-specialized health settings – version 2.0 (for field testing) Mental Health Gap Action Programme mhGAP Training Manuals for the mhGAP Intervention Guide for mental, neurological and substance use disorders in non-specialized health settings – version 2.0 (for field testing) WHO/MSD/MER/17.6 © World Health Organization 2017 Some rights reserved. This work is available under the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 IGO licence (CC BY-NC-SA 3.0 IGO; https://creativecommons. org/licenses/by-nc-sa/3.0/igo). Under the terms of this licence, you may copy, redistribute and adapt the work for non-commercial purposes, provided the work is appropriately cited, as indicated below. In any use of this work, there should be no suggestion that WHO endorses any specic organization, products or services. The use of the WHO logo is not permitted. If you adapt the work, then you must license your work under the same or equivalent Creative Commons licence. If you create a translation of this work, you should add the following disclaimer along with the suggested citation: “This translation was not created by the World Health Organization (WHO). WHO is not responsible for the content or accuracy of this translation. The original English edition shall be the binding and authentic edition”. Any mediation relating to disputes arising under the licence shall be conducted in accordance with the mediation rules of the World Intellectual Property Organization. Suggested citation. -
Agatha Christie
Agatha Christie Investigating Femininity Merja Makinen Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and over- worked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Published titles include: Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian (editor) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Lee Horsley THE NOIR THRILLER Merja Makinen AGATHA CHRISTIE Investigating Femininity Fran Mason AMERICAN GANGSTER CINEMA From Little Caesar to Pulp Fiction Linden Peach MASQUERADE, CRIME AND FICTION Susan Rowland FROM AGATHA CHRISTIE TO RUTH RENDELL British Women Writers in Detective and Crime Fiction Adrian Schober POSSESSED CHILD NARRATIVES IN LITERATURE AND FILM Contrary States Heather Worthington THE RISE OF THE DETECTIVE IN EARLY NINETEENTH-CENTURY POPULAR FICTION Crime Files Series Standing Order ISBN 978-0-333-71471-3 (Hardback) ISBN 978-0-333-93064-9 (Paperback) (outside North America only) You can receive future titles in this series as they are published by placing a standing order. -
Bibliography
Bibliography Works by Agatha Christie The following works are referred to in the text. They are listed under the standard British titles, with American titles in brackets. Date of the first publication is given. Works are referred to in the text by an abbreviated form of the British title, given in square brackets in this list. Since there have been so many editions of the novels, references are to the chapter numbers and not to the page. The current standard edition is published by Harper-Collins in the United Kingdom and by Dodd Mead in the United States. 4.50 from Paddington (What Mrs McGillicuddy Saw), 1957 [4.50] The ABC Murders, 1936 [ABC] The Adventure of the Christmas Pudding, 1960 [Pudding] After the Funeral (Funerals Are Fatal), 1953 [Funeral] And Then There Were None, 1939 [None] Appointment with Death, 1938 [Appointment] At Bertram’s Hotel, 1965 [Bertram] Autobiography, 1977 The Body in the Library, 1942 [Library] By the Pricking of My Thumbs, 1968 [Pricking] Cards on the Table, 1936 [Cards] A Caribbean Mystery, 1964 [Caribbean] Cat among the Pigeons, 1959 [Cat] The Clocks, 1963 [Clocks] Crooked House, 1949 [Crooked] Curtain, 1975 [Curtain] Dead Man’s Folly, 1956 [Folly] Death Comes As the End, 1945 [Comes End] Death in the Clouds (Death in the Air), 1935 [Clouds] Death on the Nile, 1937 [Nile] Destination Unknown (So Many Steps to Death), 1954 [Destination] Dumb Witness (Poirot Loses a Client), 1937 [Witness] Elephants Can Remember, 1972 [Elephants] Endless Night, 1967 [Endless] Evil under the Sun, 1941 [Sun] Five Little Pigs -
Journal of the Short Story in English, 28 | Spring 1997 What We Talk About When We Talk "About Love": Carver and Chekhov 2
Journal of the Short Story in English Les Cahiers de la nouvelle 28 | Spring 1997 Varia What we talk about when we talk "About Love": Carver and Chekhov Laurie Champion Édition électronique URL : http://journals.openedition.org/jsse/83 ISSN : 1969-6108 Éditeur Presses universitaires de Rennes Édition imprimée Date de publication : 1 mars 1997 ISSN : 0294-04442 Référence électronique Laurie Champion, « What we talk about when we talk "About Love": Carver and Chekhov », Journal of the Short Story in English [En ligne], 28 | Spring 1997, mis en ligne le 15 juillet 2008, consulté le 03 décembre 2020. URL : http://journals.openedition.org/jsse/83 Ce document a été généré automatiquement le 3 décembre 2020. © All rights reserved What we talk about when we talk "About Love": Carver and Chekhov 1 What we talk about when we talk "About Love": Carver and Chekhov Laurie Champion "I'm a great admirer of Chekhov's short stories, and I will borrow from Chekhov at the risk of parody. I'll borrow something that he said."1Raymond Carver 1 Frequent comparisons between Raymond Carver and Anton Chekhov trace Carver's allusions to Chekhov in Errand, a quasi-historical account of Chekhov's death, or in larger arguments briefly refer to similarities in the two writers' techniques. Since Chekhov's influence is representative of Carver's career, it is surprising that the specific ways Carver incorporates Chekhov's writing ideologies have hitherto gone unacknowledged. An examination of Carver's themes and techniques suggests that he believed in art's transcendent power and consciously and unconsciously borrowed from Chekhov. -
