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SNP Play Guide R2
PLAY GUIDE 2015 2016 About ATC .................................................................................................................................................... 1 Introduction to the Play ............................................................................................................................... 2 Meet the Creators ........................................................................................................................................ 2 Meet the Characters .................................................................................................................................... 3 Songs and Sources ...................................................................................................................................... 4 A New Musical Genre ................................................................................................................................... 7 The History of Photography .......................................................................................................................... 8 The Science of Memory ............................................................................................................................... 10 Glossary ..................................................................................................................................................... 13 Discussion Questions and Activities ...........................................................................................................17 -
Scenic Design for the Musical Godspell
Scenic design for the musical Godspell Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in the Graduate School of The Ohio State University By Sarah Sugarbaker Graduate Program in Theatre The Ohio State University 2009 Master’s Examination Committee: Professor Dan Gray, M.F.A. Advisor Professor Mandy Fox, M.F.A. Professor Kristine Kearney, M.F.A. Copyright by Sarah Sugarbaker 2009 Abstract In April of 2009 the Ohio State University Theatre Department produced Godspell, a musical originally conceived by John‐Michael Tebelak with music by Stephen Schwartz. This production was built and technically rehearsed in the Thurber Theatre, and then moved to the Southern Theatre in downtown Columbus, OH. As the scenic designer of this production I developed an environment in which the actors and director created their presentation of the text. Briefly, the director’s concept (Appendix A) for this production was to find a way to make the production relevant to the local population. Godspell centers around the creation and support of a community, so by choosing to reference the City Center Mall, an empty shopping center in downtown Columbus, the need for making a change as a community was emphasized. This environment consisted of three large walls that resembled an obscured version of the Columbus skyline, inspired by advertisements within the shopping center. Each wall had enlarged newspapers that could be seen under a paint treatment of vibrant colors. The headlines on these papers referenced articles that the local paper has written about the situation at the shopping center, therefore making the connection more clear. -
Q&A About the MAGIC SHOW
The Magic Show The hit musical The Magic Show musical, with music and lyrics by Stephen Schwartz and book by Bob Randall, ran on Broadway from May 16, 1974 to Dec 31, 1978, a total of 1920 performances. It featured magic by Doug Henning and some of Stephen Schwartz’s most enduring songs, “Lion Tamer,” “West End Avenue,” and “Two’s Company.” An altered version was filmed for Canadian television in 1981 and is available on DVD. The following questions and answers are from the archive of the StephenSchwartz.com Forum. Copyright by Stephen Schwartz 2010 all rights reserved. No part of this content may be reproduced without prior written consent, including copying material for other websites. Feel free to link to this archive. Send questions to [email protected] Magic Show Song “West End Avenue” Context for West End Avenue Question: I have been asked to sing "West End Ave" at a fundraising concert and have been searching for a synopsis of the Magic show but don't see to be able to find one (I do get a link in google search but it's dead). I'm not sure what the deal is with the character singing it, does she hate NY in general? or just The West Side? Please any help any of you can offer would be most appreciated Thanks Rebecca (Australia) Answer from Forum visitor: Though I'm not officially on the Schwartz Team, I'll pretend I am for a moment and give you the plot line of the MAGIC SHOW as outlined in the now-out-of-print vocal selection book:"The entire evening takes place in a third rate night club in Passaic, New Jersey called The Top Hat, where a local magician, Feldman, and two singers, Donna and Dina, are hoping to make it to the big time. -
