2011–2012 Season Directory Marquee Empower Our Mission Is to Promote the Power of Professional Theater for Young Audiences

Total Page:16

File Type:pdf, Size:1020Kb

2011–2012 Season Directory Marquee Empower Our Mission Is to Promote the Power of Professional Theater for Young Audiences photo courtesy of Honolulu Theatre for Youth 2011–2012 season directory MARQUEE EMPOWER Our mission is to promote the power of professional theater for young audiences. (left) photo courtesy of Chicago Playworks (right) photo courtesy of Adventure Theatre INSPIRE We are dedicated to artistic, humanitarian and educational efforts. photo courtesy of CoterieTheatre CONNECT We strive for excellence, collaboration and innovation across cultural and international boundaries. (top left) photo courtesy of The Fulton Theatre (bottom left) photo courtesy of Oregon Children’s Theatre (right) photo courtesy of The Kennedy Center ORGANIZATIONAL LISTINGS 24thstreet theatre ...................................................................... 1 george street playhouse ...............................................................31 the north carolina theatre for young people ................................. 61 adventure stage chicago ...............................................................2 gifford family theatre ..................................................................32 northwest children’s theater & school ..........................................62 adventure theatre ........................................................................3 goodwill theatre inc ....................................................................33 oklahoma children’s theatre .........................................................63 the alliance theatre .....................................................................4 great tiver educational arts theatre (great) ..................................34 omaha theater company ................................................................64 american alliance fortheatre and education .................................. 5 the growing stage ........................................................................35 open eye theatre ..........................................................................65 arden theatre company .................................................................6 hacc theatre for young people ...................................................... 36 ordway center for the performing arts .......................................... 66 bardavon 1869 opera house ............................................................ 7 harwich junior theatre .................................................................37 oregon children’s theatre ............................................................67 bay area children’s Theatre ........................................................... 8 imagination stage .........................................................................39 orlando repertory theatre ...........................................................68 birmingham children’s theatre .......................................................9 indiana repertory theatre .............................................................40 palo alto children’s theatre..........................................................69 center theatre Group ...................................................................10 interact story theatre ..................................................................41 pennsylvania youth theatre ...........................................................70 chicago playworks .......................................................................11 itheatrics ....................................................................................42 people’s light and theatre company ............................................... 71 children’s theatre of charlotte .................................................... 12 jefferson performing arts society ................................................ 43 play conservatory ........................................................................72 the children’s theatre of cincinnati ............................................... 13 jmu children’s playshop ................................................................44 playmakers of baton rouge ........................................................... 73 the children’s theatre company ..................................................... 14 kaiser permanente educational theatre programs - mid-atlantic ....... 45 plays for young audiences ............................................................ 74 the children’s theatre workshop, inc ............................................. 15 kaiser permanente educational theatre programs - northwest ......... 46 pumpkin theatre ...........................................................................75 childsplay ...................................................................................16 kaiser permanente educational theatre programs - ohio .................. 47 riverside children’s theatre ..........................................................76 cincinnati playhouse in the park .................................................... 17 kaiser permanente educational theatre programs - california .......... 48 seattle children’s theatre .............................................................77 citi performing arts center ........................................................... 18 kids’ entertainment .......................................................................49 south carolina children’s theatre ................................................. 78 coterie theatre ............................................................................19 kennedy center theater for young audiences .................................. 50 south coast repertory .................................................................79 dallas children’s theater ............................................................. 20 lexington ...................................................................................51 stages theatre company ................................................................80 cenver center theatre academy ..................................................... 21 children’s theatre ........................................................................51 steppingstone theatre for youth development ................................ 81 eastern michigan university ..........................................................22 li’l buds theatre company .............................................................. 