Variety Timeline: 1900-1999
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Alfred Rolfe: Forgotten Pioneer Australian Film Director
Avondale College ResearchOnline@Avondale Arts Papers and Journal Articles School of Humanities and Creative Arts 6-7-2016 Alfred Rolfe: Forgotten Pioneer Australian Film Director Stephen Vagg FremantleMedia Australia, [email protected] Daniel Reynaud Avondale College of Higher Education, [email protected] Follow this and additional works at: https://research.avondale.edu.au/arts_papers Part of the Film and Media Studies Commons Recommended Citation Vagg, S., & Reynaud, D. (2016). Alfred Rolfe: Forgotten pioneer Australian film director. Studies in Australasian Cinema, 10(2),184-198. doi:10.1080/17503175.2016.1170950 This Article is brought to you for free and open access by the School of Humanities and Creative Arts at ResearchOnline@Avondale. It has been accepted for inclusion in Arts Papers and Journal Articles by an authorized administrator of ResearchOnline@Avondale. For more information, please contact [email protected]. Alfred Rolfe: Forgotten Pioneer Australian Film Director Stephen Vagg Author and screenwriter, Melbourne Victoria, Australia Email: [email protected] Daniel Reynaud Faculty of Arts, Nursing & Theology, Avondale College of Higher Education, Cooranbong, NSW, Australia Email: [email protected] Daniel Reynaud Postal address: PO Box 19, Cooranbong NSW 2265 Phone: (02) 4980 2196 Bios: Stephen Vagg has a MA Honours in Screen Studies from the Australian Film, Television and Radio School and has written a full-length biography on Rod Taylor. He is also an AWGIE winning and AFI nominated screenwriter who is currently story producer on Neighbours. Daniel Reynaud is Associate Professor of History and Faculty Assistant Dean, Learning and Teaching. He has published widely on Australian war cinema and was instrumental in the partial reconstruction of Rolfe’s film The Hero of the Dardanelles, and the rediscovery of parts of How We Beat the Emden. -
Conservation Management Plan
3.4. HISTORICAL TIMELINE The following tables contains a chronology of significant events in the history of the site and the subject building as summarised from Sections 3.2 and 3.3 and building/development application information drawn from the City of Sydney Planning Cards. The development of the site can generally be separated into four phases of development, as follows: 1. New Belmore Market 1893 - 1913 2. Wirths Hippodrome 1914 – 1926 3. Capitol Theatre 1927 – 1991 4. Restored Capitol Theatre 1992 – Present Table 4 – Historical Timeline Date Event 1866 Construction of Belmore Markets begins on a site bounded by Castlereagh, Hay, Pitt and Campbell. 1869 Belmore Markets opens on 14 May. Phase 1: New Belmore Markets 1893 Second Belmore Markets (Capitol site) open. Used for theatrical and circus performances on Saturday nights. 1910 Council decides that the Tivoli and Capitol (two theatres) would be erected on the sites of the old and new Belmore Markets. 1912 Wirth Bros takes a 10-week lease on the new Belmore Theatre for a ‘circus and hippodrome’. The council claimed the auditorium could be used as hippodrome, circus, theatre, opera house, concert hall, vaudeville entertainment hall or for photo plays (early silent motion pictures). Phase 2: Wirths Hippodrome 1914-1915 Belmore Markets dismantled and re-erected as the Hippodrome – home of Wirths Circus in Australia. The detail of the market walls was erected 10 metres higher. 1916 On April 3, Wirths Circus and Hippodrome opens – the largest theatre in Australia. The 13-metre ring in front of the proscenium arch had a hydraulically operated floor which dropped to fill with water for aquatic events. -
QUEENSLAND QUEENSLAND the Perfect Place to Be the Perfect Place to Be
