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Shuang Zhang
June 2020 Shuang Zhang Department of Economics, University of Colorado Boulder Email: [email protected] Website: https://spot.colorado.edu/~shzh6533/index.html APPOINTMENTS 2020- Associate Professor of Economics (with tenure), University of Colorado Boulder 2013-2020 Assistant Professor of Economics, University of Colorado Boulder 2012-2013 SIEPR Postdoctoral Fellow, Stanford University AFFILIATIONS 2020- Faculty Research Fellow, National Bureau of Economic Research EDUCATION Ph.D. in Economics, Cornell University, 2012 M.A. in Economics, Fudan University, China, 2007 B.A. in Economics (with distinction), Shanghai University of Finance and Economics, China, 2004 RESEARCH INTERESTS Environment and Energy, Health, Development, China PUBLICATIONS “Willingness to Pay for Clean Air: Evidence from Air Purifier Markets in China” (with Koichiro Ito). Journal of Political Economy, 2020, 128 (5): 1627-1672. (Lead Article) “Land Reform and Sex Selection in China” (with Douglas Almond and Hongbin Li). Journal of Political Economy, 2019, 127 (2): 560-585. “The Limits of Political Meritocracy: Screening Bureaucrats Under Imperfect Verifiability” (with Juan Carlos Suárez Serrato and Xiao Yu Wang). Journal of Development Economics, 2019, 140: 223-241. “Quantifying Coal Power Plant Responses to Tighter SO2 Emissions Standards in China” (with Va- lerie Karplus and Douglas Almond). Proceedings of the National Academy of Sciences, 2018, 115 (27): 7004-7009. “The Effects of High School Closure on Education and Labor Market Outcomes in Rural China”. Economic Development and Culture Change, 2018, 67 (1): 171-191. 1 WORKING PAPERS Reforming Inefficient Energy Pricing: Evidence from China (with Koichiro Ito), NBER WP 26853, 2020. Ambiguous Pollution Response to COVID-19 in China (with Douglas Almond and Xinming Du), NBER WP 27086, 2020. -
Ists As All Embellishments Fade, Freshness Fills the Universe
Xu Wei and European Missionaries: As All Embellishments Fade, Freshness Fills Early Contact between Chinese Artists the Universe - The Formation and Development and the West of Freehand Flower-and-Bird Ink Paintings of Chen Chun and Xu Wei Chen Ruilin 陳瑞林 Chen Xiejun 陳燮君 Professor Director and Researcher Academy of Fine Arts, Tsinghua University Shanghai Museum The period encompassing the late Ming and early Qing Dynasty in the 16th and 17th centuries was an era When considering the development of flower-and-bird paintings in the Ming Dynasty, the most remark- of momentous change in Chinese society. It was also an era of great change in Chinese painting. Literati art- able is the achievements of freehand flower ink paintings. Of all artists, Chen Chun and Xu Wei have been ists gathered under the banners of a multitude of different Schools, and masterful artists appeared one after the most groundbreaking and inspirational, to the extent that they are known as “Qing Teng and Bai Yang” another, producing a multitude of works to greatly advance the development of Chinese painting. As literati in the history of Chinese painting. Chen Chun, a foremost example of the “Wu Men” painting school, sought art developed, however, Western art was encroaching upon China and influencing Chinese painting. The suc- inspiration in landscapes and flowers. In particular, he inherited the tradition of flower-and-bird ink painting cession of European missionaries that came to China brought Western painting with them and, actively inter- established by Shen Zhou and other preceding masters. Through a combination of uninhibited brushwork acting with China’s scholar-officials in the course of their missionary activities, introduced Western painting and ink he established a new mode in his own right, which emphasized vigour and free style. -
Shanghai at the Asian Art Museum Discipline: Visual Art