John-Michael Tebelak Stephen Schwartz a Playgoer's Guide
John-Michael Tebelak The Author John-Michael Tebelak (November 1, 1949–April 2, 1985) was a playwright Stephen Schwartz and director, most famous for creating Godspell . He graduated from Berea High School in Ohio in 1966. Tebelak originally produced Godspell at age 22 as his Master’s thesis project, under the tutelage of Lawrence Carra, at Carnegie Mellon University in December 1970. He had been studying Greek and Roman mythology, with the deadline for his thesis two weeks away, but became fascinated by the joy he found in the Gospels. He attended an Easter Vigil service in 1970 at Pittsburgh's St. Paul’s Cathedral, wearing his usual overalls and T-shirt. A police officer frisked him for drugs after the service. He wrote of this experience, "I left with the feeling that, rather than rolling the rock away from the Tomb, they were piling more on. I went home, took out my manuscript, and worked it to completion in a non-stop frenzy." Though he never completed his course work at the university, Carnegie Mellon nevertheless awarded him the degree. He was named Theatre Man of the Year by Elliott Norton of the Boston Record American , and Most Promising Director of 1971 by the New York Drama Desk. Among many other credits, he co-wrote with David Greene the 1973 film version of Godspell . He once said that he "walked into a theatre at the age of nine and stayed there.” He was also the dramaturge for the Cathedral of A Playgoer’s Guide Saint John the Divine in New York and staged liturgical drama there. -
Creative Team and Guest Artists
Creative Team and Guest Artists George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway AMY WEINSTEIN PRESIDENT, CEO AND FOUNDER OF STUDENTSLIVE A GLOBAL ARTS EDUCATION ORGANIZATION FOUNDER, ARTISTIC DIRECTOR OF PASSPORT TO BROADWAY INTERNATIONAL Personal note: My name is Amy Weinstein and I am the CEO and Founder of StudentsLive, A Global Broadway Education Company for the past 14 years and more recently Founder and Artistic Director of our Sister Company, Passport to Broadway Musical Theater Intensives. My entire career, up to this point, has been dedicated to serving and developing my passion for arts education. As early as High School, I was drawn to both leadership and the arts. Young as I was at the time, I knew that I wanted to share the magic and the power of theater with as many people as possible – and I watched it change the lives of the inner city kids whom I have directed in some of my first theater productions. I went on to try my hand at writing for film and theater, producing talent, teaching theater at conservatories across the country, and offering my services as a judge and a motivational speaker at various international arts events, while leading the education department of Tony Randall's National Actors Theater for over twenty classical productions over eight years. All with the purpose of sharing my passion for theater and for the arts. -
The Dinner Theatre of Columbia P R E S E N T S
The Dinner Theatre of Columbia P r e s e n t s August 27 - October 31, 2021 Next at TOBY’S November 5 - January 9, 2022 HOWARDHUGHES.COM DOWNTOWNCOLUMBIAMD.COM 15-COL-00013 Columbia Ad Resize - Downtown Columbia Brand Ad-4.5X3.75BW.indd 1 8/27/15 2:30 PM Good rates backed by Good Neighbor service That’s State Farm Insurance. 5805 Clarksville Square Drive Suite 5 • Box 315 Clarksville, Maryland 21029 WASH. 301-596-9100 BALT. 410-531-2057 EMAIL: [email protected] EMILY A. KENDALL Agent Like a good neighbor, State Farm is there. State Farm Insurance Companies • Home Offices: Bloomington, Illinois THE DINNER THEAtrE OF COLUMBIA Production of Godspell Conceived and Originally Directed by JOHN-MICHAEL TEBELAK Music and New Lyrics by STEPHEN SCHWARTZ Originally Produced on the New York Stage by EDGAR LANSBURY / STUART DUNCAN / JOSEPH BERUH Direction Mark Minnick & David James Choreography Music Direction Mark Minnick Ross Scott Rawlings Scenic & Lighting Design Sound Design David A. Hopkins John Pantazis Costume Design by Janine Sunday Godspell Is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com The videotaping or other video or audio recording of this production is strictly prohibited. Fog, haze, and strobe effects are used in this performance. Toby’s Dinner Theatre of Columbia 5900 Symphony Woods Road, Columbia, MD 21044 Box Office 410-730-8311 • 800-88TOBYS (800-888-6297) www.tobysdinnertheatre.com A Special Tribute Godspell was the first show on the Toby’s stage 41 years ago and we dedicate this revival production to the memory of James W. -
2GODSPELL Teaching Resource Copy.Pages
