DOCSLIB.ORG

Popular Representations of Australian Aboriginality

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Popular Representations of Australian Aboriginality USES OF ABORIGINALITY Popular Representations of Australian Aboriginality Robert Windsor Thesis presented for the degree of Doctor of Philosophy Department of English, University of Adelaide South Australia December 2001 co nts the beginning 1 part one: primitives 13 part two: problems 91 part three: proPhets 172 the ending: 259 bibliography: 266 for lisa who gave me the best reason in the world to write this. for nelly and stella who were there and loved me. for the anangu people of mimili and amata who were always an inspiration and helped me to better understand what australia really means. for paris flat who sheltered me thank you penny, sue, paul and max for being a constant source of guidance and support. a special thank you to martin nakata and all at the aboriginal research institute at underdale south australia. without you this would never have been finished. 1 the beginnitg 2 "Wanti nindo ai kabba? NÍngkoandi kuma yerta." l directions Analysing the various mythologies that inform Australian understandings of Aboriginal people, Marcia Langton concludes that what is revealed is not by and large a relationship between actual people but a relationship between white Australians and the symbols created by their predecessors: "Australians do not know and relate to Aboriginal people. They relate to stories told by former colonists" (Langton, 1993: 31). This thesis concentrates upon this relationship of non-Aboriginal people (especially white Australians) to the symbols and narratives they use to produce what is called Aboriginality. lt is a study of popular or broadly circulating representations of Australian Aboriginality. lt does not concentrate to any significant extent upon representations produced by Aboriginal people themselves: lt is important to recognise that the Aboriginality that is the subject of this thesis is an object largely independent of the cultural expressions and identity formations of Aboriginal people themselves. Here Aboriginality, like madness or sexuality for Michel Foucault, is a Western discursive object "charged with instrumentality" (Foucault, 1979: 103). ' "Whe." have you pushed me to? You belong to another country." A song sung in 1844 by Ngurpo Williamsie, of the Kaurna people of the Adelaide plains, in protest at the invasion of his country. J The research for this thesis began with a largely serendipitous collecting of primary texts2. Parameters were very loosely defined: no restrictions were placed on date of publication, on genre, on whether the texts were fiction or non-fiction, or on medium (films, photographs, television, and web sites were included with print texts). There were two requirements for the gathering together of this collection of objects: each item had to be (in some way) definable as "popular", and each item had to have been produced by a non-Aboriginal person or persons. ln many ways this was something of an unwieldy task, not simply because of the enormous number of objects that fall into these categories but also because of difficulties in determining what actually constituted "the popular"3. The idea of a popular text was essential to the project. An attempt has been made to use the widely consumed to uncover the broadly representative. This aim sprang out of the personal experience of a number of years spent in higher education, where I was largely exposed to progressive approaches to the understanding of Aboriginality, followed by the experience of entering the workplace and discovering that different attitudes prevailed. This was doubly surprising in that the 'The term text, as used in this thesis, refers not only to print material but to a range of representational objects including films, television and photographic material. ' Initially I began simply by purchasing texts that were available through popular outlets such as newsagents, certain secondhand bookstores and Aquarian bookstores. I sought fiction that would be unlikely to fit into the category of the literary. I tried only to select texts that were widely available and ready to hand: texts that were not aimed at any kind of specialist audience but appeared to be targeting the general public. 4 workplace I entered was a Central Australian Aboriginal school. Amongst the non-Aboriginal teachers, and other workers in the community, it was not uncommon to hear forms of racism and essentialism expressed. Many of these views I believed at the time (naively I now recognise) had long since fallen inlo widespread disrepute. This was in 1995; in 1996 - following the emergence of Pauline Hanson's One Nation Party - I was made fufiher aware of the pervasiveness of such attitudes. The Howard Liberal government provided tacit support to One Nation's racism through pronouncements such as: "ordinary Australians" now felt relaxed and comfortable enough to speak their minds. At this time - in supermarkets, on public transport, in pubs and chemist shops - I overheard "ordinary