QUEENSLAND QUEENSLAND The Perfect Place To Be The Perfect Place To Be TASK CARD 1 TASK CARD 2 GEOGRAPHICAL GIANT REGIONAL QUEENSLAND Queensland is a big State. Un-jumble these sentences to learn Queensland is a large state with diverse areas so it is often broken some big facts about our great State. into regions. Use the map to label the name of each region listed. • in the second state Queensland Australia largest is • 1.7 covers square of approximately area kilometres it million Brisbane an Bundaberg & Coral Isles • is Australia 22.5 the of it about percent area of • Capricorn highest the Mt. 1 622 metres Frere is State’s at mountain Bartle Fraser Coast • the world Island largest Fraser sand is the in island Gold Coast • River Queensland is longest the 1004 kilometre river Flinders in the Gladstone • coastline our has kilometres state of 7 400 Mackay • land with Northern share South New boundaries Territory Southern Downs Australia Wales we South • Sunshine Coast hundreds and small Queensland rivers contains of creeks • Toowoomba & Golden West longest runs The third coastline the length Queensland Great mountain world, Dividing in entire of in range the eastern of the Range, the Townsville Tropical North Whitsunday In which region do you live? ___________________ QUEENSLAND The Perfect Place To Be TASK CARD 3 HOW FAR? Queensland has 182 200 kilometres of public road network including12 main highways that link many centres throughout the state. Use the table provided to calculate the following distances. Calculate the approximate time it would take each journey if the average travel speed was 85km / hour. -
ATE Media Information: Events in Sydney
ATE MEDIA INFORMATION | EVENTS IN SYDNEY EVENTS IN SYDNEY Following the recent World Festival & Event City Award from The International Festivals & Events Association (IFEA) for New South Wales (NSW), the state has another spellbinding season of cultural, artistic and sporting spectacles planned for 2015 and beyond. The NSW events calendar, developed by Destination NSW, outlines an outstanding selection of world-class experiences guaranteed to keep Sydney front of mind for visitors. Near the top of the must- experience list is Vivid Sydney, owned and managed by Destination NSW, and now the southern hemisphere’s biggest annual celebration of light, music and ideas, staged over 18 nights each year in May and June. Vivid Sydney was awarded Australian Event of the Year and Best Tourism Event at the 2013 Australian Event Awards and is a major contributor to the NSW economy. In 2014, more than 1.4 million visitors attended, 20,000 of them travelling on Vivid packages, generating more than $20 million. NEW EVENTS COMING UP FOR SYDNEY IN 2015 AND 2016 Netball World Cup August 7-16, 2015: Held every four years since 1963, Netball World Cup is the pinnacle event for international netball. While the Australian Diamonds go into the event as reigning champions, they’ll face fierce competition from arch rivals, the Silver Ferns, as well as rising powers England, Jamaica, South Africa and Malawi. Matilda The Musical, 2015: The Royal Shakespeare Company’s stage musical adaptation of Roald Dahl’s book, Matilda, will make its Australian premiere at Sydney’s Lyric Theatre from July 28, 2015. -
This Entire Document
DEVOTED TO BASE BALL BICYCLING GUNS VOLUME 29, NO. 18. PHILADELPHIA, JULY 24, 1897. PRICE, FIVE CENTS. BREAKS AVERTED. ARE ON THEIR WAY HOME YIA TWO MINOR LEAGUES MAKE MID- EUROPE. SEASON SHIFTS, To Play in England Before Returning The Eastern League Transfers the Ro to Australia Much Pleased With chester Team and Franchise to Their Treatment in This Country, Montreal and the Texas League Though Their Trip Was a Failure, Shifts Denison©s Clnl) to Waco, Thirteen members of the Australian base For the first time in years a mid-season ball team sailed ou the 15th inst. from New change has been made in the Eastern York ou the American liner "St. Paul" for League circuit. Some time ago a stock England. Those in the party were: Man company was organized in Montreal by Mr. ager Harry Musgrove, Charles Over, Charles W. H. Rowe, with ample capital, with a Kemp, Walter G. Ingleton, Harry S. Irwin, view to purchasing an Eastern League fran Peter A. McAllister, Rue Ewers, Arthur chise. Efforts were made to buy either tlie K. Wiseman, Alfred S. Carter, J. H. Stuck- "Wilkesbarre or Kochester Clubs, both of ey, John Wallace and Frank Saver. which were believed to be in distress. The MU SGKOVE© S PLANS. former, however, was braced up and "We shall carry out our original inten will play out the season. Rochester tion ,of a trip around the world," said Mr. was on the fence regarding the Musgrove. ©-We shall probably play some proposition made when fate stepped in and de games in London and other parts of iCngland cided the question. -
