The Discipline of Writing Scribes and Purity in Eighth-Century Japan
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The Muromachi Period in Japanese History Cer~Ain Periods of History
ONE The Muromachi Period in Japanese History Cer~ain periods of history reveal only enough about themselves to confuse us. The Muromachi period (1336-1573) is one of these, having long defied attempts to discover in it orderly patterns of political and social life. Many traditional historians simply dis missed it as an age of political and economic instability, social anarchy, and inordinate civil violence. While these evaluations are not totally inaccurate, the era that produced the very zenith of Japan's high culture in the visual and performing arts surely offers more to the student of institutional development. This paradox inevitably led Japanese scholars to draw contradictory conclusions about what they found and about what the Muromachi contribu tion was to Japanese history. This volume will try to present a synthetic reinterpretation of Muromachi politics and society in the light of their detailed researches, which in their several ways have helped to demystify the pall of confusion surrounding the era. Our focus will be on the Muromachi Bakufu, the military regime that governed Japan during the fourteenth and fifteenth centuries, and on the shogun who headed that government. Al though the Muromachi Bakufu existed from its founding by Ashikaga Takauji in 1336 until the last shogun Ashikaga Yoshiaki was overthrown by Oda Nobunaga in 1573, it ceased to exert real national influence from the early sixteenth century. This book will concentrate only on that part of the Muromachi age (c. 1336- 2 The Muromachi Period 1490) when the Ashikaga shoguns actually ruled and their Bakufu was a viable central government. -
132203021 Program Studi D-3 Bahasa Jepang F
GOKENIN JEPANG KERTAS KARYA DIKERJAKAN O L E H MUHAMMAD LANDY PERANGIN ANGIN NIM : 132203021 PROGRAM STUDI D-3 BAHASA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS SUMATERA UTARA 2016 1 UNIVERSITAS SUMATERA UTARA KERTAS KARYA Kertas Karya ini diajukan Kepada Panitia Ujian Program Pendidikan Non-Gelar Fakultas Ilmu Budaya Universitas Sumatera Utara Medan, untuk melengkapi salah satu syarat ujian Diploma III dalam Bidang Studi Bahasa Jepang. Dikerjakan O L E H MUHAMMAD LANDY PERANGIN ANGIN NIM : 132203021 DosenPembimbing, DosenPembaca, Drs.Amin Sihombing Adriana Hasibuan,S.S.,M.Hum NIP : 19 2005011 001 NIP : 19 2002121 001 PROGRAM STUDI D-III BAHASA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS SUMATERA UTARA MEDAN 2016 2 UNIVERSITAS SUMATERA UTARA PENGESAHAN Diterima Oleh Panitia Ujian Program Pendidikan Non-Gelar Sastra Budaya Fakultas Ilmu Budaya Universitas Sumatera Utara Medan, Untuk melengkapi salah satu syarat ujian Diploma III dalam bidang Studi Bahasa Jepang. Pada : Tanggal : Hari : Program Studi D III Bahasa Jepang Fakultas Ilmu Budaya Universitas Sumatera Utara Dekan, Dr. Budi Agustono,M.S NIP : 196008051987031001 Panitia Ujian : No. Nama Tanda Tangan 1. Zulnaidi, S.S.,M.Hum ( ) 2. Drs.Amin Sihombing ( ) 3. Adriana Hasibuan SS.,M.Hum ( ) 3 UNIVERSITAS SUMATERA UTARA Disetujui oleh : Program Studi D III Bahasa Jepang Fakultas Ilmu Budaya Universitas Sumatera Utara Medan Program Studi D III Bahasa Jepang Ketua program Studi Zulnaidi, S.S., M.Hum. NIP. 1967 08072005 01 1 001 Medan, Juli 2016 4 UNIVERSITAS SUMATERA UTARA KATA PENGANTAR Segala puji syukur penulis panjatkan kehadirat Tuhan Yang Maha Esa , karena berkat rahmat dan hidayat-Nya, penulis dapat menyelesaikan kertas karya ini, sebagai syarat untuk memenuhi ujian akhir Diploma III Program Studi Bahasa Jepang Fakultas Ilmu Budaya Universitas Sumatera Utara. -
Medieval Japan Through Art: Samurai Life in Medieval Japan
