Comp. 12 Program Layout.Cwk
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Conference Programme Europe’S Premier Microwave, Rf, Wireless and Radar Event
SIX DAYS THREE CONFERENCES THREE FORUMS ONE EXHIBITION EUROPEAN MICROWAVE WEEK 2020 JAARBEURS CONVENTION CENTRE UTRECHT – THE NETHERLANDS 10 – 15 JANUARY 2021 10-15 JANUARY 2021 EUROPEAN MICROWAVE WEEK 2020 CONFERENCE PROGRAMME EUROPE’S PREMIER MICROWAVE, RF, WIRELESS AND RADAR EVENT THE ART OF MICROWAVES Register online at: www.eumweek.com 2 – WWW.EUMWEEK.COM SPONSORS TABLE OF CONTENTS WWW.EUMWEEK.COM – 3 Promoting Table of Contents European Microwaves WELCOME MESSAGES STUDENT ACTIVITIES AND WiM Welcome to the 23rd European Microwave Week · · · · · 5 Welcome from the Student Activities Chair · · · · · · 38 Welcome from the President of the European Student Design Competitions · · · · · · · · · · · · 39 Microwave Association ·· · · · · · · · · · · · · · 6 Women in Microwaves · · · · · · · · · · · · · · 39 Welcome to the 15th European Microwave Integrated Career Platform · · · · · · · · · · · · · · · · · 40 Circuits Conference · · · · · · · · · · · · · · · · 7 5th European Microwave Student School · · · · · · · 42 Archiving through Editing the International Journal Welcome to the 50th European Microwave Conference · · 8 Tom Brazil Doctoral School of Microwaves · · · · · · · 43 the Knowledge Centre of Microwave and Wireless Welcome to the 17th European Radar Conference · · · · · 9 Welcome from the General TPC Chair · · · · · · · · ·10 Records papers written by the best Technologies CONFERENCE PROGRAMME international scientists in our secure database. The Journal solicits original and review Sunday 10th January 2021 · · · · · · · · · · · -
Theresienstadt Concentration Camp from Wikipedia, the Free Encyclopedia Coordinates: 50°30′48″N 14°10′1″E
Create account Log in Article Talk Read Edit View history Theresienstadt concentration camp From Wikipedia, the free encyclopedia Coordinates: 50°30′48″N 14°10′1″E "Theresienstadt" redirects here. For the town, see Terezín. Navigation Theresienstadt concentration camp, also referred to as Theresienstadt Ghetto,[1][2] Main page [3] was established by the SS during World War II in the fortress and garrison city of Contents Terezín (German name Theresienstadt), located in what is now the Czech Republic. Featured content During World War II it served as a Nazi concentration camp staffed by German Nazi Current events guards. Random article Tens of thousands of people died there, some killed outright and others dying from Donate to Wikipedia malnutrition and disease. More than 150,000 other persons (including tens of thousands of children) were held there for months or years, before being sent by rail Interaction transports to their deaths at Treblinka and Auschwitz extermination camps in occupied [4] Help Poland, as well as to smaller camps elsewhere. About Wikipedia Contents Community portal Recent changes 1 History The Small Fortress (2005) Contact Wikipedia 2 Main fortress 3 Command and control authority 4 Internal organization Toolbox 5 Industrial labor What links here 6 Western European Jews arrive at camp Related changes 7 Improvements made by inmates Upload file 8 Unequal treatment of prisoners Special pages 9 Final months at the camp in 1945 Permanent link 10 Postwar Location of the concentration camp in 11 Cultural activities and -
Boston Symphony Orchestra Concert Programs, Summer, 2001, Tanglewood
SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S. -
Iannis Xenakis Celebration of the Centenary of the Composer (1922-2001) by the Percussions De Strasbourg
Iannis Xenakis celebration of the centenary of the composer (1922-2001) by the Percussions de Strasbourg Pléiades at the Festival Milano Musica Percussions de Strasbourg Percussions Celebration of the centenary of the de Strasbourg IANNIS XENAKIS composer (1922-2001) by the Percussions de Strasbourg It has been said several times that, thanks to percussion, Xenakis reintroduced the problem of rhythm that was thought to have disappeared from contemporary music. Architect, engineer and composer, this genius of composition writes music whose complex and harmonious structure contrasts with the explosive energy that comes out of it. The Percussions de Strasbourg are proud to have collaborated so closely with this composer who dedicated to them the works Persephassa (1969) and Pléiades (1979), which have become a must in the field of percussion. Idmen A and B (1985) is also dedicated to the Percussions de Strasbourg. Psappha (1975) and Rebonds A and B (1987-88) are solos that appear in our repertoire as well as the trio Okho (1989). Minh-Tâm Nguyen, artistic director of the Percussions de Strasbourg Xenakis and the Percussions de Strasbourg, 1984 2021: 20th death anniversary of the composer 2022: Centenary of the birth of the composer ON TOUR Pléiades (1979) - intermission - Persephassa (1969) immersive concert for 6 percussionists July 2021, Reggia di Caserta, Naples, Italy 19th of March 2022, Philharmonie, Paris, France 10th of April 2022, Megaron Concert Hall, Athens, Greece 12th of April 2022, Thessaloniki Concert Hall, Thessaloniki, Greece -
