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Ebook Sulpalco N.32
SUL PALCO QUINDICINALE ONLINE DI ARTE MUSICA SPETTACOLO DI ROMA E NON SOLO … EDIZIONE N. 32 DEL 1 GIUGNO 2012 www.sulpalco.it - [email protected] Edizione N. 32 Del 1 Giugno 2012 ATTACK THE BLOCK – INVASIONE ALIENA ................................................................... 3 I MEN IN BLACK IN BILICO NEL TEMPO ......................................................................... 7 ICE 2020 ...................................................................................................................................... 11 LA FAVOLA DI di W.S. ........................................................................................................... 14 UN APPARTAMENTO IN CITTA’........................................................................................ 21 NEL BEL MEZZO DI UN GELIDO INVERNO .................................................................. 24 MILONGA MERINI ................................................................................................................. 28 CHI ERANO I JOLLY ROCKERS? ........................................................................................ 31 INTERVISTA A FABRIZIO ROMAGNOLI ......................................................................... 34 MARYLIN MANSON TORNA A PICCHIARE ................................................................... 44 FEEZY ......................................................................................................................................... 47 CHEMICAL BROTHERS, MAI SCONTATI ....................................................................... -
Integration Des Chaos : Marilyn Manson, Männlichkeit, Lust Und Scheitern L'amour Lalove, Patsy 2017
Repositorium für die Geschlechterforschung Integration des Chaos : Marilyn Manson, Männlichkeit, Lust und Scheitern l'Amour laLove, Patsy 2017 https://doi.org/10.25595/398 Eingereichte Version / submitted version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: l'Amour laLove, Patsy: Integration des Chaos : Marilyn Manson, Männlichkeit, Lust und Scheitern, in: Nagelschmidt, Ilse; Borrego, Britta; Majewski, Daria; König, Lisa (Hrsg.): Geschlechtersemantiken und Passing be- und hinterfragen (Frankfurt am Main: PL Academic Research, 2017), 169-194. DOI: https://doi.org/10.25595/398. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY 4.0 Lizenz (Namensnennung) This document is made available under a CC BY 4.0 License zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz finden (Attribution). For more information see: Sie hier: https://creativecommons.org/licenses/by/4.0/deed.en https://creativecommons.org/licenses/by/4.0/deed.de www.genderopen.de Integration des Chaos – Marilyn Manson, Männlichkeit, Lust und Scheitern Patsy l'Amour laLove Marilyn Manson as a public figure represents exemplarily aspects of goth subculture: Aspects of life that shall be denied as not belonging to a fulfilled and happy life from a normative point of view are being integrated in a way that is marked by pleasure. Patsy l‘Amour laLove uses psychoanalytic approaches to the integration of chaos, of pain and failure in Manson‘s recent works. „This will hurt you worse than me: I'm weak, seven days a week ...“ Marilyn Manson1 FOTO © by Max Kohr: Marilyn Manson & Rammstein bei der Echo-Verleihung 2012 Für Fabienne. Marilyn Manson verwirft in seinem Werk die Normalität, um sich im gleichen Moment schmerzlich danach zu sehnen und schließlich den Wunsch nach Anpassung wieder wütend und lustvoll zu verwerfen. -
Current, October 31, 2011