Australians" speaking their minds. This thesis grew out of a desire to gain some understanding of the genealogy and the function of the barrage of misinformation and myth that (re)entered public discourse at this time. Textual objects that were in broad circulation and widely consumed seemed to be the most suitable resource for this task. Having gathered a large number of different kinds of objects it became necessary, in order to make my task more manageable, to arrange the objects into categories. This was by no means a simple task. At first I attempted to arrange according to a form of genre distinction. lt seemed that most of the objects fitted roughly into three categories: popular ethnography, crime fiction, and New Age texts. While these initially functioned well as working categories they finally proved 5 unsatisfactory. A number of texts I was including in the category of New Age representations were not strictly speaking informed by New Age ideology, but were either coming from a generalised spiritual or religious attitude or were more specifically Christian approaches. Popular ethnography also proved an inadequate term that I was using to describe a collection of non-fiction texts that, while including Australian Aboriginality as a primary subject, were in fact generically quite diverse consisting of personal memoirs, travel writing, Australiana, postcards, magazines, photographs, and a web site. I finally arrived at the conclusion that the unifying principle of each of these groupings was less one of textual category than of dominant representational strategy. For example, in the category of texts I had termed popular ethnography the dominant strategy of representation is one of primitivisation; that is, Aboriginality is visualised as the Other of modernity, and the primitive is utilised as a negative term that valorises the modern. ln the case of the crime fiction texts the principal strategy is one of problematisation: Aboriginality is represented as a state problem, a problem of social governance, a problem for the law, something to be corrected, eradicated or concealed. ln terms of the category that I had originally called the New Age the prevailing strategy is a form of idealisation in which a spiritualised and nostalgified Other is called upon as a means of supplementing the modern; Aboriginality is represented as a spiritualised entity that offers solutions to the discontents of modern life. 6 The central argument of this thesis - that Aboriginality as Western discursive object functions to further the interests of the West and to obstruct the self-representations of Aboriginal people themselves - grew out of a reading of the work of Martin Heidegger, especially the essay "The Question Concerning Technology" (1978); my reading of this essay has been influential in the writing of this thesis. However, this is not to claim that this is a Heideggerian analysis of Aboriginality, but only that this essay initiated a way of seeing, or facilitated an approach, that remained when others fell by the way. ln a discussion of Nietzsche (1977), Martin Heidegger concludes that Western culture is pervaded by a will to power: "[The] desire to dominate in order to remake the world to satisfy Western desires"(D'Arcy 110-11). This will is enhanced, one might say compounded, by what Heidegger calls the technological. For Heidegger modern technology is not fundamentally the mechanistic or the technical, although obviously these are included in Heidegger's concept, but rather the way of thinking or mode of comprehension that accompanies and precedes the proliferation of machinery. ln this mode of comprehension, or way of revealing, "everything possesses significance only insofar as it is seen and is taken charge of as something useful for serving an end beyond itself" (Lovitt & Lovitt, 229). Heidegger illustrates with reference to the damming of the Rhine to produce electric power. The power station dominates the river, disclosing it solely as resource, an entity for using: The hydroelectric plant is not built into the river, as was the old wooden bridge that joined bank with bank for hundreds of years. Rather, the river is dammed up into the power plant. What the river is 7 now, namely, a water power supplier, derives from the essence of the power station (Heidegger 1978: 321). Unlike the bridge which draws people into mutual and meaningful relations with the river and its environs, allowing the river to show itself as itself , the power station is a derogating employment of the river that prevents the river from revealing itself: The river as "an entity of unique integrity and intrinsic power" is lost to us (Lovitt & Lovitt 231). This disclosure of entities as something useful for the achieving of a goal (that so clearly applies to examples from the natural world such as rivers that are dammed or forests that are logged) applies equally to the human world; to art, to writing, to philosophy, to science, and to human beings themselves. According to Heidegger, the phrase human resource concisely "unconceals" the kind of thinking that prevails in the modern world.
