Shanghai Orchestra Academy and Residency Partnership
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June WTTW & WFMT Member Magazine
Air Check Dear Member, The Guide As we approach the end of another busy fiscal year, I would like to take this opportunity to express my The Member Magazine for WTTW and WFMT heartfelt thanks to all of you, our loyal members of WTTW and WFMT, for making possible all of the quality Renée Crown Public Media Center content we produce and present, across all of our media platforms. If you happen to get an email, letter, 5400 North Saint Louis Avenue or phone call with our fiscal year end appeal, I’ll hope you’ll consider supporting this special initiative at Chicago, Illinois 60625 a very important time. Your continuing support is much appreciated. Main Switchboard This month on WTTW11 and wttw.com, you will find much that will inspire, (773) 583-5000 entertain, and educate. In case you missed our live stream on May 20, you Member and Viewer Services can watch as ten of the area’s most outstanding high school educators (and (773) 509-1111 x 6 one school principal) receive this year’s Golden Apple Awards for Excellence WFMT Radio Networks (773) 279-2000 in Teaching. Enjoy a wide variety of great music content, including a Great Chicago Production Center Performances tribute to folk legend Joan Baez for her 75th birthday; a fond (773) 583-5000 look back at The Kingston Trio with the current members of the group; a 1990 concert from the four icons who make up the country supergroup The Websites wttw.com Highwaymen; a rousing and nostalgic show by local Chicago bands of the wfmt.com 1960s and ’70s, Cornerstones of Rock, taped at WTTW’s Grainger Studio; and a unique and fun performance by The Piano Guys at Red Rocks: A Soundstage President & CEO Special Event. -
2019 Year Book.Pdf
2019 Contents Preface / P_05> Overview / P_07> SICA Profile / P_15> Cultural Performances and Exhibitions, 2019 / P_19> Foreign Exchange, 2019 / P_45> Academic Conferences, 2019 / P_67> Summary of Cultural Exchanges and Visits, 2019 / P_77> 「Offerings at the First Day of Year」(detail) by YANG Zhengxin Sea Breeze: Exhibition of Shanghai-Style Calligraphy and Painting Preface This year marks the 70th anniversary of the founding of the People’s Republic of China. Over the past 70 years, the Chinese culture has forged ahead regardless of trials and hardships. In the course of its inheritance and development, the Chinese culture has stepped onto the world stage and found her way under spotlight. The SICA, established in the golden age of reform and opening-up, has been adhering to its mission of “strengthening mutual understanding and friendly cooperation between Shanghai and other countries or regions through international cultural exchanges in various areas, so as to promote the economic development, scientific progress and cultural prosperity of the city” for more than 30 years. It has been exploring new modes of international exchange and has been actively engaging in a variety of international culture exchanges on different levels in broad fields. On behalf of the entire staff of the SICA, I hereby would like to extend our sincere gratitude for the concern and support offered by various levels of government departments, Council members of the SICA, partner agencies and cultural institutions, people from all circles of life, and friends from both home and abroad. To sum up our work in the year 2019, we share in this booklet a collection of illustrated reports on the programs in which we have been involved in the past year. -
Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings. -
Friday 8 May 2020
