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SOMETHING's AFOOT TIG2.Pdf
GOODSPEED MUSICALS TEACHER’S INSTRUCTIONAL GUIDE Goodspeed’s Teacher’s Instructional Guide Instructional Teacher’s Goodspeed’s is madepossiblethroughthegenerosity of The Max Showalter Centerfor Education inMusical Theatre SOMETHING’S AFOOT Goodspeed Opera House Oct 5 -Dec 9, 2012 _________ BOOK, MUSIC, AND LYRICS BY JAMES MCDONALD, DAVID VOS & ROBERT GERLACH ADDITIONAL MUSIC BY ED LINDERMAN Teacher’s Instructional Guide LIGHTING DESIGN BY JASON LYONS TABLE OF CONTENTS How To Use The Guides.......................................................................................3 COSTUME DESIGN BY TRACY CHRISTENSEN ABOUT THE SHOW: Show Synopsis........................………………………………………………...4 SCENIC DESIGN BY ADRIEN W. JONES Character Summary.........................………………………………………..6 Meet the Writers.........................................................................................7 CHOREOGRAPHED & DIRECTED BY VINCE PESCE “Parody of Sleuth Fiction at Goodspeed is Praised”..............................8 PRODUCTION CONCEPTION BY Behind the Scenes: Set Design..............................................................9 CASEY HUSHION BACKGROUND AND THEMATIC MATERIAL: PRODUCED FOR GOODSPEED The Language of Something’s Afoot......……….……………………….10 MUSICALS BY MICHAEL P. PRICE Archetypes........................…………....…………………………………11 The Comic Style of Something’s Afoot…..……………………….……..12 Murder Mystery Novels.…………………………………………….………14 LESSONS: Middle School Language Arts.....….………………………………..........16 Middle School Social Studies............….………….……………………....19 -
The Body in the Library Studentactivities 2017.Indd
The Body in the Library Student Activities Part 1 (Chapters 1–4) 3 The ––––––––––– was large with one or two good family portraits on the walls. 1 Comprehension 4 ‘The girl was ––––––––––– with the belt of her own Who says each of these sentences? Circle the correct option. dress.’ 1 ‘Mrs Bantry, there’s a body in the library.’ 5 ‘I’ve been dance and bridge ––––––––––– at the Mary / Lorrimer Majestic Hotel for three years.’ 2 ‘If I’ve got to have a murder in my house, I suppose I’ll 6 The Inspector was warning Melchett about favouring have to try and enjoy it.’ his own –––––––––––. Dolly Bantry / Colonel Bantry 7 ‘Pamela Reeves, sixteen, went missing last night, had 3 ‘She’s very young.’ Colonel Melchett / Miss Marple been at a meeting of the –––––––––––.’ 4 ‘You’ve come to ask me if I’m missing a blonde?’ 8 Her thin body was dressed in a cheap evening dress of Basil Blake / Colonel Bantry white silk with –––––––––––. 5 ‘I was really angry with her.’ Josie Turner / Raymond Starr 9 A girl with fashionably curly, ––––––––––– blonde hair. 2 Vocabulary 10 Her lips and ––––––––––– were painted blood red. Match the words on the left with their defi nitions on the right. 11 Basil Blake’s cottage was just outside the –––––––––––. 12 ‘Mr Jefferson is an –––––––––––. He gets upset rather invalid a to kill someone by tightly squeezing their easily.’ throat village b small, shiny circles that are sewn on clothes 3 Comprehension to decorate them Answer these questions. library c the room in a large house where books are 1 Who is Ruby Keene’s cousin? -
What Literature Knows: Forays Into Literary Knowledge Production
Contributions to English 2 Contributions to English and American Literary Studies 2 and American Literary Studies 2 Antje Kley / Kai Merten (eds.) Antje Kley / Kai Merten (eds.) Kai Merten (eds.) Merten Kai / What Literature Knows This volume sheds light on the nexus between knowledge and literature. Arranged What Literature Knows historically, contributions address both popular and canonical English and Antje Kley US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to Forays into Literary Knowledge Production material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making. What Literature Knows The Editors Antje Kley is professor of American Literary Studies at FAU Erlangen-Nürnberg, Germany. Her research interests focus on aesthetic forms and cultural functions of narrative, both autobiographical and fictional, in changing media environments between the eighteenth century and the present. Kai Merten is professor of British Literature at the University of Erfurt, Germany. His research focuses on contemporary poetry in English, Romantic culture in Britain as well as on questions of mediality in British literature and Postcolonial Studies. He is also the founder of the Erfurt Network on New Materialism. -
