Communal Relations in the Traditional Igbo Society
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History of Seventh-Day Adventist Church in Igboland (1923 – 2010 )
NJOKU, MOSES CHIDI PG/Ph.D/09/51692 A HISTORY OF SEVENTH-DAY ADVENTIST CHURCH IN IGBOLAND (1923 – 2010 ) FACULTY OF THE SOCIAL SCIENCES DEPARTMENT OF RELIGION Digitally Signed by : Content manager’s Name Fred Attah DN : CN = Webmaster’s name O= University of Nigeri a, Nsukka OU = Innovation Centre 1 A HISTORY OF SEVENTH-DAY ADVENTIST CHURCH IN IGBOLAND (1923 – 2010) A THESIS SUBMITTED TO THE DEPARTMENT OF RELIGION AND CULTURAL STUDIES, FACULTY OF THE SOCIAL SCIENCES UNIVERSITY OF NIGERIA, NSUKKA IN PARTIAL FULFILMENT FOR THE AWARD OF DOCTOR OF PHILOSOPHY (Ph.D) DEGREE IN RELIGION BY NJOKU, MOSES CHIDI PG/Ph.D/09/51692 SUPERVISOR: REV. FR. PROF. H. C. ACHUNIKE 2014 Approval Page 2 This thesis has been approved for the Department of Religion and Cultural Studies, University of Nigeria, Nsukka By --------------------------------------------- ------------------------------ Rev. Fr. Prof. H. C. Achunike Date Supervisor -------------------------------------------- ------------------------------ External Examiner Date Prof Musa Gaiya --------------------------------------------- ------------------------------ Internal Examiner Date Prof C.O.T. Ugwu -------------------------------------------- ------------------------------ Internal Examiner Date Prof Agha U. Agha -------------------------------------------- ------------------------------ Head of Department Date Rev. Fr. Prof H.C. Achunike --------------------------------------------- ------------------------------ Dean of Faculty Date Prof I.A. Madu Certification 3 We certify that this thesis -
Igbo Folktales and the Idea of Chukwu As Supreme God of Igbo Religion Chukwuma Azuonye, University of Massachusetts Boston
University of Massachusetts Boston From the SelectedWorks of Chukwuma Azuonye April, 1987 Igbo Folktales and the Idea of Chukwu as Supreme God of Igbo Religion Chukwuma Azuonye, University of Massachusetts Boston Available at: http://works.bepress.com/chukwuma_azuonye/76/ ISSN 0794·6961 NSUKKAJOURNAL OF LINGUISTICS AND AFRICAN LANGUAGES NUMBER 1, APRIL 1987 Published by the Department of Linguistics and Nigerian Languages, University of Nigeria, Nsukka NOTES ON THE CONTRIBUTORS All but one of the contributors to this maiden issue of The Nsukka Journal of Linguistics and African Languages are members of the Department of Linguistics and Nigerian Languages, Univerrsity of Nigeria, Nsukka Mr. B. N. Anasjudu is a Tutor in Applied Linguistics (specialized in Teaching English as a Second Language). Dr. Chukwuma Azyonye is a Senior Lecturer in Oral Literature and Stylistics and Acting Head of Department. Mrs. Clara Ikeke9nwy is a Lecturer in Phonetics and Phonology. Mr. Mataebere IwundV is a Senior Lecturer in Sociolinguistics and Psycholinguistics. Mrs. G. I. Nwaozuzu is a Graduate Assistant in Syntax and Semantics. She also teaches Igbo Literature. Dr. P. Akl,ljYQQbi Nwachukwu is a Senior Lecturer in Syntax and Semantics. Professor Benson Oluikpe is a Professor of Applied and Comparative Linguistics and Dean of the Faculty of Arts. Mr. Chibiko Okebalama is a Tutor in Literature and Stylistics. Dr. Sam VZ9chukwu is a Senior Lecturer in Oral Literature and Stylistics in the Department of African Languages and Literatures, University of Lagos. ISSN 0794-6961 Nsukka Journal of L,i.nguistics and African Languages Number 1, April 1987 IGBD FOLKTALES AND THE EVOLUTION OF THE IDEA OF CHUKWU AS THE SUPREME GOD OF IGBO RELIGION Chukwuma Azyonye This analysis of Igbo folktales reveals eight distinct phases in the evolution of the idea of Chukwu as the supreme God of Igbo religion. -
The Influence of the Supernatural in Elechi Amadi’S the Concubine and the Great Ponds