Koanga - New Zealand SO/John Hopkins Zealand National Youth Choir/Karen (EX Tartar TRL 020) Grylls (TRUST MMT 2016) 2:00 approx ELGAR: Nursery Suite - New Zealand JOPLIN: Maple Leaf Rag; Magnetic Rag (2) SO/James Judd (Naxos 8.557166) - Elizabeth Hayes (pno) (QUARTZ QTZ 2005) COPLAND: Down a Country Lane - Saint Friday 8 May 2020 BECK: Sinfonia in G minor Op 3/3 - Paul CO/Hugh Wolff (Teldec 77310) Toronto CO/Kevin Mallon (Naxos 5:00 approx 12:00 Music Through the Night 8.570799) BRAHMS: Violin Sonata No 2 in A Op 100 - RAMEAU: The Entrance of Polyhymnia, GAY: Virgins Are Like The Fair Flow'r, from Tasmin Little (vln), Piers Lane (pno) from Les Boréades - Ensemble The Beggar's Opera - Kiri Te Kanawa (sop), (Chandos CHAN 10977) Pygmalion/Raphaël Pichon (Harmonia National Phil/Richard Bonynge (Decca 475 VAUGHAN WILLIAMS: In the Fen Country - Mundi HMM902288) 459) London Festival Orch/Ross Pople (ASV CD DELIUS: Walk to the Paradise Garden - DETT: Eight Bible Vignettes - Denver DCA 779) Symphony Nova Scotia/Georg Tintner Oldham (piano) (New World NW 367) ANONYMOUS: Masque Dances - Alison (CBC Records SMCD 5134) HAN KUN SHA: Shepherd's Song - Melville (recorder), Margaret Gay (cello), CIMAROSA: Concerto in G for two flutes - Shanghai Quartet (Delos DE 3308) Peter Lehman (theorbo), Valerie Weeks Mathieu Dufour (fl), Alex Klein (ob), Czech 3:00 approx (hpschd) (EBS EBS 6016) National SO/Paul Freeman (Cedille CDR TELEMANN: Trumpet Concerto in D - DELIUS arr Fenby: Serenade, from Hassan 90000 080) Niklas Eklund (baroque tpt), - Julian Lloyd Webber -
Berliner Philharmoniker
Berliner Philharmoniker Sir Simon Rattle Artistic Director November 12–13, 2016 Hill Auditorium Ann Arbor CONTENT Concert I Saturday, November 12, 8:00 pm 3 Concert II Sunday, November 13, 4:00 pm 15 Artists 31 Berliner Philharmoniker Concert I Sir Simon Rattle Artistic Director Saturday Evening, November 12, 2016 at 8:00 Hill Auditorium Ann Arbor 14th Performance of the 138th Annual Season 138th Annual Choral Union Series This evening’s presenting sponsor is the Eugene and Emily Grant Family Foundation. This evening’s supporting sponsor is the Michigan Economic Development Corporation. This evening’s performance is funded in part by The Andrew W. Mellon Foundation and by the Michigan Council for Arts and Cultural Affairs. Media partnership provided by WGTE 91.3 FM and WRCJ 90.9 FM. The Steinway piano used in this evening’s performance is made possible by William and Mary Palmer. Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of lobby floral art for this evening’s performance. Special thanks to Bill Lutes for speaking at this evening’s Prelude Dinner. Special thanks to Journeys International, sponsor of this evening’s Prelude Dinner. Special thanks to Aaron Dworkin, Melody Racine, Emily Avers, Paul Feeny, Jeffrey Lyman, Danielle Belen, Kenneth Kiesler, Nancy Ambrose King, Richard Aaron, and the U-M School of Music, Theatre & Dance for their support and participation in events surrounding this weekend’s performances. Deutsche Bank is proud to support the Berliner Philharmoniker. Please visit the Digital Concert Hall of the Berliner Philharmoniker at www.digitalconcerthall.com. -
Sinfonia Varsovia
Sinfonia Varsovia Paul Meyer, Dirigent Lucas und Arthur Jussen, Klaviere Brauchen Sie ein Klavier ? Vergessen Sie nicht Piano Maene zu besuchen ! Neuer Showroom in Oud-Rekem (Lanaken), 45 min. von Aachen Angebot von Neu- und Gebrauchtinstrumenten von Steinway, Boston, Essex, Doutreligne, Yamaha, Kawai und Sauter Digital Pianos Yamaha, Kawai, Roland, Nord Pianovermietung ab 35,- Euro/Monat Piano Maene Limburg Steenweg 224 3621 Oud-Rekem (Lanaken) 089/ 215272 Ab September 2017 : Kirche Oud Rekem Patersstraat 51 3621 Oud-Rekem www.maene.be O zieller Lieferant des Belgischen Hofes — 3 — Meisterkonzerte Aachen.indd 1 22/02/17 11:39 Samstag, 4. März 2017, 19:30 Uhr Eurogress, Aachen Sinfonia Varsovia Paul Meyer, Dirigent Lucas und Arthur Jussen, Klaviere Darius Milhaud (1892 – 1974) Le bœuf sur le toit op. 58 Wolfgang Amadeus Mozart (1756 – 