DOCSLIB.ORG

Shanghai Opera House 2019 Summer Recruitment

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Shanghai Opera House 2019 Summer Recruitment Shanghai Opera House 2019 Summer Recruitment INTRODUCTION Shanghai Opera House is a well-known music, drama and dance performing group in China, founded in 1956. For more than half a century, the SOH has created brilliant artistic achievements, creating and performing many far-reaching operas, dance dramas, musicals, choral concerts, songs and dances, etc. creating a batch of talented creative and performing talents and making outstanding contributions to China's cultural undertakings. In recent years, the SOH has been invited to Italy, Austria, Germany, France, Finland, Sweden, Britain, the United States and other countries as well as regions like Hong Kong, Macao and Taiwan for tours. Its comprehensive strength and performance level have been highly praised by local media, audiences and the music circle. The Shanghai Opera House adheres to the policy of creating both national originality and world classics, focusing on national originality, and attaches great importance to the cultivation of artistic and managerial talents, making it a beautiful cultural name card matching Shanghai, an international metropolis. The Shanghai Opera House has its opera troupe, choir, symphony orchestra, dance ensemble and technical production team, and is now looking for excellent talents in vocal, music and dance at home and abroad. Specific requirements are as follows. QULIFICATIONS AND SKILL REQUIREMENTS 1. Bachelor’s Degree and above, graduated from relevant majors of professional music colleges and universities； 2. Passion for profession, proper behavior norm, and a developed interest in performing arts; 3. Excellent professional competence, comprehensive development ability, good team work ability and good stage appearance; 4. Excellent English proficiency, and can work in English-language work environment, vocal performers also have the ability to spell Italian, French, German and other languages.; 5. Under the age of 40, Excellent health condition. POSITIONS Symphony Orchestra (3) Principal Oboe 1, Principal Clarinet 1, Principal Bassoon 1 HOW TO APPLY 1. Application Closing Date: July 5th, 2019 2. Online Application: Please send the scanned copies of well-filled application form (see Attachment1) and following relevant documents to the email address: [email protected] - CV - ID Card - Certificates of Academic Degree - Certificates of Awards - Certificates of Qualifications, - A recent full-length photo - A video-clip of personal performance within 5 minutes. 3. Shanghai Opera House will conduct a preliminary election according to the video received. The application form and the video clip must be authentic. If they are forged, the applicant will be disqualified from the election. Those who pass the preliminary election will receive a notice of approval one week before the audition. AUDITION 1. Dates: It is estimated to be held in the end of July. The detailed schedule of the audition will be announced later. 2. Venue: Multi-Function Hall, Main Building, 100/10 Changshu Rd., Shanghai Opera House 3. Processes Instrumental Music: – Self-chosen concerto, the first movement – Compulsory: selected orchestra piece (see Attachment2) – Sight-playing OTHER NOTICES 1. All applicants should arrive on time for the audition with the following documents in one folder in order, including Application Form, CV, ID Card (copy), Certificate of Academic Degree (copy), Certificate of Awards (copy), Recommendation Form of Employment for College Graduates (copy), Academic Records and etc. 2. Applicants who pass the first round will be informed to take the second round on the day of audition. CONTACT Human Resources Department, 100/10 Changshu Road, Jing’an District P.C.: 200040 Email: [email protected] .
