John-Michael Tebelak Stephen Schwartz a Playgoer's Guide
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SNP Play Guide R2
PLAY GUIDE 2015 2016 About ATC .................................................................................................................................................... 1 Introduction to the Play ............................................................................................................................... 2 Meet the Creators ........................................................................................................................................ 2 Meet the Characters .................................................................................................................................... 3 Songs and Sources ...................................................................................................................................... 4 A New Musical Genre ................................................................................................................................... 7 The History of Photography .......................................................................................................................... 8 The Science of Memory ............................................................................................................................... 10 Glossary ..................................................................................................................................................... 13 Discussion Questions and Activities ...........................................................................................................17 -
Scenic Design for the Musical Godspell
Scenic design for the musical Godspell Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in the Graduate School of The Ohio State University By Sarah Sugarbaker Graduate Program in Theatre The Ohio State University 2009 Master’s Examination Committee: Professor Dan Gray, M.F.A. Advisor Professor Mandy Fox, M.F.A. Professor Kristine Kearney, M.F.A. Copyright by Sarah Sugarbaker 2009 Abstract In April of 2009 the Ohio State University Theatre Department produced Godspell, a musical originally conceived by John‐Michael Tebelak with music by Stephen Schwartz. This production was built and technically rehearsed in the Thurber Theatre, and then moved to the Southern Theatre in downtown Columbus, OH. As the scenic designer of this production I developed an environment in which the actors and director created their presentation of the text. Briefly, the director’s concept (Appendix A) for this production was to find a way to make the production relevant to the local population. Godspell centers around the creation and support of a community, so by choosing to reference the City Center Mall, an empty shopping center in downtown Columbus, the need for making a change as a community was emphasized. This environment consisted of three large walls that resembled an obscured version of the Columbus skyline, inspired by advertisements within the shopping center. Each wall had enlarged newspapers that could be seen under a paint treatment of vibrant colors. The headlines on these papers referenced articles that the local paper has written about the situation at the shopping center, therefore making the connection more clear. -
Q&A About the MAGIC SHOW
The Magic Show The hit musical The Magic Show musical, with music and lyrics by Stephen Schwartz and book by Bob Randall, ran on Broadway from May 16, 1974 to Dec 31, 1978, a total of 1920 performances. It featured magic by Doug Henning and some of Stephen Schwartz’s most enduring songs, “Lion Tamer,” “West End Avenue,” and “Two’s Company.” An altered version was filmed for Canadian television in 1981 and is available on DVD. The following questions and answers are from the archive of the StephenSchwartz.com Forum. Copyright by Stephen Schwartz 2010 all rights reserved. No part of this content may be reproduced without prior written consent, including copying material for other websites. Feel free to link to this archive. Send questions to [email protected] Magic Show Song “West End Avenue” Context for West End Avenue Question: I have been asked to sing "West End Ave" at a fundraising concert and have been searching for a synopsis of the Magic show but don't see to be able to find one (I do get a link in google search but it's dead). I'm not sure what the deal is with the character singing it, does she hate NY in general? or just The West Side? Please any help any of you can offer would be most appreciated Thanks Rebecca (Australia) Answer from Forum visitor: Though I'm not officially on the Schwartz Team, I'll pretend I am for a moment and give you the plot line of the MAGIC SHOW as outlined in the now-out-of-print vocal selection book:"The entire evening takes place in a third rate night club in Passaic, New Jersey called The Top Hat, where a local magician, Feldman, and two singers, Donna and Dina, are hoping to make it to the big time. -
To Date Directed Its Broadway Version, Also Directed the Movie; and Eileen Heckart Repeats Her Role As the Mother