00 Title Page
The Pennsylvania State University The Graduate School College of Arts and Architecture SPATIALIZATION IN SELECTED WORKS OF IANNIS XENAKIS A Thesis in Music Theory by Elliot Kermit-Canfield © 2013 Elliot Kermit-Canfield Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts May 2013 The thesis of Elliot Kermit-Canfield was reviewed and approved* by the following: Vincent P. Benitez Associate Professor of Music Thesis Advisor Eric J. McKee Associate Professor of Music Marica S. Tacconi Professor of Musicology Assistant Director for Graduate Studies *Signatures are on file in the School of Music ii Abstract The intersection between music and architecture in the work of Iannis Xenakis (1922–2001) is practically inseparable due to his training as an architect, engineer, and composer. His music is unique and exciting because of the use of mathematics and logic in his compositional approach. In the 1960s, Xenakis began composing music that included spatial aspects—music in which movement is an integral part of the work. In this thesis, three of these early works, Eonta (1963–64), Terretektorh (1965–66), and Persephassa (1969), are considered for their spatial characteristics. Spatial sound refers to how we localize sound sources and perceive their movement in space. There are many factors that influence this perception, including dynamics, density, and timbre. Xenakis manipulates these musical parameters in order to write music that seems to move. In his compositions, there are two types of movement, physical and apparent. In Eonta, the brass players actually walk around on stage and modify the position of their instruments to create spatial effects. -
German Arias Concert Program
Graduate Vocal Arts Program Bard College Conservatory of Music OPERA WORKSHOP Stephanie Blythe and Howard Watkins, instructors “Thank you, do you have anything in German?” Friday, March 5 at 8pm Wo bin ich? Engelbert Humperdinck (1854 - 1921) from Hänsel und Gretel Diana Schwam, soprano Ryan McCullough, piano Nimmermehr wird mein Herze sich grämen Friedrich von Flotow (1812 - 1883) from Martha Joanne Evans, mezzo-soprano Elias Dagher, piano Glück, das mir verblieb Erich Wolfgang Korngold (1897 - 1957) from Die tote Stadt Jardena Gertler-Jaffe, soprano Diana Borshcheva, piano Einst träumte meiner sel’gen Base Carl Maria von Weber (1786 - 1826) from Der Freischütz Kirby Burgess, soprano Gwyyon Sin, piano Witch’s Aria Humperdinck from Hänsel und Gretel Maximillian Jansen, tenor Diana Borshcheva, piano Da Anagilda sich geehret… Ich bete sie an Reinhard Kaiser (1674 - 1739) from Die Macht der Tugend Chuanyuan Liu, countertenor Ryan McCullough, piano Arabien, mein Heimatland Weber from Oberon Micah Gleason, mezzo-soprano Gwyyon Sin, piano Da schlägt die Abschiedsstunde Wolfgang Amadeus Mozart (1756 - 1791) from Der Schauspieldirektor Meg Jones, soprano Sung-Soo Cho, piano Mein Sehnen, mein Wähnen Korngold from Die tote Stadt Louis Tiemann, baritone Diana Borshcheva, piano Wie du warst Richard Strauss (1864 - 1949) from Der Rosenkavalier Melanie Dubil, mezzo-soprano Elias Dagher, piano Presentation of the Rose Strauss from Der Rosenkavalier Samantha Martin, soprano Elias Dagher, piano Arie des Trommlers Viktor Ullman (1898 - 1944) from Der Kaiser von Atlantis Sarah Rauch, mezzo-soprano Gwyyon Sin, piano Weiche, Wotan, weiche! Richard Wagner (1813 - 1883) from Das Rheingold Pauline Tan, mezzo-soprano Sung-Soo Cho, piano Nun eilt herbei! Otto Nicolai (1810 - 1849) from Die lustigen Weiber von Windsor Alexis Seminario, soprano Elias Dagher, piano SYNOPSES: Wo bin ich? Hänsel und Gretel Engelbert Humperdinck, Adelheid Wette, 1893 Gretel has just awakened from a deep sleep in the forest. -
Alexander Glazunov