Load more

Recommended publications
  • 2019 Year Book.Pdf
    2019 Contents Preface / P_05> Overview / P_07> SICA Profile / P_15> Cultural Performances and Exhibitions, 2019 / P_19> Foreign Exchange, 2019 / P_45> Academic Conferences, 2019 / P_67> Summary of Cultural Exchanges and Visits, 2019 / P_77> 「Offerings at the First Day of Year」(detail) by YANG Zhengxin Sea Breeze: Exhibition of Shanghai-Style Calligraphy and Painting Preface This year marks the 70th anniversary of the founding of the People’s Republic of China. Over the past 70 years, the Chinese culture has forged ahead regardless of trials and hardships. In the course of its inheritance and development, the Chinese culture has stepped onto the world stage and found her way under spotlight. The SICA, established in the golden age of reform and opening-up, has been adhering to its mission of “strengthening mutual understanding and friendly cooperation between Shanghai and other countries or regions through international cultural exchanges in various areas, so as to promote the economic development, scientific progress and cultural prosperity of the city” for more than 30 years. It has been exploring new modes of international exchange and has been actively engaging in a variety of international culture exchanges on different levels in broad fields. On behalf of the entire staff of the SICA, I hereby would like to extend our sincere gratitude for the concern and support offered by various levels of government departments, Council members of the SICA, partner agencies and cultural institutions, people from all circles of life, and friends from both home and abroad. To sum up our work in the year 2019, we share in this booklet a collection of illustrated reports on the programs in which we have been involved in the past year.
    [Show full text]
  • SHAKESPEARE STUDIES in CHINA by Hui Meng Submitted to the Graduate Degree Program in English and the Graduate Faculty of the Un
    SHAKESPEARE STUDIES IN CHINA By Copyright 2012 Hui Meng Submitted to the graduate degree program in English and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Geraldo U. de Sousa ________________________________ Misty Schieberle ________________________________ Jonathan Lamb Date Defended: April 3, 2012 ii The Thesis Committee for Hui Meng certifies that this is the approved version of the following thesis: SHAKESPEARE STUDIES IN CHINA ________________________________ Chairperson Geraldo U. de Sousa Date approved: April 3, 2012 iii Abstract: Different from Germany, Japan and India, China has its own unique relation with Shakespeare. Since Shakespeare’s works were first introduced into China in 1904, Shakespeare in China has witnessed several phases of developments. In each phase, the characteristic of Shakespeare studies in China is closely associated with the political and cultural situation of the time. This thesis chronicles and analyzes noteworthy scholarship of Shakespeare studies in China, especially since the 1990s, in terms of translation, literary criticism, and performances, and forecasts new territory for future studies of Shakespeare in China. iv Table of Contents Introduction ………………………………………………………………………………1 Section 1 Oriental and Localized Shakespeare: Translation of Shakespeare’s Plays in China …………………………………………………………………... 3 Section 2 Interpretation and Decoding: Contemporary Chinese Shakespeare Criticism……………………………………………………………….
    [Show full text]
  • Creative Loafing Atlanta
    Creative Loafing Atlanta FICTION CONTEST | TRAVEL | COMEDY | PETS | PHOTO GALLERIES | OPINION | FOOD ISSUE | DALI-INSPIRED CL BOXES | FUN & FREE S#!T | ARCHIVES | RSS « ATL Comic Profile: Mike Kaiser | 5 things today » TUESDAY, NOVEMBER 9, 2010 DANCE Q&A with Lily Cai Posted by Andrew Alexander on Tue, Nov 9, 2010 at 7:43 AM 3 Like The Lily Cai Chinese Dance Company brings its unique combination of modern dance and traditional Chinese forms to the Ferst Center on November 12. Founder, choreographer, and artistic director Lily Cai sat down to tell us a little about her company, how she helps her dancers find their Chi, and what it was like to perform for 16000 Deadheads. You started out as a dancer with the Shanghai Opera House. Can you tell me about that? Shanghai Opera House had two different departments—dance and opera—and over 1000 employees. It was a big company, fully funded by the government. In the early 1950s Russia and China had a very close relationship. Russia sent a lot of artists to set up systems for China because Mao had taken over everything in 1948, so it was run by Russians. In the dance department we did Chinese classical—different dances from over 5000 years of Chinese history—then we had folk-ethnic dance as well, with over 56 different ethnic groups. We also had to learn foreign styles of dance. And we also did ballet. The opera department sang Western style operas. That's why the Shanghai Opera House was such a big house. It was just like a school system in that sometimes we spent years learning something we never used.
