Short Report
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Theater Souvenir Programs Guide [1881-1979]
Theater Souvenir Programs Guide [1881-1979] RBC PN2037 .T54 1881 Choose which boxes you want to see, go to SearchWorks record, and page boxes electronically. BOX 1 1: An Illustrated Record by "The Sphere" of the Gilbert & Sullivan Operas 1939 (1939). Note: Operas: The Mikado; The Goldoliers; Iolanthe; Trial by Jury; The Pirates of Penzance; The Yeomen of the Guard; Patience; Princess Ida; Ruddigore; H.M.S. Pinafore; The Grand Duke; Utopia, Limited; The Sorcerer. 2: Glyndebourne Festival Opera (1960). Note: 26th Anniversary of the Glyndebourne Festival, operas: I Puritani; Falstaff; Der Rosenkavalier; Don Giovanni; La Cenerentola; Die Zauberflöte. 3: Parts I Have Played: Mr. Martin Harvey (1881-1909). Note: 30 Photographs and A Biographical Sketch. 4: Souvenir of The Christian King (Or Alfred of "Engle-Land"), by Wilson Barrett. Note: Photographs by W. & D. Downey. 5: Adelphi Theatre : Adelphi Theatre Souvenir of the 200th Performance of "Tina" (1916). 6: Comedy Theatre : Souvenir of "Sunday" (1904), by Thomas Raceward. 7: Daly's Theatre : The Lady of the Rose: Souvenir of Anniversary Perforamnce Feb. 21, 1923 (1923), by Frederick Lonsdale. Note: Musical theater. 8: Drury Lane Theatre : The Pageant of Drury Lane Theatre (1918), by Louis N. Parker. Note: In celebration of the 21 years of management by Arthur Collins. 9: Duke of York's Theatre : Souvenir of the 200th Performance of "The Admirable Crichton" (1902), by J.M. Barrie. Note: Oil paintings by Chas. A. Buchel, produced under the management of Charles Frohman. 10: Gaiety Theatre : The Orchid (1904), by James T. Tanner. Note: Managing Director, Mr. George Edwardes, musical comedy. -
Paul Ormonde's Audio Archive About Jim Cairns Melinda Barrie
Giving voice to Melbourne’s radical past Paul Ormonde’s audio archive about Jim Cairns Melinda Barrie University of Melbourne Archives (UMA) has recently Melbourne economic historian and federal politician Jim digitised and catalogued journalist Paul Ormonde’s Cairns’.4 Greer’s respect for Cairns’ contribution to social audio archive of his interviews with ALP politician Jim and cultural life in Australia is further corroborated in her Cairns (1914–2003).1 It contains recordings with Cairns, speech at the launch of Protest!, in which she expressed and various media broadcasts that Ormonde used when her concern about not finding any trace of Cairns at the writing his biography of Cairns, A foolish passionate university, and asked about the whereabouts of his archive: man.2 It also serves as an oral account of the Australian ‘I have looked all over the place and the name brings up Labor Party’s time in office in the 1970s after 23 years in nothing … you can’t afford to forget him’.5 Fortunately, opposition.3 Paul Ormonde offered to donate his collection of taped This article describes how Ormonde’s collection was interviews with Cairns not long after Greer’s speech. acquired and the role it has played in the development During his long and notable career in journalism, of UMA’s audiovisual (AV) collection management Ormonde (b. 1931) worked in both print and broadcast procedures. It also provides an overview of the media, including the Daily Telegraph, Sun News Pictorial Miegunyah-funded AV audit project (2012–15), which and Radio Australia. A member of the Australian Labor established the foundation for the care and safeguarding Party at the time of the party split in 1955, he was directly of UMA’s AV collections. -
Lulu Adams Collection
Lulu Adams Collection Monographs and Articles 178B17 Photographs and Postcards 178C83 Newspaper Cuttings 178G5 Business Records 178H10 Programmes 178K34 Notebooks 178P4 Handbills 178T26 Original Artworks 178V6 Various 178Z23 178B17.1 The Pickwick Treasury of Wit or Joe Miller’s Jest Book Dublin, James Duffy, 1840. 384pp. Illus. 