his "powers of statesmanship" (?) to put an end to the slave trade. Dracula, of course, will have none of this and vamps Mamuwalde, seals him in a coffin, dooms him to lust eternally after etc. His home is 200 later in lth:i:i::,''WmiK:,.ll!ir. blood, etc., opened years Los Angeles by two interior decorators who plan to make a fortune sellina the furnishings of Castle Dracula in the states. Thus unleashed, he begins his reign of terror, etc. Through it all William Marshall, who has had some experience with Shakespearian stage, is good at going "Aargh! Aargh!," and turning into a bat. Vonetta McGee as his wife Luva and her reincarnation Tina, does a fine job wandering around in a daze and saying "No, Mamuwalde! Help!" Thalmus Rasulala, as the brave Dr. Thomas, is at his best his 11 ,1'" unbuttoning sportcoat and putting his hands on his hips. ML The extras are great at wearing purple face make-up- , clip-o- n fangs and stumbling around looking menacing and possessed. ''.11,' The movie is more than corny, though. It is embarrassing. Your reviewer, who is white, was embarrassed by the racism which forms the fiim's foundation. Blacula ought to be subtitled, "Amos n' Andy Grow Teeth." It was produced by a white man, directed by a white man, written by a white woman, financed by a white-owne- d company. It is a white man's idea of what would appeal to the mind of a black man. The idea is that if detective thrillers like Shaft and Cotton Comes to Harlem succeed in drawing black crowds and green money, why not see if a black vampire movie will do as well? If your big brother liked Shaft, you're supposed to dig Blacula. -
V\Illwms College. Selecting This Option Will Assign Copyright to the College
\VILLIAMS COLLEGE LIBRARIES COPYRIGHT ASSIGNl:vfENT A:'XD INSTRUCTIONS FOR A STUDENT THESIS Your unpublished thesis, submitted for a degree at Williams College and administered b:;.• the vVillimns College Libraries. will be made available for research use. You may. through thts form, provide instructions regarding copyrigl1L access, dissemination ami reproduction of your thesis. The College has the right in all cases to maintain and preserve theses both in hardcopy and electronic format. 8nd to make such copws as the Libraries require for their research and archival functions. -~- .. The faculty advisor/s to the student writing the thesis claims joint a<tthoc>hip in this \vork. ].\ve have included in this thesis copyrighted material 1<•r which I/we have not rec'''1ved permission from the copyright holden's. lf you c.o 11ot ~;t:c<:re copyright penni~sions by the time your thesis is submitted. you \vi!\ stiil be allowed to subu:it. However. if the necessary copyright periuissions are not r<:ceived. <:-posti11g of your the~is may be affected. Copyrighted material may inch!.·:le images (tables. drawings. photographs, figures. maps, graphs. etc.). sound files. video L'1aterial. data sets and large portioHs of text. I. _CQf.YRI CiHI An mnhor by hw O'>VH:> the copyright to hi.s/her work. whether or not <1 copyright symbol ancl cbte are placed on th: ptece Please choose one of the options below with re~pect to the copyright in your thesis. ___ l \w choose not to retain the copyright to the thesis, nnd hereby assign the copyright t() v\illwms College. -
October 29, 2008 the Free-Content News Source That You Can Write! Page 1
October 29, 2008 The free-content news source that you can write! Page 1 Top Stories Top Stories constitutes the most severe since records started being taken in the US Senator Ted Stevens More teenagers attracted to early 1990s. convicted on 7 counts computer crime, say experts United States Senator Ted Security experts warn more and The study by scientists of Stevens of Alaska was convicted more teenagers are now into hi- University College London has Monday on seven counts of failing tech computer crime. Alarmingly been published in the journal to report gifts. large number of teenagers are Geophysical Research Letters. The Stevens, a senior found peddling credit card work provides the first definitive United States numbers, phishing kits and proof for overall decrease in Arctic Senator from Alaska cracking tips in some Internet ice volume, claim the authors. and the longest forums. The young offenders are serving Republican very likely to get caught and The researchers have found that in the Senate, had prosecuted due to their inferior last winter's ice thickness been accused not reporting tens technical skills, claim experts. represented a decrease of an of thousands of dollars worth of average of 26 centimeters below gifts from the VECO Corporation Wikipedia Current Events the 2002-2008 winter average. including free house remodeling. The greatest decline of 49 At its PDC, Microsoft delivers a centimeters was in the western pre-beta release of Windows 7 to Homes of six Minnesota Arctic, which could explain the developers, and announces plans politicians vandalized region's becoming relatively ice- to release a full Windows 7 beta An unknown person or persons free this summer, allowing it to be early in 2009. -
February 2014