    [Show full text]
  • Fudan University
    WU in Shanghai in affiliation with Fudan University Fall 2016 Pre-departure Handbook Table of Contents Welcome 3 General Information 4 Program Dates 4 Contact Information 4 Passport and Visa Requirements 5 Life in China 6 Life in Shanghai 6 Life at Fudan University 7 Housing at Fudan University 8 Internet in China 8 Financial Information 9 Program Pricing 9 Financial Assistance 9 Money Matters 9 Accessing Your Money 9 Weather and Dress in Shanghai 10 Health and Safety 11 Personal Responsibility and Assumption of Risk 11 Tips on Staying Healthy While Abroad 12 What to Take With You 13 Useful Websites 14 Suggested Readings and Films 14 2 Welcome! May 20, 2016 To: WU in Shanghai Students The journey you are about to undertake will be one of the most memorable of your life. We want to ensure this time away from the Washington University campus will be academically and personally successful as well as enjoyable for you. Your time in China may be challenging at times, but know that it will be ultimately rewarding as you come to see Shanghai as your home-away-from-home. This Handbook has been prepared to make your transition to your time in Shanghai at Fudan University as smooth as possible. Please take the time to read the information carefully and share it with your parents. Also, pay close attention to any email and written transaction that you may receive from WU before, during, and after your time abroad. If you have any questions, please do not hesitate to contact Overseas Programs by e-mail, telephone, fax, or mail.
    [Show full text]
  • 3. the Travels of a Jasmine Flower: a Chinese Folk Song, Its Prehistory, and Tan Dun's Symphony 1997
    194 Musical Composition in the Context of Globalization Perspectives Aside from the aspects summarized here, it is not easy to reconstruct Fraenkel’s time in Shang- hai in great detail. In many respects, we still have to rely on assumptions, for example, when trying to reconstruct the exact circumstances of his release from Sachsenhausen and his trip to Shanghai, but, most importantly, also his artistic and cultural impact during the exile years: how did Fraenkel make contacts in Shanghai? How did he find a connection to the city’s music scene so quickly, gaining a comparatively privileged position in the impoverished immigrant community, in contrast to Julius Schloß or Karl Steiner, who had to make ends meet in bars as accordion and piano players?137 Further studies of his estate, a more comprehensive consideration of the oral history, which was only cursorily included here, and, last but not least, more precise analyses of his musical works could certainly help to answer these and other questions that arise. For the time being, it remains remarkable how sensitively Fraenkel reacted to the state of music in China and how this was partly reflected in his writings and works. From the perspective of Chinese music historiography, Fraenkel is a small but crucial build- ing block. Without him, the early reception of musical modernism in China would probably not have taken place at all, and the sensational “second musical modernity” in China during the 1980s and 1990s (→ III.5) would not have found any point of reference in its own past. Fraenkel’s work as a pedagogue, conductor, musician, and composer deserves to be further examined in China as well as in the West.
    [Show full text]
  • Shanghai Guide
    “YOUR NAME HERE” …and your logo here. We hope you find this guide useful. If you wish to put your company’s name on it and publish we have a number of options for you. Please contact us at [email protected] “Committed to making you feel at home” Shanghai Guide For any specific information or enquires, please contact us Your address here E-mail: [email protected] Website: http://www.wwwaldron.com “YOUR NAME HERE” CONTACT [email protected] FOR MORE INFO. Welcome to Shanghai “YOUR NAME HERE” extends its most sincere welcome to you and to the members of your family who may be accompanying you on your assignment to Shanghai. Leaving home, family and friends behind to move to a new and perhaps completely unfamiliar place can be a difficult experience. It can however, be an exciting and rewarding time - new experiences and acquaintances await you. We in “YOUR NAME HERE” are here to guide and assist you through each and every step of your relocation to ensure a smooth transition to the new life that awaits you in Shanghai. This Relocation Guidebook has been developed as a useful and informative tool to provide answers to many of the questions that you and your family may have as you begin the resettlement process. We have included different sections including topics like housing, medicals, schools, transportation, etc. We have also included many places for food and drink, recreation, shopping, and weekend activities. This guidebook has been carefully prepared to give you all the information and more that you may ever need to help you settle into the Shanghai way of life.
