The Body in the Library
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The Body in the Library Studentactivities 2017.Indd
The Body in the Library Student Activities Part 1 (Chapters 1–4) 3 The ––––––––––– was large with one or two good family portraits on the walls. 1 Comprehension 4 ‘The girl was ––––––––––– with the belt of her own Who says each of these sentences? Circle the correct option. dress.’ 1 ‘Mrs Bantry, there’s a body in the library.’ 5 ‘I’ve been dance and bridge ––––––––––– at the Mary / Lorrimer Majestic Hotel for three years.’ 2 ‘If I’ve got to have a murder in my house, I suppose I’ll 6 The Inspector was warning Melchett about favouring have to try and enjoy it.’ his own –––––––––––. Dolly Bantry / Colonel Bantry 7 ‘Pamela Reeves, sixteen, went missing last night, had 3 ‘She’s very young.’ Colonel Melchett / Miss Marple been at a meeting of the –––––––––––.’ 4 ‘You’ve come to ask me if I’m missing a blonde?’ 8 Her thin body was dressed in a cheap evening dress of Basil Blake / Colonel Bantry white silk with –––––––––––. 5 ‘I was really angry with her.’ Josie Turner / Raymond Starr 9 A girl with fashionably curly, ––––––––––– blonde hair. 2 Vocabulary 10 Her lips and ––––––––––– were painted blood red. Match the words on the left with their defi nitions on the right. 11 Basil Blake’s cottage was just outside the –––––––––––. 12 ‘Mr Jefferson is an –––––––––––. He gets upset rather invalid a to kill someone by tightly squeezing their easily.’ throat village b small, shiny circles that are sewn on clothes 3 Comprehension to decorate them Answer these questions. library c the room in a large house where books are 1 Who is Ruby Keene’s cousin? -
A Writer's Calendar
A WRITER’S CALENDAR Compiled by J. L. Herrera for my mother and with special thanks to Rose Brown, Peter Jones, Eve Masterman, Yvonne Stadler, Marie-France Sagot, Jo Cauffman, Tom Errey and Gianni Ferrara INTRODUCTION I began the original calendar simply as a present for my mother, thinking it would be an easy matter to fill up 365 spaces. Instead it turned into an ongoing habit. Every time I did some tidying up out would flutter more grubby little notes to myself, written on the backs of envelopes, bank withdrawal forms, anything, and containing yet more names and dates. It seemed, then, a small step from filling in blank squares to letting myself run wild with the myriad little interesting snippets picked up in my hunting and adding the occasional opinion or memory. The beginning and the end were obvious enough. The trouble was the middle; the book was like a concertina — infinitely expandable. And I found, so much fun had the exercise become, that I was reluctant to say to myself, no more. Understandably, I’ve been dependent on other people’s memories and record- keeping and have learnt that even the weightiest of tomes do not always agree on such basic ‘facts’ as people’s birthdays. So my apologies for the discrepancies which may have crept in. In the meantime — Many Happy Returns! Jennie Herrera 1995 2 A Writer’s Calendar January 1st: Ouida J. D. Salinger Maria Edgeworth E. M. Forster Camara Laye Iain Crichton Smith Larry King Sembene Ousmane Jean Ure John Fuller January 2nd: Isaac Asimov Henry Kingsley Jean Little Peter Redgrove Gerhard Amanshauser * * * * * Is prolific writing good writing? Carter Brown? Barbara Cartland? Ursula Bloom? Enid Blyton? Not necessarily, but it does tend to be clear, simple, lucid, overlapping, and sometimes repetitive. -
Bony As Grotesque: the Dilemma of National Identity in Arthur Upfield's Bony Series, 1930-1 950