52 tada! youth theater ......................................................................82 eckerd theater company ...............................................................23 the magik theatre .........................................................................53 university of northern colorado .................................................. 83 emerald city theatre ....................................................................24 main street theater ......................................................................54 the university of texas at austin - department of theatre & dance .....84 family opera initiative ...................................................................25 mainstreet theatre company ..........................................................55 vital theatre company ..................................................................85 faustwork mask theatre ................................................................26 making books sing ........................................................................56 walnut street theatre ..................................................................86 first stage ...................................................................................27 metro theater company .................................................................57 young company ............................................................................87 flint youth theatre ......................................................................28 music theatre international ..........................................................58 youth performance company .........................................................88 florida stage ...............................................................................29 nashville children’s theatre ..........................................................59 youth stages, llc ..........................................................................89 fulton theatre .............................................................................30 the new victory theater ................................................................ 60 THIS SECTION CONTAINS ORGANIZATIONAL MEMBERS WHO SUBMITTED a 2011–2012 seasON SURVEY. Produce a Little MagiK. THE MAGIK THEATRE HAS PRODUCED 12 PRODUCTIONS A YEAR FOR 16 YEARS, HALF OF WHICH ARE ORIGINAL OR ORIGINAL ADAPTATIONS! Originally performed on The Magik Theatre stage, these scripts of San Antonio’s Premier Professional Theatre various topics and characters have been enjoyed by children and families from all over Texas and across the country. SCRIPTS AVAILABLE FOR PRODUCTION INCLUDE: • ALICE AND WONDERLAND, A ROCK OPERA – by Richard Rosen and Wink Kelso. Winner of Best Musical Production in Portland for 2011! • THE KID WHO RAN FOR PRESIDENT – Adapted by Richard Rosen from the book by Dan Gutman. A perfect election year play about a 12-year old boy who decides to run for President and wins. • WHO LET THE GHOSTS OUT? – Adapted by Richard Rosen from the Mostly Ghostly series by R.L. Stine, author of the Goosebumps series. • ROXABOXEN – Adapted by Richard Rosen from the book by Alice McLerran.
Recommended publications
  • SNP Play Guide R2
    PLAY GUIDE 2015 2016 About ATC .................................................................................................................................................... 1 Introduction to the Play ............................................................................................................................... 2 Meet the Creators ........................................................................................................................................ 2 Meet the Characters .................................................................................................................................... 3 Songs and Sources ...................................................................................................................................... 4 A New Musical Genre ................................................................................................................................... 7 The History of Photography .......................................................................................................................... 8 The Science of Memory ............................................................................................................................... 10 Glossary ..................................................................................................................................................... 13 Discussion Questions and Activities ...........................................................................................................17
    [Show full text]
  • Press Kit 2018-2019 Season
    PRESS KIT 2018-2019 SEASON Shelby Colona and Chris Bloom in CARMEN.maquia | Photo by Marius Fiskum/ Northern Lights Festival MISSION & HISTORY Ballet Hispánico, America’s leading Latino dance organization, has been bringing individuals and communities together to celebrate and explore Latino cultures through dance for nearly 50 years. Whether dancing on stage, in school, or in the street, Ballet Hispánico creates a space where few institutions are breaking ground. The organization’s founder, National Medal of Arts recipient Tina Ramirez, sought to give voice to the Hispanic experience and break through stereotypes. Today, Ballet Hispánico is led by Eduardo Vilaro, an acclaimed choreographer and former member of the Company, whose vision of social equity, cultural identity, and quality arts education for all drives its programs. Ballet Hispánico, a role model in and for the Latino community, is inspiring creativity and social awareness in our neighborhoods and across the country by providing access to arts education. CARMEN.maquia | Photo by Marius Fiskum/ Northern Lights Festival 2 ABOUT EDUARDO VILARO Artistic Director & CEO EDUARDO VILARO joined Ballet Hispánico as Artistic Director in August 2009, becoming only the second person to Photo by Paula Lobo Paula Photo by head the company since it was founded in 1970. In 2015, Mr. Vilaro took on the additional role of Chief Executive Officer of Ballet Hispánico. He has been part of the Ballet Hispánico family since 1985 as a dancer and educator, after which he began a ten-year record of achievement as founder and Artistic Director of Luna Negra Dance Theater in Chicago. Mr.