www.colorado.edu/ptea-curriculum/imaging-japanese-history Medieval Japan Through Art: Samurai Life in Medieval Japan by Jaye Zola, Retired Teacher and Librarian, Boulder Valley Schools Introduction: Teachers are encouraged to read “Medieval Japan: An Introductory Essay,” by historian Ethan Segal, prior to conducting this lesson. The introductory essay may also be assigned to students with advanced reading abilities (grades 11-12). The essay provides context for this lesson by sketching the history of medieval Japan. Medieval Japan saw warfare and chaos. The growth of the warrior class and the influence of Buddhism eventually gave rise to a refined culture having roots in the classical Japanese tradition. The time period referred to as medieval Japan actually comprised three distinct periods: the Kamakura (1185-1333), Muromachi (1336-1573), and Momoyama (1568-1603). Beginning with the Kamakura through the mid-19th century, military rulers governed Japan. During the Muromachi and Momoyama, the feudal structure concentrated wealth, culture, and power in the hands of feudal lords called daimyō. The social structure of samurai as retainers to noble lords enabled a few powerful daimyō to eventually be shogun or the military ruler. This lesson is designed to challenge the view of sword-wielding samurai of U.S. movies. Rather than focusing on one particular art form, this lesson uses a variety of images from scrolls, screens, and artifacts. Using these visual sources, students learn about the three different periods of medieval Japan. Adding to the visual record of this time period, literature selections bring the voice of the samurai into the historical account. -
Encyclopedia of Shinto Chronological Supplement
Encyclopedia of Shinto Chronological Supplement 『神道事典』巻末年表、英語版 Institute for Japanese Culture and Classics Kokugakuin University 2016 Preface This book is a translation of the chronology that appended Shinto jiten, which was compiled and edited by the Institute for Japanese Culture and Classics, Kokugakuin University. That volume was first published in 1994, with a revised compact edition published in 1999. The main text of Shinto jiten is translated into English and publicly available in its entirety at the Kokugakuin University website as "The Encyclopedia of Shinto" (EOS). This English edition of the chronology is based on the one that appeared in the revised version of the Jiten. It is already available online, but it is also being published in book form in hopes of facilitating its use. The original Japanese-language chronology was produced by Inoue Nobutaka and Namiki Kazuko. The English translation was prepared by Carl Freire, with assistance from Kobori Keiko. Translation and publication of the chronology was carried out as part of the "Digital Museum Operation and Development for Educational Purposes" project of the Institute for Japanese Culture and Classics, Organization for the Advancement of Research and Development, Kokugakuin University. I hope it helps to advance the pursuit of Shinto research throughout the world. Inoue Nobutaka Project Director January 2016 ***** Translated from the Japanese original Shinto jiten, shukusatsuban. (General Editor: Inoue Nobutaka; Tokyo: Kōbundō, 1999) English Version Copyright (c) 2016 Institute for Japanese Culture and Classics, Kokugakuin University. All rights reserved. Published by the Institute for Japanese Culture and Classics, Kokugakuin University, 4-10-28 Higashi, Shibuya-ku, Tokyo, Japan. -
The Uesugi: a Study of a Japanese Warrior Family's Political and Military Involvement in Eastern Japan, 1252-1455
The Uesugi: a study of a Japanese warrior family’s political and military involvement in eastern Japan, 1252-1455 1: Early association with Court and warriors and emergence on the politico-military stage of eastern Japan, 1252-1336 By Dennis Darling November 2020 Copyright © 2020 by Dennis Darling All rights reserved Foreword and acknowledgements. he following essay is the first of a projected series of essays collectively entitled The Uesugi: a study of T a Japanese warrior family’s political and military involvement in eastern Japan, 1252-1455. It is based on chapter one of my PhD dissertation, Uesugi Kenshin: a study of the military career of a sixteenth century warlord, inasmuch as small parts of that chapter have been revised and significantly enlarged. The subsequent essays in the series, several of which are close to being finished, will likewise be based on chapter one. 1252 is the natural starting point for the series as it was the year the Uesugi family’s founder, a nobleman from Kyoto, settled in the city of Kamakura. 1455 has been chosen as the series’ endpoint because its marks the beginning of the end of the Uesugi’s political and military influence in eastern Japan (though this was surely not apparent at the time): that year the predominant position the family (the branch known as the Yamanouchi Uesugi, to be precise) had come to occupy in the Kantō about fifteen years earlier began weakening, never to be restored, as the region entered the age of widespread military conflict known as the sengoku period.1 The following essay examines the Uesugi family’s early history from around the time of its establishment to early 1336, the time when war broke out between the Ashikaga (to whom the Uesugi had been, and continued to be, allied) and the imperial government. -
