Bollettino Anno Sociale 2016 - 2017
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Organização E Disponibilização Da Coleção De Partituras Do Memorial Jesuíta - Unisinos
ORGANIZAÇÃO E DISPONIBILIZAÇÃO DA COLEÇÃO DE PARTITURAS DO MEMORIAL JESUÍTA - UNISINOS O acervo de partituras esteve armazenado por muito tempo em uma sala de aula do antigo Colégio Santo Inácio, desde o término de suas atividades. Foi recolhido para a biblioteca da Unisinos, e hoje está sob à custodia do Acervo das Coleções Especiais do Memorial Jesuíta. Após o acervo ser armazenado na biblioteca, realizou-se a higienização e todo o tratamento arquivístico. O acervo é composto de partituras para orquestra, canto, instrução musical e encadernações organizadas pelos professores de música do Colégio Santo Inácio. As partituras da coleção são de música erudita clássica (profana), músicas de missas (sacra), vindas de diferentes países. A realização deste projeto foi possível com o patrocínio do Senhor Décio Andriotti que há quatro anos investe em nosso projeto com o objetivo específico de Organizar e Disponibilizar as Partituras Históricas da Coleção de Santo Inácio de Loyola. Que é de grande importância para a comunidade acadêmica, assim como a sociedade de forma geral. Autor da Autor da Autor da Descrição Caixa Pasta Título da obra Intrumentos/Tipo de partitura Data Docto Local Observações Ópera letra /arranjo música física Caixa 001 1 [IB,1] La Duchessa del Bal Tabarin - Valsa da Operata Carlo Lombardo Partituras p Orquestra Impresso 2 [IB,5] Balletto: Le quattro Stagioni - n. 1. L'inverno - I Vespri Siciliani Giuseppe Verdi Partituras p Orquestra Milano Impresso 3 [IB,11] Tarantella - Nell´opera - I Vespri Siciliani Giuseppe Verdi Partituras -
International-Short
VOL. VIII AUGUST, 1937 NO.11 INTERNATIONAL Short Wave News. Ten Cents a Copy. Accurate Station List. One Dollar a Year. Hourly Tuning Guide. Published Monthly. THE VOICE OF THE INTERNATIONAL SHORT WAVE CLUB EAST LIVERPOOL, OHIO, U. S. A. Only because the RME-69 was originally engineered as a really fine receiver has it been possible for owners to possess an instrument which TODAY is strictly up-to-the-minute in every detail. Information will be furnished upon request. RADIO MFG. ENGINEERS, INC. 306 FIRST AVENUE PEORIA, ILLINOIS, U. S. A. PERFORMANCE PLUS The 12 -tube NC - 100 Receiver in- cludes every refine- ment for difficult short wave work. The Movable Coil Tuning Unit com- bines the high elec- trical efficiency of plug-in coils with the convenience of the coil switch, and covers from 540 kc. to 30 mc. in five ranges. Idle coils are isolated in cast aluminum shields, leads are short, and calibration is exact. Panel controls are complete, and in- cludes separate switches of B -sup- ply, Filaments, C - W Oscillator, and AVC; as well as dials for Audio Gain, RF Gain, Tone Control, and CW Oscillator Tuning. The pre- cision Micrometer Dial, direct reading to one part in five hundred, provides exceptonal ease of tuning together with great accuracy in logging. These are but a few of the features that com- bine to make the NC -100's perform- ance so outstanding and its low price so remarkable. An illustrated folder will be sent on request. NATIONAL COMPANY, INC., MALDEN, MASS. 4 HELP YOURSELF BY BOOSTING THE CLUB International Short Wave Radio is published monthly by the International Short Wave Club of East Liverpool, Ohio, U. -
Europäische Nationalhymnen Als Ausdruck Nationaler Identitäten Unter Besonderer Berücksichtigung Der Länder Mittel-, Ost- Und Südosteuropas