Agatha Christie Third Girl
Agatha Christie Third Girl A Hercule Poirot Mystery To Norah Blackmore Contents Cover Title Page Dedication Chapter One Chapter Two Chapter Three Chapter Four Chapter Five Chapter Six Chapter Seven Chapter Eight Chapter Nine Chapter Ten Chapter Eleven Chapter Twelve Chapter Thirteen Chapter Fourteen Chapter Fifteen Chapter Sixteen Chapter Seventeen Chapter Eighteen Chapter Nineteen Chapter Twenty Chapter Twenty-One Chapter Twenty-Two Chapter Twenty-Three Chapter Twenty-Four Chapter Twenty-Five About the Author Other Books by Agatha Christie Credits Copyright About the Publisher One Hercule Poirot was sitting at the breakfast table. At his right hand was a steaming cup of chocolate. He had always had a sweet tooth. To accompany the chocolate was a brioche. It went agreeably with chocolate. He nodded his approval. This was from the fourth shop he had tried. It was a Danish pâtisserie but infinitely superior to the so-called French one nearby. That had been nothing less than a fraud. He was satisfied gastronomically. His stomach was at peace. His mind also was at peace, perhaps somewhat too much so. He had finished his Magnum Opus, an analysis of great writers of detective fiction. He had dared to speak scathingly of Edgar Allen Poe, he had complained of the lack of method or order in the romantic outpourings of Wilkie Collins, had lauded to the skies two American authors who were practically unknown, and had in various other ways given honour where honour was due and sternly withheld it where he considered it was not. He had seen the volume through the press, had looked upon the results and, apart from a really incredible number of printer’s errors, pronounced that it was good. -
Does Crime Literature Contribute to the Stigmatisation of Those with Mental Health Problems? 95
Antoniou Crime literature and stigmatisation of mental illness 2. It is important to remember that not all Sikhs wear Nothing defeats cross-cultural ignorance, anxieties the kirpan and the issue will arise in only a small and prejudices better than simple, straightforward and number of Sikh patients. accurate information. Sometimes an excessive and inap- special 3. If a patient is wearing the kirpan, the staff should propriate concern about cultural sensitivity masks a articles not automatically assume that it is dangerous. patronisingly dismissive attitude to the cultural needs of However, it may be necessary to examine the minority groups. Alternatively, genuine cultural sensitivity kirpan to ensure safety. and concern about transgressing cultural boundaries may 4. If there are concerns about safety, these should be lead to important issues being ignored. For staff looking discussed openly but sensitively with the patient after patients from ethnic minority groups, this can be a and carers, explaining that the concerns are about delicate balancing act. It is hoped that at least in the area safety and in no way challenging or judgmental of of Sikh patients wearing a kirpan and safety concerns, the the religious traditions of Sikhs. above recommendations will help staff to look after 5. Patients and carers should be allowed to express patients in a clinically and culturally appropriate manner. their views including ventilation of any distress, since for devout Sikhs, the five Ks are the paramount and highly emotive articles of faith. Acknowledgement Brusque, confrontational or insensitive handling of the discussion is only likely to appear insulting, and I am grateful to Mr Indarjit Singh OBE for checking the may polarise and entrench opinions. -
Agatha Christie
book & film club: Agatha Christie Discussion Questions & Activities Discussion Questions 1 For her first novel,The Mysterious Affair at Styles, Agatha Christie wanted her detective to be “someone who hadn’t been used before.” Thus, the fastidious retired policeman Hercule Poirot was born—a fish-out-of-water, inspired by Belgian refugees she encountered during World War I in the seaside town of Torquay, where she grew up. When a later Poirot mystery, The Murder of Roger Ackroyd, was adapted into a stage play, Christie was unhappy that the role of Dr. Sheppard’s spinster sister had been rewritten for a much younger actress. So she created elderly amateur detective Jane Marple to show English village life through the eyes of an “old maid”—an often overlooked and patronized character. How are Miss Marple and Monsieur Poirot different from “classic” crime solvers such as police officials or hard-boiled private eyes? How do their personalities help them to be more effective than the local authorities? Which modern fictional sleuths, in literature, film, and television, seem to be inspired by Christie’s creations? 2 Miss Marple and Poirot crossed paths only once—in a not-so-classic 1965 British film adaptation of The ABC Murders called The Alphabet Murders (played, respectively, by Margaret Rutherford and Tony Randall). In her autobiography, Christie writes that her readers often suggested that she should have her two iconic sleuths meet. “But why should they?” she countered. “I am sure they would not enjoy it at all.” Imagine a new scenario in which the shrewd amateur and the egotistical professional might join forces.