Call & Response 2011 Music With Exotic Influences Glazunov, Schulhoff, Bloch, Debussy & Jeffery Cotton Listener’s Guide Join us for a performance of music inspired by the Exotic Call & Response 2011 Concert May 5, 2011, Herbst Theatre, San Francisco Details inside… Call & Response 2011: Music with exotic influences Concert Thursday, May 5, 2011 Herbst Theatre at the San Francisco War Memorial 401 Van Ness Avenue at McAllister Street San Francisco, CA 7:15pm Pre-Performance Lecture by composer Jeffery Cotton 8:00pm Performance Buy tickets online at: www.cityboxoffice .com or by calling City Box Office: 415-392-4400 Page Contents 3 The Concept: evolution of music over time and across cultures 4 Jeffery Cotton 6 Alexander Glazunov 8 Erwin Schulhoff 10 Ernest Bloch 12 Claude Debussy 2 Call & Response: The Concept Have you ever wondered how composers, modern composers at that, come up with their ideas? How do composers and other artists create new work? Our Call & Response program was born out of the Cypress String Quartet’s commitment to sharing with you and your community this process in music and all kinds of other artwork. We present newly created music based on earlier composed pieces. Why “Call & Response”? We usually associate the term “call & response” with jazz and gospel music, the idea being that the musician plays a musical “call” to which another musician “responds,”—a way of creating a new sound relating in some way to the original. In this program, the “call” is that of Cypress String Quartet searching for connections across musical, historical, and social boundaries. -
Ziering-Conlon Initiative for Recovered Voices Showcase and Competition Spring 2019
Ziering-Conlon Initiative for Recovered Voices Showcase and Competition Spring 2019 The competition is open to all Colburn School students enrolled for the Spring 2019 semester in the Conservatory, Music Academy, and Community School of Performing Arts. Divisions Prizes Pre-college (Music Academy and Community All finalists will receive a cash award (minimum School) $150 for each student). Solo musicians or College (Conservatory) members of a group judged by the adjudicating panel to be the most outstanding in the pre- Accompanists college and college divisions will receive a Pre-college entrants performing solo repertoire minimum of $1,500 each. with piano may engage a professional accompanist. Pianists in chamber ensembles About the Initiative must be students. All college entrants must LA Opera Music Director James Conlon formed be students in the Conservatory (this includes the groundbreaking Recovered Voices project collaborating pianists). to shine a spotlight on the music by composers suppressed by the Nazi regime. In honor of Deadline his efforts, the Ziering-Conlon Initiative for Entries to be submitted no later than March Recovered Voices sponsors seminars, academic 11, 2019 via YouTube video. Those selected conferences, and competitions in an effort to for the live, public finals on Monday evening, present a deeper understanding of the history March 25, will be notified no later than 9 pm of the music from the first half of the 20th on Tuesday, March 19. All entrants must be century. available to perform at the March 25 finals. Ziering-Conlon Initiative for Recovered Voices Showcase and Competition Spring 2019 List of Repertoire Submitting Your Video Performance The works on the provided list were selected When recording your performances, place as representative, and all are approved for this the video-recording device in such a way that showcase competition. -
Focus 2020 Pioneering Women Composers of the 20Th Century
Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers. -
Antonis Antoniou · Kkismettin · Ajabu!
JULY 2021 Antonis Antoniou · Kkismettin · Ajabu! 2. Canzoniere Grecanico Salentino (CGS) · Meridiana · 22. Apo Sahagian · Ler Mer · Chimichanga (-) Ponderosa Music (1) 23. Katerina Papadopoulou & Anastatica · Anastasis · 3. Toumani Diabaté and The London Symphony Orchestra · Saphrane (19) Kôrôlén · World Circuit (10) 24. BLK JKS · Abantu / Before Humans · Glitterbeat (-) 4. Ballaké Sissoko · Djourou · Nø Førmat! (2) 25. Davide Ambrogio · Evocazioni e Invocazioni · Catalea 5. Ben Aylon · Xalam · Riverboat / World Music Network (6) (-) 6. Dobet Gnahoré · Couleur · Cumbancha (-) 26. Saucējas · Dabā · Lauska / CPL-Music (31) 7. Balkan Taksim · Disko Telegraf · Buda Musique (5) 27. V.A. · Hanin: Field Recordings In Syria 2008/2009 · 8. V.A. · Henna: Young Female Voices from Palestine · Kirkelig Worlds Within Worlds (-) Kulturverksted (-) 28. Juana Molina · Segundo (Remastered) · Crammed Discs 9. Samba Touré · Binga · Glitterbeat (3) (-) 10. Jupiter & Okwess · Na Kozonga · Zamora Label (7) 29. Bagga Khan · Bhajan · Amarrass (15) 11. Kasai Allstars · Black Ants Always Fly Together, One Bangle 30. Alena Murang · Sky Songs · Wind Music International Makes No Sound · Crammed Discs (12) Corporation (-) 12. Sofía Rei · Umbral · Cascabelera (-) 31. Oumar Ndiaye · Soutoura · Smokey Hormel (-) 13. Hamdi Benani, Mehdi Haddab & Speed Caravan · Nuba 32. Xurxo Fernandes · Levaino! · Xurxo Fernandes (29) Nova · Buda Musique (27) 33. Omar Sosa · An East African Journey · Otá (24) 14. Comorian · We Are an Island, but We're Not Alone · 34. San Salvador · La Grande Folie · La Grande Folie / Glitterbeat (17) Pagans / MDC (11) 15. Dagadana · Tobie · Agora Muzyka (18) 35. Helsinki-Cotonou Ensemble · Helsinki-Cotonou 16. Luís Peixoto · Geodesia · Groove Punch Studios (20) Ensemble · flowfish.music (-) 17. Femi Kuti & Made Kuti · Legacy + · Partisan (30) 36. -
Comp. 09 Program Layout.Cwk
T h i r t y - S e c o n d S e a s o n 2 0 0 9 - 2 0 1 0 Celebrating Lukas Tuesday, March 2, 2010, 7:30 p.m. Free admission Alea III celebrates the life and work of Lukas Foss, a great master, with an evening devoted exclusively to his music. ALEA III Echoi For Toru Elegy for Anne Frank For Aaron Plus Theodore Antoniou, Eighteen Epigrams Music Director a new work written by Lukas Foss’s students: Apostolos Paraskevas, Panos Liaropoulos, Michalis Economou, Jakov Jakoulov, Contemporary Music Ensemble Mark Berger, Frank Wallace, Ronald G. Vigue, Julian Wachner, Jeremy Van Buskirk, in residence at Mauricio Pauly, Matt Van Brink, Ivana Lisak, Ramon Castillo, Pedro Malpica, Boston University Paul Vash, Po-Chun Wang, Margaret McAllister, Sunggone Hwang. Theodore Antoniou, conductor Saxes and Horns Wednesday, April 28, 2010, 7:30 p.m. Free admission 27th International Composition Works of unusual instrumentation, featuring 18 saxophones Competition and 9 French horns. Pierre Boulez Dialogue de l’ombre double Theodore Antoniou Music for Nine Gunther Schuller Perpetuum Mobile Sofia Gubaidulina Duo TSAI Performance Center Georgia Spiropoulos Rotations October 4, 2009, 7:00 pm Eric Hewitt la grenouille Eric Ruske, horn, Tsuyoshi Honjo, Eric Hewitt and Jared Sims, saxophones Special guest: Radnofsky Saxophone Ensemble Eric Hewitt, conductor Sponsored by Boston University and the George Demeter Realty. BOARD OF DIRECTORS BOARD OF ADVISORS OUR NEXT ALEA EVENTS President George Demeter Mario Davidovsky Hans Werner Henze Generations Chairman Milko Kelemen André de Quadros Oliver Knussen Monday, November 16, 2009, 7:30 p.m. -
Ear and There Monday, February 8, 2010
Earplay San Francisco Season Concerts 2010 Season Herbst Theatre, 7:30 PM Pre-concert talk 6:45 p.m. Earplay 25: Ear and there Monday, February 8, 2010 Bruce Christian Bennett , Sam Nichols, Kaija Saariaho Carlos Sanchez-Gutiérrez, Seymour Shifrin Earplay 25: Ear and There Earplay 25: Outside In Monday, March 22, 2010 February 8, 2010 Lori Dobbins, Michael Finnissy, Chris Trebue Moore Arnold Schoenberg, Judith Weir Earplay 25: Ports and Portals Monday, May 24, 2010 as part of the San Francisco International Arts Festival Jorge Liderman Hyo-shin NaWayne Peterson Tolga Yayalar earplay commission/world premiere Earplay commission West-Coast Premiere 2009 Winner, Earplay Donald Aird Memorial Composition Competition elcome to Earplay’s 25th San Francisco season. Our mission is to nurture new chamber music — W composition, performance, and audience —all vital components. Each concert features the renowned members of the Earplay ensemble performing as soloists and ensemble artists, along with special guests. Over twenty-five years, Earplay has made an enormous contribution to the bay area music community with new works commissioned each season. The Earplay ensemble has performed hundreds of works by more than two hundred Earplay 2010 composers including presenting more than one hundred world Donald Aird premieres. This season the ensemble continues exploring by performing works by composers new to Earplay. Memorial The 2010 season highlights the tremendous amount Composers Competition of innovation that happens here in the Bay Area. The season is a nexus of composers and performers adventuring into new Downloadable application at: musical realms. Most of the composers this season have strong www.earplay.org/competitions ties to the Bay Area — as home, a place of study or a place they create.