University of Missouri, St. Louis IRL @ UMSL Current (2010s) Student Newspapers 10-31-2011 Current, October 31, 2011 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current2010s Recommended Citation University of Missouri-St. Louis, "Current, October 31, 2011" (2011). Current (2010s). 93. https://irl.umsl.edu/current2010s/93 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2010s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. OCTOBER 31, 2011 VOL. 45; TheWWW.T H ECURRECurrentN T-ONL INE . C OM ISSUE 1359 Cardinals win World Series, St. Louis parties! By Owen Shroyer, page 2 SARAH LOWE / THE CURRENT ALSO INSIDE RumMan DiariesEating review Sandwich Harry Potter celebration Men’s soccer ends strong 77 WorthyNew art adaptation installation of feeds Hunter one S . manThompson1312 UPB provides showing of final film 14 UMSL takes game 5-2 2 | The Current | OCTOBER 31, 2011 | WWW.THECURRENT-ONLINE.COM | | NEWS TheCurrent VOL. 45, ISSUE 1359 News WWW.THECURRENT-ONLINE.COM EDITORIAL Cardinals craze sweeps over the Editor-in-Chief....................................................Matthew B. Poposky Managing Editor.........................................................Janaca Scherer News Editor..................................................................Minho Jung University of Missouri and St. Louis Features Editor............................................................Ashley -
Is Not a Strategy Investing in High-Performance Fundraising Paves the Way for Success
JOURNAL OF THE ASSOCIATION FOR HEALTHCARE PHILANTHROPY | WWW.AHP.ORG | FALL 2012 healthcareCONNECTING PEOPLE n ENRICHING LIVES philanthropy Hope is not a strategy Investing in high-performance fundraising paves the way for success Also in this issue 16 Why major donors leave 24 Teaching physicians grateful patient fundraising 30 Balancing community benefit and health care philanthropy 35 A cute squirrel sparks a great idea Target Analytics 517277_Blackbaud.indd 1 3/16/11 9:05:27 AM = ;FF=IHH?=N=IFF?=NAO;L;HN??> Nb_F_[^_lchAo[l[hn__^ N_f_jbih_@oh^l[cmcha&G_g\_lmbcjN_f_jbih_@oh^l[cmcha `ilB_[fnb][l_Ila[hct[ncihm;]kocmcncih&[h^Molp_sm L?;=B[h^?R=??>siolai[fm ;=BC?P?MO==?MM`ilsiolm_f`[h^siolila[hct[ncih >CL?=N=;GJ;CAH=IHNLIFnblioabChn_lh_nm_lpc]_m J;LNH?LQCNBNB?=IGJ;HSnb[n b[m[l_jon[ncih`il_r]_ff_h]_ ohg[n]b_^chnb_ch^omnls >CL?=NFCH?ÎMAO;L;HN??g_[hm siob[p_hinbchanifim_ =;FFNI>;Sni^cm]ip_lbiq >cl_]nFch_][hb_fjsio[]bc_p_[ bcab_lf_p_fi`mo]]_mm`ilsiolila[hct[ncih&ao[l[hn__^ >CL?=NFCH? N?=BHIFIAC?M&CH=( =;FF42**'..2'+,** m[f_m:^cl_]nfch_'n_]b(]ig qqq(^cl_]nfch_'n_]b(]ig 498326_Directline.indd 1 9/28/10 2:29:25 PM Fall 2012 Vol. 41 No. 2 CONTENTS 16 FEATURES Hope is not a strategy 10 By Steven A. Reed A new study shows that CEOs are optimistic about the future of fundraising in their organizations but lack an understanding of how to achieve success. Lost major donors 16 By Jan W. Wood Four experts offer insights on how to retain or reengage valued major donors—especially those considered “lost”—and why they went missing in the first place. -
On Marilyn Manson's Album Born Villain Morag Keil Quotes Model
In her text “Eye Contact” on Marilyn Manson’s album Born Villain Morag Keil quotes model and actress Rosie Huntington-Whiteley: “At some point you have to start looking at yourself as a product. You have to do business with yourself. I look at Gisele – she has the character that everyone wants. She has made herself into a brand.” It happens to all of us, maybe even the best of us. This is where this exhibition got its starting point: in the embarrassing moment when we realize that everything we thought was authentic and that we could be proud of also functions by itself as an image – autonomous and elusive, efficient, deceitful. Art, life, work, occupation becoming their own representations in the form of positions, fantasies and identities. Caught up in ambivalent desires or ambitions, this pattern of self-definition and self- awareness can be part of an empowerment process, but also unfold as a marketing strategy, filling in specific demands in terms of social exposure and personal/professional expectations. The practice of an artist is routinely seen as a definition by itself: the embodiment of a lifestyle – the essential post-romantic surplus value. Trouble, annoyance and paradoxes appear here when the conventions of ironic heroization, spleenful projection, or transgression get exhausted. Which is, after all, fine. It’s not the forms and the signs that can stand for an attitude. More so the way they are used, put together and exchanged; activating their potential for meaning and feeling. Do these problems sound too general, or too familiar? Such looming questions seem not to belong to anyone anymore. -
