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Into the Mainstream Guide to the Moving Image Recordings from the Production of Into the Mainstream by Ned Lander, 1988

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Descriptive Level

Finding aid

LANDER_N001

Collection title

Into the Mainstream

Guide to the moving image recordings from the production of
Into the Mainstream by

Ned Lander, 1988

Prepared 2015 by LW and IE, from audition sheets by JW

Last updated November 19, 2015

ACCESS
Availability of copies

Digital viewing copies are available. Further information is available on the 'Ordering Collection Items' web page. Alternatively, contact the Access Unit by email to arrange an appointment to view the recordings or to order copies.

Restrictions on viewing

The collection is open for viewing on the AIATSIS premises. AIATSIS holds viewing copies and production materials. Contact AFI Distribution for copies and usage. Contact Ned Lander and Yothu Yindi for usage of production materials.

Ned Lander has donated production materials from this film to AIATSIS as a Cultural Gift under the Taxation Incentives for the Arts Scheme.

Restrictions on use

The collection may only be copied or published with permission from AIATSIS.

SCOPE AND CONTENT NOTE
Date:

1988

Extent:

102 videocassettes (Betacam SP) (approximately 35 hrs.) : sd., col. 10 U-Matic tapes (Kodak EB950) (approximately 10 hrs.) : sd, col.

(Moving Image components)

6 Betamax tapes (approximately 6 hrs.) : sd, col. 9 VHS tapes (approximately 9 hrs.) : sd, col.

Production history

Made as a one hour television documentary, 'Into the Mainstream' follows the Aboriginal band Yothu Yindi on its journey across America in 1988 with rock groups Midnight Oil and Graffiti Man (featuring John Trudell). Yothu Yindi is famed for drawing on the song-cycles of its Arnhem Land roots to create a mix of traditional Aboriginal music and rock and roll. The footage includes Yothu Yindi in performance on their North American tour as well as in Australia performing traditional music.

Prepared 2015 by LW and IE, from audition sheets by JW

Last updated November 19, 2015

All excess camera rushes, sound materials and written materials from this production were donated to AIATSIS in two donations in 1991 and 1992 respectively. The producer then donated the copyright of the physical footage to AIATSIS as a cultural gift in 2009. The donation does not include copyright to the completed documentary 'Into the Mainstream' or copyright to the songs and music in the excess footage.

RELATED MATERIAL

Important: before you click on any links in this section, please read our sensitivity message. Release script, Yothu Yindi publicity leaflet, editor's notes/log, translations, letters, music cue sheet, sound log, music venue log, track lay and sound hit list.

For a complete listing of related material held by AIATSIS, consult the Institute's Mura® online

catalogue at http://aiatsis.gov.au/collections/using-collection/search-collection. To conduct a search

of available audiovisual finding aids, please click here.

ARCHIVIST'S NOTE

This finding aid was compiled from information contained in documentation provided by Ned Lander and audition sheets prepared by AIATSIS staff.

Prepared 2015 by LW and IE, from audition sheets by JW

Last updated November 19, 2015

ITEM LIST
AIATSIS item number Description

V03907_1

V03908_1

V03909_1

Camera rushes including interviews and cityscapes for the making of the documentary 'Into the Mainstream' with Mandawuy (Bakamana) Yunupingu, Witiyana Marika and Delphine Blue in New York City, New York, U.S.A.

Camera rushes including interviews and cityscapes for the making of the documentary 'Into the Mainstream' with Mandawuy (Bakamana) Yunupingu; Witiyana Marika; Delphine Blue, in Harlem, New York, U.S.A.

Camera rushes including interviews and cityscapes for the making of the documentary 'Into the Mainstream' with Mandawuy (Bakamana) Yunupingu; Yothu Yindi; Jesse Keyes in New York City, New York, U.S.A.

Camera rushes including cityscapes for the making of the documentary 'Into the Mainstream' with Mandawuy (Bakamana) Yunupingu; other members of Yothu Yindi; Jesse Keyes in New York City, New York, U.S.A.

V03910_1

V03911_1 V03912_1

Camera rushes including cityscapesfor the making of the documentary 'Into the Mainstream' with Yothu Yindi in New York City, New York, U.S.A.