ANNUALS-EXIT Total of 576 Less Doctor Who Except for 1975
ANNUALS-EXIT Total of 576 less Doctor Who except for 1975 Annual aa TITLE, EXCLUDING “THE”, c=circa where no © displayed, some dates internal only Annual 2000AD Annual 1978 b3 Annual 2000AD Annual 1984 b3 Annual-type Abba Gift Book © 1977 LR4 Annual ABC Children’s Hour Annual no.1 dj LR7w Annual Action Annual 1979 b3 Annual Action Annual 1981 b3 Annual TVT Adventures of Robin Hood 1 LR5 Annual TVT Adventures of Robin Hood 1 2, (1 for repair of other) b3 Annual TVT Adventures of Sir Lancelot circa 1958, probably no.1 b3 Annual TVT A-Team Annual 1986 LR4 Annual Australasian Boy’s Annual 1914 LR Annual Australian Boy’s Annual 1912 LR Annual Australian Boy’s Annual c/1930 plane over ship dj not matching? LR Annual Australian Girl’s Annual 16? Hockey stick cvr LR Annual-type Australian Wonder Book ©1935 b3 Annual TVT B.J. and the Bear © 1981 b3 Annual Battle Action Force Annual 1985 b3 Annual Battle Action Force Annual 1986 b3 Annual Battle Picture Weekly Annual 1981 LR5 Annual Battle Picture Weekly Annual 1982 b3 Annual Battle Picture Weekly Annual 1982 LR5 Annual Beano Book 1964 LR5 Annual Beano Book 1971 LR4 Annual Beano Book 1981 b3 Annual Beano Book 1983 LR4 Annual Beano Book 1985 LR4 Annual Beano Book 1987 LR4 Annual Beezer Book 1976 LR4 Annual Beezer Book 1977 LR4 Annual Beezer Book 1982 LR4 Annual Beezer Book 1987 LR4 Annual TVT Ben Casey Annual © 1963 yellow Sp LR4 Annual Beryl the Peril 1977 (Beano spin-off) b3 Annual Beryl the Peril 1988 (Beano spin-off) b3 Annual TVT Beverly Hills 90210 Official Annual 1993 LR4 Annual TVT Bionic -
Royal Bank Newsletter
The GreatDetectives An investigationof the modernmystery storyand its fascination to devotees theworld over, in whichwe attemptto unravelthe puzzleof why SherlockHolmes, InspectorMaigret and therest should live althoughthey were neverborn... [] The cookbookcalled for whiteinstead of red transcendentalplateau of literaturewhere their winein the coq-au-vin,with just a dropof sloegin fictionaldoings are, to thereader, intimate reality. 15 minutesbefore serving.The author,French We have come into their householdsjust as they foodcritic Robert Courtine, explained that this is have come into ours- in Holmes’scase a very what Madame Maigret prepares and ~simmers strangehousehold indeed. with love" for her husbandJules, better known It has beensaid, though with no suchdefinitive to detectivestory fanciersaround the world as proofas the subjecthimself would demand, that ChiefInspector Maigret of the Parispolice. Cour- SherlockHolmes is the best-knowncharacter in tinehad piecedthe recipetogether from references all of Englishliterature. He is a memberof that in severalMaigret stories. Since Madame Maigret most exclusivegroup of imaginativecreations is fromAlsace, he specifiedan AlsatianTraminger who have outlivednot only their creators,but both in the sauceand to be drunkwith the dish. their era. Throughfilms, radio, television and The use of the presenttense in the recipeis comicstrips, the peculiaritiesof Holmes’sperson- instructivein that it showshow certainliterary ality are known to vast numbers of people who creationscan loom so large in our minds as to have never read the originalHolmes stories. In becomevirtual living persons. Every reader of the what must be the ultimatetest of immortality, Maigretstories knows that Maigretis frequently many madmenevidently believe they are Sherlock detainedfrom sitting down to his wife’sdelicious Holmes. offeringsby the untimelydemands of his work. -