    [Show full text]
  • 中英表演艺术论坛 上海浦西洲际酒店 Sino-UK Performing Arts Forum
    中英表演艺术产业和教育论坛 2015 Sino-UK Performing Arts Forum For Industry and Education 2015 中英表演艺术论坛 上海浦西洲际酒店 Sino-UK Performing Arts Forum FORUM REPORT 创建更强的协同效应 Creating Stronger Synergies 该论坛得到中国文化部、中国驻英大使馆、中国上海国际艺术节中心、英国文化、媒体和体育部、英 国文化协会的大力支持 China Shanghai International Arts Festival Supported by the Ministry of Culture P R China, Embassy of the People’s Republic of China in the UK, China Shanghai International Arts Festival, the UK Department of Culture, Media and Sports UK, the British Council, China 1 中英表演艺术产业和教育论坛 2015 Sino-UK Performing Arts Forum For Industry and Education 2015 Sino-UK Performing Arts Forum Report Executive Summary 1. The 2015 Sino-UK Performing Arts Forum took place on the 19 October 2015 under the auspices of the 17th China Shanghai International Arts Festival1 (CSIAF). 2. The Forum was co-organised by CSIAF (supported by the Ministry for Culture in Beijing and the Cultural Counselor at the Chinese Embassy in London), and the British Council in China (supported by the Department for Culture, Media and Sport in London). 3. The 2015 Forum programme theme was “Creating Stronger Synergies” with a particular focus on exploring ways to strengthen Sino-UK Performing Arts Collaboration undertaken between arts organisations in both countries. 4. The one-day forum was split into two main parts: the morning looked at learning from past and existing experiences using eight Sino-UK performing arts collaboration case studies; the afternoon focused on future priorities discussed in small groups facilitated jointly by arts leaders from both countries. 5. Senior officials from the UK and the Local Shanghai Government, representing the Ministry of Culture, supported the Forum and its objectives and overall mission to create stronger synergies through their keynote address presentations.
    [Show full text]
  • Medieninformation Zur Spielzeit 2018.19
    Medieninformation zur Spielzeit 2018.19 · Neuer GMD Myron Michailidis · Konzertprogramm · Premieren Alexandra Kehr l Referentin Medienkommunikation Theater Erfurt | Theaterplatz 1 | 99084 Erfurt | Tel.: +49 361 22 33 – 110 Postanschrift: Theater Erfurt | ÖA | Postfach 80 05 54 | 99031 Erfurt www.theater-erfurt.de | E-Mail: [email protected] Der neue Generalmusikdirektor Myron Michaildis Foto: Lutz Edelhoff Der griechische Dirigent Myron Michailidis tritt die Nachfolge von Joana Mallwitz an, die nach vier Jahren in Erfurt als GMD an das Staatstheater Nürnberg geht. Myron Michailidis wird das Amt in den kommenden zwei Spielzeiten bekleiden und für die ge- samte Konzertplanung des Hauses verantwortlich zeichnen. Zukünftige Verpflichtungen erlauben derzeit leider keine längere Bindung an unser Haus. Aus diesem Grund ist die GMD-Stelle am Theater Erfurt mit Amtsantritt zur Spielzeit 2020/21 ausgeschrieben. Selbstverständlich wird Michailidis mehrfach selbst am Pult stehen. Gleich zu Beginn der Saison 2018/19 übernimmt er die musikalische Leitung bei der Oper Carmen zu den 25. DOMSTUFEN- FESTSPIELEN IN ERFURT. Sein Debüt als musikalischer Leiter einer Opernproduktion am Theater Erfurt gab Myron Michailidis in der Spielzeit 2016/17 mit Riccardo Zandonais Giulietta e Romeo. Eine wei- tere Gelegenheit, den versierten und erfahrenen Dirigenten zu erleben, bot das 6. Sinfoniekonzert in diesem Januar mit Werken von Claude Debussy, Henri Dutilleux und Peter Tschaikowsky. Alexandra Kehr l Referentin Medienkommunikation Theater Erfurt | Theaterplatz 1 | 99084 Erfurt | Tel.: +49 361 22 33 – 110 Postanschrift: Theater Erfurt | ÖA | Postfach 80 05 54 | 99031 Erfurt www.theater-erfurt.de | E-Mail: [email protected] Biografie Myron Michailidis Myron Michailidis absolvierte sein Klavier- und Dirigierstudium in Athen und Berlin (UdK).