Camera rushes including landscapes and rehearsal footage for the making of the documentary 'Into the Mainstream', with Yothu Yindi in Boston, Massachusetts, U.S.A.

V03913_1 V03914_1

Camera rushes including interviews and performances for the making of the documentary 'Into the Mainstream', with Betty Tso; John Trudell; Graffiti Man; Yothu Yindi; Mandawuy (Bakamana) Yunupingu in Flagstaff, Arizona, and Boston, Massachusetts, U.S.A.

Camera rushes including performances, tour footage and landscapes, for the making of the documentary 'Into the Mainstream' with Midnight Oil; Witiyana Miraka; Mandawuy (Bakamana) Yunupingu; Peter Garrett in Boston, Massachusetts, U.S.A.

V03915_1 V03916_1 V03917_1

Camera rushes including rehearsals and performances, for the making of the documentary 'Into the Mainstream', with Witiyana Miraka; Mandawuy (Bakamana) Yunupingu; Yothu Yindi in Boston, Massachusetts, U.S.A.

Camera rushes including interviews for the making of the documentary 'Into the Mainstream' with Quebecois Indigenous interviewer (Bernard); Peter Garrett; Mandawuy (Bakamana) Yunupingu; Graffiti Man in Quebec, Canada.

Camera rushes including interviews and performances for the making of the documentary 'Into the Mainstream' with Quebecois Indigenous interviewer (Bernard); Peter Garrett; Mandawuy (Bakamana) Yunupingu; John Trudell in Quebec, Canada.

V03918_1 V03919_1 V03920_1

Camera rushes including rehearsals and tour footage, for the making of the documentary 'Into the Mainstream' with Mandawuy (Bakamana) Yunupingu; Yothu Yindi in Montreal, Quebec, Canada.

Camera rushes including rehearsals and performances, for the making of the documentary 'Into the Mainstream' with Mandawuy (Bakamana) Yunupingu; Cal Williams; Stuart Kellaway; Yothu Yindi in unidentified location.

Camera rushes including rehearsals and performances for the making of the

Prepared 2015 by LW and IE, from audition sheets by JW

Last updated November 19, 2015

AIATSIS item number Description

documentary 'Into the Mainstream' with Mandawuy (Bakamana) Yunupingu; Cal Williams; Stuart Kellaway; Yothu Yindi in Montreal, Quebec, Canada.

V03921_1 V03922_1

Camera rushes including performances for the making of the documentary 'Into the Mainstream' with Yothu Yindi in Montreal, Quebec, Canada.

Camera rushes including performances for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Peter Garrett; Midnight Oil in unidentified location.

V03923_1 V03957_1

Camera rushes including tour footage and landscapes, for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Midnight Oil in Cleveland, Ohio, and Bloomington, Indiana, U.S.A.

Camera rushes including tour footage, landscapes, rehearsals and performances, for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Mandawuy (Bakamana) Yunupingu; Witiyana Marika; Eddie; Milkayngu Mununggurr; local Indigenous people in Calgary, Alberta, Canada.

V03958_1 V03959_1

Camera rushes including landscapes and tour footage for the making of the documentary 'Into the Mainstream' with Mandawuy (Bakamana) Yunupingu; other Yothu Yindi band members; Chris O’Reilly in Calgary, British Columbia and Hope, Alberta, Canada.

Camera rushes including landscapes, cruise and tour footage for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Milkayngu Mununggurr; Witiyana Marika; Mandawuy (Bakamana) Yunupingu in Victoria, British Columbia, Canada.

V03960_1 V03961_1

Camera rushes including interviews, and cruise and tour footage, for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Mandawuy (Bakamana) Yunupingu in Victoria, British Columbia, Canada.

Camera rushes including interviews, rehearsals, painting up and performances, and cruise footage, for the making of the documentary 'Into the Mainstream', with Stuart Kellaway; Mandawuy (Bakamana) Yunupingu; Witiyana Marika; Cal Williams; Yothu Yindi; Eddie in Victoria and Vancouver, British Columbia, Canada.

V03962_1 V03963_1

Camera rushes including rehearsals and performances, for the making of the documentary 'Into the Mainstream', with Mandawuy (Bakamana) Yunupingu; Witiyana Marika; Stuart Kellaway; Cal Williams; Milkayngu Mununggurr; Yothu Yindi; Midnight Oil; Peter Garrett in Vancouver, British Columbia, Canada.