    [Show full text]
  • Diversity in the Arts
    Diversity In The Arts: The Past, Present, and Future of African American and Latino Museums, Dance Companies, and Theater Companies A Study by the DeVos Institute of Arts Management at the University of Maryland September 2015 Authors’ Note Introduction The DeVos Institute of Arts Management at the In 1999, Crossroads Theatre Company won the Tony Award University of Maryland has worked since its founding at the for Outstanding Regional Theatre in the United States, the John F. Kennedy Center for the Performing Arts in 2001 to first African American organization to earn this distinction. address one aspect of America’s racial divide: the disparity The acclaimed theater, based in New Brunswick, New between arts organizations of color and mainstream arts Jersey, had established a strong national artistic reputation organizations. (Please see Appendix A for a list of African and stood as a central component of the city’s cultural American and Latino organizations with which the Institute revitalization. has collaborated.) Through this work, the DeVos Institute staff has developed a deep and abiding respect for the artistry, That same year, however, financial difficulties forced the passion, and dedication of the artists of color who have theater to cancel several performances because it could not created their own organizations. Our hope is that this project pay for sets, costumes, or actors.1 By the following year, the will initiate action to ensure that the diverse and glorious quilt theater had amassed $2 million in debt, and its major funders that is the American arts ecology will be maintained for future speculated in the press about the organization’s viability.2 generations.
    [Show full text]
  • Glorious Chicago Dancing Festival Wraps up Successful Week Saturday
    DANCE REVIEW The Chicago Dancing Festival **** Glorious Chicago Dancing Festival wraps up successful week Saturday Sid Smith Special to the Tribune August 22, 2009 This year's installment of the Chicago Dancing Festival concludes Saturday with what promises to be a jubilant bang. Works on tap for the free performance at Jay Pritzker Pavilion include a rare Chicago visit by the Houston Ballet (in a classic by William Forsythe), the breathless pas de deux from "Le Corsaire" by dancers with American Ballet Theatre, and the Chicago debut of an all-male spoof troupe called Les Ballets Grandiva in the irresistibly titled "Star Spangled Ballerina." Still, Saturday's menu will be hard-pressed to top the splendor and depth of Thursday's program at the Harris Theater. Though consisting of only six works, the roster offered a remarkable tour of major choreographers of the past 50 years, leading right up to our own time: Jerome Robbins, Jose Limón, Forsythe, Nacho Duato, Christopher Wheeldon and Lar Lubovitch. Sure, there was no George Balanchine, Martha Graham, Paul Taylor or Twyla Tharp. But the engaging lineup -- featuring a wealth of dancers from companies all over the U.S. -- played as a performance seminar on modern choreography. Better yet, it offered up performances so wondrous that it was as much a dancer festival as a choreographic one. At the top was an all-too-rare look at the New York City Ballet great Wendy Whelan in Wheeldon's "After the Rain," a duet he created for her. Quirky, sinewy, enigmatically compelling, Whelan, now in her 40s, glories here in a strange, offbeat piece that telegraphs her sharp, Cubist talents, her odd but seductive presence and her gutsy redefinition of what is meant by ballet beauty.
    [Show full text]
  • Downloaded by Michael Mitnick and Grace, Or the Art of Climbing by Lauren Feldman
    The Dream Continues: American New Play Development in the Twenty-First Century by Gregory Stuart Thorson B.A., University of Oregon, 2001 M.A., University of Colorado, 2008 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre This thesis entitled: The Dream Continues: American New Play Development in the Twenty-First Century written by Gregory Stuart Thorson has been approved by the Department of Theatre and Dance _____________________________________ Dr. Oliver Gerland ____________________________________ Dr. James Symons Date ____________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. IRB protocol # 12-0485 iii Abstract Thorson, Gregory Stuart (Ph.D. Department of Theatre) The Dream Continues: American New Play Development in the Twenty-First Century Thesis directed by Associate Professor Oliver Gerland New play development is an important component of contemporary American theatre. In this dissertation, I examined current models of new play development in the United States. Looking at Lincoln Center Theater and Signature Theatre, I considered major non-profit theatres that seek to create life-long connections to legendary playwrights. I studied new play development at a major regional theatre, Denver Center Theatre Company, and showed how the use of commissions contribute to its new play development program, the Colorado New Play Summit. I also examined a new model of play development that has arisen in recent years—the use of small black box theatres housed in large non-profit theatre institutions.