BONY AS GROTESQUE: THE DILEMMA OF NATIONAL IDENTITY IN ARTHUR UPFIELD'S BONY SERIES, 1930-1 950 Glen Ross - Un iversity of Southern Queensland When we use the word "grotesque" we record, among other things, the sense that though our attention has been arrested, our understanding is unsatisfied. Grotesqueries both require and defeat definition ... They stand at a margin of consciousness between the known and unknown, the perceived and the unperceived, calling into question the adequacy of our ways of organizing the world (Harpman 31. The anthropologist A.P. Elkin regarded the year 1934 as "TheTurning Point" in the changing understanding of Aboriginal people in Australia. In that year Elkin published an article entitled "The Aborigines, Our National Responsibility", followed by the booklets Citizenship for th e Aborigin es 119441. Post- War and th e Aborigines (1945), and Aborigines and the Franchise ( 1946) (Berndt 19). The titles of these publications indicate the emergence of a changing attitude towards the country's indigenous peoples and a grudging realisation of the impossibility of developing a "pure" European population in the Australian space. This gradual acceptance of the inevitability of the "contamination" of the white "race" can be at least partially related to the difficulty in policing the White Australia Policy. The decline of the Aboriginal population from approximately 93,000 in 1901 to 71,000 in 1921 was in reversal by 1 933, by which time official figures showed the Aboriginal population had recovered to 80,000 people (Macintyre 318). Western constructions of difference between the white and Aboriginal were achieved by ideological adaptations oftemporal discourses circulating in the period. -
The Miss Marple Reading List Uk
THE MISS MARPLE READING LIST UK Miss Jane Marple doesn’t look like your average detective, but appearances are deceiving... A shrewd woman with a sparkle in her eye, she isn’t above speculation about her neighbours in the small village of St Mary Mead. A keen advocate for justice, armed often only with her knitting needles and a pair of gardening gloves, this sleuth knows plenty about human nature. TOP FIVE MISS MARPLE NOVELS THE NOTES THE LIST Although published in 1976, Sleeping Murder was written during If you want to read the stories chronologically (in terms of World War II and portrays a sprightlier Miss Marple than Nemesis. The Miss Marple’s lifetime), we recommend the following order: title Miss Marple’s Final Cases is a misnomer, because most of the short stories are actually set (and were written) in the 1940’s. ‘Greenshaw’s Folly’ is published in The Adventure of the Christmas Pudding. The Murder at the Vicarage [1930] The Thirteen Problems (short stories) [1932] Miss Marple’s Final Cases (short stories) [1979] The Body in the Library [1942] “ I’m very ordinary. An ordinary rather The Moving Finger [1942] scatty old lady. And that of course is Sleeping Murder [1976] very good camouflage.” A Murder is Announced [1950] Nemesis, Agatha Christie They Do it with Mirrors [1952] A Pocket Full of Rye [1953] ‘Greenshaw’s Folly’ [1956] THE CHALLENGE 4.50 from Paddington [1957] The Mirror Crack’d from Side to Side [1962] A Caribbean Mystery [1964] Keep track of your Miss Marple reading. How many stories have you read? At Bertram’s Hotel [1965] Nemesis [1971] For more reading ideas visit www.agathachristie.com THE MISS MARPLE READING LIST US Miss Jane Marple doesn’t look like your average detective, but appearances are deceiving.. -
Agatha Christie
Agatha Christie Investigating Femininity Merja Makinen Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and over- worked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Published titles include: Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian (editor) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Lee Horsley THE NOIR THRILLER Merja Makinen AGATHA CHRISTIE Investigating Femininity Fran Mason AMERICAN GANGSTER CINEMA From Little Caesar to Pulp Fiction Linden Peach MASQUERADE, CRIME AND FICTION Susan Rowland FROM AGATHA CHRISTIE TO RUTH RENDELL British Women Writers in Detective and Crime Fiction Adrian Schober POSSESSED CHILD NARRATIVES IN LITERATURE AND FILM Contrary States Heather Worthington THE RISE OF THE DETECTIVE IN EARLY NINETEENTH-CENTURY POPULAR FICTION Crime Files Series Standing Order ISBN 978-0-333-71471-3 (Hardback) ISBN 978-0-333-93064-9 (Paperback) (outside North America only) You can receive future titles in this series as they are published by placing a standing order. -