Camera rushes including rehearsals and interviews, for the making of the documentary 'Into the Mainstream', with Yothu Yindi; Mandawuy (Bakamana) Yunupingu; Stuart Kellaway; John Trudell in Vancouver, British Columbia, Canada.

V03964_1 V03965_1 V03966_1

Camera rushes including interviews and cityscapes for the making of the documentary 'Into the Mainstream' with John Trudell in Seattle, Washington, U.S.A.

Camera rushes including interviews and cityscapes for the making of the documentary 'Into the Mainstream' with John Trudell in Seattle, Washington, U.S.A.

Camera rushes including interviews for the making of the documentary 'Into the Mainstream', with Stuart Kellaway; Mandawuy (Bakamana) Yunupingu; Yothu Yindi; residents of Warm Springs Indian Reservation, in Seattle, Washington, and Oregon, U.S.A.

Prepared 2015 by LW and IE, from audition sheets by JW

Last updated November 19, 2015

AIATSIS item number Description

V03967_1

Camera rushes including traditional performances for the making of the documentary 'Into the Mainstream', with Witiyana Marika; Milkayngu Mununggurr; Mandawuy (Bakamana) Yunupingu; residents of Warm Springs Indian Reservation, Oregon, U.S.A.

V03968_1 V03969_1

Camera rushes including interviews for the making of the documentary 'Into the Mainstream' with Yothu Yindi; residents of Warm Springs Indian Reservation, Oregon, U.S.A.

Camera rushes including interviews for the making of the documentary 'Into the Mainstream' with Mandawuy (Bakamana) Yunupingu; other Yothu Yindi band members; Elders and residents of Warm Springs Indian Reservation, Oregon, U.S.A.

V03924_1 V03925_1 V03926_1 V03927_1 V03928_1 V03929_1 V03930_1 V03931_1 V03932_1 V03933_1 V03934_1

Camera rushes including performances for the making of the documentary 'Into the Mainstream' with Mandawuy (Bakamana) Yunupingu; other Yothu Yindi band members; Midnight Oil in Bloomington, Indiana, U.S.A.

Camera rushes including performances for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Midnight Oil; Peter Garrett in Bloomington, Indiana, U.S.A.

Camera rushes including tour footage for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Mandawuy (Bakamana) Yunupingu; Stuart Kellaway; Cal Williams in Cleveland, Ohio and Bloomington, Indian, U.S.A.

Camera rushes including interviews, cityscapes and landscapes for the making of the documentary 'Into the Mainstream' with Cal Williams; Witiyana Marika; Stuart Kellaway in Bloomington, Indiana and Detroit, Michigan, U.S.A.

Camera rushes including interviews and cityscapes for the making of the documentary 'Into the Mainstream' with Peter Garrett; Bart Willoughby in Detroit, Michigan, U.S.A.

Camera rushes including interviews and performances for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Witiyana Marika; Rodriguez; Mandawuy (Bakamana) Yunupingu in Detroit, Michigan, U.S.A.

Camera rushes including performances, cityscapes and tour footage for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Midnight Oil; Stuart Kellaway; Bart Willoughby; Witiyana Marika in Detroit, Michigan, U.S.A.

Camera rushes including tour footage and interviews for the making of the documentary 'Into the Mainstream' with Mandawuy (Bakamana) Yunupingu; Viola Thomas in Detroit, Michigan, U.S.A. and Toronto, Ontario, Canada.

Camera rushes including interviews for the making of the documentary 'Into the Mainstream' with Mandawuy (Bakamana) Yunupingu; Viola Thomas in Toronto, Ontario, Canada.

Camera rushes including telelvision footage, and interviews, for the making of the documentary 'Into the Mainstream' with Mandawuy (Bakamana) Yunupingu; Debbie Scott in Chicago, Illinois, U.S.A.

Camera rushes including interviews for the making of the documentary 'Into the Mainstream' with Mandawuy (Bakamana) Yunupingu; Debbie Scott in Chicago, Illinois, U.S.A.

