From Award-Winning Composer of Wicked Stephen Schwartz
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
“Hello, Dolly!” the Tony Award-Winning Be
FOR RELEASE ON JULY 23, 2018 “The best show of the year. ‘Hello, Dolly!’ must not be missed.” NPR, David Richardson “This ‘Dolly!’ is classic Broadway at its best.” Entertainment Weekly, Maya Stanton “It is, in a word, perfection.” Time Out New York, Adam Feldman TONY AWARD®-WINNING BROADWAY LEGEND BETTY BUCKLEY STARS IN FIRST NATIONAL TOUR OF “HELLO, DOLLY!” THE TONY AWARD-WINNING BEST MUSICAL REVIVAL WILL BEGIN PERFORMANCES SEPTEMBER 30 AT PLAYHOUSE SQUARE SINGLE TICKETS ON SALE JULY 27 Cleveland, OH – The producers of HELLO, DOLLY!, the Tony Award-winning Best Musical Revival, and Playhouse Square announced today that single tickets for the National Tour starring Broadway legend Betty Buckley will go on sale Friday, July 27. Tickets will be available at the Playhouse Square Ticket Office (1519 Euclid Avenue in downtown Cleveland), by visiting playhousesquare.org, or by calling 216-241-6000. Group orders of 15 or more may be placed by calling 216-640-8600. HELLO, DOLLY! comes to Playhouse Square September 30 through October 21, 2018 as part of the KeyBank Broadway Series. Tony Award-winning Broadway legend Betty Buckley stars in HELLO, DOLLY! – the universally acclaimed smash that NPR calls “the best show of the year!” and the Los Angeles Times says “distills the mood-elevating properties of the American musical at its giddy best.” Winner of four Tony Awards including Best Musical Revival, director Jerry Zaks’ “gorgeous” new production (Vogue) is “making people crazy happy!” (The Washington Post). Breaking box office records week after week and receiving unanimous raves on Broadway, this HELLO, DOLLY! pays tribute to the original work of legendary director/choreographer Gower Champion – hailed both then and now as one of the greatest stagings in musical theater history. -
Pippin Buy Tickets
New York Subscribe to Time Out New York Search Things To Do Food & Drink Arts & Culture Film Music & Nightlife Shopping & Style City Guide Tickets & Offers Pippin Buy tickets Musicals Revival Music Box Theatre Until Sun Dec 22 Near Music Box Theatre Bars and Restaurants Shops pubs and cafés Photograph: Joan Marcus Paramount Bar and Grill Pippin Time Out rating: User ratings: Critics' pick Paramount Bar Rate this Comments 3 Time Out says Add + Marriott Marquis Hotel Thu Apr 25 2013 Like 406 Tweet 23 Theater review by Adam Feldman. Music Box Theatre (Broadway). 0 Book by Roger O. Hirson. Music and lyrics by Stephen Schwartz. Dir. Rum House Diane Paulus. With Matthew James Thomas, Patina Miller, Rachel Bay Jones. 2hrs 30mins. One intermission. The Living Room at the W Ladies and gentlemen, step right up to the greatest show of the Broadway season: Diane Paulus’s sensational cirque-noir revival of Pippin. Here, in all its grand and dubious glory, is musical-theater showmanship at its best, 1001 others, see all a thrilling evening of art and craftiness spiked with ambivalence about the nature of enthrallment. Chet Walker’s dances, which retain the pelvic thrust of Bob Fosse’s original choreography, are a viciously precise mockery of showbiz bump and grind, enacted by a sexy, sinister, improbably limber ensemble (in skintight carnival gear and medieval costumery). Circus elements created by Gypsy Snider—acrobatics, aerialism, contortionism, juggling, hula hoops—build momentum toward what the ringmaster assures us is “a climax you will remember for the rest of your lives.” That just might be true. -
42Nd Street Center for Performing Arts
Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-25-1996 42nd Street Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "42nd Street" (1996). Center for Performing Arts Memorabilia. Book 82. http://opus.govst.edu/cpa_memorabilia/82 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. 42ND STREET Saturday, May 25 IP Ml" :• i fi THE CENTER FOR ARTS AND TECHNOLOGY AT GOVERNORS STATE UNIVERSITY The Troika Organization, Music Theatre Associates, The A.C. Company, Inc., Nicholas Hovvey, Dallett Norris, Thomas J. Lydon, and Stephen B. Kane present Music by Lyrics by HARRY WARREN AL DUBIN Book by MICHAEL STEWART & MARK BRAMBLE Based on the novel by BRADFORD ROPES Original Direction and Dances by Originally Produced on Broadway by GOWER CHAMPION DAVID MERRICK Featuring ROBERT SHERIDAN REBECCA CHRISTINE KUPKA MICHELLE FELTEN MARC KESSLER KATHY HALENDA CHRISTOPHER DAUPHINEE NATALIE SLIPKO BRIANW.WEST SHAWN EMAMJOMEH MICHAEL SHILES Scenic Design by Costume Design by Lighting Design by JAMES KRONZER NANZI ADZIMA MARY JO DONDLINGER Sound Design by Hair and Makeup Design by Asst. Director/Choreographer KEVIN HIGLEY JOHN JACK CURTIN LeANNE SCHINDLER Orchestral & Vocal Arranger Musical Director & Conductor STEPHEN M. BISHOP HAMPTON F. KING, JR. -
The Tony Award-Winning Best Musical Revival