THE INFLUENCE OF THE SUPERNATURAL IN ELECHI AMADI’S THE CONCUBINE AND THE GREAT PONDS BY EKPENDU, CHIKODI IFEOMA PG/MA/09/51229 DEPARTMENT OF ENGLISH AND LITERARY STUDIES, UNIVERSITY OF NIGERIA, NSUKKA. SUPERVISOR: DR. EZUGU M.A A DISSERTATION SUBMITTED IN PARTIAL FULFILMENT FOR THE AWARD OF MASTER OF ARTS (M.A) IN ENGLISH & LITERARY STUDIES TO THE SCHOOL OF POSTGRADUATE STUDIES, UNIVERSITY OF NIGERIA, NSUKKA. JANUARY, 2015 i TITLE PAGE THE INFLUENCE OF THE SUPERNATURAL IN ELECHI AMADI’S THE CONCUBINE AND THE GREAT PONDS BY EKPENDU, CHIKODI IFEOMA PG /MA/09/51229 DEPARTMENT OF ENGLISH & LITERARY STUDIES UNIVERSITY OF NIGERIA, NSUKKA. JANUARY, 2015 ii CERTIFICATION This research work has been read and approved BY ________________________ ________________________ DR. M.A. EZUGU SIGNATURE & DATE SUPERVISOR ________________________ ________________________ PROF. D.U.OPATA SIGNATURE & DATE HEAD OF DEPARTMENT ________________________ ________________________ EXTERNAL EXAMINER SIGNATURE & DATE iii DEDICATION This work is dedicated to my dear son Davids Smile for being with me all through the period of this study. To my beloved husband, Mr Smile Iwejua for his love, support and understanding. To my parents, Elder & Mrs S.C Ekpendu, for always being there for me. And finally to God, for his mercies. iv ACKNOWLEDGEMENTS My greatest thanks go to the Almighty God for his steadfast love and for bringing me thus far in my academics. To him be all the glory. My Supervisor, Dr Mike A. Ezugu who patiently taught, read and supervised this research work, your well of blessings will never run dry. My ever smiling husband, Mr Smile Iwejua, your smile and support took me a long way. -
Saharan Africa: the Igbo Paradigm
Journal of International Education and Leadership Volume 5 Issue 1 Spring 2015 http://www.jielusa.org/ ISSN: 2161-7252 The Re-Birth of African Moral Traditions as Key to the Development of Sub- Saharan Africa: The Igbo Paradigm Chika J. B. Gabriel Okpalike Nnamdi Azikiwe University This work is set against the backdrop of the Sub-Saharan African environment observed to be morally degenerative. It judges that the level of decadence in the continent that could even amount to depravity could be blamed upon the disconnect between the present-day African and a moral tradition that has been swept under the carpet through history; this tradition being grounded upon a world view. World-view lies at the basis of the interpretation and operation of the world. It is the foundation of culture, religion, philosophy, morality and so forth; an attempt of humans to impose an order in which the human society works.1 Most times when the African world-view is discussed, the Africa often thought of and represented is the Africa as before in which it is very likely to see religion and community feature as two basic characters of Africa from which morality can be sifted. In his popular work Things Fall Apart, Chinua Achebe had above all things shown that this old Africa has been replaced by a new breed and things cannot be the same again. In the first instance, the former African communalism in which the community was the primary beneficiary of individual wealth has been wrestled down by capitalism in which the individual is defined by the extent in which he accumulates surplus value. -
L'aula D'idioma Com a Mitjà D'integració I D'enriquiment
L’AULA D’IDIOMA COM A MITJÀ D’INTEGRACIÓ I D’ENRIQUIMENT MULTICULCULTURAL José Luis Bartolomé Sánchez Curs 2004-2005 Centre de treball: IES Montsacopa (Olot, Garrotxa) Especialitat: Llengua anglesa Supervisió: Neus Serra (Servei Inspecció Delegació Territorial d’Educació de Girona) Llicència d’estudis retribuïda concedida pel Departament d’Educació de la Generalitat, Resolució del 16 de juliol de 2004 (DOGC núm. 4182 de 26.7. 2004) “The White Man Drew a Small Circle” The white man drew a small circle in the sand and told the red man, 'This is what the Indian knows,' and drawing a big circle around the small one, 'This is what the white man knows.' The Indian took the stick and swept an immense ring around both circles: 'This is where the white man and the red man know nothing.' Carl Sandburg « L'home blanc va dibuixar un cercle petit » L'home blanc va dibuixar un cerce petit a la sorra i va dir al pell roja: "Això és els que coneixeu els indis" i tot seguit va dibuixar un cercle gran al voltant del petit: "Això és el que coneixem els homes blancs." L'indi va agafar el pal i va escombrar un enorme cercle al voltant dels altres dos: "Això és on ni l'home blanc ni el pell roja no coneixen gens". 2 3 4 5 Índex Pàgina Introducció 7 Greencards for Cultural Integration 11 Readers 113 - Around the world in ten Tintin books 118 - Australia 129 - America 139 - Far and Middle East 155 - Africa 177 - Far East. China & India 217 Pop Songs 249 Movies 357 Conclusions 428 Bibliografia 433 6 INTRODUCCIÓ 7 L'experiència personal dels darrers anys com a docent d'institut en un municipi amb un augment espectacular de l'arribada de famílies i alumnes d'altres països m'ha fet veure que l'entrebanc principal de contacte amb aquestes persones -l'idioma- resulta de vegades paradoxal. -