Melbourne Suburb of Northcote
ON STAGE The Autumn 2012 journal of Vol.13 No.2 ‘By Gosh, it’s pleasant entertainment’ Frank Van Straten, Ian Smith and the CATHS Research Group relive good times at the Plaza Theatre, Northcote. ‘ y Gosh, it’s pleasant entertainment’, equipment. It’s a building that does not give along the way, its management was probably wrote Frank Doherty in The Argus up its secrets easily. more often living a nightmare on Elm Street. Bin January 1952. It was an apt Nevertheless it stands as a reminder The Plaza was the dream of Mr Ludbrook summation of the variety fare offered for 10 of one man’s determination to run an Owen Menck, who owned it to the end. One years at the Plaza Theatre in the northern independent cinema in the face of powerful of his partners in the variety venture later Melbourne suburb of Northcote. opposition, and then boldly break with the described him as ‘a little elderly gentleman The shell of the old theatre still stands on past and turn to live variety shows. It was about to expand his horse breeding interests the west side of bustling High Street, on the a unique and quixotic venture for 1950s and invest in show business’. Mr Menck was corner of Elm Street. It’s a time-worn façade, Melbourne, but it survived for as long as consistent about his twin interests. Twenty but distinctive; the Art Deco tower now a many theatres with better pedigrees and years earlier, when he opened the Plaza as a convenient perch for telecommunication richer backers. -
Important Announcement
April Newsletter 2017.qxp_A4 Version 28/3/17 12:56 Page 1 April Newsletter 2017.qxp_A4 Version 28/3/17 12:56 Page 1 CURRENT EVENT STATUS CURRENT EVENT STATUS St Bartholomews' & (FB) = FULLY BOOKED (C) = CANCELLED St Bartholomews' & (FB) = FULLY BOOKED (C) = CANCELLED Museum of Sydney KINKY BOOTS Museum of Sydney KINKY BOOTS www.facebook.com/ToursBMBC www.facebook.com/ToursBMBC Experiment Farm & The Mint WEDNESDAY 10TH MAY 2017 (FB) ExBlupe eMrouinmtaiensn Ttra nFsiat Trramvel Club & The Mint WEDNESDAY 10TH MAY 2017 (FB) Blue Mountains Transit Travel Club Monday 1st May 2017 Thursday 20th April 2017 KINKY BOOTS Monday P1Ost MBOaXy 82109187 Thursday 20th April 2017 KINKY BOOTS PO BOX 8198 WEDNESDAY 24TH MAY 2017 (FB) WEDNESDAY 24TH MAY 2017 (FB) WERRINGTON COUNTY NSW 2747 WERRINGTON COUNTY NSW 2747 THE BODYGUARD - SYDNEY LYRIC THEATRE THE BODYGUARD - SYDNEY LYRIC THEATRE SATURDAY 3RD JUNE 2017 (C) Enquiries: 02 8602 4700 SATURDAY 3RD JUNE 2017 (C) Enquiries: 02 8602 4700 BALMORAL BEACH, CHOWDER BAY & HIGH TEA Website: www.cdcbus.com.au BALMORAL BEACH, CHOWDER BAY & HIGH TEA Website: www.cAdcPbuRs.cIoLm .2au017 APRIL 2017 WEDNESDAY 7TH JUNE 2017 (FB) Email: [email protected] WEDNESDAY 7TH JUNE 2017 (FB) Email: [email protected] VIVID FESTIVAL CRUISE VIVID FESTIVAL CRUISE FRIDAY 16TH JUNE 2017 (FB) TOUR PAYMENTS FRIDAY 16TH JUNE 2017 (FB) TOUR PAYMENTS All day tours require non-refundable deposit on All day tours require non-refundable deposit on CHRISTMAS IN JULY AT THE WATERVIEW RESTAURANT booking and full payment 4weeks prior to CHRISTMAS IN JULY AT THE WATERVIEW RESTAURANT booking and full payment 4weeks prior to WEDNESDAY 5TH JULY 2017 (FB) WEDNESDAY 5TH JULY 2017 (FB) This morning we board the coach and travel locally to This modrenpinagr twuree. -
MINERVA THEATRE Feasibility Study – Executive Summary