Prepared 2015 by LW and IE, from audition sheets by JW

Last updated November 19, 2015

AIATSIS item number Description

V03935_1 V03936_1

Camera rushes including cityscapes, rehearsals and interviews for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Mandawuy (Bakamana) Yunupingu; Bart Willoughby; Stuart Kellaway in Chicago, U.S.A.

Camera rushes including performances and rehearsals for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Manadawuy (Bakamana) Yunupingu; Stuart Kellway; Witiyana Marika; Cal Williams in Chicago, Illinois, U.S.A.

V03937_1 V03938_1 V03939_1

Camera rushes including performances and rehearsals for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Midnight Oil; Peter Garrett in Chicago, Illinois, U.S.A.

Camera rushes including performances and tour footage, for the making of the documentary 'Into the Mainstream', with Yothu Yindi; Midnight Oil; Paul Kelly; Mandawuy (Bakamana) Yunupingu in Chicago, Illinois, U.S.A.

Camera rushes including tour footage and rehearsals for the making of the documentary 'Into the Mainstream', with Yothu Yindi; Eddie; Stuart Kellaway; Mandawuy (Bakamana) Yunupingu; Witiyana Marika in Milwaukee, Wisconsin, U.S.A.

V03940_1

Camera rushes including painting up and performances for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Witiyana Marika; Stuart Kellaway; Mandawuy (Bakamana) Yunupingu in Chicago, Illinois, U.S.A.

V03941_1 V03942_1

Camera rushes including performances for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Mandawuy (Bakamana) Yunupingu; Cal Williams in Milwaukee, Wisconsin, U.S.A.

Camera rushes including interviews and tour footage for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Gareth Stevens; Witiyana Marika; Mandawuy (Bakamana) Yunupingu; Elders and residents attending the Minneapolis Indian Centre, Minneapolis, U.S.A.

V03943_1

Camera rushes including interviews and rehearsals for the documentary 'Into the Mainstream' with Yothu Yindi; Midnight Oil; Witiyana Marika; Mandawuy (Bakamana) Yunupingu; Bart Willoughby; Peter Garrett; Elders and residents attending the Minneapolis Indian Centre, Minneapolis, U.S.A.

V03944_1 V03945_1 V03946_1 V03947_1

Camera rushes including rehearsals for the documentary 'Into the Mainstream' with Midnight Oil; Peter Garrett; Yothu Yindi; Mandawuy (Bakamana) Yunupingu in Minneapolis, Minnesota, U.S.A.

Camera rushes including interviews for the making of the documentary 'Into the Mainstream' with Mike; Mandawuy (Bakamana) Yunupingu in Minneapolis, Minnesota, U.S.A.

Camera rushes including performances and tour footage for the making of the documentary 'Into the Mainstream', with Yothu Yindi; Midnight Oil; Stuart Kellaway; Eddie in Winnipeg, Manitoba, Canada.

Camera rushes including tour footage for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Stuart Kellaway; Mandawuy (Bakamana) Yunupingu; Cal Williams; Eddie in Winnipeg, Manitoba, Canada.

Prepared 2015 by LW and IE, from audition sheets by JW

Last updated November 19, 2015

AIATSIS item number Description

V03948_1

Camera rushes including tour footage, rehearsals and interviews for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Charlene Napio; Mandawuy (Bakamana) Yunupingu; Stuart Kellaway; Milkayngu Mununggurr; Witiyana Marika in Brandon, Manitoba and Saskatoon, Saskatchewan, Canada.

V03948_1 V03950_1 V03951_1 V03952_1

Camera rushes including interviews for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Charlene Napio in Saskatoon, Saskatchewan, Canada.

Camera rushes including interviews and performances for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Charlene Napio; John Trudell in Saskatoon, Saskatchewan, Canada.

Camera rushes including performances for the making of the documentary 'Into the Mainstream' with John Trudell and Graffiti Man in Saskatoon, Saskatchewan, Canada.

Camera rushes including performances, tour footage, cityscapes and interviews, for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Midnight Oil; John Trudell; Mandawuy (Bakamana) Yunupingu; Witiyana Marika; Dan Prima in Saskatoon, Saskatchewan, and Edmonton, Alberta, Canada.