Igbo Folktales and the Evolution of the Idea of Chukwu As the Supreme God of Igbo Religion Chukwuma Azuonye, University of Massachusetts Boston
University of Massachusetts Boston From the SelectedWorks of Chukwuma Azuonye April, 1987 Igbo Folktales and the Evolution of the Idea of Chukwu as the Supreme God of Igbo Religion Chukwuma Azuonye, University of Massachusetts Boston Available at: https://works.bepress.com/chukwuma_azuonye/70/ ISSN 0794-6961 Nsukka Journal of LJnguistics and African Languages Number 1, April 1987 IGBO FOLKTALES AND THE EVOLUTION OF THE IDEA OF CHUKWU AS THE SUPREME GOD OF IGBO RELIGION Chukwuma AZ\lonye This analysis of Igbo folktales reveals eight distinct phases in the evolution of the idea of Chukwu as the supreme God of Igbo religion. In the first phase, dating back to primeval times, the Igbo recognized several supreme nature deities in various domains. This was followed by a phase of the undisputed supremacy of )Ud (the Earth Goddess) as supreme deity. Traces of that primeval dominance persist till today in some parts of Igboland. The third phase was one of rivalry over supremacy· between Earth and Sky, possibly owing to influences from religious traditions founded on the belief in a supreme sky-dwelling God. In the fourth and fifth phases, the idea of Chukwu as supreme. deity was formally established by the Nri and Ar? respectively in support of their.hegemonic'enterprise in Igbo- land. The exploitativeness of the ArC? powez- seems to .have resulted in the debasement of the idea of Chukwu as supreme God in the Igbo mind, hence the satiric. and.~ images of the anthropo- morphic supreme God in various folktales from the .sixth phase. The sev~nth phase saw the selection, adoption and adaptation of some of the numerous ideas of supreme God founn bv the Christian missionaries in their efforts to propagate Christianity in the idiom of the people. -
OF CULTURAL FESTIVALS and RELATIONS in WEST AFRICA: PERSPECTIVES on MBANO of SOUTHEAST NIGERIA SINCE the 20TH CENTURY Chinedu N
Mgbakoigba, Journal of African Studies, Vol. 8 No. 2. May, 2021 OF CULTURAL FESTIVALS AND RELATIONS IN WEST AFRICA: PERSPECTIVES ON MBANO OF SOUTHEAST NIGERIA SINCE THE 20TH CENTURY Chinedu N. Mbalisi OF CULTURAL FESTIVALS AND RELATIONS IN WEST AFRICA: PERSPECTIVES ON MBANO OF SOUTHEAST NIGERIA SINCE THE 20TH CENTURY Chinedu N. Mbalisi Department of History and International Studies, Nnamdi Azikiwe University, Awka [email protected] Abstract Africa is prominently known for its rich cultural heritage, festivals and traditional celebrations. The Igbo of southeast Nigeria are known globally for their addiction to their traditional way of life, belief systems and celebration of numerous cultural festivals. These traditional and cultural festivals form the basic foundation of the rich heritage of the Igbo. Most of these celebrations begin from birth. Usually, the birth of a new born baby is greeted with joy and fanfare by his/her parents and their relatives. The celebrations continue till the period of transition (death); from puberty to adulthood, marriage, title taking, old age till one rejoins his/her ancestors, then comes the final celebration. Mbano people of southeast Nigeria have numerous traditional and cultural festivals which form the nucleus of their relations with their neighbours. In fact, the cultural festivals depict the rich cultural heritage of the people and are used to show in most parts, the kinship between the people and their proximate neighbours. This paper essays to demonstrate the import of these traditional and cultural festivals to the nature of relationship prevalent between Mbano people and their neighbours in southeast Nigeria. The work adopts the orthodox historical method of narrative and analysis. -
“Things Fall Apart” in “Dead Men's Path”