Simonson's Thor Bronze Age Thor New Gods • Eternals
201 1 December .53 No 5 SIMONSON’S THOR $ 8 . 9 BRONZE AGE THOR NEW GODS • ETERNALS “PRO2PRO” interview with DeFALCO & FRENZ HERCULES • MOONDRAGON exclusive MOORCOCK interview! 1 1 1 82658 27762 8 Volume 1, Number 53 December 2011 Celebrating The Retro Comics Experience! the Best Comics of the '70s, '80s, '90s, and Beyond! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks . COVER ARTIST c n I , s Walter Simonson r e t c a r a COVER COLORIST h C l Glenn Whitmore e v r a BACK SEAT DRIVER: Editorial by Michael Eury . .2 M COVER DESIGNERS 1 1 0 2 Michael Kronenberg and John Morrow FLASHBACK: The Old Order Changeth! Thor in the Early Bronze Age . .3 © . Stan Lee, Roy Thomas, and Gerry Conway remember their time in Asgard s n o i PROOFREADER t c u OFF MY CHEST: Three Ways to End the New Gods Saga . .11 A Rob Smentek s c The Eternals, Captain Victory, and Hunger Dogs—how Jack Kirby’s gods continued with i m SPECIAL THANKS o C and without the King e g Jack Abramowitz Brian K. Morris a t i r FLASHBACK: Moondragon: Goddess in Her Own Mind . .19 e Matt Adler Luigi Novi H f Getting inside the head of this Avenger/Defender o Roger Ash Alan J. Porter y s e t Bob Budiansky Jason Shayer r FLASHBACK: The Tapestry of Walter Simonson’s Thor . .25 u o C Sal Buscema Walter Simonson Nearly 30 years later, we’re still talking about Simonson’s Thor —and the visionary and . -
![LOST for NEARLY a CENTURY LOVE, LIFE and LAUGHTER SCREENS AS BFI LFF’S ARCHIVE SPECIAL PRESENTATION with LIVE MUSICAL ACCOMPANIMENT [3Rd OCTOBER, BFI SOUTHBANK]](https://docslib.b-cdn.net/cover/3386/lost-for-nearly-a-century-love-life-and-laughter-screens-as-bfi-lff-s-archive-special-presentation-with-live-musical-accompaniment-3rd-october-bfi-southbank-403386.webp)
LOST for NEARLY a CENTURY LOVE, LIFE and LAUGHTER SCREENS AS BFI LFF’S ARCHIVE SPECIAL PRESENTATION with LIVE MUSICAL ACCOMPANIMENT [3Rd OCTOBER, BFI SOUTHBANK]
LOST FOR NEARLY A CENTURY LOVE, LIFE AND LAUGHTER SCREENS AS BFI LFF’S ARCHIVE SPECIAL PRESENTATION WITH LIVE MUSICAL ACCOMPANIMENT rd [3 OCTOBER, BFI SOUTHBANK] Tuesday 27 August, 10:30am London – The 63rd BFI London Film Festival in partnership with American Express is thrilled to announce George Pearson’s LOVE, LIFE AND LAUGHTER (1923) as this year’s Archive Special Presentation. Lost for nearly a century, this film was on the BFI 75 Most Wanted list and one of its most sought after titles for decades and has now been carefully restored by the team at the BFI National Archive. Its screening at this year’s Festival gives audiences the chance to fall under the spell of Betty Balfour, Britain’s ‘Queen of Happiness’ and the nation’s biggest star of the 1920s. The presentation will take place at BFI Southbank on Thursday 3rd October, 6.10pm in NFT1 with a live musical accompaniment by Meg Morley as well as an extended introduction by the BFI National Archive’s Silent Curator Bryony Dixon and the BFI’s Film Conservation Manager Kieron Webb. LOVE, LIFE AND LAUGHTER tells the story of a pair of working class youngsters with big dreams – a cheery chorus girl and a serious writer – the film toys with our expectations, blurring the boundaries of reverie and reality, tragedy and comedy. The films aesthetic is extremely evocative of the period, full of Art Deco styling from the overall design to Balfour’s costumes and the film’s set pieces. This restoration is a major event enabling today’s audiences to enjoy a truly vivacious performance from Balfour in one of her key films and adds to our knowledge of director Pearson, often likened to Dickens (whom he admired) for his ability to wring the maximum amount of emotion out of a story and a key figure in British cinema with now only a bare handful of his films survive. -
Agatha Christie - Third Girl