I EDUCATOR GUIDE Subject: Shanghai at the Asian Art Museum Discipline: Visual Art SECTION I - OVERVIEW ......................................................................................................................2 EPISODE THEME SUBJECT CURRICULUM CONNECTIONS OBJECTIVE STORY SYNOPSIS INSTRUCTIONAL STRATEGIES INSTRUCTIONAL OBJECTIVES EQUIPMENT NEEDED MATERIALS NEEDED INTELLIGENCES ADDRESSED SECTION II – CONTENT/CONTEXT ..................................................................................................3 CONTENT OVERVIEW THE BIG PICTURE RESOURCES – TEXTS RESOURCES – WEB SITES VIDEO RESOURCES BAY AREA FIELD TRIPS SECTION III – VOCABULARY.............................................................................................................6 SECTION IV – ENGAGING WITH SPARK .........................................................................................7 Vestiges of a Process: Shanghai Garden, by Zhang Jianjun. Still image from the SPARK story, 2010. SPARK Educator Guide – Shanghai at The Asian Art Museum 1 SECTION I - OVERVIEW SUBJECT • Hands‐on individual projects in which students Shanghai exhibition at The Asian Art Museum work independently • Hands‐on group projects in which students GRADE RANGES assist and support one another 6‐12 & Post‐secondary • Critical reflection on personal expressions and how they are seen and received by others CURRICULUM CONNECTIONS INSTRUCTIONAL OBJECTIVES Visual Arts & Language Arts • To introduce students to historical and OBJECTIVE contemporary artwork from Shanghai -
Inside January/February 2018 Volume 17, Number 1
JANUARY/FEBRUARY 2018 VOLUME 17, NUMBER 1 INSIDE Shanghai: Its Galleries and Museums Conversations with Artists in the KADIST Collection Artist Features: Pak Sheung Chen, Tsang Kin Wah, Zhu Fadong, Zhang Huan US$12.00 NT$350.00 PRINTED IN TAIWAN 1 Vol. 17 No. 1 8 VOLUME 17, NUMBER 1, JANUARY/FEBRUARY 2018 CONTENTS 30 4 Editor’s Note 6 Contributors 8 Contemporary Art and the Contemporary Art Museum: Shanghai and Its Biennale John Clark 30 (Inter)Dependency: Privately Owned Art Museums in State-Sponsored West Bund 46 Xing Zhao 46 Out of Sight: Conversations with Artists in the KADIST Collection Biljana Ciric 66 Pak Sheung Chuen: Art as a Personal Journey in Times of Political Upheaval Julia Gwendolyn Schneider 80 Entangled Histories: Unraveling the Work of Tsang Kin-Wah 66 Helen Wong 85 Zhu Fadong: Why Art Is Powerless to Make Social Change Denisa Tomkova 97 Public Displays of Affliction: On Zhang Huan’s 12m2 Chan Shing Kwan 108 Chinese Name Index 80 97 Cover: In memoriam, Geng Jianyi, 1962–2017. Courtesy of Zheng Shengtian. Editor’s Note YISHU: Journal of Contemporary Chinese Art PRESIDENT Katy Hsiu-chih Chien LEGAL COUNSEL Infoshare Tech Law Office, Mann C. C. Liu Mainland China’s museum and gallery scene FOUNDING EDITOR Ken Lum has evolved rapidly over the past decade. Yishu EDITOR-IN-CHIEF Keith Wallace MANAGING EDITOR Zheng Shengtian 84 opens with two essays examining Shanghai, EDITORS Julie Grundvig a city that is taking strategic approaches Kate Steinmann in its recognition of culture as an essential Chunyee Li CIRCULATION MANAGER Larisa Broyde component of a vibrant urban experience. -
A Large-Scale Clinical Validation Study Using Ncapp Cloud Plus
medRxiv preprint doi: https://doi.org/10.1101/2020.08.07.20163402; this version posted August 11, 2020. The copyright holder for this preprint (which was not certified by peer review) is the author/funder, who has granted medRxiv a license to display the preprint in perpetuity. It is made available under a CC-BY-NC-ND 4.0 International license . A Large-Scale Clinical Validation Study Using nCapp Cloud Plus Terminal by Frontline Doctors for the Rapid Diagnosis of COVID-19 and COVID-19 pneumonia in China Dawei Yang, M.D.1,20,25#, Tao Xu, M.D.2,18#, Xun Wang, M.D.3,21#, Deng Chen, M.S.4#, Ziqiang Zhang, M.D.5#, Lichuan Zhang, M.D.6#, Jie Liu, M.D.1,25, Kui Xiao, M.D.7, Li Bai, M.D.8, Yong Zhang, M.D.1,25, Lin Zhao, M.D.9, Lin Tong, M.D.1, Chaomin Wu, M.D.10,23, Yaoli Wang, M.D.12, Chunling Dong, M.D.12, Maosong Ye, M.D.1,25, Yu Xu, M.D.,8,24, Zhenju Song, M.D.13, Hong Chen, M.D.14, Jing Li1,25, Jiwei Wang, Ph.D.4, Fei Tan, M.S.15, Hai Yu, M.S.15, Jian Zhou, Ph.D.1,25, Jinming Yu, Ph.D.4, Chunhua Du, M.D.2, Hongqing Zhao, M.D.3, Yu Shang, M.D.16, Linian Huang17, Jianping Zhao, M.D.18, Yang Jin, M.D.19, Charles A. Powell, M.D.20, Yuanlin Song, M.D.1,25*, Chunxue Bai, M.D.1,25* 1. -
A Legacy in Chinese Education History, Or a Solution for Modern Undergraduates in China?