2018-2019 SEASON 2018-2019 SEASON Teacher Resource Guide and Lesson Plan Activities Featuring general information about our production along with some creative activities to Tickets: thalian.org help you make connections to your classroom curriculum before and after the show. 910-251-1788 The production and accompanying activities address North Carolina Essential Standards in Theatre or Arts, Goal A.1: Analyze literary texts & performances. CAC box office 910-341-7860 Look for this symbol for other curriculum connections. GODSPELL Conceived and Originally Directed by JOHN-MICHAEL TEBELAK MUSIC AND NEW LYRICS BY STEPHEN SCHWARTZ Originally Produced on the New York Stage by EDGAR LANSBURY / STUART DUNCAN / JOSEPH BERUH November 9-18 7:30 PM Friday - Saturday and 3:00 PM Sunday Hannah Block Historic USO / Community Arts Center Second Street Stage 120 South 2nd Street (Corner of Orange) About this Teaching Resource This Teaching Resource is designed to help build new partnerships that employ theatre and the arts. Prepare Ye, for spirited entertainment as Godspell spreads the word onstage at the Hannah Block Historic USO/Community Arts Center. This colorful, high energy production brings the Resource messages of the Bible about hope, understanding and love thy neighbor to life through parables, rap and comedic sketches. Summary: About the Musical & Its Relevance for Today Page 2 Based on the Gospel According to St. Matthew and drawing from various theatrical traditions, such as clowning, pantomime, charades, acrobatics and vaudeville, Godspell, is a Page to Stage, groundbreaking and unique reflection on the life of Jesus, with a message of kindness, tolerance Characters, and love. -
Stephen Schwartz
USC THORNTON SCHOOL OF MusIC VOCAL ARTS MASTER CLASS STEPHEN SCHWARTZ SPONSORED BY The Los Angeles Philanthropic Committe for the Arts February 13, 2015, 12:00 PM Alfred Newman Recital Hall University of Southern California music.usc.edu PROGRAM Meadowlark Stephen Schwartz from The Baker’s Wife b. 1948 Lesley Baird, mezzo soprano Jasper Jimenez - pianist New York Lights William Bolcom from A View from the Bridge b. 1938 Justin Su’esu’e, tenor Chelsey Padilla - pianist Inside Out Steven Lutvak from A Gentleman’s Guide to Love and Murder b. 1960 Abigail Shapiro, soprano Seonmi Lee - pianist The Spark Of Creation Stephen Schwartz from Children of Eden b. 1948 Claire Adams, soprano Anthony Lucca - pianist Not Every Day Of The Week John Kander from Flora the Red Menace b. 1927 Arielle Fishman, soprano Anthony Lucca - pianist The use of flash cameras, video cameras, and other recording devices is not permitted. Please turn off all cell phones. Due to safety considerations, members of the audience are not allowed backstage prior to or following performances. ABOUT THE ARTIst Stephen Schwartz COMPOSER Stephen Schwartz, the current president of the Dramatists Guild, wrote the music and lyrics for the current Broadway hits WICKED and PIPPIN, and has also contributed music and/or lyrics to GODSPELL, THE MAGIC SHOW, THE BAKER’S WIFE, WORKING (which he also adapted and directed), RAGS, and CHILDREN OF EDEN. He collaborated with Leonard Bernstein on the English texts for Bernstein’s MASS and wrote the title song for the play and movie BUTTERFLIES ARE FREE. For children, he has written songs for two musicals, CAPTAIN LOUIE and MY SON PINOCCHIO. -
Defying Gravity SAMPLE CHAPTER “Landing in Oz”
Defying Gravity SAMPLE CHAPTER “Landing in Oz” his chapter on the origins of Wicked as a musical is a sample from the TStephen Schwartz biography Defying Gravity: The Creative Career of Stephen Schwartz, from Godspell to Wicked, by Carol de Giere. To continue reading about the making of Wicked or enjoy behind-the-scenes stories from other Stephen Schwartz musicals, look for Defying Gravity in print or ebook form. See www.DefyingGravityTheBook.com for purchasing sources, reviews, newsletter, and author contact information. Copyright © 2008 Carol de Giere All rights reserved. JOAN MARCUS JOAN Glinda (Kristin Chenoweth) rides her bubble in Wicked. 270 Defying Gravity Wizard of Oz W.W. Denslow Wicked — Landing In Oz 271 Chapter 16 Landing in Oz Elphaba It’s time to trust my instincts Close my eyes and leap! At the start of 1996, Stephen Schwartz never imagined he would end the year envisioning his next Broadway musical, Wicked. Movie songwriting seemed to be his ideal calling, espe- cially after one eventful evening in March. He donned his black tuxedo and white dress shirt, strode across the red carpet, and met up with his Pocahontas writing partner Alan Menken at Los Angeles’ Dorothy Chandler Pavilion. For forty-eight- year- old Schwartz, being nominated for an Academy Award was a wel- come twist on his childhood dream of writing musicals for the stage. With his kids at home watching the ceremony on televi- sion, and his parents and wife in the audience, he waited for the announcement. S E NC “And the Oscar for Best Original Musical or Comedy Score IE SC D goes to…” An expectant silence settled in the hall while present- AN S T AR er Quincy Jones opened the envelope. -