V03953_1 V03954_1 V03955_1

Camera rushes including interviews for the making of the documentary 'Into the Mainstream' with Mandawuy (Bakamana) Yunupingu, Witiyana Marika, John Trudell, Dan Prima in Edmonton, Alberta, Canada.

Camera rushes including performances and tour footage, for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Midnight Oil; Witiyana Marika in Edmonton and Calgary, Alberta, Canada.

Camera rushes including tour footage and rehearsals for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Mandawuy (Bakamana) Yunupingu; Witiyana Marika; Stuart Kellaway; Cal Williams; Milkayngu Mununggurr; Eddie in Calgary, Alberta, Canada.

V03956_1

Camera rushes including cityscapes, tour footage and interviews for the making of the documentary 'Into the Mainstream' with Mandawuy (Bakamana) Yunupingu; Witiyana Marika; Stuart Kellaway; Cal Williams; Milkayngu Mununggurr; Alan James; David in Calgary, Alberta, Canada.

V03970_1 V03971_1 V03972_1 V03973_1 V03974_1

Camera rushes including interviews and rehearsals from the making of the documentary 'Into the Mainstream', with Yothu Yindi; John Trudell; Quiltman; residents and Elders from Warm Springs Indian Reservation, Oregon, U.S.A.

Camera rushes including cityscapes, landscapes and interviews for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Mandawuy (Bakamana) Yunupingu; Peter Garrett; John Trudell in San Francisco, California, U.S.A.

Camera rushes including cityscapes and news segment, for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Midnight Oil; Witiyana Marika, in San Francisco, U.S.A.

Camera rushes including cityscapes and performances for the making of the documentary 'Into the Mainstream', with Graffiti Man; John Trudell; Charlene Napio; Quiltman; Bart Willoughby; Mark Sharp in San Diego, California, U.S.A.

Camera rushes including performances and tour footage, for the making of the

Prepared 2015 by LW and IE, from audition sheets by JW

Last updated November 19, 2015

AIATSIS item number Description

documentary 'Into the Mainstream' with Yothu Yindi; Mandawuy (Bakamana) Yunupingu; Witiyana Marika; Stuart Kellaway; Cal Williams; Milkayngu Mununggurr in San Diego, U.S.A.

V03975_1 V03976_1 V03977_1 V03978_1

Camera rushes including tour footage and interviews for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Mandawuy (Bakamana) Yunupingu; Witiyana Marika; Stuart Kellaway; Cal Williams; Milkayngu Mununggurr; Bart Willoughby in San Diego and Los Angeles, California, U.S.A.

Camera rushes including tour footage and rehearsals for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Midnight Oil; John Trudell; Mandawuy (Bakamana) Yunupingu; Alan James; Witiyana Marika; Milkayngu Mununggurr; Cal Williams; Quiltman; Charlene Napio, in Santa Barbara, U.S.A.

Camera rushes including performances for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Mandawuy (Bakamana) Yunupingu; Milkayngu Mununggurr; Witiyana Marika; Midnight Oil; Peter Garrett in Santa Barbara, California, U.S.A.

Camera rushes including tour footage for the making of the documentary 'Into the Mainstream' with Yothu Yindi; Witiyana Marika; Mandawuy (Bakamana) Yunupingu in Hollywood, Los Angeles, U.S.A.

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    Beskæftigelsesudvalget 2018-19 (2. samling) BEU Alm.del - Bilag 28 Offentligt Health effects of exposure to diesel exhaust in diesel-powered trains Maria Helena Guerra Andersen1,2*, Marie Frederiksen2, Anne Thoustrup Saber2, Regitze Sølling Wils1,2, Ana Sofia Fonseca2, Ismo K. Koponen2, Sandra Johannesson3, Martin Roursgaard1, Steffen Loft1, Peter Møller1, Ulla Vogel2,4 1Department of Public Health, Section of Environmental Health, University of Copenhagen, Øster Farimagsgade 5A, DK-1014 Copenhagen K, Denmark 2The National Research Centre for the Working Environment, Lersø Parkalle 105, DK-2100 Copenhagen Ø, Denmark. 3 Department of Occupational and Environmental Medicine, Sahlgrenska Academy at University of Gothenburg, Gothenburg, Sweden. 4 DTU Health Tech., Technical University of Denmark, DK-2800 Kgs. Lyngby, Denmark *Corresponding author: [email protected]; [email protected] Maria Helena Guerra Andersen, [email protected]; [email protected] Marie Frederiksen, [email protected] Anne Thoustrup Saber, [email protected] Regitze Sølling Wils, [email protected] Ana Sofia Fonseca, [email protected] Ismo K. Koponen, [email protected] Sandra Johannesson, [email protected] Martin Roursgaard, [email protected] Steffen Loft, [email protected] Peter Møller, [email protected] Ulla Vogel, [email protected] Abstract Background: Short-term controlled exposure to diesel exhaust (DE) in chamber studies have shown mixed results on lung and systemic effects. There is a paucity of studies on well- characterized real-life DE exposure in humans. In the present study, 29 healthy volunteers were exposed to DE while sitting as passengers in diesel-powered trains. Exposure in electric trains was used as control scenario.
  • Black North American and Caribbean Music in European Metropolises a Transnational Perspective of Paris and London Music Scenes (1920S-1950S)

