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Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
The Adjective Usage and Its Relation with Gender
ADLN - PERPUSTAKAAN UNIVERSITAS AIRLANGGA CHAPTER III METHOD OF THE STUDY The third chapter explains about the method of the study. This chapter divided into four sub-chapters: research approach, population and sample, technique of data collection, technique of data analysis. 3.1. Research Approach The approach used in this research is the qualitative approach. This method of research is suitable with the purpose of study, since the writer is trying to get the data of the adjective occurrences and its relation with the gender feature. According to according to Dornyei (2007), qualitative research has the emergent research design and interpretative analysis. What is meant by emergent research design here is that qualitative research has no strict foreshadow, and the research is flexible, which means that the research may develop, advance, or processed more in the process of the research. While interpretative analysis means that the research is the result of the researcher‟s subjective point of interpretation towards the data. In this research, the characteristics of the qualitative approach stated by Dornyei (2007) are considered suitable to be used, since this research has no idea of how the characterization of each character in “The Simpsons” and the pattern of adjectives used in it, and also this research is the researcher‟s interpretation of the adjective usage in “The Simpsons” and its relation with the gender feature that may be found in it. This research tries to show the patterns and generalization of gender by using the 22 SKRIPSI THE ADJECTIVE USAGE AND ... NATHAN SETYOBAGAS A. ADLN - PERPUSTAKAAN UNIVERSITAS AIRLANGGA 23 qualitative approach on lexical items, especially the adjective used in each gender role in The Simpsons. -
Day Day One August 21
Thursday Day One August 21 2p 8:30p 9:9:9: "Life on the Fast Lane" :2222: :22"Itchy and Scratchy and Marge" 2:30p 9p :0110: :01"Homer's Night Out" :3223: :32"Bart Gets Hit by a Car" 3p 9:30p :1111: :11"The Crêpes of Wrath" :4224: :42"One Fish, Two Fish, Blowfish, Blue Fish" 3:30p :2112: :21"Krusty Gets Busted" 10p :5225: :52"The Way We Was" 4p :3113: :31"Some Enchanted Evening" 10:30p :6226: :62"Homer vs. Lisa and the 8th Commandment" Season 2: 1990 -1991 Season 1: 1989 -1990 11p 4:30p 10a :4114: :41"Bart Gets an 'F'" :7227: :72"Principal Charming" 1:1:1: "Simpsons Roasting on an Open Fire" 11:30p 5p 10:30a :5115: :51"Simpson and Delilah" :8228: :82"Oh Brother, Where Art Thou?" 2:2:2: "Bart the Genius" 5:30p 11a :6116: :61"Treehouse of Horror" 3:3:3: "Homer's Odyssey" 6p 11:30a :7117: :71"Two Cars in Every Garage and Three Eyes on Every Fish" 4:4:4: "There's No Disgrace Like Home" 12p 6:30p 5:5:5: "Bart the General" :8118: :81"Dancin' Homer" 12:30p 7p 6:6:6: "Moaning Lisa" :9119: :91"Dead Putting Society" 1p 7:30p 7:7:7: "The Call of the Simpsons" :0220: :02"Bart vs. Thanksgiving" 1:30p 8p 8:8:8: "The Telltale Head" :1221: :12"Bart the Daredevil" Friday Day Two August 22 6a 1p 5p Season 2: 1990 -1991 (cont'd) 414141:41 ::: "Like Father, Like Clown" 555555:55 ::: "Colonel Homer" 636363:63 ::: "Lisa the Beauty Queen" 12a 292929:29 ::: "Bart's Dog Gets an "F"" 6:30a 1:30p 5:30p 424242:42 ::: "Treehouse of Horror II" 565656:56 ::: "Black Widower" 646464:64 ::: "Treehouse of Horror III" 12:30a 303030:30 ::: "Old Money" 7a 2p 6p 434343:43 ::: -
The Simpsons. a Transnational Text to a Transnational Audience
University of North Dakota UND Scholarly Commons Theses and Dissertations Theses, Dissertations, and Senior Projects 12-1-2001 Ay Carumba!: The impS sons. A Transnational Text to a Transnational Audience Anita C. Ramdharry Follow this and additional works at: https://commons.und.edu/theses Recommended Citation Ramdharry, Anita C., "Ay Carumba!: The impsS ons. A Transnational Text to a Transnational Audience" (2001). Theses and Dissertations. 