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Chicago Gay and Lesbian Hall of Fame 2001
CHICAGO GAY AND LESBIAN HALL OF FAME 2001 City of Chicago Commission on Human Relations Richard M. Daley Clarence N. Wood Mayor Chair/Commissioner Advisory Council on Gay and Lesbian Issues William W. Greaves Laura A. Rissover Director/Community Liaison Chairperson Ó 2001 Hall of Fame Committee. All rights reserved. COPIES OF THIS PUBLICATION ARE AVAILABLE UPON REQUEST City of Chicago Commission on Human Relations Advisory Council on Gay and Lesbian Issues 740 North Sedgwick Street, 3rd Floor Chicago, Illinois 60610 312.744.7911 (VOICE) 312.744.1088 (CTT/TDD) Www.GLHallofFame.org 1 2 3 CHICAGO GAY AND LESBIAN HALL OF FAME The Chicago Gay and Lesbian Hall of Fame is both a historic event and an exhibit. Through the Hall of Fame, residents of Chicago and our country are made aware of the contributions of Chicago's lesbian, gay, bisexual, and transgendered (LGBT) communities and the communities’ efforts to eradicate homophobic bias and discrimination. With the support of the City of Chicago Commission on Human Relations, the Advisory Council on Gay and Lesbian Issues established the Chicago Gay and Lesbian Hall of Fame in June 1991. The inaugural induction ceremony took place during Pride Week at City Hall, hosted by Mayor Richard M. Daley. This was the first event of its kind in the country. The Hall of Fame recognizes the volunteer and professional achievements of people of the LGBT communities, their organizations, and their friends, as well as their contributions to their communities and to the city of Chicago. This is a unique tribute to dedicated individuals and organizations whose services have improved the quality of life for all of Chicago's citizens. -
To Gay Marriage by LISA KEEN Stars Page 22 KEEN NEWS SERVICE
THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 April 8, 2009 • vol 24 no 28 www.WindyCityMediaGroup.com Iowa says ‘I Do’ Chicago Red to gay marriage BY LISA KEEN Stars page 22 KEEN NEWS SERVICE In an enormous victory for equal marriage rights for gay couples, the Iowa Supreme Court ruled unanimously April 3 that gay couples should have the right to marriage licenses the same as heterosexual couples. The decision represents the first time a state supreme court has ruled unanimously in favor of equal marriage rights for gay couples, and it is the first time a state in America’s “heartland” has done so. The decision, which goes into ef- fect in 21 days, will make Iowa the third state to TrueChild be currently offering marriage licenses to same- sex couples. Cook-Off page 7 “We are firmly convinced the exclusion of gay and lesbian people from the institution of civil marriage does not substantially further any im- portant government objective,” wrote Justice Mark Cady, for the seven-member court. “The legislature has [with its 1998 law banning mar- riage] excluded a historically disfavored class of persons from a supremely important civil insti- tution without a constitutionally sufficient jus- tification.” The court said the law violated the state con- stitution’s guarantee of equal protection of the South by law and that the court’s own constitutional duty “requires” it to strike the law down. Southwest page 16 Noting that other supreme courts have al- lowed legislatures to provide “equal benefits” of Ingrid Olson (left) and Reva Evans of Council Bluffs, Iowa, talk with news reporters April 3 after marriage through civil unions, the Iowa court that state’s supreme court ruled unanimously in favor of same-sex marriage. -
Press Kit 2018-2019 Season