FOR IMMEDIATE RELEASE CONTACT: Rachel Bliss, Starlight Theatre [email protected] 816-997-1151-office 785-259-3039-cell The Tony Award-Winning Best Musical Revival Will Begin Performances September 25 at Starlight Theatre “THE BEST SHOW OF THE “THIS ‘DOLLY!’ IS CLASSIC “IT IS, IN A WORD, YEAR. ‘HELLO, DOLLY!’ BROADWAY AT ITS BEST.” PERFECTION.” MUST NOT BE MISSED.” - ENTERTAINMENT WEEKLY, - TIME OUT NEW YORK, - NPR, DAVID RICHARDSON MAYA STANTON ADAM FELDMAN KANSAS CITY, Mo. – The producers of HELLO, DOLLY!, the Tony Award-winning Best Musical Revival, and Starlight Theatre are excited to announce that single tickets for the National Tour starring Carolee Carmello are on sale now. Tickets are available at the Starlight Theatre box office (4700 Starlight Road, Kansas City, MO, 64132), by visiting kcstarlight.com, or by calling 816-363-STAR (7827). Group orders of 10 or more may be placed by calling 816-997-1137. “This production of Hello, Dolly! is bigger and better than it’s ever been,” Rich Baker, President and CEO of Starlight, said. “This tour is everything that I love about Broadway—and spares no extravagance. It celebrates the iconic moments of this larger-than-life musical with incredible sets and costumes, phenomenal dancing, and big-talent that has what it takes to champion these iconic roles. What could be better than Hello, Dolly! to complete our 2019 AdventHealth Broadway Series?” Winner of four Tony Awards including Best Musical Revival, HELLO, DOLLY! is the universally acclaimed smash that NPR calls “the best show of the year!” and the Los Angeles Times says “distills the mood-elevating properties of the American musical at its giddy best.” Director Jerry Zaks’ “gorgeous” new production (Vogue) is “making people crazy happy!” (The Washington Post). -
SNP Play Guide R2
PLAY GUIDE 2015 2016 About ATC .................................................................................................................................................... 1 Introduction to the Play ............................................................................................................................... 2 Meet the Creators ........................................................................................................................................ 2 Meet the Characters .................................................................................................................................... 3 Songs and Sources ...................................................................................................................................... 4 A New Musical Genre ................................................................................................................................... 7 The History of Photography .......................................................................................................................... 8 The Science of Memory ............................................................................................................................... 10 Glossary ..................................................................................................................................................... 13 Discussion Questions and Activities ...........................................................................................................17 -
Scenic Design for the Musical Godspell
Scenic design for the musical Godspell Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in the Graduate School of The Ohio State University By Sarah Sugarbaker Graduate Program in Theatre The Ohio State University 2009 Master’s Examination Committee: Professor Dan Gray, M.F.A. Advisor Professor Mandy Fox, M.F.A. Professor Kristine Kearney, M.F.A. Copyright by Sarah Sugarbaker 2009 Abstract In April of 2009 the Ohio State University Theatre Department produced Godspell, a musical originally conceived by John‐Michael Tebelak with music by Stephen Schwartz. This production was built and technically rehearsed in the Thurber Theatre, and then moved to the Southern Theatre in downtown Columbus, OH. As the scenic designer of this production I developed an environment in which the actors and director created their presentation of the text. Briefly, the director’s concept (Appendix A) for this production was to find a way to make the production relevant to the local population. Godspell centers around the creation and support of a community, so by choosing to reference the City Center Mall, an empty shopping center in downtown Columbus, the need for making a change as a community was emphasized. This environment consisted of three large walls that resembled an obscured version of the Columbus skyline, inspired by advertisements within the shopping center. Each wall had enlarged newspapers that could be seen under a paint treatment of vibrant colors. The headlines on these papers referenced articles that the local paper has written about the situation at the shopping center, therefore making the connection more clear. -
Pippin Program [1995]