12cm. Lulu Adams Collection 178B17.2 Virgil’s Aeneis translated by John Dryden The Works of Virgil, contains the Pastorals, the Georgics and the Aeneis London, published by J. Walker, 1819 499pp. contains 2 illustrations on the first pages 130mm x 78mm x 25mm Lulu Adams Collection 178B17.3 G. Dumont-Lespine Nos Recettes au Four Electrique [in French] (Our Recipes for the Electric Oven) Paris, Compagnie Parisienne de Distribution d’Electricité 88pp. containing b&w illustrations. Contains 3 cuttings from magazines 195mm x 270mm x 10mm Lulu Adams Collection 178C83 392 black and white photographs dating between 1880s and 1950s including a small amount of negatives containing a mixture of business and family archive showing performers, animals, circuses, family members such as Joe Craston and the Crastonians and Lulu, also 4 additional photo albums and 2 postcards of Joe Craston Lulu Adams Collection 178F16.1 7 letters of personal nature relating to the Craston, Cashmores and Adams 1926-1961 Lulu Adams Collection 178F16.2 4 letters and 2 cards of business nature relating to Lulu Adams, The Crastonians, Lulu’s doll making business, Joe Cashmore and Joe Craston, of which 3 are in French 1919-1958 Lulu Adams Collection -
QUEENSLAND QUEENSLAND the Perfect Place to Be the Perfect Place to Be
QUEENSLAND QUEENSLAND The Perfect Place To Be The Perfect Place To Be TASK CARD 1 TASK CARD 2 GEOGRAPHICAL GIANT REGIONAL QUEENSLAND Queensland is a big State. Un-jumble these sentences to learn Queensland is a large state with diverse areas so it is often broken some big facts about our great State. into regions. Use the map to label the name of each region listed. • in the second state Queensland Australia largest is • 1.7 covers square of approximately area kilometres it million Brisbane an Bundaberg & Coral Isles • is Australia 22.5 the of it about percent area of • Capricorn highest the Mt. 1 622 metres Frere is State’s at mountain Bartle Fraser Coast • the world Island largest Fraser sand is the in island Gold Coast • River Queensland is longest the 1004 kilometre river Flinders in the Gladstone • coastline our has kilometres state of 7 400 Mackay • land with Northern share South New boundaries Territory Southern Downs Australia Wales we South • Sunshine Coast hundreds and small Queensland rivers contains of creeks • Toowoomba & Golden West longest runs The third coastline the length Queensland Great mountain world, Dividing in entire of in range the eastern of the Range, the Townsville Tropical North Whitsunday In which region do you live? ___________________ QUEENSLAND The Perfect Place To Be TASK CARD 3 HOW FAR? Queensland has 182 200 kilometres of public road network including12 main highways that link many centres throughout the state. Use the table provided to calculate the following distances. Calculate the approximate time it would take each journey if the average travel speed was 85km / hour. -
Local Heritage Register
Explanatory Notes for Development Assessment Local Heritage Register Amendments to the Queensland Heritage Act 1992, Schedule 8 and 8A of the Integrated Planning Act 1997, the Integrated Planning Regulation 1998, and the Queensland Heritage Regulation 2003 became effective on 31 March 2008. All aspects of development on a Local Heritage Place in a Local Heritage Register under the Queensland Heritage Act 1992, are code assessable (unless City Plan 2000 requires impact assessment). Those code assessable applications are assessed against the Code in Schedule 2 of the Queensland Heritage Regulation 2003 and the Heritage Place Code in City Plan 2000. City Plan 2000 makes some aspects of development impact assessable on the site of a Heritage Place and a Heritage Precinct. Heritage Places and Heritage Precincts are identified in the Heritage Register of the Heritage Register Planning Scheme Policy in City Plan 2000. Those impact assessable applications are assessed under the relevant provisions of the City Plan 2000. All aspects of development on land adjoining a Heritage Place or Heritage Precinct are assessable solely under City Plan 2000. ********** For building work on a Local Heritage Place assessable against the Building Act 1975, the Local Government is a concurrence agency. ********** Amendments to the Local Heritage Register are located at the back of the Register. G:\C_P\Heritage\Legal Issues\Amendments to Heritage legislation\20080512 Draft Explanatory Document.doc LOCAL HERITAGE REGISTER (for Section 113 of the Queensland Heritage -
Inner Brisbane Heritage Walk/Drive Booklet