International Journal of Linguistics and Literature (IJLL) ISSN(P): 2319-3956; ISSN(E): 2319-3964 Vol. 7, Issue 6, Oct - Sep 2018; 57-70 © IASET “THINGS FALL APART” IN “DEAD MEN’S PATH”, A STORY FROM CHINUA ACHEBE’S GIRLS AT WAR AND OTHER STORIES Komenan Casimir Lecturer, Department of English, Félix Houphouët-Boigny University of Coode, Abidjan, Côte d’Ivoire ABSTRACT Introduced in Igbo-land owing to colonialism, Western school proves intolerant of Odinani, the Igbo traditional religion,by closing “Dead Men’s Path”, a symbol of three realms of existence: the dead, the living and the unborn children. To claim the right of being practiced freely, Odinaniwage war with the school. The ins and outs of these conflicts permits of postulating that “things fall apart” in “Dead Men’s Path”, a short story excerpted from Achebe’s Girls at War and Other Stories. KEYWORDS: “Things Fall Apart”, “Dead Men’s Path”, Intolerant School, Odinani, Igbo, Achebe Article History Received: 04 Oct 2018 | Revised: 16 Oct 2018 | Accepted: 03 Nov 2018 INTRODUCTION Introduced in Africa with the advent of colonization and its civilizing mission, school as one feature of the white man’s ways, has clashed with Odinani, the Igbo traditional religion based on the ancestral veneration or what is referred to as the first faith of Africans 1. As a result, the inherited religious practices have become obsolete, as shown in Chinua Achebe’s “Dead Men’s Path”, a short story extracted from Girls at War and Other Stories (1972). This work is a collection of short stories in which the author attests to the culturo-spiritual conflict between the African culture and the European one 2. -
Dictionary of Ò,Nì,Chà Igbo
Dictionary of Ònìchà Igbo 2nd edition of the Igbo dictionary, Kay Williamson, Ethiope Press, 1972. Kay Williamson (†) This version prepared and edited by Roger Blench Roger Blench Mallam Dendo 8, Guest Road Cambridge CB1 2AL United Kingdom Voice/ Fax. 0044-(0)1223-560687 Mobile worldwide (00-44)-(0)7967-696804 E-mail [email protected] http://www.rogerblench.info/RBOP.htm To whom all correspondence should be addressed. This printout: November 16, 2006 TABLE OF CONTENTS Abbreviations: ................................................................................................................................................. 2 Editor’s Preface............................................................................................................................................... 1 Editor’s note: The Echeruo (1997) and Igwe (1999) Igbo dictionaries ...................................................... 2 INTRODUCTION........................................................................................................................................... 4 1. Earlier lexicographical work on Igbo........................................................................................................ 4 2. The development of the present work ....................................................................................................... 6 3. Onitsha Igbo ................................................................................................................................................ 9 4. Alphabetization and arrangement.......................................................................................................... -
Z Em a N Ek-Mü N Ster
Zemanek-Münster www.tribal-art-auktion.de Tribal Art Auktion 80 27. Juni 2015 Würzburg Zemanek-Münster Auktion 80 Tribal ArtTribal 27 Juni 2015 Würzburg Zemanek-Münster 80.Tribal Art (190. Auktion) Zemanek-Münster Würzburg Samstag, 27. Juni 2015 – 2 – Ansprechpartner / Contact Vorbesichtigung Preview 24. bis 26. Juni 2015 – 10:00 bis 19:00 Uhr 24th to 26th June 2015 – 10:00 am to 7:00 pm 27. Juni 2015 – 9:00 bis 13:30 Uhr 27th June 2015 – 9:00 am to 1:30 pm Karin Zemanek-Münster Ernst Zemanek David Zemanek Auktion Auction Geschäftsführung Geschäftsführung Master Ethnologie Auktionatorin Auktionator Afrika / Ozeanien Würzburg, Auktionshaus Würzburg, auction house Auktionator Samstag, 27. Juni 2015 – 14:00 Uhr Saturday, 27th June 2015 – 2:00 pm Hinweis nächste Auktion Be advised next auction Unsere 81. Tribal Art Auktion findet statt Our 81st Tribal Art Auction will take place am 31. Oktober 2015. on the 31st of October 2015 Howard Nowes Bren Heymans Petra Felder Master History of Art Repräsentant Belgien/ M.A. Kunstgeschichte Kunstauktionshaus Zemanek-Münster Präkolumbien / Antiken Niederlande Redaktion / Marketing 97070 Würzburg Berater für Ethnographie Hörleingasse 3 - 5 / Schildhof 2 Tel. +49 9 31 1 77 21 Fax. +49 9 31 1 77 36 [email protected] www.tribal-art-auktion.de Inhaber / Owner Karin Zemanek-Münster e.K. Öffentlich bestellte und vereidigte Kunstauktionatorin Sabine Reis Eva Rübig Nadine Waldmann Repräsentanten / Representatives M.A.Kunstgeschichte Marketing M.A. Kunstgeschichte Katalogbearbeitung Katalogbearbeitung Katalogbearbeitung Belgien & Niederlande Tel. 0032 (0)475 965 220 USA Zemanek-Münster c/o Ancient Art – Art of Eternity 303 East 81st Street, New York City, NY 10028 Impressum Bankverbindung Redaktion / Editor: Petra Felder M.A. -