Journal of Education and Learning; Vol. 9, No. 6; 2020 ISSN 1927-5250 E-ISSN 1927-5269 Published by Canadian Center of Science and Education Chinese Shuyuan: A Legacy in Chinese Education History, or a Solution for Modern Undergraduates in China? Zhen Zeng1 1 School of Foreign Studies, Guangxi Normal University, Guilin, Guangxi, China Correspondence: Zhen Zeng, 82 Liuhe Road, Qixing District, Guilin, Guangxi, Postal Code: 541004, China. E-mail: [email protected] Received: September 28, 2020 Accepted: November 19, 2020 Online Published: November 26, 2020 doi:10.5539/jel.v9n6p173 URL: https://doi.org/10.5539/jel.v9n6p173 Abstract The paper looked into concepts claimed to be essence of Chinese residential college, an on-going institution presumed to be a solution towards undergraduates’ issues in some pioneer universities in China. It’s analyzed that Chinese residential college today in China is not a Shuyuan that was ever striving as a unique education mode in ancient China, even if it’s named after Shuyuan in Chinese, concerning on its nature, function and goal, while it’s not a conventional residential college in English speaking countries neither. By investigation and comparison of its origin, function and features among Shuyuan and Chinese residential college, the spirit of development of a human with goodness and well-being through pursuit of knowledge and culture inherited and transmitted in Shuyuan is unearthed, which is supposed to be the resource of inspiration when the pioneer universities and educators designed and operate residential college on Chinese campus, though the effects couldn’t be accounted as appealing as what Shuyuan produced in ancient China. -
Shanghai, China Overview Introduction
Shanghai, China Overview Introduction The name Shanghai still conjures images of romance, mystery and adventure, but for decades it was an austere backwater. After the success of Mao Zedong's communist revolution in 1949, the authorities clamped down hard on Shanghai, castigating China's second city for its prewar status as a playground of gangsters and colonial adventurers. And so it was. In its heyday, the 1920s and '30s, cosmopolitan Shanghai was a dynamic melting pot for people, ideas and money from all over the planet. Business boomed, fortunes were made, and everything seemed possible. It was a time of breakneck industrial progress, swaggering confidence and smoky jazz venues. Thanks to economic reforms implemented in the 1980s by Deng Xiaoping, Shanghai's commercial potential has reemerged and is flourishing again. Stand today on the historic Bund and look across the Huangpu River. The soaring 1,614-ft/492-m Shanghai World Financial Center tower looms over the ambitious skyline of the Pudong financial district. Alongside it are other key landmarks: the glittering, 88- story Jinmao Building; the rocket-shaped Oriental Pearl TV Tower; and the Shanghai Stock Exchange. The 128-story Shanghai Tower is the tallest building in China (and, after the Burj Khalifa in Dubai, the second-tallest in the world). Glass-and-steel skyscrapers reach for the clouds, Mercedes sedans cruise the neon-lit streets, luxury- brand boutiques stock all the stylish trappings available in New York, and the restaurant, bar and clubbing scene pulsates with an energy all its own. Perhaps more than any other city in Asia, Shanghai has the confidence and sheer determination to forge a glittering future as one of the world's most important commercial centers. -
Official Hotel Description