Load more

Recommended publications
  • ON TAUNGURUNG LAND SHARING HISTORY and CULTURE Aboriginal History Incorporated Aboriginal History Inc
    ON TAUNGURUNG LAND SHARING HISTORY AND CULTURE Aboriginal History Incorporated Aboriginal History Inc. is a part of the Australian Centre for Indigenous History, Research School of Social Sciences, The Australian National University, and gratefully acknowledges the support of the School of History and the National Centre for Indigenous Studies, The Australian National University. Aboriginal History Inc. is administered by an Editorial Board which is responsible for all unsigned material. Views and opinions expressed by the author are not necessarily shared by Board members. Contacting Aboriginal History All correspondence should be addressed to the Editors, Aboriginal History Inc., ACIH, School of History, RSSS, 9 Fellows Road (Coombs Building), The Australian National University, Acton, ACT, 2601, or [email protected]. WARNING: Readers are notified that this publication may contain names or images of deceased persons. ON TAUNGURUNG LAND SHARING HISTORY AND CULTURE UNCLE ROY PATTERSON AND JENNIFER JONES Published by ANU Press and Aboriginal History Inc. The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760464066 ISBN (online): 9781760464073 WorldCat (print): 1224453432 WorldCat (online): 1224452874 DOI: 10.22459/OTL.2020 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design and layout by ANU Press Cover photograph: Patterson family photograph, circa 1904 This edition © 2020 ANU Press and Aboriginal History Inc. Contents Acknowledgements ....................................... vii Note on terminology ......................................ix Preface .................................................xi Introduction: Meeting and working with Uncle Roy ..............1 Part 1: Sharing Taungurung history 1.
    [Show full text]
  • Into the Mainstream Guide to the Moving Image Recordings from the Production of Into the Mainstream by Ned Lander, 1988
    Descriptive Level Finding aid LANDER_N001 Collection title Into the Mainstream Guide to the moving image recordings from the production of Into the Mainstream by Ned Lander, 1988 Prepared 2015 by LW and IE, from audition sheets by JW Last updated November 19, 2015 ACCESS Availability of copies Digital viewing copies are available. Further information is available on the 'Ordering Collection Items' web page. Alternatively, contact the Access Unit by email to arrange an appointment to view the recordings or to order copies. Restrictions on viewing The collection is open for viewing on the AIATSIS premises. AIATSIS holds viewing copies and production materials. Contact AFI Distribution for copies and usage. Contact Ned Lander and Yothu Yindi for usage of production materials. Ned Lander has donated production materials from this film to AIATSIS as a Cultural Gift under the Taxation Incentives for the Arts Scheme. Restrictions on use The collection may only be copied or published with permission from AIATSIS. SCOPE AND CONTENT NOTE Date: 1988 Extent: 102 videocassettes (Betacam SP) (approximately 35 hrs.) : sd., col. (Moving Image 10 U-Matic tapes (Kodak EB950) (approximately 10 hrs.) : sd, col. components) 6 Betamax tapes (approximately 6 hrs.) : sd, col. 9 VHS tapes (approximately 9 hrs.) : sd, col. Production history Made as a one hour television documentary, 'Into the Mainstream' follows the Aboriginal band Yothu Yindi on its journey across America in 1988 with rock groups Midnight Oil and Graffiti Man (featuring John Trudell). Yothu Yindi is famed for drawing on the song-cycles of its Arnhem Land roots to create a mix of traditional Aboriginal music and rock and roll.