Christiane Rothenpieler, Bakk. Phil. Europäische Nationalhymnen als Ausdruck nationaler Identitäten unter besonderer Berücksichtigung der Länder Mittel-, Ost- und Südosteuropas MASTERARBEIT Zur Erlangung des akademischen Grades Magistra der Philosophie Studium: Angewandte Kulturwissenschaft Alpen-Adria-Universität Klagenfurt Fakultät für Kulturwissenschaften Begutacher: Dr. habil. Wolfgang Geier Institut für Kultur-, Literatur- und Musikwissenschaft April 2012 II Ehrenwörtliche Erklärung Ich erkläre ehrenwörtlich, dass ich die vorliegende wissenschaftliche Arbeit selbständig angefertigt und die mit ihr unmittelbar verbundenen Tätigkeiten selbst erbracht habe. Ich erkläre weiters, dass ich keine anderen als die angegebenen Hilfsmittel benutzt habe. Alle aus gedruckten, ungedruckten oder im Internet im Wortlaut oder im wesentlichen Inhalt übernommenen Formulierungen und Konzepte sind gemäß den Regeln für wissenschaftliche Arbeiten zitiert und durch Fußnoten bzw. durch andere genaue Quellenangaben gekennzeichnet. Die während des Arbeitsvorganges gewährte Unterstützung einschließlich signifikanter Betreuungshinweise ist vollständig angegeben. Die wissenschaftliche Arbeit ist noch keiner anderen Prüfungsbehörde vorgelegt worden. Diese Arbeit wurde in gedruckter und elektronischer Form abgegeben. Ich bestätige, dass der Inhalt der digitalen Version vollständig mit dem der gedruckten Version übereinstimmt. Ich bin mir bewusst, dass eine falsche Erklärung rechtliche Folgen haben wird. Christiane Rothenpieler Klagenfurt, 26.04.2012 III Inhaltsverzeichnis -
Proiektua Jeitsi [2.34
URUGUAYKO EUSKAL KOLEKTIBITATEARREN MANIFESTAZIO KULTURAL BATZUK JAIALDIAK, MUSIKA ETA DANTZA URUGUAYKO EUSKAL KOLEKTIBITATEAREN MANIFESTAZIO KULTURAL BATZUK JAIALDIAK, MUSIKA ETA DANTZA. ESKERRAK Jorge Aríni emandako testigantza eta material guztiengaitik Baldomero Anzóri Margarita Luongori, Museoko zuzendariari Daniel Ramelari, San José hiriko historialaria, eskainitako laguntza eskuzabalarengaitik. Teresita Pérezi, Tacuarembóko intendentziako kultura sailaren zuzendaria dena. Tacuarembóko kultur etxean lan egiten duten Víctor Amaral Maisuari, Isai López eta Olga Piedrari. Óscar Padrón Favreri, Duraznoko Museo Casa de Riverako zuzendariari. Aitor Otaño eta Barbara Blancori emandako laguntza guztiarengaitik. Oscar Alvarez Gilari beti bertan egoteagaitik. - 2 - 2 URUGUAYKO EUSKAL KOLEKTIBITATEAREN MANIFESTAZIO KULTURAL BATZUK JAIALDIAK, MUSIKA ETA DANTZA. AURKIBIDEA Zer da euskaldun izatea? Aurrekariak eta immigrazioa. Euskal musikari buruzko lehenengo erreferentziak Uruguayen (1848 – 1876) 1848 – Euskal batailoiak Guerra Granden. 1850 – Pilota Kantxak (pilotalekuak). 1867 – Filarmoniken sorrera. Mercedesko Filarmónica. Facundo Alzola Lazcano Gerónimo de Amilivia Idiarte Borda Euskal presentzia San Jose de Mayon. San Jose de Mayoko Filarmonikak. Luis Astigarraga Atanasio Zabala 1869 – Betharramitar Aitak Hemeretzigarren mendeko euskal elkarteak (1876 -1900) 1876 – Laurac Bat, euskal inmigrazioaren babes elkartea. 1883 – Laurac Bateko Fiestas Euskaras ( euskal festak). Bandera berri bat eta himno (ereserki) berri bat. Krisi finisekularra. -
EL NACIONALISMO VASCO: MITOS, CONMEMORACIONES Y LUGARES DE LA MEMORIA Javier Ugarte (Coord.) Javier Moreno Luzón (Coord.) El Árbol De Gernika