Agatha Christie - Third Girl CHAPTER ONE HERCULE POIROT was sitting at the breakfast table. At his right hand was a steaming cup of chocolate. He had always had a sweet tooth. To accompany the chocolate was a brioche. It went agreeably with chocolate. He nodded his approval. This was from the fourth shop he had tried. It was a Danish patisserie but infinitely superior to the so-called French one near by. That had been nothing less than a fraud. He was satisfied gastronomically. His stomach was at peace. His mind also was at peace, perhaps somewhat too much so. He had finished his Magnum Opus, an analysis of great writers of detective fiction. He had dared to speak scathingly of Edgar Alien Poe, he had complained of the lack of method or order in the romantic outpourings of Wilkie Collins, had lauded to the skies two American authors who were practically unknown, and had in various other ways given honour where honour was due and sternly withheld it where he considered it was not. He had seen the volume through the press, had looked upon the results and, apart from a really incredible number of printer's errors, pronounced that it was good. He had enjoyed this literary achievement and enjoyed the vast amount of reading he had had to do, had enjoyed snorting with disgust as he flung a book across the floor (though always remembering to rise, pick it up and dispose of it tidily in the waste-paper basket) and had enjoyed appreciatively nodding his head on the rare occasions when such approval was justified. -
The Sexton Blake Library, 6Th Series, Issue 1 the Silent
THE SEXTON BLAKE LIBRARY, 6TH SERIES, ISSUE 1 THE SILENT THUNDER CAPER BY MARK HODDER & THE WIRELESS TELEPHONE CLUE BY G. H. TEED Obverse Books Cover Design © Cody Quijano-Schell Cover Artwork © Mark Manley First published August 2014 The Silent Thunder Caper © Mark Hodder Sexton Blake licensed from IPC Media The moral rights of the author have been asserted. All characters in this book are fictional. Any resemblance to persons, living or dead, is co-incidental. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. CONSULTING ROOM CHAT A History of Sexton Blake The legendary Baker Street detective, Sexton Blake, made his first appearance in an inelegant and nondescript short story, ‘The Missing Millionaire’ by Harry Blyth (under the pen-name Hal Meredeth) in the boys’ story paper The Halfpenny Marvel on 20 December 1893. Blake went on to appear in a handful of equally unimpressive stories by Meredeth, and those inauspicious beginnings might have been enough to kill the character at birth, had he not moved, under the title of “Sexton Blake, Detective”, to 2 the newly launched Union Jack story paper in mid -1894. Blessed with a new set of writers, and with Blake’s world expanded to take in his Baker Street base, his customised ‘plane and car, and his new assistant Tinker, the character became the star of the paper, remaining so even after Union Jack became Detective Weekly in 1933. -
The Unexpected Guest
Reno Little Theater in partnership with Hug High School presents The Unexpected Guest by Agatha Christie directed by Kathy Easly March 5, 6, 12, 13, 19, and 20 at 8:00 pm March 7, 14, and 21 at 2:00 pm 2004 Produced by special arrangement with Samuel French, Inc. The Unexpected Guest The action takes place in Richard Warwick’s study in South Wales near the Bristol Channel. The will be one fifteen-minute intermission. Agatha Christie Taught at home, as a child, by tutors and a governess, Agatha Christie never attended school. At a very young age, she became adept at creating games to keep herself occupied. A shy child, unable to adequately express her feelings, she first turned to music as a means of expression and, later in life, to writing. In 1914, at the age of 24, she married Archie Christie, a World War I fighter pilot. While he was off at war, she worked as a nurse. It was while working in a hospital during the war that Christie first came up with the idea of writing a detective novel. Although it was completed in a year, it wasn't published until 1920, five years later. The Mysterious Affair at Styles gave the world the inimitable Hercule Poirot, a retired Belgian police officer who was to become one of the most enduring characters in all of fiction. With his waxed moustache and his “little grey cells,” he was a “meticulous, a tidy little man, always neat and orderly, with a slight flavour of absurdity about him.” Christie wrote more than thirty novels featuring Poirot. -