QUESTIONS ABOUT the BODY in the LIBRARY Part 2
QUESTIONS ABOUT THE BODY IN THE LIBRARY Part 2 This book is a “whodunit.” The author offers clues, and we try to figure out who did it. This particular whodunit is about a young woman found dead in Colonel Bantry’s library. There are many twists and turns to the plot. The questions below hardly cover the story, but they are a start. They cover chapters 8 to 17 (pages 90 to 207). Chapter 8 1. Who is Sir Henry Clithering? Why does Conway Jefferson want his help? 2. Who does Sir Henry recommend as sleuth? 3. Why does Miss Marple believe Conway Jefferson is interested in Ruby Keene? What does Miss Marple believe Conway’s son-in-law and daughter-in-law will soon want to do? 4. Sir Henry wonders why anyone would want to strangle Ruby and leave her in the Bantry’s library OR take her there and strangle her. Why does Miss Marple believe this was done? Chapter 9 5. Why don’t Mark Gaskell and Adelaide Jefferson believe they have a right to object to Conway’s giving Ruby all that money? Do they like Ruby? 6. What is their opinion of Josephine Turner, whom they call Josie? 7. Who is Hugo McLean? Who is William Dobbin? 8. Does Miss Marple like Mark? Does she trust him? 9. What souvenir does young Peter Carmody keep in a matchbox? Do you believe it is important to the investigation? Why? 10. Who does Miss Marple believe the body in the burned-out car is? Does she believe Ruby’s murder and this other death are connected? Chapter 10 11. -
Great Wall of Rabbit Repulsion
Great Wall of Rabbit Repulsion Ian Warden tells the story of the Commenced in 1901 and finished in 1907, above left: the startling 1139-mile fence was built in Frank H. Broomhall Number One Rabbit Proof Fence The Long Road, No. 1 Rabbit quite a hurry (by the standards of those Proof Fence, Western Australia, and describes some of the men times) in the hope of keeping an enormous 1926 western swathe of Western Australian b&w negative; 9.8 x 12.5 cm who helped to build and maintain it farming land free of the spreading ‘grey Pictures Collection nla.pic-vn3647494 blanket’ of rabbits that had already so hen it was completed almost ravaged eastern and southern Australia. It above right: exactly one hundred years ago stretched unbroken from Starvation Boat Layfayette Studios (on September 30, 1907), Western Harbour on the state’s south coast to a place Portrait of Arthur Upfield W 1930 Australia’s Number One Rabbit Proof Fence near Cape Keraudren on the north-west gelatin silver photograph became not only the longest fence in the coast. It cost by one estimation 300 000 14.6 x 9.4 cm world but also, surely, the loneliest workplace pounds, all raised by the state government Pictures Collection on earth. from the scant revenues provided by a nla.pic-an9897467-1 For the men who had to patrol and mend population, when the fence was begun, of the fence, usually with only camels for just 109 000 souls. company, the solitude (in the immensity The idea of the great, impregnable of the landscape) and the silence were fence may seem a little absurd and naïve extraordinary and eerie. -
Hercule Poirot Mysteries in Chronological Order
Hercule Poirot/Miss Jane Marple Christie, Agatha Dame Agatha Christie (1890-1976), the “queen” of British mystery writers, published more than ninety stories between 1920 and 1976. Her best-loved stories revolve around two brilliant and quite dissimilar detectives, the Belgian émigré Hercule Poirot and the English spinster Miss Jane Marple. Other stories feature the “flapper” couple Tommy and Tuppence Beresford, the mysterious Harley Quin, the private detective Parker Pyne, or Police Superintendent Battle as investigators. Dame Agatha’s works have been adapted numerous times for the stage, movies, radio, and television. Most of the Christie mysteries are