MINERVA THEATRE Feasibility Study – Executive Summary MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Create NSW City of Sydney Minerva Theatre Feasibility Study – Executive Summary December 2020 Hawkridge Entertainment Services Tim Long Managing Director Nick Tobin Managing Director, Networked Urban Solutions Disclaimer This report (Study) has been produced independently by Hawkridge Entertainment Services (HES) on the request of Create NSW and the City of Sydney. The information, statements, statistics and commentary (together the ‘Information’) contained in this study have been prepared by HES from publicly available material and from discussions held with stakeholders. HES does not express an opinion as to the accuracy or completeness of the information provided, the assumptions made by the parties that provided the information or any conclusions reached by those parties. HES have based this Report on information received or obtained, on the basis that such information is accurate and, where it is represented to HES as such, complete. The Information contained in this Report has not been subject to an audit. Hawkridge Entertainment Services Specialist consultants in the entertainment, sports, arts and venue industries Sydney | Melbourne | Perth | Singapore Page | 2 MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Executive Summary The Minerva Theatre Feasibility Study was jointly commissioned by the City of Sydney Council and Create NSW, with the principal aim of investigating whether: 1. a refurbished Minerva Theatre would be a viable performance space in the Sydney market; and 2. there is market interest in reinstating the Minerva as a theatre. The study indicates that reinstatement of the Minerva as a commercially operated theatre is a viable proposition. -
'Musical Pitch Ought to Be One from Pole to Pole': Touring Musicians and the Issue of Performing Pitch in Late Nineteenth
2011 © Simon Purtell, Context 35/36 (2010/2011): 111–25. ‘Musical Pitch ought to be One from Pole to Pole’: Touring Musicians and the Issue of Performing Pitch in Late Nineteenth- and Early Twentieth-century Melbourne Simon Purtell In 1869, English vocal teacher Charles Bishenden complained that the high performing pitch in use in England was ‘ruinous to the voice.’ The high pitch, he reported, was the very reason why many European singers did not perform in Britain.1 ‘For a Continental larynx,’ French soprano Blanche Marchesi (1863–1940) later explained, ‘it is a real torture to sing to different pitches.’ ‘The muscles of a trained larynx act like fine clockwork,’ she wrote, and ‘a change of tone, up or down, alters the precision of their action.’ For this reason, Marchesi believed that ‘musical pitch ought to be one from pole to pole.’2 A standard of performing pitch comprises three fundamental concepts: sound frequency, note-name, and standard. A sound frequency, expressed in Hertz (Hz) or cycles per second (cps), becomes a pitch when assigned to a note in the musical scale, thus determining the pitch of every other note in a particular system of tuning. If, in equal temperament, the A directly above middle C equals 440 Hz, then the C directly above it equals 523.25 Hz. A pitch that is agreed upon, at a given time and place, as the reference point for building and tuning musical instruments to play together, is a pitch standard. Standards of pitch are usually expressed in relation to the note A directly above middle C. -
OQS0762 Subs 2011 Brochure Text V6.Indd
SEASON 2011 SUBSCRIBE Truly. Madly. Deeply. AND SAVE! From the From the Premier of Queensland and Chief Executive/Artistic Director Minister for the Arts Come and celebrate Opera Queensland’s Welcome to Opera Queensland’s fi rst 30 years with 120 years of season for 2011. superlative creation. For nearly three decades, Opera After the success of our Verdi double Queensland has been presenting operas and musicals in 2009, it seems only fair to pay Puccini the same courtesy. across our state and, recently, across state borders. While there is a 43-year overlap in ages, in operatic terms, these two composers are not contemporaries, representing Not only is Opera Queensland expanding in its reach and as they do two musical traditions. Puccini sweeps us into scope, the company has found new ways to connect with the 20th century with melody to delight us all and a masterly audiences of many ages through programs with primary workmanship set to please even