Order Form Full
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2016 Little League Magazine
MAJOR LEAGUE BASEBALL President, Business & Media Bob Bowman Executive Vice President, Content; Editor-in-Chief, MLBAM Dinn Mann Vice President, Consumer Media Donald S. Hintze Editorial Director Mike McCormick Publications Art Director Faith M. Rittenberg Senior Production Manager Claire Walsh Account Executive Jake Schwartzstein Associate Editor Allison Duffy-Davis Specialist, Content Media Alex Trautwig Project Assistant Editor Joe Sparacio MAJOR LEAGUE BASEBALL PHOTOS Manager Jessica Foster LittleLeagueMagazine.org Photo Editor Jim McKenna ® For Major League Baseball info, visit: MLB.com magazine 2016 5 AROUND THE HORN 38 GAME ON! News from Little League to the Hone your baseball and softball Major Leagues skills virtually anywhere. 10 ONCE IN A LIFETIME 41 RALLY ANIMALS Superstars like Kris Bryant don’t Major League and Little League come around often. teams alike turn to monkey LITTLE LEAGUE BASEBALL AND SOFTBALL business for luck and motivation. 539 U.S. Highway 15 16 SHE’S GOT GAME P.O. Box 3485 These softball sluggers and 44 PLAYING THE GAME: Williamsport, PA 17701-0485 fastpitch fireballers battle with MARK MELANCON (570) 326-1921 their Big League brothers for Tips on pitching delivery family bragging rights. Chairman Dr. Davie Jane Gilmour 46 DOWN BUT NOT OUT President & CEO Stephen D. Keener 20 ALL-WORLD EXPERIENCE In the face of on-field adversity, Senior VP of Administration & CFO David B. Houseknecht Little League grad and Mets these Major Leaguers refused to outfielder Michael Conforto has give up. Senior VP of Operations and made World Series appearances Program Development Patrick W. Wilson a trend. 48 PLAYING THE GAME: VP of Marketing and Communications Liz DiLullo Brown HEATHER TARR Senior Director of Communications Brian McClintock 22 PLAYING THE GAME: Tips on hitting off a tee Director of Constituent Communications Chris Downs LORENZO CAIN 51 BOYS OF SUMMER Director of Digital Media Dallas Miller Tips on playing the outfield Big Leaguers remember their Sponsorship and Marketing Managers Dawn Hall, 27 A KID AT HEART playing days as kids. -
Disposal of Low Activity Radioactive Waste
Disposal of Low Activity Radioactive Waste Proceedings of an International Symposium, Córdoba, Spain, 13–17 December 2004 Organized by the International Atomic Energy Agency hosted by the Government of Spain through the Empresa Nacional de Residuos Radiactivos, S.A. and the Consejo de Seguridad Nuclear in co-sponsorship with the Agence nationale pour la gestion des déchets radioactifs and in cooperation with the OECD Nuclear Energy Agency DISPOSAL OF LOW ACTIVITY RADIOACTIVE WASTE © IAEA, 2005 Permission to reproduce or translate the information contained in this publication may be obtained by writing to the International Atomic Energy, Wagramer Strasse 5, P.O. Box 100, A-1400 Vienna, Austria. Printed by the IAEA in Austria June 2005 STI/PUB/1224 PROCEEDINGS SERIES DISPOSAL OF LOW ACTIVITY RADIOACTIVE WASTE PROCEEDINGS OF AN INTERNATIONAL SYMPOSIUM ON DISPOSAL OF LOW ACTIVITY RADIOACTIVE WASTE ORGANIZED BY THE INTERNATIONAL ATOMIC ENERGY AGENCY AND HOSTED BY THE GOVERNMENT OF SPAIN THROUGH THE EMPRESA NACIONAL DE RESIDUOS RADIACTIVOS, S.A. AND THE CONSEJO DE SEGURIDAD NUCLEAR IN CO-SPONSORSHIP WITH THE AGENCE NATIONALE POUR LA GESTION DES DÉCHETS RADIOACTIFS AND IN COOPERATION WITH THE OECD NUCLEAR ENERGY AGENCY, AND HELD IN CÓRDOBA, SPAIN, 13–17 DECEMBER 2004 INTERNATIONAL ATOMIC ENERGY AGENCY VIENNA, 2005 COPYRIGHT NOTICE All IAEA scientific and technical publications are protected by the terms of the Universal Copyright Convention as adopted in 1952 (Berne) and as revised in 1972 (Paris). The copyright has since been extended by the World Intellectual Property Organization (Geneva) to include electronic and virtual intellectual property. Permission to use whole or parts of texts contained in IAEA publications in printed or electronic form must be obtained and is usually subject to royalty agreements. -