Engineering Heritage Inner Brisbane A Walk / Drive Tour Engineers Australia Queensland Division National Library of Australia Cataloguing- in-Publication entry Title: Engineering heritage inner Brisbane: a walk / drive tour / Engineering Heritage Queensland. Edition: Revised second edition. ISBN: 9780646561684 (paperback) Notes: Includes bibliographical references. Subjects: Brisbane (Qld.)--Guidebooks. Brisbane (Qld.)--Buildings, structures, etc.--Guidebooks. Brisbane (Qld.)--History. Other Creators/Contributors: Engineers Australia. Queensland Division. Dewey Number: 919.43104 Revised and reprinted 2015 Chelmer Office Services 5/10 Central Avenue Graceville Q 4075 Disclaimer: The information in this publication has been created with all due care, however no warranty is given that this publication is free from error or omission or that the information is the most up-to-date available. In addition, the publication contains references and links to other publications and web sites over which Engineers Australia has no responsibility or control. You should rely on your own enquiries as to the correctness of the contents of the publication or of any of the references and links. Accordingly Engineers Australia and its servants and agents expressly disclaim liability for any act done or omission made on the information contained in the publication and any consequences of any such act or omission. Acknowledgements Engineers Australia, Queensland Division acknowledged the input to the first edition of this publication in 2001 by historical archaeologist Kay Brown for research and text development, historian Heather Harper of the Brisbane City Council Heritage Unit for patience and assistance particularly with the map, the Brisbane City Council for its generous local history grant and for access to and use of its BIMAP facility, the Queensland Maritime Museum Association, the Queensland Museum and the John Oxley Library for permission to reproduce the photographs, and to the late Robin Black and Robyn Black for loan of the pen and ink drawing of the coal wharf. -
Community Engagement Plan
Community Engagement Plan Compliance Matrix Table 1 Compliance matrix CRRDA REQUIREMENT ADDRESSED IN SECTION REFERENCE Coordinator‐General’s change report – whole of project refinements 2019 Condition 9. Community Engagement Plan (a) The Proponent must develop a community engagement plan as part of the This Plan Construction Environmental Management Plan consistent with the Outline EMP’s Community and Stakeholder Engagement Plan. (b) The community engagement plan must be given to the Community Relations Monitor This Plan for advice at least 10 business days prior to the Construction Environmental Management Plan being provided to the Environmental Monitor. (c) The community engagement plan must provide for: (i) Directly Affected Persons to be consulted prior to commencement of Project Section 2 Works and ongoing thereafter about Project Works, predicted impacts and mitigation measures; (ii) Directly Affected Persons to be consulted about possible mitigation Section 3 measures; (iii) local communities near Project Works to be informed about the nature of Section 3 construction, including the timing, duration and predicted impacts of the works in advance of their commencement; (iv) information to be provided to public transport, road users, pedestrians and Section 3 cyclists about the predicted effects of Project Works on road, rail and pedestrian and cycle network operations, in advance of their commencement; (v) specific community consultation plans for identified key stakeholders; Section 5 (vi) implementation of an Indigenous employment policy, providing for Section 2.3 Indigenous training and employment opportunities; (vii) a process for advance notification to local communities of Project Works, Section 5 including the timing, duration, predicted impacts and mitigation measures, which is available on the project website and through other media. -
OQS0762 Subs 2011 Brochure Text V6.Indd