Medieval Japan: an Introductory Essay
www.colorado.edu/ptea-curriculum/imaging-japanese-history Medieval Japan: An Introductory Essay by Ethan Segal, Michigan State University Introduction Medieval Japan may call to mind honorable sword-wielding samurai and stealthy ninja assassins. These figures, often seen in popular movies and games about pre-modern Japan, are only loosely based on reality. In fact, many different types of people helped shape the medieval period. Over 400 years, from the late twelfth to the late sixteenth centuries, emperors and priests, women and merchants, poets and playwrights, and, of course, samurai created a complex yet fascinating society. Samurai governments administered the country in tandem with the older imperial government. Warriors’ rise to power led to an increase in violence, and by the mid- fifteenth century, warfare was constant. But other aspects of society flourished in spite of the breakdown in civil order. Buddhism enjoyed the strong support of both samurai and commoners. Such new cultural traditions as the tea ceremony became popular. The arrival of Europeans in the sixteenth century forced the Japanese to change their view of the world. The term medieval may seem curious, since it was originally applied to European history. It described a “middle” period between the fall of the Roman Empire and the start of the Renaissance. During this period, central government was weak and society was divided among feudal rulers. Sixteenth-century Japan was divided among warlords known as daimy, and Europeans who visited Japan at that time felt it resembled medieval Europe. Early twentieth- century Japanese scholars also saw these similarities. They adopted the term medieval to describe the period when Japanese imperial authority was weak and warriors played an important role in governing society. -
The Estate System in Medieval Japan Janet R
University of Hawai'i Manoa Kahualike UH Press Book Previews University of Hawai`i Press Fall 7-31-2018 Land, Power, and the Sacred: The Estate System in Medieval Japan Janet R. Goodwin Joan R. Piggott Follow this and additional works at: https://kahualike.manoa.hawaii.edu/uhpbr Part of the Asian History Commons, and the Buddhist Studies Commons Recommended Citation Goodwin, Janet R. and Piggott, Joan R., "Land, Power, and the Sacred: The Estate System in Medieval Japan" (2018). UH Press Book Previews. 8. https://kahualike.manoa.hawaii.edu/uhpbr/8 This Book is brought to you for free and open access by the University of Hawai`i Press at Kahualike. It has been accepted for inclusion in UH Press Book Previews by an authorized administrator of Kahualike. For more information, please contact [email protected]. LAND, POWER, AND THE SACRED LAND, POWER, and the SACRED The Estate System in Medieval Japan EDITED BY Janet R. Goodwin AND Joan R. Piggott University of Hawai‘i Press Honolulu © 2018 University of Hawai‘i Press All rights reserved Printed in the United States of America 23 22 21 20 19 18 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Names: Goodwin, Janet R., editor. | Piggott, Joan R., editor. Title: Land, power, and the sacred : the estate system in medieval Japan / Janet R. Goodwin and Joan R. Piggott, [editors]. Description: Honolulu : University of Hawai‘i Press, [2018] | Includes bibliographical references and index. Identifiers: LCCN 2017052550 | ISBN 9780824875466 (cloth alk. paper) Subjects: LCSH: Manors—Japan—History—To 1500. -
Reconstructing the Life of Uesugi Kiyoko