Stephen Schwartz Comments About His Life
Stephen Schwartz Comments about His Life This PDF includes SECTION 1 – Early life SECTION 2 - Schedule SECTION 3 – Hobbies, Likes, and dislikes SECTION 4 – On Being a Musician SECTION 5 – Family SECTION 6 – Bio and Miscellaneous The following questions and answers are from the archive of the StephenSchwartz.com Forum. Copyright by Stephen Schwartz 2010 all rights reserved. No part of this content may be reproduced without prior written consent, including copying material for other websites. Feel free to link to this archive. Send questions to [email protected] Section 1 – Early life Childhood Question: Did you make up songs all the time as a kid? Answer from Stephen Schwartz: The first song I can remember writing was for a puppet show my sister and Iput on when I was about seven years old. It was called "Little Lullaby", and if I remember correctly, the show was entitled HI, DOG. I think the plot concerned a dog that ran away from home. I actually still remember the tune of "Little Lullaby", but I have been wise enough not to use it in later projects. Fascination with Magic Question: Magic seems to be a subject you are fascinated with. "The Magic Show" of course but also "Magic to Do" from Pippin and the song Prestidigitation. Care to comment on the attraction? Answer from Stephen Schwartz: As a kid, I always liked magic. It was theatrical, and it was an intellectual challenge to try to figure out how seemingly impossible things were accomplished. I think maybe subconsciously I was hoping there would turn out to be such a thing as "real" magic. -
Programs and Postcards Chairperson
PIPPIN Book by Music and Lyrics by ROGER O. HIRSON STEPHEN SCHWARTZ Originally produced on the Broadway stage by Stuart Ostrow Originally directed on the Broadway stage by Bob Fosse 2013 Broadway revival directed by Diane Paulus Theo Ending Originally Conceived In 1998 by Mitch Sebastian Director and Choreographer Alison Boole Musical Director Catherine Rahm Producers Jeremy Palmer and Lyndsay Palmer Set Designer Shawn K. Summerer Lighting Designer Robert Davis Costume Designers Jon Sparks and Elizabeth Summerer PIPPIN is presented through special arrangement with Music Theatre International (MTI) All authorized performance materials are also supplied by MTI, 421 West 54th Street, New York, NY 10019 Phone: 212-541-4684 Fax:212-397-4684 www.MTIShows.com The videotaping or other video or audio recording of this production is strictly prohibited. Cast Leading Player .................................... Samantha Barrios Pippin ................................................................ Kyle Ray Charlemagne .................................................. Jon Sparks Lewis .......................................................... Sam Gianfala Fastrada .................................................. Lyndsay Palmer Berthe ..................................................... Joanna Churgin Catherine ............................................... Megan Duquette Theo ............................................. Shawn Elliott Plunkett Ensemble ................................................... Courtney Chu ............................................................... -
OPERA NEWS - Composer's Medium
OPERA NEWS - Composer's Medium http://www.operanews.com/Opera_News_Magazine/2011/4/Fea... Features April 2011 — Vol. 75, No. 10 (http://www.operanews.org/Opera_News_Magazine/2011/4 /April_2011.html) Composer's Medium BARRY SINGER talks to Broadway hit-maker Stephen Schwartz, whose opera, Séance on a Wet Afternoon, arrives at New York City Opera this month. Lauren Flanigan as the medium Myra Foster in Séance on a Wet Afternoon at Opera Santa Barbara in 2009 1 of 6 1/9/12 5:29 PM OPERA NEWS - Composer's Medium http://www.operanews.com/Opera_News_Magazine/2011/4/Fea... © David Bazemore for Opera Santa Barbara 2011 Séance on a Wet Afternoon, which opens on April 19 at New York City Opera, is being billed as Stephen Schwartz's first opera, but the composer knows better. "My senior year at Carnegie Mellon, I wrote a very bad one-act opera that I called Voltaire and the Witches," he recalls, "all about the conflict between the Apollonian and the Dionysian — very collegiate. But somewhere in the back of my mind I know I thought that I would one day try to write a good opera, a real opera. Then, of course, other career things intervened." The trajectory of Schwartz's career is by now a part of Broadway history. Invited in 1971 to add new music and lyrics to what had been a fellow Carnegie Mellon alum's master's thesis project, a musical called Godspell, that was moving to a theater Off-Broadway, Schwartz produced songs that turned Godspell into a massive cult-hit.