Cinte Techtextil China 2020 2 – 4 Sep, 2020 Shanghai New International Expo Center OFFICIAL HOTEL DESCRIPTION 1. Kerry Hotel Pudong Shanghai ☆☆☆☆☆ 1388 Hua Mu Road, Pudong Kerry Hotel Pudong, Shanghai flows seamlessly from the Kerry Parkside complex, integrating the hotel with lifestyle shopping, an office tower and serviced residences, situated opposite Century Park, the biggest eco-park in central Shanghai, and directly linked to the Shanghai New International Expo Center (SNIEC). The hotel’s 574 rooms and suites are spacious and contemporary in design, with complimentary broadband and wireless internet access. The Business Centre and Office Suites offer state-of-the- art equipment and services are available 24 hours. It includes 16 fully-furnished serviced offices and four meeting rooms wired for audio-visual capability, and is operated by a professional and dedicated team. It takes 5 minutes to the exhibition venue by walking. 30 minutes from Pudong Int'l Airport and 45 minutes from Hongqiao Airport by car. 2. Jumeirah Himalayas Hotel ☆☆☆☆☆ 1108 Mei Hua Road, Pudong The hotel room and suites combine the ancient Chinese Lu Ban system of Feng Shui with a contemporary edge. The 5,000 sqm landscaped Roof Garden has BBQ pits and a 300 sqm event space. The 495 sqm Himalayas Ballroom is adjacent and available as backup for all occasions. The Grand Ballroom has 12 m high ceiling, is 864 sqm and can be divided via soundproofed wall for multiple setups. Projectors and screens in ceiling, plus the latest AV and IT throughout. 405 modern room and suites, guests may access the internet wired or wirelessly on their computer, or via high definition internet protocol TV and a wireless keyboard. -
Ninghua, ZHONG (钟宁桦)
Ninghua, ZHONG (钟宁桦) Professor, Economics and Finance School of Economics and Management Tongji University, Shanghai [email protected]; [email protected] Academic Background PhD in Finance, Hong Kong University of Science and Technology, January 2013 PhD Committee: Sudipto Dasgupta, Vidan K. Goyal, K. C. John Wei, Albert Park, Zhigang Tao MA in Economics, Peking University, China Center for Economic Research, July 2008 Adviser: Yang Yao BA in Economics with highest distinction, Fudan University, School of Economics, July 2005 GPA: 3.82 out of 4.00 Class rank: 1 out of 109 Current Academic Appointment Professor, School of Economics and Management, Tongji University Promoted to Full Professor in December 2015 due to my exceptional performance Promoted to Associate Professor in June 2013 shortly after joining the university in March 2013 Teaches at one of the premier Executive MBA programs in the world (Tongji University/ENPC), ranked 68th in 2014 by the Financial Times Research interests include (a) applied microeconomics studies in the fields of labor economics, corporate finance, and empirical asset pricing and (b) Chinese economic reform and development Ningua, ZHONG (钟宁桦) 1 Publications and Working Papers—English As of December 2015, Google Scholar calculated 225 citations of my papers: On China’s Labor Market Issues (Papers in this field are developed from my master thesis) “Unions and Workers’ Welfare in Chinese Firms” (with Yang Yao), [download from JSTOR] Journal of Labor Economics 31, no. 3 (2013): 633–67. -
Printable Itinerary for SSO, Taiko, Chamber Chorale
2008-1-17 China Concert Tour Itinerary for STANFORD SYMPHONY ORCHESTRA (SSO) STANFORD CHAMBER CHORALE (SCC) STANFORD TAIKO ENSEMBLE (TAIKO) June 16-July 5, 2008 Day 1: Monday, June 16, 2008 San Francisco/Shanghai 9: 45am: Meet at Dink doc for buses to SFO 13:30 PM: Departure from San Francisco on UA 857, bound for Shanghai Day 2: Tuesday, June 17, 2008 Shanghai Afternoon: Arrive in Shanghai Pudong Airport at 17:25 and transfer to Hotel Grand Hyatt by buses by maglev train Evening: Check in to the Hotel and have dinner Day 3: Wednesday, June 18, 2008 Shanghai/Hangzhou Morning: 08:00 Breakfast at Hotel (all the breakfasts are provided from 6:30am to 9:30am daily in the ho tels where we stay) SSO: 09:00-1100 Free at leisure. 