1117. https://commons.und.edu/theses/1117 This Thesis is brought to you for free and open access by the Theses, Dissertations, and Senior Projects at UND Scholarly Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UND Scholarly Commons. For more information, please contact [email protected]. AY CARUMBA!: THE SIMPSONS. A TRANSNATIONAL TEXT TO A TRANSNATIONAL AUDIENCE. by Anita C. Ramdharry Bachelor of Arts, De Montfort University Leicester, 2000 A Thesis Submitted to the Graduate Faculty of the University of North Dakota in partial fulfillment of the requirements for the degree of Master of Arts Grand Forks, North Dakota December 2001 This thesis, submitted by Anita Ramdharry in partial fulfillment of the requirements for the degree of Master of Arts from the University of North Dakota, has been read by the Faculty Advisory Committee under whom the work has been done and is hereby approved. This thesis meets the standards for appearance, conforms to the style and format requirements of the Graduate School of the University of North Dakota, and is hereby approved. ii PERMISSION Title Ay Carumba!: The Simpsons. A transnational text to a transnational audience Department School of Communication Degree Master of Arts In presenting this thesis in partial fulfillment of the requirements for a graduate degree from the University of North Dakota, I agree that the library of this University shall make it freely available for inspection. -
DECLARATION of Jane Sunderland in Support of Request For
Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE -
Issues in the Subtitling and Dubbing of English-Language Films Into Arabic: Problems and Solutions
Durham E-Theses ISSUES IN THE SUBTITLING AND DUBBING OF ENGLISH-LANGUAGE FILMS INTO ARABIC: PROBLEMS AND SOLUTIONS ALKADI, TAMMAM How to cite: ALKADI, TAMMAM (2010) ISSUES IN THE SUBTITLING AND DUBBING OF ENGLISH-LANGUAGE FILMS INTO ARABIC: PROBLEMS AND SOLUTIONS , Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/326/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 ISSUES IN THE SUBTITLING AND DUBBING OF ENGLISH-LANGUAGE FILMS INTO ARABIC: PROBLEMS AND SOLUTIONS By Tammam Alkadi © Supervised by PROF. PAUL STARKEY DR MICHAEL THOMPSON A thesis submitted for the degree of Doctor of Philosophy Department of Arabic School of Modern Languages and Cultures Faculty of Arts and Humanities University of Durham 2010 ABSTRACT This study investigates the problems that translators tend to face in the subtitling and dubbing of English-language films and television programmes into Arabic and suggests solutions for these problems. -
Transmedia Storytelling and the Simpsons Arcade Game Alissa Chater
Kino: The Western Undergraduate Journal of Film Studies Volume 5 | Issue 1 Article 2 2014 Battling with Bart: Transmedia Storytelling and The Simpsons Arcade Game Alissa Chater Abstract Chater uses Henry Jenkins' theories of cross-platform narratives (vis-a-vis the titular adaptation) to explore not only the problematics of medium transfer, but also the conceptualization of fantasy and interactivity within the game/player dynamic. Keywords Transmedia, Henry Jenkins, Simpsons, Video Game, Interactivity Recommended Citation Chater, Alissa (2014) "Battling with Bart: Transmedia Storytelling and The Simpsons Arcade Game," Kino: The Western Undergraduate Journal of Film Studies: Vol. 5 : Iss. 1 , Article 2. Chater: Battling with Bart: Transmedia Storytelling and The Simpsons Arca Communications professor Henry Jenkins describes transmedia storytelling as a process in which “integral elements of a fiction get dispersed systematically across multiple delivery channels for the purpose of creating a unified and coordinated entertainment experience." (Jenkins) In more than twenty years on television, The Simpsons has become one of the most- used core texts for a number of transmedia products. One of the earliest products was The Simpsons Arcade Game, developed in 1991 by Konami as a side-scroll, beat-em’ up game. (Electronic Gaming Monthly) The background story follows Smithers and Mr. Burns escaping after robbing a jewellery store. As the two pass the Simpsons, Homer accidentally bumps into Smithers, sending a precious stone flying into baby Maggie’s mouth, which is then mistaken as her soother. Smithers kidnaps Maggie and the game begins. Players can use their family member of choice in eight levels which pits them against a plethora of enemies and ‘bosses,’ culminating in a final standoff against Smithers and Mr. -