    [Show full text]
  • A STAND Talking with Queer Activist PAGE 6
    Alice Cozad and Linda Young. Photos courtesy of the couple VOL 35, NO. 23 AUG. 5, 2020 PAGE 10 www.WindyCityMediaGroup.com KEN ILIO Gay-marriage pioneer dies at 63. Photo of Ilio, left, and husband Ron Dorfman by Hal Baim ETERNAL 5 MODEL CITIZEN Jay Manuel releases new book. FLAME Photo by Troy Word Lesbian couple together for 50 years 13 YVONNE ZIPTER TAKING Chicagoan on upcoming poetry collection. Book cover A STAND Talking with queer activist PAGE 6 Asha Ransby-Sporn Asha Ransby-Sporn. 16 Photo by Texas Isaiah @windycitytimes /windycitymediagroup @windycitytimes www.windycitymediagroup.com 2 Aug. 5, 2020 WINDY CITY TIMES PAGE 6 Chicago Pride Parade 2019. Photo by Kat Fitzgerald (www.MysticImagesPhotography.com) "Kickoff," The Chicago Gay Pride Parade 1976. Diane Alexander White Photography TWO SIDES OF PAGE 20 YESTERDAY APRIL 29, 2020 VOL 35, NO. 20 Looking back at Pride memories of the past (above) WINDYJUNE 24, 2020 and this month’s Drag March for Change (below) PRIDEChicagoBuffalo Pridedrives Grove postponed; on Pride VOL 35, NO. 16 CITY www.WindyCityMediaGroup.com AND TODAY EDDIE TIMES HUNSPERGER PAGE 17 Activist and partner of Rick Garcia dies. Photo of Hunsperger (right) and Garcia courtesy of Garcia 4 Buffalo Grove Pride 2019. SEEING Tim Carroll Photography THE LIGHT Lighthouse Foundation prepares programming. Photo of Rev. Jamie Frazier by Marcel Brunious 8 PAGE 4 www.windycitymediagroup.com From the Drag March for Change. Photo by Vernon Hester @windycitytimes /windycitymediagroup @windycitytimes www.windycitymediagroup.com @windycitytimes FUN AND GUNN Tim Gunn on his new show, /windycitymediagroup 'Making the Cut'. Photo by Scott McDermott 13 @windycitytimes SUPPORT Photo by Tim Peacock VOL 35, NO.
    [Show full text]
  • SMART Growth Evaluation Report
    SMART Growth Evaluation Report May 2010 Lisa Tylke, Evaluator Rob Paral, Associate SMART Growth Participating Grantees 2006-2009 African American Arts Alliance of Chicago Jump Rhythm Jazz Project Albany Park Theater Project Lifeline Theatre American Theater Company Links Hall Anchor Graphics Luna Negra Dance Theater Barrel of Monkeys Muntu Dance Theatre Changing Worlds Natya Dance Theatre Chicago Chamber Musicians Neighborhood Writing Alliance Chicago Dramatists Neo-Futurists Chicago Human Rhythm Project Next Theatre Chicago Jazz Ensemble Puerto Rican Arts Alliance Chicago Jazz Orchestra Remy Bumppo Theatre Company Chicago Public Art Group Rush Hour Concerts at St. James Cathedral Congo Square Theatre Shanti Foundation for Peace Emerald City Theatre Company ShawChicago Theatre Company House Theatre Silk Road Theatre Project Hypocrites Theatre South Chicago Art Center Independent Feature Project Teatro Vista Intuit: The Center for Intuitive and Outsider Art TimeLine Theatre Company Jazz Institute of Chicago TUTA: The Utopian Theatre Asylum Joel Hall Dancers and Center Young Chicago Authors SMART Growth Evaluation Report Table of Contents Executive Summary SMART Growth/Evaluation Process Overview ........................................................................... 1 Summary Findings ....................................................................................................................... 2 Summary Recommendations ...................................................................................................... 5
    [Show full text]
  • To Lead and Inspire Philanthropic Efforts That Measurably Improve the Quality of Life and the Prosperity of Our Region
    2008 ANNUAL REPORT To lead and inspire philanthropic efforts that measurably improve the quality of life and the prosperity of our region. OUR VALUES Five values define our promise to the individuals and communities we serve: INTEGRITY Our responsibility, first and foremost, is to uphold the public trust placed in us and to ensure that we emulate the highest ethical standards, honor our commitments, remain objective and transparent and respect all of our stakeholders. STEWARDSHIP & SERVICE We endeavor to provide the highest level of service and due diligence to our donors and grant recipients and to safeguard donor intent in perpetuity. DIVERSITY & INCLUSION Our strength is found in our differences and we strive to integrate diversity in all that we do. COLLABORATION We value the transformative power of partnerships based on mutual interests, trust and respect and we work in concert with those who are similarly dedicated to improving our community. INNOVATION We seek and stimulate new approaches to address what matters most to the people and we serve, as well as support, others who do likewise in our shared commitment to improve metropolitan Chicago. OUR VISION The Chicago Community Trust is committed to: • Maximizing our community and donor impact through strategic grant making and bold leadership; • Accelerating our asset growth by attracting new donors and creating a closer relationship with existing donors; • Delivering operational excellence to our donors, grant recipients and staff members. In 2008, The Chicago Community Trust addressed the foreclosure crisis by spearheading an action plan with over 100 experts from 70 nonprofit, private and public organizations.