1791) Konzert Es-Dur für 2 Klaviere und Orchester KV 365 Allegro Andante Rondo: Allegro — Pause — Gabriel Fauré (1845 – 1924) Gavotte aus „Masques et bergamasques“ op. 112 Pavane fis-moll op. 50 Antonín Dvorákˇ (1841 – 1904) Tschechische Suite D-Dur op. 39 Preludio: Allegro meoderato – Pastorale Allegro grazioso – Polka Allegro giusto – Sousedská Andante con moto – Romanze Presto – Furiant Bitte beachten Sie, dass jegliche Ton- und Bildaufnahmen des Konzerts nicht gestattet sind. Vielen Dank. — 3 — Masken und Bergamasken ch fand Paris im Siegesrausch vor. Aber ich kehrte als Fremdling in meine alte Wohnung zurück, denn „Imeine Augen waren noch erfüllt von dem verwirren- den Licht, das der brasilianische Himmel widerspiegelt, und meine Ohren klangen noch wider von den üppigen Geräuschen des Urwaldes und dem subtilen Rhythmus des Tango.“ Zwei Jahre hatte Darius Milhaud in Brasilien verbracht, bevor er 1919 in das vom Weltkrieg gezeich- nete Frankreich zurückkehrte. -
Friday 14 February 2020 12:00 Music Through the Night 6:00 Daybreak
Spanish Songs - Alison Balsom (tpt), G450 - Kazuhito Yamashita (gtr), Phil/Daniel Harding (Virgin 5 45480) Gothenburg SO/Edward Gardner Tokyo String Quartet (RCA RD 60421) (EMI 3 53255) CHOPIN: Ballade No 1 in G minor R SMITH: Air Castles - Ryan Smith HILL: String Quartet No 3 in A minor, Op 23 - Krystian Zimerman (pno) (DG (accordian), Robyn Jaquiery (pno) Carnival - Dominion Quartet (Naxos 423 090) 8.570491) PUCCINI: Oh, saro la piu bella! - Tu, VIVALDI: Violin Concerto in G RV310 Friday 14 February 2020 BACH: Keyboard Concerto in G tu, amore? Tu?, from Manon Lescaut - Adrian Chandler (vln/dir), La Wq43/5 - Trevor Pinnock - Kiri Te Kanawa (sop), José Carreras, Serenissima (Avie AV 2106) 12:00 Music Through the (hpschd/dir), English Concert (CRD Orchestra del Teatro Comunale di Night 3311) Bologna/Richard Cheetham (Decca 7.00 ZIPOLI arr Hunt: Elevazione - SZYMANOWSKI: Nocturne & 475 459) Gordon Hunt (ob/dir), Niklass Tarantella Op 28 - Tasmin Little (vln), KOEHNE: Way Out West - Diana HAYDN: Cello Concerto No 2 in D Veltman (cello), Norrköping SO (BIS Piers Lane (pno) (Chandos CHAN Doherty (ob), Sinfonia HobVIIb/2 (3) - Gautier Capuçon CD 5017) 10940) Australis/Mark Summerbell (ABC 980 (cello), Mahler CO/Daniel Harding LISZT transcr Grainger: Hungarian RACHMANINOV: Prelude No 4 in E 046) (Virgin 5 45560) Fantasy S123 - Ivan Hovorun (pno), Minor, Op 32 - Colin Horsley (pno) DUSSEK: Sinfonia in A - Helsinki Royal Northern College of Music (Atoll ACD 442) Baroque Orch/Aapo Häkkinen RACHMANINOV: Symphony No 2 in Wind Orch/Clark Rundell (Chandos -
The Digital Concert Hall
Welcome to the Digital Concert Hall he time has finally come! Four years have Emmanuelle Haïm, the singers Marlis Petersen passed since the Berliner Philharmoniker – the orchestra’s Artist in Residence – Diana T elected Kirill Petrenko as their future chief Damrau, Elīna Garanča, Anja Kampe and Julia conductor. Since then, the orchestra and con- Lezhneva, plus the instrumentalists Isabelle ductor have given many exciting concerts, fuel- Faust, Janine Jansen, Alice Sara Ott and Anna ling anticipation of a new beginning. “Strauss Vinnitskaya. Yet another focus should be like this you encounter once in a decade – if mentioned: the extraordinary opportunities to you’re lucky,” as the London Times wrote about hear members of the Berliner Philharmoniker their Don Juan together. as protagonists in solo concertos. With the 2019/2020 season, the partnership We invite you to accompany the Berliner officially starts. It is a spectacular opening with Philharmoniker as they enter the Petrenko era. Beethoven’s Ninth Symphony, whose over- Look forward to getting to know the orchestra whelmingly joyful finale is perfect for the festive again, with fresh inspiration and new per- occasion. Just one day later, the work can be spectives, and in concerts full of energy and heard once again at an open-air concert in vibrancy. front of the Brandenburg Gate, to welcome the people of Berlin. Further highlights with Kirill Petrenko follow: the New Year’s Eve concert, www.digital-concert-hall.com featuring works by Gershwin and Bernstein, a concert together with Daniel Barenboim as the soloist, Mahler’s Sixth Symphony, Beethoven’s Fidelio at the Baden-Baden Easter Festival and in Berlin, and – for the European concert – the first appearance by the Berliner Philharmoniker in Israel for 26 years. -