EL NACIONALISMO VASCO: MITOS, CONMEMORACIONES Y LUGARES DE LA MEMORIA Javier Ugarte (coord.) Javier Moreno Luzón (Coord.) El árbol de Gernika. Vicisitudes del símbolo foral de los vascos* FÉLIX LUENGO TEIXIDOR ANDER DELGADO CENDAGORTAGALARZA Dpto. de Historia Contemporánea de la UPV L 7 de octubre de 1936, tras la aprobación por parte de las Cortes Españolas del Estatuto Vasco y la proclamación del primer go- E bierno autónomo vasco, el presidido por José Antonio Agui- rre, que por primera vez en su historia unía política y administrati- vamente a las provincias vascas, aunque solo fuera sobre el papel —no de facto, dado que las tropas franquistas controlaban ya para entonces buena parte de su territorio, reduciendo su control real poco más que a Vizcaya—, el nuevo ejecutivo autónomo se reunió en la villa de Gernika para jurar solemnemente sus cargos bajo el roble secular, símbolo de las «libertades» vascas. Muchos años des- pués, superados los largos años del franquismo y su dictadura, re- suelto el proceso de transición política que permitió recuperar la democracia y la autonomía con la aprobación del Estatuto de la Co- munidad Autónoma Vasca de 1979, el nuevo gobierno vasco nacido de las urnas, presidido por el peneuvista Carlos Garaikoetxea, vol- vió a elegir Gernika, y su Árbol, como lugar simbólico del juramento de su cargo. Una tradición que, desde entonces, han mantenido los sucesivos lehendakaris que han ido presidiendo los gobiernos au- tónomos del País Vasco hasta nuestros días, siempre con mayoría del PNV. Con ello no han hecho más que recoger una vieja práctica asumida por todos que, cuando menos desde la primera mitad del siglo XIX, es decir, durante todo el período en el que se ha ido pro- duciendo la conocida como «cuestión vasca» y sus problemas de in- tegración en la España liberal, fijaba en Gernika y en su roble, el principal referente simbólico de sus fueros y libertades, en el esce- nario más idóneo para todo tipo de actos de exaltación foral, auto- nómica, nacionalista o identitaria en general. -
Reading Spanish American National Anthems: "Sonograms"
Reading Spanish American National Anthems: “Sonograms” of National Identity ROBERT NEUSTADT In Costa Rica it is not uncommon to hear men greet one another on the street with the question, “¿Cómo va la lucha ”? (How goes the struggle?). 1 The reply is always consistent: “ tenaz” (tenacious). The expression derives from a lyric from the Costa Rican national anthem: En la lucha tenaz, de fecunda labor In the tenacious struggle, of fertile labor que enrojece el hombre la faz That reddens man’s face This reference to the national anthem in everyday talk underscores the extent to which the Costa Rican himno nacional has penetrated the lives of Costa Ricans. The symbolism is not difficult to comprehend. A man engaged in the tenacious struggle of agricultural work epitomizes the official representation of an ideal Costa Rican. As an image of Costa Rican identity, the lucha tenaz has, in some ways, been adopted by the populace. Many Costa Ricans feel proud of their nation, in large part because of its singular army-free condition. At the same time, to ask about the struggle usually elicits a smile if not laughter. Though Costa Ricans tend to be patriotic, the non-idyllic reality of quotidian existence (combined with deep-seated governmental corruption) injects a twist of irony into the lucha . By laughing at the expression, Costa Ricans poke fun at the hyperbolic idealism of their national anthem. The parody also arises from a process of recontextualization. Making reference to the national anthem “on the streets”—the speaker uses this song, usually reserved for civic ceremonies, to underscore the gap between official discourse and everyday reality. -
Reading Spanish American National Anthems: “Sonograms” of National Identity