University of Southern Maine USM Digital Commons Programs 1994-1995 Season Theatre Programs 1990-2000 Spring 3-1995 Pippin Program [1995] University of Southern Maine Department of Theatre Follow this and additional works at: https://digitalcommons.usm.maine.edu/theatre-programs-1994-1995 Part of the Theatre History Commons Recommended Citation University of Southern Maine Department of Theatre, "Pippin Program [1995]" (1995). Programs 1994-1995 Season. 4. https://digitalcommons.usm.maine.edu/theatre-programs-1994-1995/4 This Program is brought to you for free and open access by the Theatre Programs 1990-2000 at USM Digital Commons. It has been accepted for inclusion in Programs 1994-1995 Season by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. The University of Southern Maine Departments of Music and Theatre proudly present Book by Roger Hirson Music and Lyrics by Stephen Schwartz directed by Will Kilroy musical direction by Bruce Fithian March 10 - 19, 1995 The Majn Stage, Russell Hall USM Gorham Campus Biographies Jayson Mathieu is proud to be sharing the stage with such talented people. He hopes you enjoy the show! Remember, "Theatre is We applaud the ll~ Magic." Brian Saunders - It is the ultimate goal of everyone to find their complete fulfillment in life. Thank you to Will and the entire cast University of Southern for helping me come one step closer to that fulfillment. You all are extraordinary! Maine and the A teacher by vocation, John Blanchette divides his sparetime between acting (Lend me a Tenor, Rumors, South Pacific) and DepartmentofThea~e directing (How to Succeed in Business Withour Really Trying, Anything Goes, 42nd Street, West Side Story.) He is completing his We support your efforts through higher Master's Degree in Instructional Leadership (Education) this May. -
Q&A About the MAGIC SHOW
The Magic Show The hit musical The Magic Show musical, with music and lyrics by Stephen Schwartz and book by Bob Randall, ran on Broadway from May 16, 1974 to Dec 31, 1978, a total of 1920 performances. It featured magic by Doug Henning and some of Stephen Schwartz’s most enduring songs, “Lion Tamer,” “West End Avenue,” and “Two’s Company.” An altered version was filmed for Canadian television in 1981 and is available on DVD. The following questions and answers are from the archive of the StephenSchwartz.com Forum. Copyright by Stephen Schwartz 2010 all rights reserved. No part of this content may be reproduced without prior written consent, including copying material for other websites. Feel free to link to this archive. Send questions to [email protected] Magic Show Song “West End Avenue” Context for West End Avenue Question: I have been asked to sing "West End Ave" at a fundraising concert and have been searching for a synopsis of the Magic show but don't see to be able to find one (I do get a link in google search but it's dead). I'm not sure what the deal is with the character singing it, does she hate NY in general? or just The West Side? Please any help any of you can offer would be most appreciated Thanks Rebecca (Australia) Answer from Forum visitor: Though I'm not officially on the Schwartz Team, I'll pretend I am for a moment and give you the plot line of the MAGIC SHOW as outlined in the now-out-of-print vocal selection book:"The entire evening takes place in a third rate night club in Passaic, New Jersey called The Top Hat, where a local magician, Feldman, and two singers, Donna and Dina, are hoping to make it to the big time. -
Cast, Crew & Orchestra
Cast, Crew & Orchestra Principals, Featured Vocalists & Seniors Andrew Aukerman - Orchestra This is Andy Aukerman's second year as a violinist in the Orchestra pit, having completely enjoyed being a part of Thoroughly Modern Millie. He has been a member of the Orchestra since 3rd grade and made PMEA Honors Orchestra this year. Andy is looking forward to life as a college student next year, hopefully at Rice University, or perhaps at UT Austin, Pitt, or NCSU. He plans on studying biomedical engineering, with aspirations to change the medical field and save lives. Andy also pole vaults and is the co-president of Peer-to-Peer Empowerment. Andy would like to thank his parents for their never ending support and Ms. Panza for her wonderful direction. Additionally, he thanks his teachers for the knowledge and wisdom, both academic and non-academic, he has gained during his 4 years at Pine-Richland. Melanie Berexa - Catherine Melanie, a senior, is so thrilled to be playing the role of Catherine in this year’s musical. Last year, Melanie played Ruth, a Pricilla Girl, in Thoroughly Modern Millie. Before joining the PR Musicals, Melanie was a student at Lincoln Park Performing School where she participated in The Secret Garden, White Christmas, The Miracle Worker, and several other shows. She has also participated in Jeter Backyard Theatre and recently played the role of Rose in Bye Bye Birdie. Melanie would like to thank Jim Scriven, Laura Wurzell, Joy Hess, Carole Rost, her fellow cast members, crew and orchestra for making this musical such a great experience. -