Digital Concert Hall Where We Play Just for You
www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
SHAKESPEARE STUDIES in CHINA by Hui Meng Submitted to the Graduate Degree Program in English and the Graduate Faculty of the Un
SHAKESPEARE STUDIES IN CHINA By Copyright 2012 Hui Meng Submitted to the graduate degree program in English and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Geraldo U. de Sousa ________________________________ Misty Schieberle ________________________________ Jonathan Lamb Date Defended: April 3, 2012 ii The Thesis Committee for Hui Meng certifies that this is the approved version of the following thesis: SHAKESPEARE STUDIES IN CHINA ________________________________ Chairperson Geraldo U. de Sousa Date approved: April 3, 2012 iii Abstract: Different from Germany, Japan and India, China has its own unique relation with Shakespeare. Since Shakespeare’s works were first introduced into China in 1904, Shakespeare in China has witnessed several phases of developments. In each phase, the characteristic of Shakespeare studies in China is closely associated with the political and cultural situation of the time. This thesis chronicles and analyzes noteworthy scholarship of Shakespeare studies in China, especially since the 1990s, in terms of translation, literary criticism, and performances, and forecasts new territory for future studies of Shakespeare in China. iv Table of Contents Introduction ………………………………………………………………………………1 Section 1 Oriental and Localized Shakespeare: Translation of Shakespeare’s Plays in China …………………………………………………………………... 3 Section 2 Interpretation and Decoding: Contemporary Chinese Shakespeare Criticism………………………………………………………………. -
Digital Concert Hall Programme 2018/2019 3
2 DIGITAL CONCERT HALL PROGRAMME 2018/2019 3 WELCOME TO THE DIGITAL CONCERT HALL The 2018/2019 season marks a very special Zubin Mehta. Another highlight is the return phase in the history of the Berliner Philhar- on two occasions of Sir Simon Rattle, and moniker. Following on from the end of the with several debuts, new artistic connections Simon Rattle era, it is characterised by look- will also be made. Among the top-class guest ing forward to a new beginning when Kirill soloists is the pianist Daniil Trifonov to name Petrenko takes up office as chief conductor. but one, the Berliner Philharmoniker’s current Although this is not due until the summer of Artist in Residence. 2019, exciting joint concerts are on the hori- zon, beginning with the season opening con- Another special feature of this season: cert which is dedicated to the core repertoire the 10th anniversary of the Digital Concert of the Berliner Philharmoniker: a Beethoven Hall. On 17 December 2008, this unprece- symphony and two symphonic poems by dented project went online, followed by a first Richard Strauss. In the Digital Concert Hall live broadcast on 6 January 2009. Since then, we are also showing a tour concert from Lu- around 50 live concerts have been shown cerne, a programme with works by Schoen- per season. The video archive now holds more berg and Tchaikovsky in the spring of 2019, than 500 concert recordings, from the and Kirill Petrenko appears at the helm of the present day back to the Karajan era. There National Youth Orchestra of Germany as well.