    Black North American and Caribbean Music in European Metropolises a Transnational Perspective of Paris and London Music Scenes (1920S-1950S)

    Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s-1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 15 April 2019 European University Institute Department of History and Civilization Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s- 1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Professor Stéphane Van Damme, European University Institute Professor Laura Downs, European University Institute Professor Catherine Tackley, University of Liverpool Professor Pap Ndiaye, SciencesPo © Veronica Chincoli, 2019 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Veronica Chincoli certify that I am the author of the work “Black North American and Caribbean Music in European Metropolises: A Transnatioanl Perspective of Paris and London Music Scenes (1920s-1950s). I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297).
  • Barbara Mandrell Just One More of Your Goodbyes Mp3, Flac, Wma

    Barbara Mandrell Just One More of Your Goodbyes Mp3, Flac, Wma

    Barbara Mandrell Just One More Of Your Goodbyes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Just One More Of Your Goodbyes Country: UK Released: 1978 Style: Country MP3 version RAR size: 1871 mb FLAC version RAR size: 1348 mb WMA version RAR size: 1202 mb Rating: 4.5 Votes: 784 Other Formats: DXD AA AHX MIDI MMF AC3 MP1 Tracklist A Just One More Of Your Goodbyes 3:15 B Sleeping Single In A Double Bed 2:19 Credits Producer – Tom Collins Other versions Category Artist Title (Format) Label Category Country Year Sleeping Single In A Barbara Double Bed / Just One ABC AB-12403 AB-12403 US 1978 Mandrell More Of Your Goodbyes Records (7") Barbara Sleeping Single In A MCA MCA-60195 MCA-60195 US Unknown Mandrell Double Bed (7") Records Sleeping Single In A Barbara Double Bed / Just One ABC 1022-12403 1022-12403 US 1978 Mandrell More Of Your Goodbyes Records (7", Single) Sleeping Single In A Barbara ABC AB-12403 Double Bed (7", Single, AB-12403 US 1978 Mandrell Records Promo) Barbara Sleeping Single In A ABC New 103218 103218 1978 Mandrell Double Bed (7", Single) Records Zealand Related Music albums to Just One More Of Your Goodbyes by Barbara Mandrell Barbara Mandrell - Love Is Fair Barbara Mandrell - Live Barbara Mandrell - Hold Me Barbara Mandrell - The Best Of Barbara Mandrell Barbara Mandrell - No One Mends A Broken Heart Like You Barbara Mandrell - Midnight Angel David Houston And Barbara Mandrell - The Best Of David Houston And Barbara Mandrell Barbara Mandrell - Super Hits Barbara Mandrell - MIrror Mirror Barbara Mandrell - Queen For A Day / Alone In The Crowd Barbara Mandrell - Greatest Hits Barbara Mandrell - The Midnight Oil.
  • Australian Elegy: Landscape and Identity