Reconstructing the Life of Uesugi Kiyoko 著者 GERHART Karen M. journal or Japan review : Journal of the International publication title Research Center for Japanese Studies volume 31 page range 3-24 year 2017 URL http://doi.org/10.15055/00006835 Japan Review 31 (2017): 3–24 Reconstructing the Life of Uesugi Kiyoko Karen M. GERHART Uesugi Kiyoko (1270–1342) was the mother of the founder of the Ashikaga shogunate, Takauji (1305–1358), and his brother and chief administrator, Tadayoshi (1306–1352). Although Kiyoko lived within the vortex of a new political order that was being formed by her politically important sons in the early decades of the fourteenth century, little is known about her. Hers is a story not easily told: because information about her is so fragmentary, no monograph or even a single article in English or Japanese has been published about her life. In this essay, I seek to reconstruct the life of Uesugi Kiyoko through an examination of written records by contemporary diarists, personal letters, and poetry written by Kiyoko herself, and a number of physical sites relating to her life. The result is a nuanced picture of an educated woman who wrote letters and poetry, wielded significant land stipends in her own interests, and helped her two sons work together for political gain. Keywords: Uesugi Kiyoko, Ashikaga Sadauji, Ashikaga Takauji, Ashikaga Tadayoshi, Kōfukuji, Kokawadera, Iwashimizu Hachiman Shrine, Tōjiin, Fūgashū, Jōmyōji dono, Tōjiin dono, Kashōin dono Introduction “Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree; the pen has been in their hands.” 1 This well-known quotation from Jane Austen’s early-nineteenth century novel Persuasion recognizes that historically women have had little control over how they have been remembered because men do most of the writing. -
The Dynamics of Gender and Power in Zeami's Reflections on Performance
Dissertation The Dynamics of Gender and Power in Zeami’s Reflections on Performance By Hanna McGaughey, M.A. The University of Trier 2020 Thesis Committee: Prof. Andreas Regelsberger, Ph.D. Prof. em. Stanca Scholz-Cionca, Ph.D. This dissertation was submitted to the University of Trier (Fachbereich II) on November 17, 2017 and defended in a rigorosum on February 13, 2018. ii For Margit and Doug iii iv Deutsche Zusammenfassung Die Dissertation untersucht Zeamis (ca. 1363 – ca. 1433) Auffassung des Tanzes der himmlischen Frau im historischen KonteXt der Muromachi-Zeit. Seine Version dieses Tanzes basiert auf einer Aufführung von Inuō , einem Darsteller der O mi-Schauspieltruppe, und sollte das Repertoire seiner eigenen Schauspieltruppe um eine starke, weibliche Figur mit himmlischen Zügen erweitern. Im ersten Kapitel zeige ich auf, wie Zeami, geprägt von seinem Erfolg als seXualisiertes Kind im Dienste der politischen Elite (chigo), die Beziehung zwischen Darsteller und Publikum im Sinne von Gender versteht. In seinen Traktaten beschreibt Zeami, wie ein Schauspieler eine komplementäre Beziehung zwischen Patron und Darsteller (feminin/maskulin bzw. Yin/Yang) schafft. Diese Beziehung steigert sich in eine Ekstase der geglückten Kommunikation zwischen den beiden Polen, welche einer seXuellen Vereinigung gleicht. Als nächstes lege ich dar, wie Zeami Inuō s Beziehungen zwischen seinen Mäzenen, dem Daimyo Sasaki Doyō in Kapitel zwei und dem Shogun Ashikaga Yoshimitsu in Kapitel drei, wahrnimmt. Inuō wurde von Doyō s Vorliebe für imposante Kunst beeinflusst, jedoch erkannte Zeami auch, dass Inuō Doyō s Maskulinität mit femininer Eleganz komplementieren konnte. Inuō wandte eine Darstellung der Subversion in seiner Beziehung mit Yoshimitsu an, sowohl als öffentliche Person als auch in der Ästhetik der Aufführung, um seine rebellische Reputation, angepasst an das unter der kriegerischen Elite herrschende konfliktträchtige Klima, zu erhalten. -
(Im)Morality of Imagawa Ryoshun