Reading Spanish American National Anthems: “Sonograms” of National Identity ROBERT NEUSTADT In Costa Rica it is not uncommon to hear men greet one another on the street with the question, “¿Cómo va la lucha ”? (How goes the struggle?). 1 The reply is always consistent: “ tenaz” (tenacious). The expression derives from a lyric from the Costa Rican national anthem: En la lucha tenaz, de fecunda labor In the tenacious struggle, of fertile labor que enrojece el hombre la faz That reddens man’s face This reference to the national anthem in everyday talk underscores the extent to which the Costa Rican himno nacional has penetrated the lives of Costa Ricans. The symbolism is not difficult to comprehend. A man engaged in the tenacious struggle of agricultural work epitomizes the official representation of an ideal Costa Rican. As an image of Costa Rican identity, the lucha tenaz has, in some ways, been adopted by the populace. Many Costa Ricans feel proud of their nation, in large part because of its singular army-free condition. At the same time, to ask about the struggle usually elicits a smile if not laughter. Though Costa Ricans tend to be patriotic, the non-idyllic reality of quotidian existence (combined with deep-seated governmental corruption) injects a twist of irony into the lucha . By laughing at the expression, Costa Ricans poke fun at the hyperbolic idealism of their national anthem. The parody also arises from a process of recontextualization. Making reference to the national anthem “on the streets”—the speaker uses this song, usually reserved for civic ceremonies, to underscore the gap between official discourse and everyday reality. -
AVRUPA BİRLİĞİ ÜYE Ve ADAY ÜLKELERİ ULUSAL MARŞLARININ SOSYO-KÜLTÜREL VE MÜZİKAL YAPI BAKIMINDAN İNCELENMESİ
AVRUPA BİRLİĞİ ÜYE ve ADAY ÜLKELERİ ULUSAL MARŞLARININ SOSYO-KÜLTÜREL VE MÜZİKAL YAPI BAKIMINDAN İNCELENMESİ Hakan DURAN Yüksek Lisans Tezi Müzik Bilimleri Ana Bilim Dalı Yrd.Doç.Dr.Serhat YENER 2010 Her Hakkı Saklıdır T.C. ATATÜRK ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ MÜZİK BİLİMLERİ ANABİLİM DALI Hakan DURAN AVRUPA BİRLİĞİ ÜYE ve ADAY ÜLKELERİ ULUSAL MARŞLARININ SOSYO-KÜLTÜREL VE MÜZİKAL YAPI BAKIMINDAN İNCELENMESİ YÜKSEK LİSANS TEZİ TEZ YÖNETİCİSİ Yrd. Doç. Dr. Serhat YENER ERZURUM-2010 i ii I İÇİNDEKİLER ÖZET........................................................................................................................ IV ABSTRACT............................................................................................................. V SİMGELER VE KISALTMALAR DİZİNİ …………………..……………..... VI ŞEKİLLER DİZİNİ ………................................................................................. VII TABLOLAR DİZİNİ ............................................................................................ VIII GRAFİKLER DİZİNİ ……………………………..……………………..……… IX ÖNSÖZ ………………….…………...…………….............................................. X GİRİŞ ................................................................................................................... 1 BİRİNCİ BÖLÜM ARAŞTIRMA RAPORU 1.1. PROBLEM DURUMU …...................................................................……….. 18 1.2. AMAÇ …………................................................................................................ 18 1.3. ÖNEM …........................................................................................................... -
Die EU-Mitgliedstaaten Und Ihre Nationalhymnen