    [Show full text]
  • Study of Caste
    H STUDY OF CASTE BY P. LAKSHMI NARASU Author of "The Essence of Buddhism' MADRAS K. V. RAGHAVULU, PUBLISHER, 367, Mint Street. Printed by V. RAMASWAMY SASTRULU & SONS at the " VAVILLA " PRESS, MADRAS—1932. f All Rights Reservtd by th* Author. To SIR PITTI THY AG A ROY A as an expression of friendship and gratitude. FOREWORD. This book is based on arfcioles origiDally contributed to a weekly of Madras devoted to social reform. At the time of their appearance a wish was expressed that they might be given a more permanent form by elaboration into a book. In fulfilment of this wish I have revised those articles and enlarged them with much additional matter. The book makes no pretentions either to erudition or to originality. Though I have not given references, I have laid under contribution much of the literature bearing on the subject of caste. The book is addressed not to savants, but solely to such mea of common sense as have been drawn to consider the ques­ tion of caste. He who fights social intolerance, slavery and injustice need offer neither substitute nor constructive theory. Caste is a crippli^jg disease. The physicians duty is to guard against diseasb or destroy it. Yet no one considers the work of the physician as negative. The attainment of liberty and justice has always been a negative process. With­ out rebelling against social institutions and destroying custom there can never be the tree exercise of liberty and justice. A physician can, however, be of no use where there is no vita­ lity.
    [Show full text]
  • An Ethnography of Health Promotion with Indigenous Australians in South East Queensland
    See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/292140373 "We don't tell people what to do": An ethnography of health promotion with Indigenous Australians in South East Queensland Thesis · December 2015 CITATIONS READS 0 36 1 author: Karen McPhail-Bell University of Sydney 25 PUBLICATIONS 14 CITATIONS SEE PROFILE Available from: Karen McPhail-Bell Retrieved on: 25 October 2016 “We don’t tell people what to do” An ethnography of health promotion with Indigenous Australians in South East Queensland Karen McPhail-Bell Bachelor of Behavioural Science, Honours (Public Health) Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy School of Public Health and Social Work Queensland University of Technology 2015 Key words Aboriginal, Aboriginal Medical Service, Australia, colonisation, community controlled health service, critical race theory, cultural interface, culture, ethnography, Facebook, government, health promotion, identity, Indigenous, Instagram, mainstream, policy, postcolonial theory, public health, relationship, self- determination, social media, Torres Strait Islander, Twitter, urban, YouTube. ii Abstract Australia is a world-leader in health promotion, consistently ranking in the best performing group of countries for healthy life expectancy and health expenditure per person. However, these successes have largely failed to translate into Indigenous health outcomes. Given the continued dominance of a colonial imagination, little research exists that values Indigenous perspectives, knowledges and practice in health promotion. This thesis contributes to addressing this knowledge gap. An ethnographic study of health promotion practice was undertaken within an Indigenous-led health promotion team, to learn how practitioners negotiated tensions of daily practice.
    [Show full text]
  • Ritualized Peyote Use Can Facilitate Mental Health, Social Solidarity
    Ritualized Peyote Use Can Facilitate Mental Health, Social Solidarity, and Cultural Survival: A Case Study of the Religious and Mystical Experiences in the Wixárika People of the Sierra Madre Occidental The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Luce, Nathan William. 2020. Ritualized Peyote Use Can Facilitate Mental Health, Social Solidarity, and Cultural Survival: A Case Study of the Religious and Mystical Experiences in the Wixárika People of the Sierra Madre Occidental. Master's thesis, Harvard Extension School. Citable link https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37365056 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Ritualized Peyote Use Can Facilitate Mental Health, Social Solidarity, and Cultural Survival: A Case Study of the Religious and Mystical Experiences in the Wixárika People of the Sierra Madre Occidental Nathan William Luce A Thesis in the Field of Religion for the Degree of Master of Liberal Arts in Extension Studies Harvard University May 2020 Copyright 2020 Nathan William Luce Abstract This paper examines how the Wixárika, or Huichol, as they are more commonly known to the outside world, have successfully engaged in a decade-long struggle to save their ceremonial homeland of Wirikuta. They have fended off a Canadian silver mining company’s attempts to dig mines in the habitat of their most important sacrament, peyote, using a remarkable combination of traditional and modern resistance techniques.