    [Show full text]
  • February 2014
    Technical Crew Assistant Stage Managers……... Janna Henry, Christopher Pattenden Audio Crew………………………. Andre Stankovic Carpentry Crew………………….. Mathew Armstrong, Taylor Armstrong, Jolina Calayag, Tasha Ferguson, David Imiolo, Kailey Kacaba, Artemi Nitski, Mitchell Paisley, Phillip Reist Head Electrician…………………. Sterling Barry Lighting Crew……………………. Brad Dunn, Lexus Ferrer, Corey Mohamed, Jenna Robinson, Jesse Stephens, Nicholas Wadel-Turcotte Properties Crew…………………. Megan Cummings, Kristen Domonkos, Rebecca Jennings, Keynan McFedries, Haley Minialoff, Jennifer Newnham, Janine Oblak, Rachel Pugsley, Katherine Stone, Abby Wilson- Campbell, Julia Wylie Scenic Paint Crew……………….. Sara Allison, Kelly Boudreau, April Fresh- McEwan, Drew Lindeman, Stefanie Lorette, Kristen McCormick, Jennifer Miller, Keith Roberts, Emilie Shanks, Victoria Vandenbelt, Jessica Wu Wardrobe Crew………………….. Emily Dyck, Darcie Kaster, Leland Lamb, Megan Lavis, Jessica MacDuff, Kyrie Meyer, Charly Ortega, Laura Payne, Annabel Schulte, Kenzie Ten Eyck, Naomi Timmer, Tanya Ullyatt Production Assistants…………… Kaitlyn MacKinnon, Robert Spithoff Assistant Technical Director……. Ryan Leeming Running Crew Crew Chief/Sound Operator……. .Dylan Kotyk Lighting Board Operator………... Jenna Robinson Conceived & Originally Directed Wardrobe Dresser………………. Megan Lavis John-Michael Tebelak Music & New Lyrics Stephen Schwartz February 2014 John Michael Tebelak originally wrote GODSPELL as his Masters Thesis project at Director’s Notes Carnegie-Mellon in 1971. Subsequently, he directed productions of Godspell at La MaMa Theatre, the Cherry Lane Theatre, the Promenade Theatre, and on Broadway. He received the 1971 Drama Desk award for Most Promising Director. In 1972, Mr. Godspell is about the coming together of a community. Many fractured Tebelak directed the play, Elizabeth I on Broadway, and off-Broadway staged The individuals with different backgrounds and viewpoints congregate to learn Glorious One in 1975 and Ka-Boom in 1980.
    [Show full text]
  • Creative Team and Guest Artists
    Creative Team and Guest Artists George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway AMY WEINSTEIN PRESIDENT, CEO AND FOUNDER OF STUDENTSLIVE A GLOBAL ARTS EDUCATION ORGANIZATION FOUNDER, ARTISTIC DIRECTOR OF PASSPORT TO BROADWAY INTERNATIONAL Personal note: My name is Amy Weinstein and I am the CEO and Founder of StudentsLive, A Global Broadway Education Company for the past 14 years and more recently Founder and Artistic Director of our Sister Company, Passport to Broadway Musical Theater Intensives. My entire career, up to this point, has been dedicated to serving and developing my passion for arts education. As early as High School, I was drawn to both leadership and the arts. Young as I was at the time, I knew that I wanted to share the magic and the power of theater with as many people as possible – and I watched it change the lives of the inner city kids whom I have directed in some of my first theater productions. I went on to try my hand at writing for film and theater, producing talent, teaching theater at conservatories across the country, and offering my services as a judge and a motivational speaker at various international arts events, while leading the education department of Tony Randall's National Actors Theater for over twenty classical productions over eight years. All with the purpose of sharing my passion for theater and for the arts.