Geschichte – Kultur – Politik und 28 Länderporträts Die EU-Mitgliedstaaten und ihre Nationalhymnen plus Audio-CD mit allen Hymnen Geschichte – Kultur – Politik und 28 Länderporträts Die EU-Mitgliedstaaten und ihre Nationalhymnen ZUM AUTOR Harry D. Schurdel Geboren 1946 im nordfriesischen Husum, arbeitet als freier Journalist und Publizist vornehmlich für Tages- und Wochenzeitungen sowie für populär wissen- schaftliche Magazine mit Schwerpunkt auf politischen, historischen und landes- kundlichen Themen. Sein besonderes Interesse gilt der Staatssymbolik, wozu er zahlreiche Arbeiten veröffentlicht hat. — Impressum — Zeichenerklärung — Herausgeberin: Bundeszentrale für politische Bildung / bpb, 1985 = fett gedruckte Zahl: Adenauerallee 86, 53113 Bonn, www.bpb.de Jahr der amtlichen Einführung Redaktion: Iris Möckel, bpb (verantwortlich), Simone Albrecht, bpb M = Musik Redaktionelle Mitarbeit: Dr. Gernot Dallinger, Köln T = Text Autor Teil 1: Harry D. Schurdel, Glücksburg (Ostsee) ( ) = in Klammern stehen die Lebens- Zusammenstellung der Daten für Teil 2: Simone Albrecht, bpb daten des jeweiligen Dichters# oder Komponisten#. — Gestaltung: Leitwerk. Büro für Kommunikation, # = steht für die weibliche Form Köln, www.leitwerk.com des vorangegangenen Begriffs Illustrationen: Anika Takagi, Jana-Lina Berkenbusch, Anke Brodersen, Stefanie Großerichter, Ann-Kathrin Hochmuth, Cornelia Pistorius, Katharina Plass (alle Leitwerk) — Druck: Werbedruck GmbH Horst Schreckhase, Spangenberg — Audio-CD: Musik: Stabsmusikkorps der Bundeswehr unter der Leitung von Oberstleutnant Walter Ratzek Aufnahmeleiter: Georges Moreau, Zutendaal / Belgien Toningenieur: Roland Stuppin, wind records, Cloppenburg Vervielfältigung: interdisc media, Alsdorf 1. Auflage April 2014 ISBN: 978-3-8389-7105-6 Bestell-Nr. 1.943 — Bestellung und weitere Infos unter: www.bpb.de/falter 4 VORWORT Die Europäische Staatengemeinschaft wuchs, baute die Schlagbäume zwischen ihren Mitgliedern ab, schuf eine übernationale Währung, und im Zuge der Osterweiterungen ab 2004 traten ihr elf ost- europäische Länder bei. -
La Marcha Real National Anthem of Spain Brass Quintet Arr Adrian Wagner Sheet Music
La Marcha Real National Anthem Of Spain Brass Quintet Arr Adrian Wagner Sheet Music Download la marcha real national anthem of spain brass quintet arr adrian wagner sheet music pdf now available in our library. We give you 6 pages partial preview of la marcha real national anthem of spain brass quintet arr adrian wagner sheet music that you can try for free. This music notes has been read 6139 times and last read at 2021-10-01 00:54:21. In order to continue read the entire sheet music of la marcha real national anthem of spain brass quintet arr adrian wagner you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: B Flat Trumpet, Euphonium, Horn, Trombone, Tuba Ensemble: Brass Quintet Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music La Marcha Real National Anthem Of Spain Wind Quintet Arr Adrian Wagner La Marcha Real National Anthem Of Spain Wind Quintet Arr Adrian Wagner sheet music has been read 3675 times. La marcha real national anthem of spain wind quintet arr adrian wagner arrangement is for Intermediate level. The music notes has 4 preview and last read at 2021-10-01 03:56:08. [ Read More ] La Marcha Real National Anthem Of Spain Saxophone Quintet Arr Adrian Wagner La Marcha Real National Anthem Of Spain Saxophone Quintet Arr Adrian Wagner sheet music has been read 5303 times. La marcha real national anthem of spain saxophone quintet arr adrian wagner arrangement is for Intermediate level. The music notes has 4 preview and last read at 2021-10-01 11:06:54. -