    Australian Elegy: Landscape and Identity

    Australian Elegy: Landscape and Identity by Janine Gibson BA (Hons) Submitted in fulfilment of the requirements for the degree of (Doctor of Philosophy) Deakin University December, 2016 Acknowledgments I am indebted to the School of Communication and Creative Arts at Deakin University (Geelong), especially to my principal supervisor Professor David McCooey whose enthusiasm, constructive criticism and encouragement has given me immeasurable support. I would like to gratefully acknowledge my associate supervisors Dr. Maria Takolander and Dr. Ann Vickery for their interest and invaluable input in the early stages of my thesis. The unfailing help of the Library staff in searching out texts, however obscure, as well as the support from Matt Freeman and his helpful staff in the IT Resources Department is very much appreciated. Sincere thanks to the Senior HDR Advisor Robyn Ficnerski for always being there when I needed support and reassurance; and to Ruth Leigh, Kate Hall, Jo Langdon, Janine Little, Murray Noonan and Liam Monagle for their help, kindness and for being so interested in my project. This thesis is possible due to my family, to my sons Luke and Ben for knowing that I could do this, and telling me often, and for Jane and Aleisha for caring so much. Finally, to my partner Jeff, the ‘thesis watcher’, who gave me support every day in more ways than I can count. Abstract With a long, illustrious history from the early Greek pastoral poetry of Theocritus, the elegy remains a prestigious, flexible Western poetic genre: a key space for negotiating individual, communal and national anxieties through memorialization of the dead.
  • Idioms-And-Expressions.Pdf

    Idioms-And-Expressions.Pdf

    Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context.
  • The History of the Yirrkala School

    The History of the Yirrkala School

    The History of the Yirrkala School. Vo 1 rJ u Thinking about Education in the Laynha and Yirrkala Areas. Yirrkala Literature Production Centre 1990 HISTORY OF YIRRKALA COMMUNITY SCHOOL 24 important aspects of the curriculum and the community's and our lives and concerns being put under focus: The History of the Yirrkala Community School I: Focus One - Yo Io u Curriculum- Continuation of studies of Formal Yo 11) u2 thinking about education in the Laynha and Yo Io u Knowledee, This is a continuation of previous activities that have been funded by the Schools Commission as part of the Yirrkala area3. research and study of Galtha Rom41 in this area. This is an exploration of the connections between Non-Aboriginal by Raymattja Marika-Munuf)giritj, Banbapuy Maymuru, Multhara mathematical knowledge and Aboriginal systems of knowledge. Munuf)gurr, Badaf)thun Munyarryun, Gandalal �urruwutthun, and Focus Two - CurrjcuJum Development for Homeland Centre • Yalmay YunupifJu4. Schools - This activity seeks to develop a form of curriculum and staff development that we have labelled an Integrated "Workshop * Yirrkala Community School is sustammg and developing a driven Curriculum"42 It is envisaged that this activity would community based approach in delineating education programs enable exploration of appropriate curriculum forms through a which meet the articulated needs of the communities in the area. focus on strategies for the teaching of non-Aboriginal knowledge by Yo I fJ u teachers.43. This will enable Yirrkala communities to * Community centred and research orientated workshops are the have access to ideas and knowledge that previously has remained core feature of Yirrkala Community School's Program.
  • The Value of Inclusion

    The Value of Inclusion

    The value of inclusion Lesson plan description Australia is populated by a diverse range of people with varied backgrounds and understandings. In order for people to get along in a multicultural society, they may share values including a belief in equality, freedom and respect for one another. Understanding, tolerance and inclusion are also important. Students will explore some of these values through examining and thinking about examples of inclusion, exclusion and segregation in their own lives and in the broader community. Students will play a game and view a film clip on racial segregation in Australia in the 1950s. Students will research the Australian Freedom Rides and reflect on changing attitudes. Students will consider values they admire in another Australian and how they could enact these in their own life. Year levels Middle Childhood (8–11 years) Duration Approximately 50 minutes Note: research will incur additional time. Explicit values focus • Care and Compassion • Doing Your Best • Fair Go • Freedom • Respect • Responsibility • Understanding, Tolerance and Inclusion Key Learning Areas • Studies of Society and Environment • English • Technology Lesson plan Getting started Activity 1: Class game NOTE: the following game needs to be handled sensitively as children who have experienced exclusion in their lives may find it frustrating. Play a familiar class game, modified with ‘new’ rules so that one group of students has additional restrictions imposed upon them. For example, play ‘tips’, but those ‘in’ must tip the other person on both shoulders and both elbows before they can be in. After a couple of minutes of playing, seat the students and ask for their comments on the new game.