SEASON 2011 SUBSCRIBE Truly. Madly. Deeply. AND SAVE! From the From the Premier of Queensland and Chief Executive/Artistic Director Minister for the Arts Come and celebrate Opera Queensland’s Welcome to Opera Queensland’s fi rst 30 years with 120 years of season for 2011. superlative creation. For nearly three decades, Opera After the success of our Verdi double Queensland has been presenting operas and musicals in 2009, it seems only fair to pay Puccini the same courtesy. across our state and, recently, across state borders. While there is a 43-year overlap in ages, in operatic terms, these two composers are not contemporaries, representing Not only is Opera Queensland expanding in its reach and as they do two musical traditions. Puccini sweeps us into scope, the company has found new ways to connect with the 20th century with melody to delight us all and a masterly audiences of many ages through programs with primary workmanship set to please even the most discerning. And students and young people in regional communities. so it is in May, that we bring you a wonderful new production My government provides key funding to Opera Queensland of The Girl of the Golden West, an opera never before seen as one of the state’s fl agship arts companies. in Queensland. While in October, we present John Copley’s I would like to acknowledge Opera Queensland’s corporate celebrated production of Tosca in all its traditional glory. After partners, many of whom have been onboard for more than an eight-year gap it is a great joy to return this magnifi cent a decade and who, along with government support, help piece to the Lyric Theatre. -
Lilms Perisllecl
Film History, Volume 9, pp. 5-22, 1997. Text copyrig ht © 1997 David Pierce. Design, etc. copyright© John libbey & Company. ISSN: 0892-2 160. Pri nted in Australia l'lle legion of file conclemnecl - wlly American silenf lilms perisllecl David Pierce f the approximately 1 0 ,000 feature print survives for most silent films, usually therewere films and countless short subjects re not many copies lo begin with . While newspapers leased in the United States before or magazines were printed and sold by the thou O 1928, only a small portion survive . sands, relatively few projection prints were re While so me classics existand are widelyavailable, quired for even the most popular silent films . In the many silent films survive only in reviews, stills, pos earliest days of the industry, producers sold prints, ters and the memories of the few remaining audi and measured success bythe number ofcopies sol d. ence members who saw them on their original By the feature period, beginning around 1914, release. 1 copies were leased lo subdistributors or rented lo Why did most silent films not survive the pas exhibitors, and the owners retained tight control. sage of time? The curren! widespread availability The distribution of silent features was based on a of many tilles on home video, and the popularity of staggered release system, with filmgoers paying silent film presentations with live orchestral accom more lo see a film early in its run. Films opened in paniment might give the impression that silent films downtown theatres, moved lo neighbourhood had always been held in such high regard . -
Manyfaces of Inspiration Conversations on Australian Creativity
William Barton Bruce Beresford Tony Bilson Wendy Blacklock Joan Carden Geoffrey Chard David Clarkson Michael Crouch Rosemary Crumlin Tania De Jong Ross Edwards Robert Gard Stephen Kovacevic Greta Lanchbery Justin Macdonnell David Malouf John McCallum Elisabeth Murdoch Ted Myers Roland Peelman Helena Rathbone Rodney Seaborn John Shaw ManyFaces of Inspiration Conversations on Australian Creativity Dinah Shearing Rachael Swain ANTONY Ken Tribe Googie Withers JEFFREY Martin & Peter Wesley-Smith Many Faces of Inspiration — Antony Jeffrey.indd 1 2/09/10 4:52 PM ntony Jeffrey has worked A in arts management since 1975 when he joined the Australia Council as Music Board director. He was the first general manager of the Australian Chamber Orchestra and for many years has maintained a close association with the orchestra. Prior to that he was commercial manager of the Australian Opera. More recently he was general manager of the Song Company until 2009. He originally trained as an accountant with Price Waterhouse, where he worked in Australia and overseas until his passion for music seduced him into the professional music scene. Since that time, in addition to his executive appointments, he has worked as director or consultant to many arts organisations including the Australian Ballet, Melbourne Theatre Company, Lyric Opera of Queensland, Musica Viva, Australian Brandenburg Orchestra and the Australian Elizabethan Theatre Trust. He has been a leader in establishing philanthropy, corporate sponsor- ship and strategic planning in the arts in Australia, publishing several books in this field, notably 101 Good Ideas for Assisting the Arts. He was appointed a Member of the Order of Australia in 2008 for his services to the arts. -