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Nichibunken Open Access Rebel with a Cause: The (Im)Morality of Imagawa Ryoshun 著者 SATHER Jeremy A. journal or Japan review : Journal of the International publication title Research Center for Japanese Studies volume 28 page range 47-66 year 2015-12-15 URL http://doi.org/10.15055/00006020 Japan Review 28 (2015): 47–66 Rebel with a Cause: The (Im)Morality of Imagawa Ryōshun Jeremy A. SATHER This essay examines the dissonance between contemporary accounts of Imagawa Ryōshun’s activities and the later Tokugawa period image of him as exemplar of warrior values. A critical of contemporary sources reveals that his is an altogether different image: that of rebel. While Ryōshun sacrificed twenty-five years of his life attempting to subjugate the island of Kyushu for the Ashikaga, things turned sour when his enemies slandered him to Ashikaga Yoshimitsu, who summarily dismissed him from the post of Kyushu tandai. Yoshimitsu’s absolutism brought him into conflict with other powerful warlords like Ōuchi Yoshihiro and Ashikaga Mitsukane, both of whom in the end plotted rebellion. While Ryōshun disavowed any participation in the plot, it is reasonably clear that he did participate, if only tacitly, and even mustered troops before surrendering and ending his life in political exile. In order to justify his betrayal, he seems to have relied on ideas from Mencius to suggest that Yoshimitsu was an immoral ruler whose profligacy demanded reign change. Mencius gave him the opportunity to argue that the Ashikaga family was worthy of rule but that Yoshimitsu was not. -
Sōtō Zen in Medieval Japan
Studies in East Asian Buddhism 8 Sōtō Zen in Medieval Japan William M. Bodiford A Kuroda Institute Book University of Hawaii Press • Honolulu © 1993 Kuroda Institute Contents Preface ix Stylistic Conventions xv Acknowledgments xvii Abbreviations xix 1. Introduction 1 PART ONE: EARLY SŌTŌ COMMUNITIES 2. Dōgen: The Founder of Eiheiji 21 3. Giin: The Beginnings of Higo Sōtō 37 4. Senne and Kyōgō: Commentators on Dōgen's Shōbō genzō 44 5. Gikai: The Founder of Daijōji 51 6. Jakuen and Giun: Local Growth and Ties to Eiheiji 65 7. Early Schisms: The Question of the Sandai Sōron 70 8. Keizan: The Founder of Yōkōji 81 PART TWO: REGIONAL EXPANSION 9. Sōjiji: The New Institutional Center 95 10. The Popularization of Sōtō 108 11. Formation of the Sōtō Order 122 PART THREE: SŌTŌ ZEN PRACTICE 12. Kōan Zen 143 13. Precepts and Ordinations 163 14. Zen Funerals 185 15. Conclusion 209 Notes 217 Bibliography 283 Glossary 309 Index 331 -vii- 1 Preface The Sōtō school is the largest Buddhist organization in modern Japan. It ranks with the various Pure Land schools as one of the most successful of the new Buddhist denominations that emerged during the Kamakura and Muromachi periods (roughly thirteenth-sixteenth centuries). During this medieval period Sōtō monks developed new forms of monastic organization, new methods of Zen instruction, and new applications for Zen rituals within lay life—many of which lie outside our received image of Zen. These developments played a profound role in medieval rural society and helped shape present-day Buddhist customs for a vast number of Japanese. -
Shogun and Samurai
^ Shogun and Samurai Tales of Nobunaga, Hideyoshi, and Ieyasu by Okanoya Shigezane (1835-1919) Translated and Edited by Andrew and Yoshiko Dykstra 2 Shogun and Warlords Tales of Nobunaga, Hideyoshi, and Ieyasu Contents Acknowledgement The background of the work Story titles The translation Appendix 1. Map of the Old Provinces of Japan 2. Map of the Modern Prefectures of Japan Selected Bibliography 3 Acknowledgement We appreciate our friends, including Professor Paul Varley of the University of Hawaii, Professor George Hlawatsch, and Professor Richard Swingle of the Kansaigaidai University, who read our translations and gave us many precious suggestions. The translation is based on the texts appearing in Meishôgenkôroku by Okanoya Shigezane (1835-1919), Iwanami Shoten, Tokyo, 1943. In translation, we placed family names first in the Japanese style. All the story titles and the information in the brackets and parentheses are supplied by the translators. Diacritics are deleted in popular place-names including Tokyo, Osaka, Kyoto, Kanto, Honshu, Kyushu. The glossary contains main terms related to the stories. For dates and years, the Gregorian calendar is used in place of the old Japanese way of calculation, as in 1596 for the first year of Keichô. Most of the illustrations come from the Ehon Taikôki written by Takeuchi Kakusai and illustrated by Okada Gyokusan (1797-1802) but was banned in 1804. The translators, Andrew H. Dykstra was Provost Emeritus of the Kansaigaidai Hawaii College, Hawaii, and Yoshiko K. Dykstra, Professor of the Kansaigaidai University, Osaka, Japan 4 The Background of the work and the author ”I will kill the cuckoo if it does not sing,” said Nobunaga.