Technical Crew Assistant Stage Managers……... Janna Henry, Christopher Pattenden Audio Crew………………………. Andre Stankovic Carpentry Crew………………….. Mathew Armstrong, Taylor Armstrong, Jolina Calayag, Tasha Ferguson, David Imiolo, Kailey Kacaba, Artemi Nitski, Mitchell Paisley, Phillip Reist Head Electrician…………………. Sterling Barry Lighting Crew……………………. Brad Dunn, Lexus Ferrer, Corey Mohamed, Jenna Robinson, Jesse Stephens, Nicholas Wadel-Turcotte Properties Crew…………………. Megan Cummings, Kristen Domonkos, Rebecca Jennings, Keynan McFedries, Haley Minialoff, Jennifer Newnham, Janine Oblak, Rachel Pugsley, Katherine Stone, Abby Wilson- Campbell, Julia Wylie Scenic Paint Crew……………….. Sara Allison, Kelly Boudreau, April Fresh- McEwan, Drew Lindeman, Stefanie Lorette, Kristen McCormick, Jennifer Miller, Keith Roberts, Emilie Shanks, Victoria Vandenbelt, Jessica Wu Wardrobe Crew………………….. Emily Dyck, Darcie Kaster, Leland Lamb, Megan Lavis, Jessica MacDuff, Kyrie Meyer, Charly Ortega, Laura Payne, Annabel Schulte, Kenzie Ten Eyck, Naomi Timmer, Tanya Ullyatt Production Assistants…………… Kaitlyn MacKinnon, Robert Spithoff Assistant Technical Director……. Ryan Leeming Running Crew Crew Chief/Sound Operator……. .Dylan Kotyk Lighting Board Operator………... Jenna Robinson Conceived & Originally Directed Wardrobe Dresser………………. Megan Lavis John-Michael Tebelak Music & New Lyrics Stephen Schwartz February 2014 John Michael Tebelak originally wrote GODSPELL as his Masters Thesis project at Director’s Notes Carnegie-Mellon in 1971. Subsequently, he directed productions of Godspell at La MaMa Theatre, the Cherry Lane Theatre, the Promenade Theatre, and on Broadway. He received the 1971 Drama Desk award for Most Promising Director. In 1972, Mr. Godspell is about the coming together of a community. Many fractured Tebelak directed the play, Elizabeth I on Broadway, and off-Broadway staged The individuals with different backgrounds and viewpoints congregate to learn Glorious One in 1975 and Ka-Boom in 1980. -
The Dinner Theatre of Columbia P R E S E N T S
The Dinner Theatre of Columbia P r e s e n t s August 27 - October 31, 2021 Next at TOBY’S November 5 - January 9, 2022 HOWARDHUGHES.COM DOWNTOWNCOLUMBIAMD.COM 15-COL-00013 Columbia Ad Resize - Downtown Columbia Brand Ad-4.5X3.75BW.indd 1 8/27/15 2:30 PM Good rates backed by Good Neighbor service That’s State Farm Insurance. 5805 Clarksville Square Drive Suite 5 • Box 315 Clarksville, Maryland 21029 WASH. 301-596-9100 BALT. 410-531-2057 EMAIL: [email protected] EMILY A. KENDALL Agent Like a good neighbor, State Farm is there. State Farm Insurance Companies • Home Offices: Bloomington, Illinois THE DINNER THEAtrE OF COLUMBIA Production of Godspell Conceived and Originally Directed by JOHN-MICHAEL TEBELAK Music and New Lyrics by STEPHEN SCHWARTZ Originally Produced on the New York Stage by EDGAR LANSBURY / STUART DUNCAN / JOSEPH BERUH Direction Mark Minnick & David James Choreography Music Direction Mark Minnick Ross Scott Rawlings Scenic & Lighting Design Sound Design David A. Hopkins John Pantazis Costume Design by Janine Sunday Godspell Is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com The videotaping or other video or audio recording of this production is strictly prohibited. Fog, haze, and strobe effects are used in this performance. Toby’s Dinner Theatre of Columbia 5900 Symphony Woods Road, Columbia, MD 21044 Box Office 410-730-8311 • 800-88TOBYS (800-888-6297) www.tobysdinnertheatre.com A Special Tribute Godspell was the first show on the Toby’s stage 41 years ago and we dedicate this revival production to the memory of James W. -
The Winonan - 1970S
Winona State University OpenRiver The inonW an - 1970s The inonW an – Student Newspaper 2-20-1973 The inonW an Winona State University Follow this and additional works at: https://openriver.winona.edu/thewinonan1970s Recommended Citation Winona State University, "The inonW an" (1973). The Winonan - 1970s. 89. https://openriver.winona.edu/thewinonan1970s/89 This Newspaper is brought to you for free and open access by the The inonW an – Student Newspaper at OpenRiver. It has been accepted for inclusion in The inonW an - 1970s by an authorized administrator of OpenRiver. For more information, please contact [email protected]. VOLUME 49 No. 17 WINONA STATE COLLEGE Tuesday, February 20, 1973 Warriors win second N IC crown The Warriors won their second outright NIC crown Friday night, as they downed the Bemidji Beavers 102-66. The title earned for the Warriors a berth in the district playoffs that will be held March 5 and 7. Herschel Lewis reached the 1,000 point mark Fri- day night as he tossed in 30 points for the Warriors and he contributed another 30 in Saturday's perform- ance. The Warriors will host the MIAC runner-up in the March 5 contest in Memor- ial Hall. Should they win the initial contest, they will have to face the win- ner of the St. Thomas, NIC runner-up game in Winona. St. Thomas defeated the Warriors in a controversial district championship game last year 66-65. The double over-time victory earned the Tommies a berth in the NAIA champ- ionships in Kansas City. On the inside this week.. -
Defying Gravity SAMPLE CHAPTER “Landing in Oz”