Functions of Intermediality in the Simpsons
Functions of Intertextuality and Intermediality in The Simpsons Der Fakultät für Geisteswissenschaften der Universität Duisburg-Essen zur Erlangung des akademischen Grades eines Doktors der Philosophie (Dr. phil.) eingereichte Dissertation von Wanja Matthias Freiherr von der Goltz Datum der Disputation: 05. Juli 2011 Gutachter: Prof. Dr. Josef Raab Prof. Dr. Jens Gurr Table of Contents List of Figures...................................................................................................................... 4 1. Introduction .............................................................................................. 5 1.1 The Simpsons: Postmodern Entertainment across Generations ................ 5 1.2 Research Focus .............................................................................................11 1.3 Choice of Material ..........................................................................................16 1.4 Current State of Research .............................................................................21 2. Text-Text Relations in Television Programs ....................................... 39 2.1 Poststructural Intertextuality: Bakhtin, Kristeva, Barthes, Bloom, Riffaterre .........................................................................................................39 2.2 Forms and Functions of Intertextual References ........................................48 2.3 Intertextuality and Intermediality ..................................................................64 2.4 Television as a -
Introduction: the Simpsons, Satire, and American Culture
Notes Introduction: The Simpsons, Satire, and American Culture 1. Robert J. Thompson, Television’s Second Golden Age: From Hill Street Blues to ER (New York: Continuum, 1996), 19. 2. “Simpsons Roasting on an Open Fire” (#7G08) ranked thirtieth for its timeslot the night it premiered and earned Fox a 22 percent share and a 14.5 rating. See “Nielsens,” USA Today, December 20, 1989, 3D, Lexis-Nexis Academic, October 2, 2003. 3. “Bart the Genius” (#7G02) ranked forty-eighth for its timeslot and earned Fox a 19 percent share and a 12.7 rating. See “Nielsens,” USA Today, January 17, 1990, 3D, Lexis-Nexis Academic, October 2, 2003. 4. Harry F. Waters, “Family Feuds,” Newsweek, April 23, 1990, 58. 5. Although The Simpsons often ranked within the top ten for weekly or monthly Nielsen totals, the show has not ranked high overall: at the end of the 1989–90 season, its first full season on the air, The Simpsons ranked only thirtieth. See “Final Season Ratings,” Electronic Media, April 23, 1990, 36, Lexis-Nexis Academic, October 2, 2003. http:// web.lexis-nexis.com/universe. Curiously, the show has never been among the top 25 in the Nielsen seasonal totals. It is no longer the ratings juggernaut it once was, but new episodes of The Simpsons still rank in the Nielsen top 50 among prime-time television shows and often in the top 20 among shows in syndication. Tim Brooks and Earle Marsh, The Complete Directory to Prime Time Network and Cable TV Shows, 1946–Present, 8th ed. (New York: Ballantine, 2003), 1073–74. -
“The Simpsons” As Illustration of Work-Family Concepts Authors
“The Simpsons” as Illustration of Work-Family Concepts Authors: Sara C. Hare & Robert C. Lennartz, Indiana University Southeast Source: Sweet, Stephen, Marcie Pitt-Catsouphes, Joshua Mumm, Judith Casey, and Christina Matz. 2006. Teaching Work and Family: Strategies, Activities, and Syllabi. Washington DC: American Sociological Association. Type: Media Examples Purpose: Using a television show to illustrate family and work concepts The Simpsons, the animated situation comedy, is now in its 17th season. Students have literally grown up with the critically-acclaimed show and understand its biting commentaries on American society, current events and family issues. The Simpson family includes the nuclear family of Homer and Marge, bad-boy Bart, socially- conscious Lisa, and baby Maggie, along with a cast of regular characters from the community of Springfield. Scanlan