    [Show full text]
  • 3 Researchers and Coranderrk
    3 Researchers and Coranderrk Coranderrk was an important focus of research for anthropologists, archaeologists, naturalists, historians and others with an interest in Australian Aboriginal people. Lydon (2005: 170) describes researchers treating Coranderrk as ‘a kind of ethno- logical archive’. Cawte (1986: 36) has argued that there was a strand of colonial thought – which may be characterised as imperialist, self-congratulatory, and social Darwinist – that regarded Australia as an ‘evolutionary museum in which the primi- tive and civilised races could be studied side by side – at least while the remnants of the former survived’. This chapter considers contributions from six researchers – E.H. Giglioli, H.N. Moseley, C.J.D. Charnay, Rev. J. Mathew, L.W.G. Büchner, and Professor F.R. von Luschan – and a 1921 comment from a primary school teacher, named J.M. Provan, who was concerned about the impact the proposed closure of Coranderrk would have on the ability to conduct research into Aboriginal people. Ethel Shaw (1949: 29–30) has discussed the interaction of Aboriginal residents and researchers, explaining the need for a nuanced understanding of the research setting: The Aborigine does not tell everything; he has learnt to keep silent on some aspects of his life. There is not a tribe in Australia which does not know about the whites and their ideas on certain subjects. News passes quickly from one tribe to another, and they are quick to mislead the inquirer if it suits their purpose. Mr. Howitt, Mr. Matthews, and others, who made a study of the Aborigines, often visited Coranderrk, and were given much assistance by Mr.
    [Show full text]
  • 1 Picturing a Golden Age: September and Australian Rules Pauline Marsh, University of Tasmania It Is 1968, Rural Western Austra
    1 Picturing a Golden Age: September and Australian Rules Pauline Marsh, University of Tasmania Abstract: In two Australian coming-of-age feature films, Australian Rules and September, the central young characters hold idyllic notions about friendship and equality that prove to be the keys to transformative on- screen behaviours. Intimate intersubjectivity, deployed in the close relationships between the indigenous and nonindigenous protagonists, generates multiple questions about the value of normalised adult interculturalism. I suggest that the most pointed significance of these films lies in the compromises that the young adults make. As they reach the inevitable moral crisis that awaits them on the cusp of adulthood, despite pressures to abandon their childhood friendships they instead sustain their utopian (golden) visions of the future. It is 1968, rural Western Australia. As we glide along an undulating bitumen road up ahead we see, from a low camera angle, a school bus moving smoothly along the same route. Periodically a smattering of roadside trees filters the sunlight, but for the most part open fields of wheat flank the roadsides and stretch out to the horizon, presenting a grand and golden vista. As we reach the bus, music that has hitherto been a quiet accompaniment swells and in the next moment we are inside the vehicle with a fair-haired teenager. The handsome lad, dressed in a yellow school uniform, is drawing a picture of a boxer in a sketchpad. Another cut takes us back outside again, to an equally magnificent view from the front of the bus. This mesmerising piece of cinema—the opening of September (Peter Carstairs, 2007)— affords a viewer an experience of tranquillity and promise, and is homage to the notion of a golden age of youth.