PRESS KIT 2018-2019 SEASON Shelby Colona and Chris Bloom in CARMEN.maquia | Photo by Marius Fiskum/ Northern Lights Festival MISSION & HISTORY Ballet Hispánico, America’s leading Latino dance organization, has been bringing individuals and communities together to celebrate and explore Latino cultures through dance for nearly 50 years. Whether dancing on stage, in school, or in the street, Ballet Hispánico creates a space where few institutions are breaking ground. The organization’s founder, National Medal of Arts recipient Tina Ramirez, sought to give voice to the Hispanic experience and break through stereotypes. Today, Ballet Hispánico is led by Eduardo Vilaro, an acclaimed choreographer and former member of the Company, whose vision of social equity, cultural identity, and quality arts education for all drives its programs. Ballet Hispánico, a role model in and for the Latino community, is inspiring creativity and social awareness in our neighborhoods and across the country by providing access to arts education. CARMEN.maquia | Photo by Marius Fiskum/ Northern Lights Festival 2 ABOUT EDUARDO VILARO Artistic Director & CEO EDUARDO VILARO joined Ballet Hispánico as Artistic Director in August 2009, becoming only the second person to Photo by Paula Lobo Paula Photo by head the company since it was founded in 1970. In 2015, Mr. Vilaro took on the additional role of Chief Executive Officer of Ballet Hispánico. He has been part of the Ballet Hispánico family since 1985 as a dancer and educator, after which he began a ten-year record of achievement as founder and Artistic Director of Luna Negra Dance Theater in Chicago. Mr. -
Human First Our Annual Gala Celebrates This Year’S Honorees in a Must-Be-There Decked-Out Extravagala! P
CENTER ON N. HALSTED CENTER ON N. HALSTED CENTER ON N. HALSTED OUR COMMUNITY NEWSZINE WINTER 2014 VOL. 2 VERNITA INIMITABLE! P. 06 COLLABORATION IN CARE CENTER ON HALSTED PROUDLY PARTNERS WITH NORTHWESTERN UNIVERSITY TO TACKLE LGBTQ WELLNESS P. 04 HUMAN FIRST OUR ANNUAL GALA CELEBRATES THIS YEAR’S HONOREES IN A MUST-BE-THERE DECKED-OUT EXTRAVAGALA! P. 11 SENIORS OUT IN FRONT TWO OF OUR SENIORS OUT ON THE FRONT LINES OF LGBTQ ACTIVISM P. 10 ONWARD ON TECHNOLOGY Modesto Tico Valle Publisher and Editor in Chief Chief Executive Officer Center on Halsted [email protected] Peter Johnson Editor Director of Public Relations Center on Halsted What it takes to build a ville [email protected] IT IS OFTEN SAID THAT IT TAKES A VILLAGE TO RAISE A CHILD. THE SAME COULD BE SAID ABOUT CENTER Richard Cassis Creative/Art Director ON HALSTED. WE ARE ULTIMATELY A PARTNERSHIP, A COLLABORATION, A STRUCTURE THAT ONLY STANDS Principal, sparc, inc. BECAUSE OF ITS SUPPORTS. sparcinc.com At Center on Halsted, our family is you: patrons, staff, volunteers, board members, and supporters. Just as every village Mary Ann Rood Writer rests on the shoulders of its residents, Center on Halsted relies on you to fulfill our mission and live our vision: Principal, M.A. Rood Company 773.628.7450 23 Board members offer their leadership and guidance to steer the organization. 400 annual volunteers give their time to support Center on Halsted’s offerings that are as diverse as our community itself. Center on Halsted 70 Staff are committed to furthering the LGBTQ community through service and programming. -
2016 Program Book
2016 INDUCTION CEREMONY Friends of the Chicago LGBT Hall of Fame Gary G. Chichester Mary F. Morten Co-Chairperson Co-Chairperson Israel Wright Executive Director In Partnership with the CITY OF CHICAGO • COMMISSION ON HUMAN RELATIONS Rahm Emanuel Mona Noriega Mayor Chairman and Commissioner COPIES OF THIS PUBLICATION ARE AVAILABLE UPON REQUEST Published by Friends of the Chicago LGBT Hall of Fame 3712 North Broadway, #637 Chicago, Illinois 60613-4235 773-281-5095 [email protected] ©2016 Friends of the Chicago LGBT Hall of Fame In Memoriam The Reverend Gregory R. Dell Katherine “Kit” Duffy Adrienne J. Goodman Marie J. Kuda Mary D. Powers 2 3 4 CHICAGO LGBT HALL OF FAME The Chicago LGBT Hall of Fame (formerly the Chicago Gay and Lesbian Hall of Fame) is both a historic event and an exhibit. Through the Hall of Fame, residents of Chicago and the world are made aware of the contributions of Chicago’s lesbian, gay, bisexual, and transgender (LGBT) communities and the communities’ efforts to eradicate bias and discrimination. With the support of the City of Chicago Commission on Human Relations, its Advisory Council on Gay and Lesbian Issues (later the Advisory Council on Lesbian, Gay, Bisexual and Transgender Issues) established the Chicago Gay and Lesbian Hall of Fame (changed to the Chicago LGBT Hall of Fame in 2015) in June 1991. The inaugural induction ceremony took place during Pride Week at City Hall, hosted by Mayor Richard M. Daley. This was the first event of its kind in the country. Today, after the advisory council’s abolition and in partnership with the City, the Hall of Fame is in the custody of Friends of the Chicago LGBT Hall of Fame, an Illinois not- for-profit corporation with a recognized charitable tax-deductible status under Internal Revenue Code section 501(c)(3). -