Sport Et Chant Choral
Sport et chant choral Après les tournois de tennis de Roland-Garros et Wimbledon puis l'Euro 2012 de football, le Tour de France et les Jeux Olympiques de Londres en août prochain, événements sportifs fédérateurs, vont rythmer l’été. Pour rester en forme estivale… l’équipe du Centre de Documentation pour l’Art Choral vous propose du répertoire choral en relation avec le sport ! Mais… Nous ne sommes pas de grands sportifs et nos résultats s’avèrent un peu maigres, les compositeurs semblent très peu inspirés par ce thème… Néanmoins, nous vous présentons quelques œuvres sportives. Préparez vos baskets et vos cordes vocales ! DUBOIS, Antoine (né en 1972) France Trinosaure (Le) Œuvre pour 1 voix unisson d'enfants ou égale d'enfants (S) + 1 partie instrumentale [piano(1)] Editeur : A Coeur Joie, sous référence : 9246 (4 pages sur 11) Cote CDAC : AD12Ag18 Animal fantastique, le trinosaure est le roi du sport ! FAYOLLE, Coralie (20ème siècle;21ème siècle) France Ballon d'or Œuvre pour 3 voix égales d'enfants (SMA) + ensemble instrumental [flûtes, clarinettes, saxophones, trompettes, trombones, tuba(1), percussion, percussions manuelles] ou 1 partie instrumentale [piano(1)] Editeur : Combre, sous référence : C 05993 (14 pages) Cote CDAC : ACV01162 Pour les amateurs de football, cette œuvre, écrite dans le cadre de la coupe du Monde en 1998, a été créée à Montpellier par l’Opéra Junior le 28 juin 1998. FOSTER, Stephen Collins (1826 - 1864) Etats-Unis Camptown races Œuvre pour 4 voix mixtes (SATB) Harmonisateur : BUHLER, Philippe Editeur : Philippe Caillard, sous référence : PC 63 (2 pages sur 4) Cote CDAC : AD17Ba31 Rendez-vous sur le champ de courses ! GROSJEAN, Stéphane (20ème siècle;21ème siècle) / RAVEL Maurice - "Boléro" Beau vélo Œuvre pour 4 groupes vocaux + 3 parties instrumentales [timbres de vélo(3)] Editeur : Alfonce Production, sous référence : A. -
European National Anthems United Kingdom Europe Is One of the Seven Continents of the World
European National Anthems United Kingdom Europe is one of the seven continents of the world. All the different countries in Europe have their own national anthem. A national anthem can be a fanfare, a hymn, a march or a song. The British national anthem, God Save The Queen, is one of the oldest national anthems, having been performed since 1745. God Save The Queen God save our gracious Queen! Long live our noble Queen! God save the Queen! Send her victorious, Happy and glorious, Long to reign over us, God save the Queen. France La Marseillaise La Marseillaise is the French national Arise you children of anthem. The text opposite has been the fatherland translated from the original, which is The day of glory has arrived in French. It was composed in just one night Against us tyranny on April 24, 1792 during the French Has raised its bloodied banner Revolution by Claude-Joseph Rouget Do you hear in the fields de Lisle. The howling of these The words of the anthem are intended to fearsome soldiers? inspire soldiers to defend their country They are coming into your in War. midst Marseille is a place in France where the To slit the throats of your sons soldiers were fighting when the anthem and wives! was written. To arms, citizens, Form your battalions, Let us march, let us march! May impure blood Soak our fields’ furrows! Spain The Marcha Real is the national anthem of Spain. In English, the title means ‘The Royal March’. The anthem has no words. It is a melody played by an orchestra.