OPPORTUNISTIC TRADEMARKING of SLOGANS- Galleyed-Finalized-5-21 (Do Not Delete)7/12/2013 4:45 PM
Burgunder- OPPORTUNISTIC TRADEMARKING OF SLOGANS- Galleyed-Finalized-5-21 (Do Not Delete)7/12/2013 4:45 PM OPPORTUNISTIC TRADEMARKING OF SLOGANS: IT’S NO CLOWN ISSUE, BRO LEE B. BURGUNDER* Abstract In June 2012, Bryce Harper, the Rookie of the Year ballplayer for the Washington Nationals, responded to a reporter’s inquiry with the statement, “That’s a clown question, bro.” The humorous retort was aired widely in the media, and gained such popularity that even Senate Majority Leader Harry Reid used it at a press conference. The day after Harper made the statement, he filed an intent-to-use trademark application for the slogan on t-shirts, hats and other types of products typically used by owners to express their personalities (herein called “billboard products”), and the United States Patent and Trademark Office (“PTO”) quickly gave its approval for registration. The incident raised questions about the propriety of using trademarks to gain exclusive rights to display clever or influential slogans, such as “Three- Peat” and “Let’s Roll,” on billboard products. This article explains why the PTO, under most circumstances, should not be so quick to register such phrases, but instead should wait until the applicant can demonstrate secondary meaning. Permission is hereby granted for noncommercial reproduction of this Article in whole or in part for education or research purposes, including the making of multiple copies for classroom use, subject only to the condition that the name of the author, a complete citation, and this copyright notice and grant of permission be included in all copies. * Professor of Law & Public Policy, Orfalea College of Business, Cal Poly, San Luis Obispo. -
Lo Monstruoso En Los Vídeos Musicales De Floria Sigismondi Y Chris Cunningham En Los Años Noventa (1993-1999)
Lo monstruoso en los vídeos musicales de Floria Sigismondi y Chris Cunningham en los años noventa (1993-1999) Pau Pascual Galbis UNIVERSIDAD POLITÉCNICA DE VALENCIA FACULTAD DE BELLAS ARTES DEPARTAMENTO DE ESCULTURA LO MONSTRUOSO EN LOS VÍDEOS MUSICALES DE FLORIA SIGISMONDI Y CHRIS CUNNINGHAM EN LOS AÑOS NOVENTA (1993-1999) Tesis Doctoral presentada por: Pau Pascual Galbis Dirigida por: Dr. Miguel Molina Alarcón Valencia, julio del 2011 Esta editorial es miembro de la UNE, lo que garantiza la difusión y comercialización de sus publicaciones a nivel nacional e internacional. © Pau Pascual Galbis, 2011 Primera edición, 2011 © de la presente edición: Editorial Universitat Politècnica de València www.editorial.upv.es ISBN: 978-84-695-0692-9 Ref. editorial: 5511 Queda prohibida la reproducción, distribución, comercialización, transformación, y en general, cualquier otra forma de explotación, por cualquier procedimiento, de todo o parte de los contenidos de esta obra sin autorización expresa y por escrito de sus autores. A Hana y Aniol Agradecimientos: A mi familia, Elisa, Pep y David; a la estimable ayuda efectuada por mi Director de la tesis, Miguel Molina Alarcón en los momentos más difíciles; a Pilar Pedraza por esclarecerme el camino y dirigirme el trabajo de investigación, al igual que también menciono el apoyo de mi tutor Vicente Ortiz Sausor en la tesina. Además quisiera agradecer a título personal su contribución en esta disertación: a Patrick Burke, Nigel Balfour, Bernabé Gómez, Pedro Ortuño, Joan Josep Mussarra, Marta Pérez-Yarza, Atsuko Arai, Felip González y Laura Frahm. Por último nombrar también a los que colaboraron en el vídeo, como Joan Urrios, Marta Migula, La Fábrica Naranja y EEDL. -