    [Show full text]
  • Download Program Notes
    Train Toccata Liu Yuan iu Yuan serves on the faculty of the Cen- during and before the Cultural Revolu- Ltral Conservatory of Music in Beijing, the tion, that of pentatonic romanticism. leading conservatory of China, where he is a professor of composition and orchestration. Train Toccata, for example, draws from the After spending much of his childhood in full chromatic palette of Western music in de- the southeastern Chinese province of Fu- picting a rushing locomotive, but it also main- jian, he studied composition at the Shang- tains a distinctly Chinese flavor, even to the hai Conservatory of Music (China’s oldest extent of quoting from the song “Train,” made such institution, having been founded in famous by Taiwanese pop star Lo Tayu. 1927). From 1991 to 1999 he worked as a res- Liu Yuan is particularly noted for com- ident composer for the Shanghai Song and positions inspired by or reflecting Chinese Dance Ensemble (a.k.a. Shanghai Dance landscapes or artifacts. His Symphony No. 1: Theatre) and at the Shanghai Opera House. Symphonic Fantasy — Memories of the Awa He earned a doctorate from the China State Mountains is a musical depiction of the Music Conservatory. Awa range, which straddles the border be- He was a pupil of Zhao Xiaoshen, one of tween China and northern Myanmar. His a group of composers who began exper- Dwelling in the Fuchun Mountains took as imenting with new ideas in music in the its point of departure a gigantic painting mid- to late-1950s but who effectively with- — 23 feet long — by Yuan Dynasty artist drew from composing during the Cultural Huang Gongwang (1269–1354).
    [Show full text]
  • Theater Erfurt Richard Wagner in China
    THEATER ERFURT MIT / WITH RICHARD WAGNER IN CHINA 2018 2 3 从埃尔福特来到上海 Von Erfurt nach Shanghai From Erfurt to Shanghai 『此次巡演代表了中德友谊的象征，我很荣幸埃尔福特歌剧院能有机会向 „Diese Gastspielreise steht im Zeichen der deutsch-chinesischen Freundschaft und “This tour is a symbol of German-Chinese friendship and I am delighted that the 中国宣传我们的团队，并呈现图林根州的艺术文化给中国的观众。』 ich freue mich sehr, dass das Theater Erfurt die Möglichkeit bekommt, seinen Erfurt Theater has the opportunity to carry its excellent reputation to China and thus ausgezeichneten Ruf nach China tragen zu können und damit auch das Land to artistically represent the state of Thuringia as well.“ 埃尔福特歌剧院总监 盖伊．蒙塔冯 Thüringen dort künstlerisch zu repräsentieren.“ Guy Montavon, General Director of Theater Erfurt Guy Montavon, Generalintendant des Theaters Erfurt 受上海歌剧院院长许忠的邀请，埃尔福特歌剧院将于9月13日及15日在上 Am 13. und 15. September 2018 wird das Theater Erfurt auf Einladung des On 13th and 15th of September 2018, the Erfurt Theater will be presenting two 海大剧院演绎理查德．瓦格纳歌剧《漂泊的荷兰人》。9月14日另有瓦格纳 Shanghai Grand Theatre und seines Direktors Xu Zhong zwei Vorstellungen von performances of Richard Wagner‘s opera The Flying Dutchman in Shanghai at 歌剧选辑音乐会，曲目皆选自于歌剧《唐怀瑟》、《罗恩格林》、《特里 Richard Wagners Oper Der fliegende Holländer in Shanghai spielen. Bei einer the Shanghai Grand Theater’s and its director Xu Zhong’s invitation. At a Wagner 斯坦与伊索尔德》、《诸神的黄昏》及《纽伦堡的名歌手》 。 Wagner-Gala am Freitag, 14. September, sind dann Ausschnitte aus Tannhäu- gala on Friday, September 14th, excerpts from Tannhäuser, Lohengrin, Tristan and ser, Lohengrin,
    [Show full text]
  • Abstract Masters