Spring 2017 Audition Packet Preliminary Auditions Callbacks
Spring 2017 Audition Packet 5-12th grade Welcome to Wolf Performing Arts Center’s spring 2017 season! This spring, we will bring 2 musicals to life; one in our black box theater and one at St. Joseph University’s Bluett Theater. Actors interested in auditioning for our spring productions must read this packet thoroughly to learn about the auditions, rehearsals and performances for each production. In this packet you will find: Information about auditions and callbacks Details about rehearsals and performances for each show Audition selections Forms to be filled out and turned in during your audition Preliminary Auditions Monday, January 23rd and Tuesday, January 24th from 6-8:30pm You can sign up for your audition time slot through our website (www.wolfperformingartscenter.org). All actors will audition for the directors of INTO THE WOODS, Jr. and PIPPIN at the same time. Audition monologues can be found in this packet. Callbacks Following the preliminary auditions, each director will call back actors to read for specific roles in each play. Callbacks will be held on Thursday, January 26th from 5-9pm and Saturday, January 28th from 10am – 2pm. Those who are needed for callbacks will be notified via email by Wednesday, January 25th. Those who do not receive a callback may still be cast. Casting Cast lists will be sent out via email by Monday, January 30th. Casting at Wolf PAC is based on three main criteria: talent, behavior and availability. Once the production staff has had the chance to assess the criteria for every actor who auditions, we will assign roles based on what is the best fit for the actor and the overall production. -
Programs and Promotional Materials!
Company artistic Director Peter Marston Sullivan Executive Director Peter Blair mission & Vision BoHo Theatre’s mission is to create theatre artistic advisor that incorporates the arts as a whole — Art Stephen M. Genovese for art’s sake. Our vision is to challenge convention through literary originality and Executive advisor eclectic expression while fostering an ever- Thomas J. Samorian evolving artistic environment in which people are inspired to learn, think, dream, and feel. assoc. artistic Director To teach others and ourselves how to expand, Peter Robel create, and present art through theatre while reveling not only in the process, but also in the journey. managing Director Ryan Guhde Board media Director IV Stephen M. Genovese, president; Charles Riffenburg Thomas J. Samorian, vice-president; Kaela Altman; Steve Goodman; Casting Coordinator Robert Kimmeth; Richard Maxen; Stephanie Sullivan Bob Turner; Jean Zuiker Casting assistant Rebecca Mauldin artistic affiliates Anthony Apodaca, Brenda Didier, Board/Company Secretary Patrick Ham, Theresa Ham, Mary Kate Robel Jon Steinhagen, A. Scott Williams, and John Zuiker new Works manager Ariel Trocino Company members Anna Hammonds Sean Thomas BoHo THeaTre is a not-for-profit 501 (c) 3 organization. our events and productions are made possible by your generous donations and patronage. Please visit our website at www.bohotheatre.com or speak with our house manager to learn about more ways to contribute time, money, and talent to helping support art in Chicago. any monetary donations are -
John-Michael Tebelak Stephen Schwartz a Playgoer's Guide
John-Michael Tebelak The Author John-Michael Tebelak (November 1, 1949–April 2, 1985) was a playwright Stephen Schwartz and director, most famous for creating Godspell . He graduated from Berea High School in Ohio in 1966. Tebelak originally produced Godspell at age 22 as his Master’s thesis project, under the tutelage of Lawrence Carra, at Carnegie Mellon University in December 1970. He had been studying Greek and Roman mythology, with the deadline for his thesis two weeks away, but became fascinated by the joy he found in the Gospels. He attended an Easter Vigil service in 1970 at Pittsburgh's St. Paul’s Cathedral, wearing his usual overalls and T-shirt. A police officer frisked him for drugs after the service. He wrote of this experience, "I left with the feeling that, rather than rolling the rock away from the Tomb, they were piling more on. I went home, took out my manuscript, and worked it to completion in a non-stop frenzy." Though he never completed his course work at the university, Carnegie Mellon nevertheless awarded him the degree. He was named Theatre Man of the Year by Elliott Norton of the Boston Record American , and Most Promising Director of 1971 by the New York Drama Desk. Among many other credits, he co-wrote with David Greene the 1973 film version of Godspell . He once said that he "walked into a theatre at the age of nine and stayed there.” He was also the dramaturge for the Cathedral of A Playgoer’s Guide Saint John the Divine in New York and staged liturgical drama there.