available from the New Bern-Craven County Public library in book form or audio tape. Hercule Poirot The Mysterious Affair at Styles [1920] Murder on the Links [1923] Poirot Investigates [1924] Short story collection containing: The Adventure of "The Western Star", TheTragedy at Marsdon Manor, The Adventure of the Cheap Flat , The Mystery of Hunter's Lodge, The Million Dollar Bond Robbery, The Adventure of the Egyptian Tomb, The Jewel Robbery at the Grand Metropolitan, The Kidnapped Prime Minister, The Disappearance of Mr. Davenheim, The Adventure of the Italian Nobleman, The Case of the Missing Will, The Veiled Lady, The Lost Mine, and The Chocolate Box. The Murder of Roger Ackroyd [1926] The Under Dog and Other Stories [1926] Short story collection containing: The Underdog, The Plymouth Express, The Affair at the Victory Ball, The Market Basing Mystery, The Lemesurier Inheritance, The Cornish Mystery, The King of Clubs, The Submarine Plans, and The Adventure of the Clapham Cook. The Big Four [1927] The Mystery of the Blue Train [1928] Peril at End House [1928] Lord Edgware Dies [1933] Murder on the Orient Express [1934] Three Act Tragedy [1935] Death in the Clouds [1935] The A.B.C. -
Googie Withers and John Mccallum Brian Mcfarlane
CLASS ACT: GOOGIE WITHERS AND JOHN MCCALLUM BRIAN MCFARLANE s I talked to the McCallums in May this year, I had to keep reminding myself that they are both in their nineties and that they’ve been in the business of entertaining us for over seventy years. Anyone who saw them in any of the films or plays in which they co-starred will know how well they Aplayed together professionally. As you watch them together now, complementing (and complimenting) each other, you can’t help wondering how much of their professional success was a spin-off from a stimulating partnership off-screen or off-stage. It seems timely to pay tribute to them for what they achieved in the performing arts in Australia and elsewhere. googie Googie Withers came to prominence in British films in the 1940s, when British cinema was enjoying its finest hours and when there was a flurry of memorable women stars. If they are not well known today, they certainly were then: Sally Gray with the eloquent voice and slightly melancholy mien; patrician Valerie Hobson; Ann Todd of the ambiguous, chiselled blonde features; Phyllis Calvert, so much smarter than the goody- goody image that was foisted on her; Margaret Lockwood, flaring her nostrils and baring her cleavage in a refined version of passion; sexy bad-girl Jean Kent getting into a lot of entertaining trouble; and Anna Neagle being so ladylike that you wanted her to slip 103 04_Essays.indd 103 29/7/09 3:36:53 PM on a banana skin. But Googie Withers was something else. -
If You Want to Read the Books in Publication
If you want to read the books in publication order before you discuss them this is the list for you. For the books the year indicates the first publication, whether in the US or UK, and where possible we have given the alternative US/UK titles. The collections listed are those that feature the first book appearance of one or more stories: 1920 The Mysterious Affair at Styles 1922 The Secret Adversary 1923 Murder on the Links 1924 The Man in the Brown Suit 1924 Poirot Investigates – containing: The Adventure of the ‘Western Star’ The Tragedy at Marsdon Manor The Adventure of the Cheap Flat The Mystery of Hunter’s Lodge The Million Dollar Bond Robbery The Adventure of the Egyptian Tomb The Jewel Robbery at the Grand Metropolitan The Kidnapped Prime Minister The Disappearance of Mr Davenheim The Adventure of the Italian Nobleman The Case of the Missing Will 1925 The Secret of Chimneys 1926 The Murder of Roger Ackroyd 1927 The Big Four 1928 The Mystery of the Blue Train 1929 The Seven Dials Mystery 1929 Partners in Crime – containing: A Fairy in the Flat A Pot of Tea The Affair of the Pink Pearl The Adventure of the Sinister Stranger Finessing the King/The Gentleman Dressed in Newspaper The Case of the Missing Lady Blindman’s Buff The Man in the Mist The Crackler The Sunningdale Mystery The House of Lurking Death The Unbreakable Alibi The Clergyman’s Daughter/The Red House The Ambassador’s Boots The Man Who Was No.16 1930 The Mysterious Mr Quin – containing: The Coming of Mr Quin www.AgathaChristie.com The Shadow on the Glass At the ‘Bells -