“I Am Your Faggot Anti-Pope”: an Exploration of Marilyn Manson As a Transgressive Artist
European journal of American studies 12-2 | 2017 Summer 2017, including Special Issue: Popularizing Politics: The 2016 U.S. Presidential Election “I Am Your Faggot Anti-Pope”: An Exploration of Marilyn Manson as a Transgressive Artist Coco d’Hont Electronic version URL: http://journals.openedition.org/ejas/12098 DOI: 10.4000/ejas.12098 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Coco d’Hont, « “I Am Your Faggot Anti-Pope”: An Exploration of Marilyn Manson as a Transgressive Artist », European journal of American studies [Online], 12-2 | 2017, document 14, Online since 01 August 2017, connection on 19 April 2019. URL : http://journals.openedition.org/ejas/12098 ; DOI : 10.4000/ ejas.12098 This text was automatically generated on 19 April 2019. Creative Commons License “I Am Your Faggot Anti-Pope”: An Exploration of Marilyn Manson as a Transgres... 1 “I Am Your Faggot Anti-Pope”: An Exploration of Marilyn Manson as a Transgressive Artist Coco d’Hont 1 “As a performer,” Marilyn Manson announced in his autobiography, “I wanted to be the loudest, most persistent alarm clock I could be, because there didn’t seem to be any other way to snap society out of its Christianity- and media-induced coma” (Long Hard Road 80).i With this mission statement, expressed in 1998, the performer summarized a career characterized by harsh-sounding music, disturbing visuals, and increasingly controversial live performances. At first sight, the red thread running through the albums he released during the 1990s is a harsh attack on American ideologies. On his debut album Portrait of an American Family (1994), for example, Manson criticizes ideological constructs such as the nuclear family, arguing that the concept is often used to justify violent pro-life activism.ii Proclaiming that “I got my lunchbox and I’m armed real well” and that “next motherfucker’s gonna get my metal,” he presents himself as a personification of teenage angst determined to destroy his bullies, be they unfriendly classmates or the American government. -
Who Is "You're So Vain" About? : Reference in Popular Music Lyrics
WHO IS »YOU'RE SO VAIN« ABOUT? REFERENCE IN POPULAR MUSIC LYRICS Theodore Gracyk »But you do speak of understanding music. … The way music speaks. Do not forget that a poem, even though it is composed in the language of information, is not used in the language- game of giving information.« (Ludwig Wittgenstein 1970: 27) »A song is capable of having several life spans.« (Paul Simon, quoted in Alterman 1970: 38) I. Introduction In an iconic scene in the film Say Anything (1989), Lloyd Dobler stands outside the bedroom of his former girlfriend and lofts a large boom box above his head. Inside the house, Diane Court recognizes the song blaring from the boom box: Peter Gabriel's »In Your Eyes«. Lloyd had played the song for her once before, shortly after they started to date. To understand the movie, one must understand this scene. To understand the scene, one must understand the song, »In Your Eyes«. In addition, one must understand what the charac- ter is doing with the (recorded) song. Lloyd is not inviting Diane to engage in disinterested, appreciative engagement of a piece of music. Instead, Lloyd is using the music to communicate something to Diane. There is no question of understanding a communicative action unless there is also a possibility of misunderstanding it. In this sense, »understand- ing« indicates successful interpretation. If someone thinks that Jimi Hendrix's »Purple Haze« is an early anthem of gay liberation, based on mishearing the lyric »'scuse me while I kiss the sky« as »kiss this guy«, then that interpreta- tion of the Hendrix recording is a misunderstanding.