    ABSTRACT MASTERS 1 ABSTRACT MASTERS 24 June - 11 July 2021 2 3 FOREWORD In line with its long-standing tradition, Opera Gallery Singapore is delighted to present the 2021 exhibition of Abstract Masters, featuring a curated selection of works by legendary artists who revolutionised the art world during the 20th and 21st century. The works on view display the intense originality of a diverse group of artists, including Asian artists Chu Teh-Chun and Zao Wou-Ki, European artists Pierre Soulages, Georges Mathieu, Serge Poliakoff and Hermann Nitsch, North American artists Sam Francis and Jean Paul Riopelle. Eschewing the traditional standards of art, these artists challenged and transformed conventional art forms to communicate their innermost thoughts and emotions, developing their own distinct visual languages. There is no one style that they all share, the range goes from works that are incredibly gestural, aggressive and high-energy to works that are very silent and contemplative. They do not follow a set formula. If Chu Teh-Chun’s formless landscapes are filled with the energy of life, the 2002 painting by Zao Wou-Ki on view here is light and gauzy and exudes the aura of serenity that characterized the artist’s persona. Both Georges Mathieu’s and Hermann Nitsch’s works are the result of performances and exult the zeal ensued from action painting. On the other hand, there is a palpable silence emanating from the geometric vocabulary of bold colours within the non- representational painting by Serge Poliakoff. In Jean Paul Riopelle’s compositions, texture plays an essential role while a gentle cadence seems to guide the overall flow of colour.
    [Show full text]
  • Shanghai Orchestra Academy and Residency Partnership
    FOR IMMEDIATE RELEASE UPDATED June 20, 2016 April 20, 2016 Contact: Katherine E. Johnson New York Philharmonic E-mail: [email protected] Tel: +1 212-875-5718 SHANGHAI ORCHESTRA ACADEMY AND RESIDENCY PARTNERSHIP Shanghai Orchestra Academy Musicians Selected for 2016 New York Philharmonic GLOBAL ACADEMY FELLOWSHIP PROGRAM June 11–17, 2016 SECOND ANNUAL PERFORMANCE RESIDENCY in SHANGHAI ALAN GILBERT, Assistant Conductor JOSHUA GERSEN, and TIMOTHY BROCK To Conduct Five Concerts Including YOUNG PEOPLE’S CONCERT and CHARLIE CHAPLIN’S CITY LIGHTS Soloists To Include DANIIL TRIFONOV and GIL SHAHAM New York Philharmonic PRINCIPAL BRASS QUINTET To Perform FREE Outdoor Concert VERY YOUNG COMPOSERS Workshop and Performance Philharmonic Musicians To Lead MASTER CLASSES, LESSONS, and COACHINGS as Part of Shanghai Orchestra Academy, Which Graduates Its First Class July 2–8, 2016 The Shanghai Orchestra Academy and Residency Partnership continues this summer when students from the Shanghai Orchestra Academy travel to New York City to participate in the New York Philharmonic Global Academy Fellowship Program as the first international Zarin Mehta Fellows, June 11–17, 2016, and the New York Philharmonic travels to Shanghai for its second annual performance residency, July 2–8, 2016. A joint endeavor of the New York Philharmonic and Shanghai Symphony Orchestra launched in September 2014, the collaboration includes the establishment of the Shanghai Orchestra Academy (SOA) — a two-year program designed to address the need for advanced, post- graduate orchestral training in China — in partnership with the Shanghai Conservatory and under the leadership of founding president Long Yu, as well as annual performance residencies by the New York Philharmonic in Shanghai through the 2017–18 season.
    [Show full text]