    [Show full text]
  • The Dinner Theatre of Columbia P R E S E N T S
    The Dinner Theatre of Columbia P r e s e n t s August 27 - October 31, 2021 Next at TOBY’S November 5 - January 9, 2022 HOWARDHUGHES.COM DOWNTOWNCOLUMBIAMD.COM 15-COL-00013 Columbia Ad Resize - Downtown Columbia Brand Ad-4.5X3.75BW.indd 1 8/27/15 2:30 PM Good rates backed by Good Neighbor service That’s State Farm Insurance. 5805 Clarksville Square Drive Suite 5 • Box 315 Clarksville, Maryland 21029 WASH. 301-596-9100 BALT. 410-531-2057 EMAIL: [email protected] EMILY A. KENDALL Agent Like a good neighbor, State Farm is there. State Farm Insurance Companies • Home Offices: Bloomington, Illinois THE DINNER THEAtrE OF COLUMBIA Production of Godspell Conceived and Originally Directed by JOHN-MICHAEL TEBELAK Music and New Lyrics by STEPHEN SCHWARTZ Originally Produced on the New York Stage by EDGAR LANSBURY / STUART DUNCAN / JOSEPH BERUH Direction Mark Minnick & David James Choreography Music Direction Mark Minnick Ross Scott Rawlings Scenic & Lighting Design Sound Design David A. Hopkins John Pantazis Costume Design by Janine Sunday Godspell Is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com The videotaping or other video or audio recording of this production is strictly prohibited. Fog, haze, and strobe effects are used in this performance. Toby’s Dinner Theatre of Columbia 5900 Symphony Woods Road, Columbia, MD 21044 Box Office 410-730-8311 • 800-88TOBYS (800-888-6297) www.tobysdinnertheatre.com A Special Tribute Godspell was the first show on the Toby’s stage 41 years ago and we dedicate this revival production to the memory of James W.
    [Show full text]
  • 2GODSPELL Teaching Resource Copy.Pages
    2018-2019 SEASON 2018-2019 SEASON Teacher Resource Guide and Lesson Plan Activities Featuring general information about our production along with some creative activities to Tickets: thalian.org help you make connections to your classroom curriculum before and after the show. 910-251-1788 The production and accompanying activities address North Carolina Essential Standards in Theatre or Arts, Goal A.1: Analyze literary texts & performances. CAC box office 910-341-7860 Look for this symbol for other curriculum connections. GODSPELL Conceived and Originally Directed by JOHN-MICHAEL TEBELAK MUSIC AND NEW LYRICS BY STEPHEN SCHWARTZ Originally Produced on the New York Stage by EDGAR LANSBURY / STUART DUNCAN / JOSEPH BERUH November 9-18 7:30 PM Friday - Saturday and 3:00 PM Sunday Hannah Block Historic USO / Community Arts Center Second Street Stage 120 South 2nd Street (Corner of Orange) About this Teaching Resource This Teaching Resource is designed to help build new partnerships that employ theatre and the arts. Prepare Ye, for spirited entertainment as Godspell spreads the word onstage at the Hannah Block Historic USO/Community Arts Center. This colorful, high energy production brings the Resource messages of the Bible about hope, understanding and love thy neighbor to life through parables, rap and comedic sketches. Summary: About the Musical & Its Relevance for Today Page 2 Based on the Gospel According to St. Matthew and drawing from various theatrical traditions, such as clowning, pantomime, charades, acrobatics and vaudeville, Godspell, is a Page to Stage, groundbreaking and unique reflection on the life of Jesus, with a message of kindness, tolerance Characters, and love.
    [Show full text]