Three Postmodern Detectives Teetering on the Brink of Madness
FACULTY OF EDUCATION AND BUSINESS STUDIES Department of Humanities Three Postmodern Detectives Teetering on the Brink of Madness in Paul Auster´s New York Trilogy A Comparison of the Detectives from a Postmodernist and an Autobiographical Perspective Björn Sondén 2020 Student thesis, Bachelor degree, 15 HE English(literature) Supervisor: Iulian Cananau Examiner: Marko Modiano Abstract • As the title suggests, this essay is a postmodern and autobiographical analysis of the three detectives in Paul Auster´s widely acclaimed 1987 novel The New York Trilogy. The focus of this study is centred on a comparison between the three detectives, but also on tracking when and why the detectives devolve into madness. Moreover, it links their descent into madness to the postmodern condition. In postmodernity with its’ incredulity toward Metanarratives’ lives are shaped by chance rather than by causality. In addition, the traditional reliable tools of analysis and reason widely associated with the well-known literary detectives in the era of enlightenment, such as Sherlock Holmes or Dupin, are of little use. All of this is also aggravated by an unforgiving and painful never- ending postmodern present that leaves the detectives with little chance to catch their breath, recover their balance or sanity while being overwhelmed by their disruptive postmodern objects. Consequently, the three detectives are essentially all humiliated and stripped bare of their professional and personal identities with catastrophic results. Hence, if the three detectives start out with a reasonable confidence in their own abilities, their investigations lead them with no exceptions to a point where they are unable to distinguish reality from their postmodern paranoia and madness. -
The Miss Marple Reading List Uk
THE MISS MARPLE READING LIST UK Miss Jane Marple doesn’t look like your average detective, but appearances are deceiving... A shrewd woman with a sparkle in her eye, she isn’t above speculation about her neighbours in the small village of St Mary Mead. A keen advocate for justice, armed often only with her knitting needles and a pair of gardening gloves, this sleuth knows plenty about human nature. TOP FIVE MISS MARPLE NOVELS THE NOTES THE LIST Although published in 1976, Sleeping Murder was written during If you want to read the stories chronologically (in terms of World War II and portrays a sprightlier Miss Marple than Nemesis. The Miss Marple’s lifetime), we recommend the following order: title Miss Marple’s Final Cases is a misnomer, because most of the short stories are actually set (and were written) in the 1940’s. ‘Greenshaw’s Folly’ is published in The Adventure of the Christmas Pudding. The Murder at the Vicarage [1930] The Thirteen Problems (short stories) [1932] Miss Marple’s Final Cases (short stories) [1979] The Body in the Library [1942] “ I’m very ordinary. An ordinary rather The Moving Finger [1942] scatty old lady. And that of course is Sleeping Murder [1976] very good camouflage.” A Murder is Announced [1950] Nemesis, Agatha Christie They Do it with Mirrors [1952] A Pocket Full of Rye [1953] ‘Greenshaw’s Folly’ [1956] THE CHALLENGE 4.50 from Paddington [1957] The Mirror Crack’d from Side to Side [1962] A Caribbean Mystery [1964] Keep track of your Miss Marple reading. How many stories have you read? At Bertram’s Hotel [1965] Nemesis [1971] For more reading ideas visit www.agathachristie.com THE MISS MARPLE READING LIST US Miss Jane Marple doesn’t look like your average detective, but appearances are deceiving..