11:00 Check out Noon: 11:45 Lunch Afternoon: 13:30 Drive to Hangzhou by bus 15:30 Arrive in Zhejiang University SCC &Taiko 10:00 Check out 10:30/13:00 Drive to Hangzhou 13:00/14:00 Lunch 14:00/16:00 rehearsal at Zhe Jiang University SSO, SCC& Taiko 16:00 Exchange Program 17:30 Dinner 18:30 Jointed concert at Zheda Auditorium 20:00 Check in to Zhejiang Hotel 1 2008-1-17 Day 4 : Thursday, June 19, 2008 Hangzhou Morning: 08:00 Breakfast at Hotel 09:00-10:30 Rehearsal at Hotel 10:30-11:30 Meet with mayor of Hangzhou 11:30-12:30 Visit the West Lake and the Inner West Lake Noon: 12:30-14:00 Lunch at Lou Wai Lou Restaurant Afternoon: 14:00-15:30 Visit Six Harmony Pagoda 15:30 Drive to Zhejiang Grand Theater 16:00-18:30 Rehearsal in Zhejiang Grand Theater 18:30-19:00 Tea time Evening: 19:30 Concert in the Opera Hall of the Zhejiang Grand Theatre. -
SHAKESPEARE STUDIES in CHINA by Hui Meng Submitted to the Graduate Degree Program in English and the Graduate Faculty of the Un
SHAKESPEARE STUDIES IN CHINA By Copyright 2012 Hui Meng Submitted to the graduate degree program in English and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Geraldo U. de Sousa ________________________________ Misty Schieberle ________________________________ Jonathan Lamb Date Defended: April 3, 2012 ii The Thesis Committee for Hui Meng certifies that this is the approved version of the following thesis: SHAKESPEARE STUDIES IN CHINA ________________________________ Chairperson Geraldo U. de Sousa Date approved: April 3, 2012 iii Abstract: Different from Germany, Japan and India, China has its own unique relation with Shakespeare. Since Shakespeare’s works were first introduced into China in 1904, Shakespeare in China has witnessed several phases of developments. In each phase, the characteristic of Shakespeare studies in China is closely associated with the political and cultural situation of the time. This thesis chronicles and analyzes noteworthy scholarship of Shakespeare studies in China, especially since the 1990s, in terms of translation, literary criticism, and performances, and forecasts new territory for future studies of Shakespeare in China. iv Table of Contents Introduction ………………………………………………………………………………1 Section 1 Oriental and Localized Shakespeare: Translation of Shakespeare’s Plays in China …………………………………………………………………... 3 Section 2 Interpretation and Decoding: Contemporary Chinese Shakespeare Criticism………………………………………………………………. -
Creative Loafing Atlanta
Creative Loafing Atlanta FICTION CONTEST | TRAVEL | COMEDY | PETS | PHOTO GALLERIES | OPINION | FOOD ISSUE | DALI-INSPIRED CL BOXES | FUN & FREE S#!T | ARCHIVES | RSS « ATL Comic Profile: Mike Kaiser | 5 things today » TUESDAY, NOVEMBER 9, 2010 DANCE Q&A with Lily Cai Posted by Andrew Alexander on Tue, Nov 9, 2010 at 7:43 AM 3 Like The Lily Cai Chinese Dance Company brings its unique combination of modern dance and traditional Chinese forms to the Ferst Center on November 12. Founder, choreographer, and artistic director Lily Cai sat down to tell us a little about her company, how she helps her dancers find their Chi, and what it was like to perform for 16000 Deadheads. You started out as a dancer with the Shanghai Opera House. Can you tell me about that? Shanghai Opera House had two different departments—dance and opera—and over 1000 employees. It was a big company, fully funded by the government. In the early 1950s Russia and China had a very close relationship. Russia sent a lot of artists to set up systems for China because Mao had taken over everything in 1948, so it was run by Russians. In the dance department we did Chinese classical—different dances from over 5000 years of Chinese history—then we had folk-ethnic dance as well, with over 56 different ethnic groups. We also had to learn foreign styles of dance. And we also did ballet. The opera department sang Western style operas. That's why the Shanghai Opera House was such a big house. It was just like a school system in that sometimes we spent years learning something we never used.