Diversity in the Arts
Diversity In The Arts: The Past, Present, and Future of African American and Latino Museums, Dance Companies, and Theater Companies A Study by the DeVos Institute of Arts Management at the University of Maryland September 2015 Authors’ Note Introduction The DeVos Institute of Arts Management at the In 1999, Crossroads Theatre Company won the Tony Award University of Maryland has worked since its founding at the for Outstanding Regional Theatre in the United States, the John F. Kennedy Center for the Performing Arts in 2001 to first African American organization to earn this distinction. address one aspect of America’s racial divide: the disparity The acclaimed theater, based in New Brunswick, New between arts organizations of color and mainstream arts Jersey, had established a strong national artistic reputation organizations. (Please see Appendix A for a list of African and stood as a central component of the city’s cultural American and Latino organizations with which the Institute revitalization. has collaborated.) Through this work, the DeVos Institute staff has developed a deep and abiding respect for the artistry, That same year, however, financial difficulties forced the passion, and dedication of the artists of color who have theater to cancel several performances because it could not created their own organizations. Our hope is that this project pay for sets, costumes, or actors.1 By the following year, the will initiate action to ensure that the diverse and glorious quilt theater had amassed $2 million in debt, and its major funders that is the American arts ecology will be maintained for future speculated in the press about the organization’s viability.2 generations. -
Glorious Chicago Dancing Festival Wraps up Successful Week Saturday
DANCE REVIEW The Chicago Dancing Festival **** Glorious Chicago Dancing Festival wraps up successful week Saturday Sid Smith Special to the Tribune August 22, 2009 This year's installment of the Chicago Dancing Festival concludes Saturday with what promises to be a jubilant bang. Works on tap for the free performance at Jay Pritzker Pavilion include a rare Chicago visit by the Houston Ballet (in a classic by William Forsythe), the breathless pas de deux from "Le Corsaire" by dancers with American Ballet Theatre, and the Chicago debut of an all-male spoof troupe called Les Ballets Grandiva in the irresistibly titled "Star Spangled Ballerina." Still, Saturday's menu will be hard-pressed to top the splendor and depth of Thursday's program at the Harris Theater. Though consisting of only six works, the roster offered a remarkable tour of major choreographers of the past 50 years, leading right up to our own time: Jerome Robbins, Jose Limón, Forsythe, Nacho Duato, Christopher Wheeldon and Lar Lubovitch. Sure, there was no George Balanchine, Martha Graham, Paul Taylor or Twyla Tharp. But the engaging lineup -- featuring a wealth of dancers from companies all over the U.S. -- played as a performance seminar on modern choreography. Better yet, it offered up performances so wondrous that it was as much a dancer festival as a choreographic one. At the top was an all-too-rare look at the New York City Ballet great Wendy Whelan in Wheeldon's "After the Rain," a duet he created for her. Quirky, sinewy, enigmatically compelling, Whelan, now in her 40s, glories here in a strange, offbeat piece that telegraphs her sharp, Cubist talents, her odd but seductive presence and her gutsy redefinition of what is meant by ballet beauty. -
A STAND Talking with Queer Activist PAGE 6