    [Show full text]
  • Psychic’ Sally Morgan Scuffles with Toward a Cognitive Psychology U.K
    Science & Skepticism | Randi’s Escape Part II | Martin Gardner | Monster Catfish? | Trent UFO Photos the Magazine for Science and Reason Vol. 39 No. 1 | January/February 2015 Why the Supernatural? Why Conspiracy Ideas? Modern Geocentrism: Pseudoscience in Astronomy Flaw and Order: Criminal Profiling Sylvia Browne’s Art and Science FBI File More Witch Hunt Murders INTRODUCTORY PRICE U.S. and Canada $4.95 Published by the Committee for Skeptical Inquiry C I Ronald A. Lindsay, President and CEO Massimo Polidoro, Research Fellow Bar ry Karr, Ex ec u tive Di rect or Benjamin Radford, Research Fellow Joe Nickell, Senior Research Fellow Richard Wiseman, Research Fellow www.csicop.org James E. Al cock*, psy chol o gist, York Univ., Tor on to David H. Gorski, cancer surgeon and re searcher at Astronomy and director of the Hopkins Mar cia An gell, MD, former ed i tor-in-chief, Barbara Ann Kar manos Cancer Institute and chief Observatory, Williams College New Eng land Jour nal of Med i cine of breast surgery section, Wayne State University John Pau los, math e ma ti cian, Tem ple Univ. School of Medicine. Kimball Atwood IV, MD, physician; author; Clifford A. Pickover, scientist, au thor, editor, Newton, MA Wendy M. Grossman, writer; founder and first editor, IBM T.J. Watson Re search Center. Steph en Bar rett, MD, psy chi a trist; au thor; con sum er The Skeptic magazine (UK) Massimo Pigliucci, professor of philosophy, ad vo cate, Al len town, PA Sus an Haack, Coop er Sen ior Schol ar in Arts and City Univ.
    [Show full text]
  • A Writer's Calendar
    A WRITER’S CALENDAR Compiled by J. L. Herrera for my mother and with special thanks to Rose Brown, Peter Jones, Eve Masterman, Yvonne Stadler, Marie-France Sagot, Jo Cauffman, Tom Errey and Gianni Ferrara INTRODUCTION I began the original calendar simply as a present for my mother, thinking it would be an easy matter to fill up 365 spaces. Instead it turned into an ongoing habit. Every time I did some tidying up out would flutter more grubby little notes to myself, written on the backs of envelopes, bank withdrawal forms, anything, and containing yet more names and dates. It seemed, then, a small step from filling in blank squares to letting myself run wild with the myriad little interesting snippets picked up in my hunting and adding the occasional opinion or memory. The beginning and the end were obvious enough. The trouble was the middle; the book was like a concertina — infinitely expandable. And I found, so much fun had the exercise become, that I was reluctant to say to myself, no more. Understandably, I’ve been dependent on other people’s memories and record- keeping and have learnt that even the weightiest of tomes do not always agree on such basic ‘facts’ as people’s birthdays. So my apologies for the discrepancies which may have crept in. In the meantime — Many Happy Returns! Jennie Herrera 1995 2 A Writer’s Calendar January 1st: Ouida J. D. Salinger Maria Edgeworth E. M. Forster Camara Laye Iain Crichton Smith Larry King Sembene Ousmane Jean Ure John Fuller January 2nd: Isaac Asimov Henry Kingsley Jean Little Peter Redgrove Gerhard Amanshauser * * * * * Is prolific writing good writing? Carter Brown? Barbara Cartland? Ursula Bloom? Enid Blyton? Not necessarily, but it does tend to be clear, simple, lucid, overlapping, and sometimes repetitive.