Philip Mclaren and the Indigenous-Australian Crime Novel
Coolabah, No.20, 2016, ISSN 1988-5946, Observatori: Centre d’Estudis Australians / Australian Studies Centre, Universitat de Barcelona Philip McLaren and the Indigenous-Australian Crime Novel Cornelis Martin Renes University of Barcelona [email protected] Copyright©2016 Cornelis Martin Renes. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged. Abstract: This paper locates the postcolonial crime novel as a space for disenfranchised groups to write back to the marginalisation inherent in the process of colonisation, and explores the example of Australia. From its inception in the mid-19th century, Australian crime fiction reflected upon the challenging harshness and otherness of the Australian experience for the free and convict settler, expelled from the metropole. It created a series of popular subgenres derived from the convict narrative proper, while more ‘standard’ modes of crime fiction, popularised in and through British and American crime fiction, were late to develop. Whereas Australian crime fiction has given expression to the white experience of the continent in manifold ways, up until recently it made no room for Indigenous voices – with the exception of the classic Inspector Napoleon Bonaparte series written by the prolific Arthur Upfield in the first half of the 20th century. For the longest time, this absence reflected the dispossession, dispersal and disenfranchisement of the colonised Indigenous peoples at large; there were neither Aboriginal voices nor Aboriginal authors, which made the textual space of the Australian crime novel a discursive terra nullius. This paper will look at the only Indigenous-Australian author to date with a substantial body of work in crime fiction, Philip McLaren, and elucidate how his four crime novels break new ground in Australian crime fiction by embedding themselves within a political framework of Aboriginal resilience and resistance to neo/colonialism. -
Techniques of Detective Fiction in the Novelistic Art of Agatha Christie
,,. TECHNIQUES OF DETECTIVE FICTION IN THE NOVELISTIC ART OF AGATHA CHRISTIE A Monograph Presented to the Faculty of the Department of English Morehead State University In Partial .FUlfillment of the Requirements for the ~gree Master of Arts b;y Claudia Collins Burns Januar,r, 1975 ...... '. ~- ... '. Accepted by the faculty of the School of H,.;#t.,._j-f;l ..:.3 • Morehead State U¢versi~ in partial· fulfillment of tl!e requirements for the Master of Arts degree. ,·. •: - ',· .· ~.· '1' ' '· .~ ' . ,·_ " 1 J • ~ ,,., ' " . Directorno( Monograph j. ,- .. I . ' U.-g ·'-%· '- .. : . ,. •.·,' . ,• ·- ; -..: ' ~ ' .. ''· ,,, ··. TABLE OF CONTENTS Chapter Page INTRODUCTION • • • • • • • • • • • • • • • • • • • • l General Statement on the Nature of the }lonoeraph • l . ~ . 3 Previous Work • • • • • • • • • • • • • • • • • • 4 Purposes And Specific Elements to be Proven • • • 7 l. AGATHA CHRISTIE AND THE RULES OF DETECTIVE FICTION • 8 The Master Detective •• • • • • • • • • • . • • 8 Clues Before the RE;<itler. ........... • .. 30 Motives for the Crime • • • • • • • • • • • • • • 52 2. ELEMENTS OF SOCIOLOGICAL COMMENTARY IN THE FICTION OF AGATHA CHRISTIE . .. 6a Class Consciousness ................. 62 Statements About Writers and Writings • • • • • • 76 Role of Women Characters • • • • • • • • • • • • • 90 ;". 3. •· . 106 BIBLIOGRAPHY . ~ . 108 APPENDIX . ... ~·..... lll ii INTRODUCTION NATURE OF THE MONOGRAPH, PROCEDURE, PREVIOUS WORK, PURPOSES AND SPECIFIC ELEMENTS TO BE.PROVEN . '. I. GENERAL STATEMENT ON THE NATURE OF THE MONOGRAPH When