and Feinberg (2000) introduced the idea of using the television show to teach sociological concepts. While they recommend using the entire 22-minute episode, specific concepts can be introduced or illustrated with a shorter 3-5 minute clip. Seasons 1-7 are now available for purchase or rental so more examples of illustrated concepts from those seasons have been included in the table below. However, episodes are rerun nightly in most viewing areas so that particular episodes can be taped easily. Students may also be a resource for copies of particular episodes. The following table includes episodes that illustrate family and work concepts. The table is organized in chronological order because the episodes are bundled by season when they are purchased or rented. The official identifier for the episode (code number) and the episode title (in quotes) are also included. -
Repair Utterances Used by Bart and Homer in the Simpson
REPAIR UTTERANCES USED BY BART AND HOMER IN THE SIMPSON Veronika Listi Ferdini Damopolii Fakultas Bahasa dan Seni Universitas Negeri Manado Tondano, Indonesia Email: [email protected] ABSTRACT: The research explores Repair Utterances Used suggested by McManis, et al. (1988). The goals of the of the analysis are to know the repairs used by the speaker and to find out the speaker meaning or intended meaning by using those repairs. The research uses a qualitative descriptive method to describe the data. The data were analyzed by using a pragmatic approach to ease the writer identifies the speaker meaning. The speaker uses repairs: Uh, Umm, Ehm, Uh-uh, and Uh. The speakers use those repairs to show sometimes there are speech errors or unclear utterances made by the speaker. After that, the speaker immediately realizes it and correct his mistake, but it is also possible if the listener asks for correction or clarification by asking the speaker. However, the use of repair in the conversation has a purpose and the reasons why they do repairs to their interlocutor in conversation, such as because to emphasize previous speaker explanation, to clarify something because the speaker doesn't understand what is talking about, to say something wrong and repair it, to ask clarification of unclear statement, and to clarify the less specific explanation. Keywords: Repair, speaker, speaker meaning. INTRODUCTION characteristics. In this research, the author As one way of communication, a only discusses one characteristic of the conversation is used by people to interact conversation is hesitation noise.McManis, in their social life. -
Representation of Motherhood in the Television Series the Simpsons
UNIVERSITY OF JYVÄSKYLÄ THE MYTHICAL MOTHER: REPRESENTATION OF MOTHERHOOD IN THE TELEVISION SERIES THE SIMPSONS A Pro Gradu Thesis in English by Helmi-Maria Abspoel Department of Languages 2006 HUMANISTINEN TIEDEKUNTA KIELTEN LAITOS Helmi-Maria Abspoel THE MYTHICAL MOTHER: Representation of Motherhood in the Television Series The Simpsons Pro Gradu tutkielma Englannin kieli 86 sivua + 1 liite Tutkielman tarkoituksena on selvittää äitiyden representaatiota televisiosarjassa the Simpsons . Päämateriaalina on käytetty sarjan viittä ensimmäistä tuotantojaksoa, yhteensä 105:ttä Suomessakin televisioitua jaksoa. Päämateriaalin analyysiin ja tutkimuksen taustaselvityksiin on käytetty teoriakirjallisuutta kolmelta eri alueelta; naistutkimuksen äitiystutkimuksen peruskirjallisuutta, feministisen mediatutkimuksen perusteorioita sekä televisioon, populaarikulttuuriin ja viestintään keskittyvää kirjallisuutta. Tutkielma lähtee etsimään erilaisia äitiyden representaatioita televisiosarjasta the Simpsons äitimyytin pohjalta, hakien vastausta kysymykseen, kyseenalaistaako tämä maineeltaan kovin yhteiskuntakriittinen ja satiirinen sarja myös äitiyteen kohdistuvia myyttejä ja stereotypioita, vai päätyykö se, päinvastoin, vahvistamaan niitä. The Simpsons on 1990-luvulla ”kulta-aikaansa” elänyt amerikkalainen, piirretty televisiosarja, joka nautti ennennäkemätöntä, hyvin laajalle levinnyttä suosiota. Sarjan ensimmäinen jakso lähetettiin vuonna 1989, ja uusintoja vuosien varrella nähdään edelleen eri puolilla maailmaa säännöllisesti. Sarja keskittyy amerikkalaisen