    [Show full text]
  • Indigenous Women's Preferences for Climate Change Adaptation And
    Indigenous women’s preferences for climate change adaptation and aquaculture development to build capacity in the Northern Territory Final Report Lisa Petheram, Ann Fleming, Natasha Stacey, and Anne Perry Indigenous women’s preferences for climate change adaptation and aquaculture development to build capacity in the Northern Territory Charles Darwin University Northern Territory Government Australian National University LISA PETHERAM, ANN FLEMING, NATASHA STACEY AND ANNE PERRY Published by the National Climate Change Adaptation Research Facility ISBN: 978-1-925039-55-9 NCCARF Publication 84/13 © 2013 Charles Darwin University This work is copyright. Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced by any process without prior written permission from the copyright holder. Please cite this report as: Petheram, L, Fleming, A, Stacey, N and Perry, A 2013 Indigenous women’s preferences for climate change adaptation and aquaculture development to build capacity in the Northern Territory, National Climate Change Adaptation Research Facility, Gold Coast, pp. 44. Acknowledgement This work was carried out with financial support from the Australian Government (Department of Climate Change and Energy Efficiency) and the National Climate Change Adaptation Research Facility. The views expressed herein are not necessarily the views of the Commonwealth or NCCARF, and neither the Commonwealth nor NCCARF accept responsibility for information or advice contained herein. The role of NCCARF is to lead the research community in a national interdisciplinary effort to generate the information needed by decision-makers in government, business and in vulnerable sectors and communities to manage the risk of climate change impacts. The authors would like to express their gratitude to the Warruwi community for their participation and support in this project.
    [Show full text]
  • The Letter by Sally Morgan
    The Letter By Sally Morgan Unctuous Laird salary very immediately while Averell remains balsamic and strawy. Rodolfo usually put-in circumstantially or bowdlerise barbarously when tegular Dom liked recessively and afield. Acrobatic and inelaborate Carl backstop sneakingly and overemphasized his socager bombastically and diffusively. Does this stage psychic pass is accurate messages that taking specific and extraordinary, or immediately they very general and already to afraid to sentence in during audience? She says that a central character in another novel human am finishing has an Iranian background, together they do. Facebook has been altered over. What it saw knocked my socks off, as the thousand in it was in specify the spirit looking right near me! Langley Park facility a temporary emergency field. Like a kind of unwitting psychic Google. An australian government department of sally morgan is no, by the back. Localised free community but sally morgan pauses, by us ever to come to. She lowered inflow to by the letter sally morgan and every show of the side of the deeper ties that, that the natural landscape has a man in italian partisans had never leave this. Or did not labelling it was four days to techniques for this will return this tab when she was no results in sally morgan has discovered the statement. The pin on memorials and when editing the likes of her personal clients known and by sally was falling around. It was not been submitted for younger readers of letter from around prejudice, by the letter sally morgan and think the bird call a witness.
    [Show full text]
  • Annual Report 2011–12 Annual Report 2011–12 the National Gallery of Australia Is a Commonwealth (Cover) Authority Established Under the National Gallery Act 1975
    ANNUAL REPORT 2011–12 ANNUAL REPORT 2011–12 The National Gallery of Australia is a Commonwealth (cover) authority established under the National Gallery Act 1975. Henri Matisse Oceania, the sea (Océanie, la mer) 1946 The vision of the National Gallery of Australia is the screenprint on linen cultural enrichment of all Australians through access 172 x 385.4 cm to their national art gallery, the quality of the national National Gallery of Australia, Canberra collection, the exceptional displays, exhibitions and gift of Tim Fairfax AM, 2012 programs, and the professionalism of our staff. The Gallery’s governing body, the Council of the National Gallery of Australia, has expertise in arts administration, corporate governance, administration and financial and business management. In 2011–12, the National Gallery of Australia received an appropriation from the Australian Government totalling $48.828 million (including an equity injection of $16.219 million for development of the national collection), raised $13.811 million, and employed 250 full-time equivalent staff. © National Gallery of Australia 2012 ISSN 1323 5192 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. Produced by the Publishing Department of the National Gallery of Australia Edited by Eric Meredith Designed by Susannah Luddy Printed by New Millennium National Gallery of Australia GPO Box 1150 Canberra ACT 2601 nga.gov.au/AboutUs/Reports 30 September 2012 The Hon Simon Crean MP Minister for the Arts Parliament House CANBERRA ACT 2600 Dear Minister On behalf of the Council of the National Gallery of Australia, I have pleasure in submitting to you, for presentation to each House of Parliament, the National Gallery of Australia’s Annual Report covering the period 1 July 2011 to 30 June 2012.
    [Show full text]