the most discerning. And students and young people in regional communities. so it is in May, that we bring you a wonderful new production My government provides key funding to Opera Queensland of The Girl of the Golden West, an opera never before seen as one of the state’s fl agship arts companies. in Queensland. While in October, we present John Copley’s I would like to acknowledge Opera Queensland’s corporate celebrated production of Tosca in all its traditional glory. After partners, many of whom have been onboard for more than an eight-year gap it is a great joy to return this magnifi cent a decade and who, along with government support, help piece to the Lyric Theatre. -
Sydney Welcomes Another Icon - Hamilton
Sydney Welcomes Another Icon - Hamilton Mar 17, 2021 SYDNEY, March 17, 2021 /PRNewswire/ -- Hamilton is one of the most critically acclaimed and successful musicals of our time. Since debuting in 2015, the Tony®, Grammy®, Olivier and Pulitzer Prize winning musical has sold over 2.6 million tickets, playing at iconic theatres from New York's Broadway to London's West End. And as of March 2021, this global phenomenon will only be playing in one location – Sydney's Lyric Theatre. Sydney is the vibrant capital of New South Wales, Australia. Home to the iconic Sydney Opera House and Sydney Harbour Bridge, the incredible Harbour City is renowned for its natural beauty, world-class dining, vibrant nightlife, multicultural heritage and rich and exciting arts and events scene, making it a sought-after tourism destination the world over. It is only fitting that the global city is now setting the stage to host an icon of the musical theatre world – Hamilton. Commenting on Sydney as the host city of the Australian premiere, original Hamilton producer Jeffrey Seller said: "Sydney is our bright light and our rising sun. Sydney represents what I hope will be the rebirth of theatre, and Hamilton across the entire world. It is thanks to Sydney that we can open Hamilton on schedule, as we have been planning for the past 3-plus years with the Michael Cassel Group." Hamilton will open this March at the Australian family owned and operated, 2,000 seat Sydney Lyric Theatre. Owned by the Found family of Foundation Theatres, Sydney Lyric Theatre is a staple of the NSW musical theatre scene. -
Manyfaces of Inspiration Conversations on Australian Creativity
William Barton Bruce Beresford Tony Bilson Wendy Blacklock Joan Carden Geoffrey Chard David Clarkson Michael Crouch Rosemary Crumlin Tania De Jong Ross Edwards Robert Gard Stephen Kovacevic Greta Lanchbery Justin Macdonnell David Malouf John McCallum Elisabeth Murdoch Ted Myers Roland Peelman Helena Rathbone Rodney Seaborn John Shaw ManyFaces of Inspiration Conversations on Australian Creativity Dinah Shearing Rachael Swain ANTONY Ken Tribe Googie Withers JEFFREY Martin & Peter Wesley-Smith Many Faces of Inspiration — Antony Jeffrey.indd 1 2/09/10 4:52 PM ntony Jeffrey has worked A in arts management since 1975 when he joined the Australia Council as Music Board director. He was the first general manager of the Australian Chamber Orchestra and for many years has maintained a close association with the orchestra. Prior to that he was commercial manager of the Australian Opera. More recently he was general manager of the Song Company until 2009. He originally trained as an accountant with Price Waterhouse, where he worked in Australia and overseas until his passion for music seduced him into the professional music scene. Since that time, in addition to his executive appointments, he has worked as director or consultant to many arts organisations including the Australian Ballet, Melbourne Theatre Company, Lyric Opera of Queensland, Musica Viva, Australian Brandenburg Orchestra and the Australian Elizabethan Theatre Trust. He has been a leader in establishing philanthropy, corporate sponsor- ship and strategic planning in the arts in Australia, publishing several books in this field, notably 101 Good Ideas for Assisting the Arts. He was appointed a Member of the Order of Australia in 2008 for his services to the arts.