Alice Cozad and Linda Young. Photos courtesy of the couple VOL 35, NO. 23 AUG. 5, 2020 PAGE 10 www.WindyCityMediaGroup.com KEN ILIO Gay-marriage pioneer dies at 63. Photo of Ilio, left, and husband Ron Dorfman by Hal Baim ETERNAL 5 MODEL CITIZEN Jay Manuel releases new book. FLAME Photo by Troy Word Lesbian couple together for 50 years 13 YVONNE ZIPTER TAKING Chicagoan on upcoming poetry collection. Book cover A STAND Talking with queer activist PAGE 6 Asha Ransby-Sporn Asha Ransby-Sporn. 16 Photo by Texas Isaiah @windycitytimes /windycitymediagroup @windycitytimes www.windycitymediagroup.com 2 Aug. 5, 2020 WINDY CITY TIMES PAGE 6 Chicago Pride Parade 2019. Photo by Kat Fitzgerald (www.MysticImagesPhotography.com) "Kickoff," The Chicago Gay Pride Parade 1976. Diane Alexander White Photography TWO SIDES OF PAGE 20 YESTERDAY APRIL 29, 2020 VOL 35, NO. 20 Looking back at Pride memories of the past (above) WINDYJUNE 24, 2020 and this month’s Drag March for Change (below) PRIDEChicagoBuffalo Pridedrives Grove postponed; on Pride VOL 35, NO. 16 CITY www.WindyCityMediaGroup.com AND TODAY EDDIE TIMES HUNSPERGER PAGE 17 Activist and partner of Rick Garcia dies. Photo of Hunsperger (right) and Garcia courtesy of Garcia 4 Buffalo Grove Pride 2019. SEEING Tim Carroll Photography THE LIGHT Lighthouse Foundation prepares programming. Photo of Rev. Jamie Frazier by Marcel Brunious 8 PAGE 4 www.windycitymediagroup.com From the Drag March for Change. Photo by Vernon Hester @windycitytimes /windycitymediagroup @windycitytimes www.windycitymediagroup.com @windycitytimes FUN AND GUNN Tim Gunn on his new show, /windycitymediagroup 'Making the Cut'. Photo by Scott McDermott 13 @windycitytimes SUPPORT Photo by Tim Peacock VOL 35, NO. -
Linda Pauel to Her Social Security Benefits
CHEF ART SMITH DISHES ON HIS RESTAURANT WINDY CITY THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 AUG. 28, 2013 VOL 28, NO. 47 PAGE 18 www.WindyCityMediaGroup.comTIMES Civil-union couples and Social Security BY KATE SOSIN nize her civil union. advocates argue that extending social security benefits TALKING WITH “This is why we need marriage and not all these eu- will undermine the message that civil unions fall short Vernita Gray spent more than 40 years paying into so- phemisms,” said Gray. “I’m an American in every state. of marriage, an argument that LGBT groups are mak- LESBIAN cial security. And she paid her dues in Chicago’s LGBT Whatever is the benefit for my spouse should be the ing to Illinois lawmakers who are wavering on marriage JUDICIAL community, pushing for rights throughout those four benefit for my spouse.” equality. CANDIDATE decades. Predictions on whether SSA will recognize civil unions The result has been mixed advice and political strat- Now, she wants her partner, Pat Ewert, to have access and domestic partnerships are mixed. Some groups like egy in Illinois amid an expensive push to pass an equal LINDA PAUEL to her social security benefits. The two had a civil union the American Civil Liberties Union (ACLU) have said that marriage bill. page 10 June 2, 2011, in a public ceremony to mark the start of they think SSA should recognize such relationships, and Anthony Niedwiecki, associate professor at the John Illinois civil unions in Millennium Park. they have encouraged same-sex couples approaching 62 Marshall Law School, said such legal conundrums will But Gray, like many Illinois civil-union couples, does years-old to apply. -
SMART Growth Evaluation Report
SMART Growth Evaluation Report May 2010 Lisa Tylke, Evaluator Rob Paral, Associate SMART Growth Participating Grantees 2006-2009 African American Arts Alliance of Chicago Jump Rhythm Jazz Project Albany Park Theater Project Lifeline Theatre American Theater Company Links Hall Anchor Graphics Luna Negra Dance Theater Barrel of Monkeys Muntu Dance Theatre Changing Worlds Natya Dance Theatre Chicago Chamber Musicians Neighborhood Writing Alliance Chicago Dramatists Neo-Futurists Chicago Human Rhythm Project Next Theatre Chicago Jazz Ensemble Puerto Rican Arts Alliance Chicago Jazz Orchestra Remy Bumppo Theatre Company Chicago Public Art Group Rush Hour Concerts at St. James Cathedral Congo Square Theatre Shanti Foundation for Peace Emerald City Theatre Company ShawChicago Theatre Company House Theatre Silk Road Theatre Project Hypocrites Theatre South Chicago Art Center Independent Feature Project Teatro Vista Intuit: The Center for Intuitive and Outsider Art TimeLine Theatre Company Jazz Institute of Chicago TUTA: The Utopian Theatre Asylum Joel Hall Dancers and Center Young Chicago Authors SMART Growth Evaluation Report Table of Contents Executive Summary SMART Growth/Evaluation Process Overview ........................................................................... 