Defying Gravity SAMPLE CHAPTER “Landing in Oz” his chapter on the origins of Wicked as a musical is a sample from the TStephen Schwartz biography Defying Gravity: The Creative Career of Stephen Schwartz, from Godspell to Wicked, by Carol de Giere. To continue reading about the making of Wicked or enjoy behind-the-scenes stories from other Stephen Schwartz musicals, look for Defying Gravity in print or ebook form. See www.DefyingGravityTheBook.com for purchasing sources, reviews, newsletter, and author contact information. Copyright © 2008 Carol de Giere All rights reserved. JOAN MARCUS JOAN Glinda (Kristin Chenoweth) rides her bubble in Wicked. 270 Defying Gravity Wizard of Oz W.W. Denslow Wicked — Landing In Oz 271 Chapter 16 Landing in Oz Elphaba It’s time to trust my instincts Close my eyes and leap! At the start of 1996, Stephen Schwartz never imagined he would end the year envisioning his next Broadway musical, Wicked. Movie songwriting seemed to be his ideal calling, espe- cially after one eventful evening in March. He donned his black tuxedo and white dress shirt, strode across the red carpet, and met up with his Pocahontas writing partner Alan Menken at Los Angeles’ Dorothy Chandler Pavilion. For forty-eight- year- old Schwartz, being nominated for an Academy Award was a wel- come twist on his childhood dream of writing musicals for the stage. With his kids at home watching the ceremony on televi- sion, and his parents and wife in the audience, he waited for the announcement. S E NC “And the Oscar for Best Original Musical or Comedy Score IE SC D goes to…” An expectant silence settled in the hall while present- AN S T AR er Quincy Jones opened the envelope. -
Protestors Demand Women's Rights Demand Made Kissinger Holds for Tenure of Session with Faculty Member Japan's Tanaka TOKYO (UPI) - Henry A
Oftmnrrtirirt SatUj (Eamjma Serving Storrs Since 1896 VOL. LXX NO. 86 STORRS, CONNECTICUT Tuesday, February 20, 1973 Protestors demand women's rights Demand made Kissinger holds for tenure of session with faculty member Japan's Tanaka TOKYO (UPI) - Henry A. Kissinger, by Mark Franklin on arrival from Shanghai Monday, About 50 demonstrators broke up a discussed Indochina, U.S.-Japanese meeting in the President's office of relations and China in a two hour Gulley Hall Monday afternoon, and meeting with Prime Minister Kakcui issued an ultimatum demanding Tanaka. women's rights at the University of Foreign Minister Masayoshi Ohira, Connecticut. who joined the talks, described the Some of their demands include meeting as "frank and useful." He said "reinstatement of Assistant Professor of the two discussed "matters of mutual English Marcia Lieberman with concern between the United States and promotion and tenure", and an Japan." "officially recognized advisory "Prime Minister Tanaka listened to committee" be allowed for Assistant Kissinger's explantion on postwar Provost Gail Shea. Vietnam reconstruction with interest," Sharon Kcster, the spokeswoman for Ohira said. Japanese and American the group, said "there may be drastic future relations with China were also consequences if these demands are not discussed, he said. Ohira said Japan met" within the 24 hour ultimatum gained "a precious suggestion." on its period. She would not comment on the Vietnam policy from the meeting, but nature of the "drastic consequences". did not elaborate. The 24 hour period expires at 2 p.m. Ending his Asian tour in Japan, today. Kissinger's plane arrived in Tokyo in the The demonstrators' ultimatum rain at 1:45 a.m. -
Stephen Schwartz Comments About His Life
Stephen Schwartz Comments about His Life This PDF includes SECTION 1 – Early life SECTION 2 - Schedule SECTION 3 – Hobbies, Likes, and dislikes SECTION 4 – On Being a Musician SECTION 5 – Family SECTION 6 – Bio and Miscellaneous The following questions and answers are from the archive of the StephenSchwartz.com Forum. Copyright by Stephen Schwartz 2010 all rights reserved. No part of this content may be reproduced without prior written consent, including copying material for other websites. Feel free to link to this archive. Send questions to [email protected] Section 1 – Early life Childhood Question: Did you make up songs all the time as a kid? Answer from Stephen Schwartz: The first song I can remember writing was for a puppet show my sister and Iput on when I was about seven years old. It was called "Little Lullaby", and if I remember correctly, the show was entitled HI, DOG. I think the plot concerned a dog that ran away from home. I actually still remember the tune of "Little Lullaby", but I have been wise enough not to use it in later projects. Fascination with Magic Question: Magic seems to be a subject you are fascinated with. "The Magic Show" of course but also "Magic to Do" from Pippin and the song Prestidigitation. Care to comment on the attraction? Answer from Stephen Schwartz: As a kid, I always liked magic. It was theatrical, and it was an intellectual challenge to try to figure out how seemingly impossible things were accomplished. I think maybe subconsciously I was hoping there would turn out to be such a thing as "real" magic.