Variety Timeline: 1900-1999
AUSTRALIAN VARIETY AND POPULAR CULTURE ENTERTAINMENT: TIMELINE 1900-1999 Symbols Theatres ˟ Works (stage, film and music) ₪ Industry issues • People, troupes and acts ۩ ₣ Film 1900 ₪ Cato and Co: Herbert Cato sets up his own theatrical agency in Sydney. Tivoli Theatre [1] (Adelaide): Harry Rickards converts the Bijou Theatre into the Tivoli. It opens on 20 June ۩ with a company that includes Pope and Sayles, Prof Fred Davys and his Giant Marionettes, Neva Carr-Glynn and Adson, Craydon and Holland.1 .Toowoomba Town Hall [3] (Queensland): Toowoomba's third Town Hall opens on 12 December ۩ ˟ Australia; Or, The City of Zero: (extravaganza) Written especially for Federation by J.C. Williamson and Bernard Espinasse, the story is a fantasy set 100 years in the future - the year 2000. It premieres at Her Majesty's Theatre, Sydney, on 26 December. Australis; Or, The City of Zero (Act 1, Scene 2) From production program. Fryer Library, University of Queensland. • Henry Burton: The veteran circus proprietor dies at the Dramatic Homes, Melbourne, on 9 March. • Harry Clay: Tours Queensland with his wife, Katherine, and daughter, Essie, for Walter Bell's Boer War and London Vaudeville Company. It is to be his last for another manager. • The Dartos: French dancers Francois and Aida Darto (aka Mr and Mrs Chabre) arrived in Australia in December for what will be an 11 month tour of Australasia, initially for George Musgrove and later for Harry Rickards and P.R. Dix (New Zealand). The couple reportedly raised the bar for partner dance acts, with Aida Darto in particular stunning audiences with her flexibility and grace. -
Imagining China in London Musical Theatre During the 1890S: the Geisha and San Toy
Imagining China in London Musical Theatre during the 1890s: The Geisha and San Toy William A. EVERETT University of Missouri-Kansas City Conservatory of Music and Dance 4949 Cherry Street, Kansas City, MO 64110-2229, USA E-mail: [email protected] (Received: March 2016; accepted: June 2016) Abstract: For people living in London during the 1890s, China and the Chinese were largely mythical constructions. Attitudes towards China, as well as the Chinese them- selves, were being imagined at the time through various media, including popular musical theatre. Two shows, both with music by Sidney Jones and produced by George Edwardes at Daly’s Theatre, were significant in this identity construction: The Geisha (1896) and San Toy (1899). Both musicals are set in East Asia and include Chinese and British characters. In The Geisha, which takes place in Japan, the sole Chinese char- acter is Wun-Hi, the owner of a teahouse. He is less than honorable, and his music is in an ethnic-based music hall style, with nearly speech-sung melodies and unashamed Pidgin English. In Jones’s score for San Toy, which is set in China, characters who endorse Western views sing glorious melodic lines reminiscent of Gilbert and Sullivan while those who do not sound like Wun-Hi in The Geisha, with clipped articulations and non-standard English. Keywords: Orientalism, China, Operetta, The Geisha, San Toy How the British imagined China and the Chinese at the end of the nineteenth century was a complex, multi-faceted, and sometime contradictory affair. London at the time had a Chinese population of only about 300, and most Londoners as- sociated the Chinese with laundries, catering businesses, or opium dens.1 (Charles Dickens’ The Mystery of Edwin Drood provides a vivid example for the last of these images, with its menacing atmosphere filled with mystery and unknowing.) 1.