1 Summary Findings ....................................................................................................................... 2 Summary Recommendations ...................................................................................................... 5 -
2014 Annual Report Contents Vision/Mission
2014 ANNUAL REPORT CONTENTS VISION/MISSION Letter from Executive Director ...................................................................3 In 1977 a group of women came Achievements .................................................................................................4 together across racial and class differences to build a truly just social Unique Collaborations Fueled the Global Movement movement that prioritized the needs for LGBTQI Rights .......................................................................................5 and vision of lesbians and women of CommsLabs: Defending Human Rights Through Media and Tech ...6 color. In order to do so, they realized they would need to fund the work Grantee Partners in Action ...................................................................... 11 themselves. Their uncompromising Art to End Silence ...................................................................................... 11 vision became the Astraea Lesbian Foundation for Justice. Building an LGBTQI Movement in West Africa .................................. 12 Undocumented, Unafraid and Organized ............................................. 13 Astraea remains true to this founding lesbian feminist ethos, supporting In Colombia, Trans* Women Demand Changes from Cops ............ 14 movement building through four Thank You! ................................................................................................... 15 strategic pillars: Financial Statement of Activities .......................................................... -
AM Joffrey Interviewees
Press Contacts: Natasha Padilla, WNET 212.560.8824, [email protected] Lynn Tejada, Green Galactic 213.840.1201, [email protected] Press Kits: pbs.org/pressroom or thirteen.org/pressroom Websites: pbs.org/americanmasters , facebook.com/americanmasters , #AmericanMasters American Masters Joffrey: Mavericks of American Dance Premieres nationally Friday, December 28 at 9 p.m. (ET) on PBS (check local listings) Interviewees (in alphabetical order) Sasha Anawalt , Author and lecturer Sasha Anawalt is director of University of Southern California Annenberg Arts Journalism Programs, including the Masters degree in Specialized Journalism (The Arts) program, a partnership with the five arts schools at USC that she helped create and launch in 2008. She is a lecturer on the Annenberg School of Journalism faculty. Anawalt also directs the USC Annenberg/Getty Arts Journalism Program. Anawalt’s best-selling cultural biography, The Joffrey Ballet: Robert Joffrey and the Making of an American Dance Company (Scribner, 1996), was re-issued in January 2012 as an e-book. American Masters Joffrey: Mavericks of American Dance is heavily based on her book. Charthel Arthur , Joffrey Ballet Dancer, 1965-1979 Charthel Arthur began her dance training in Pasadena, California with Eva Lorraine. After graduating from high school with honors, she went to New York and was given a full scholarship to the Joffrey Ballet School followed by an apprenticeship to the Joffrey Ballet and three months later she became a full company member. Arthur performed with the Joffrey Ballet for 13 years as a principal dancer. In 1983, Arthur and her husband, Robert Estner moved to Grand Rapids, Michigan to establish a professional ballet school now known as The School of the Grand Rapids Ballet.