Perceptions of Mental Illness in South- Eastern Nigeria: Causal Beliefs, Attitudes, Help-Seeking Pathways and Perceived Barriers to Help-Seeking
PERCEPTIONS OF MENTAL ILLNESS IN SOUTH- EASTERN NIGERIA: CAUSAL BELIEFS, ATTITUDES, HELP-SEEKING PATHWAYS AND PERCEIVED BARRIERS TO HELP-SEEKING UGO IKWUKA BA, BSc, MA June 2016 A thesis submitted in partial fulfilment of the requirements of the University of Wolverhampton for the degree of Doctor of Philosophy The exploratory studies of three of the four chapters of this work have been published in peer reviewed journals. SAGE granted an automatic ‘gratis reuse’ for the first publication on causal beliefs that allows for the work to be posted in the repository of the author’s institution. Copyright licence (no. 3883120494543) was obtained from John Wiley and Sons to republish the second paper on attitudes towards mental illness in this dissertation. Copyright licence (no. 3883131164423) was obtained from the John Hopkins University Press to republish the third paper on barriers to accessing formal mental healthcare in this dissertation. The exploratory study on Pathways to Mental Healthcare has been accepted for publication in Transcultural Psychiatry with the proviso that it is part of a doctoral dissertation. Save for any express acknowledgments, references and/or bibliographies cited in the work, I confirm that the intellectual content of the work is the result of my own efforts and of no other person. The right of Ugo Ikwuka to be identified as author of this work is asserted in accordance with ss.77 and 78 of the Copyright, Designs and Patents Act 1988. At this date copyright is owned by the author. Signature……………………………………….. Date…………………………………………….. Acknowledgments I share the communitarian worldview that ‘a tree cannot make a forest’ which was clearly demonstrated in the collective support that made this research possible. -
The Typology of Spirits in Igbo-African Ontology: a Discourse in Existential Metaphysics
IDEA – Studia nad strukturą i rozwojem pojęć filozoficznych XXIX/2 Białystok 2017 Nelson Udoka Ukwamedua, Moris K. O. Edogiaweri (Abuja, Okada, Nigeria) THE TYPOLOGY OF SPIRITS IN IGBO-AFRICAN ONTOLOGY: A DISCOURSE IN EXISTENTIAL METAPHYSICS Introduction Gleaning from tradition, history, experience and research, it is bare-faced that the African ontology is incomplete without the transcendental and meta- physical domain. As a matter of fact what differentiates the African ontology from others is the seeming inevitable alliance between the physical and the su- per-physical realm. A typical explanation and illustration of this submission is blatant in Edeh’s work Towards an Igbo Metaphysics (1985) where he outlined the three broad categories of beings with sub-categories. The first category is: Spirit and Forces. The subs in descending order are (i) the Supreme Deity (Chukwu/Chineke (ii) Powerful Spirit (Agbara) (ii) Ancestral Spirit (Ndichie) (iv) Spirit of the dead, (v) human Spirit, (vi) Spirit associated with the persona- lity of all things, (vii) forces which may be phenomena, or related to certain human endeavours, (viii) forces which are immanent in natural objects, (ix) Evil spirit- devil (akalaogoli, ogbanje). In the second category: Human being (Madu) in descending order (i) Priests (Ndiezemmuo) (ii) Diviners (DibiaAfa), (iii) Medicine men (NdidibiaOgwu), (iv) Elders (NdiOkenye) (v) Wealthy/titled men (NdiOgaranya/NdiNzenaozo), (vi) Ordinary men (Ndiefu) (vii) Women and children, (viii) the unborn. In the last category are: (i) Animals (including birds and insects), (ii) Plants, (iii) inanimate objects and elements. Interestingly Nelson Udoka Ukwamedua, Moris K. O. Edogiaweri 318 and most importantly for this research, each of these beings is permeated by spi- rits and forces.