Seaborn Broughton & Walford Foundation Newsletter
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Barry Humphries (1934 - ) 2
AUSTRALIAN EPHEMERA COLLECTION FINDING AID BARRY HUMPHRIES PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2015 Barry Humphries was born in Melbourne on the 17th of February 1934. He is a multi-talented actor, satirist, artist and author. He began his stage career in 1952 in Call Me Madman. As actor he has invented many satiric Australian characters such as Sandy Stone, Lance Boyle, Debbie Thwaite, Neil Singleton and Barry (‘Bazza’) McKenzie - but his most famous creations are Dame Edna Everage who debuted in 1955 and Sir Leslie (‘Les’) Colin Patterson in 1974. Dame Edna, Sir Les and Bazza between them have made several sound recordings, written books and appeared in films and television and have been the subject of exhibitions. Since the 1960s Humphries’ career has alternated between England, Australia and the United States of America with his material becoming more international. Barry Humphries’ autobiography More Please (London; New York : Viking, 1992) won him the J.R. Ackerley Prize in 1993. He has won various awards for theatre, comedy and as a television personality. In 1994 he was accorded an honorary doctorate from Griffith University, Queensland and in 2003 received an Honorary Doctorate of Law from the University of Melbourne. He was awarded an Order of Australia in 1982; a Centenary Medal in 2001 for “service to Australian society through acting and writing”; and made a Commander of the Order of the British Empire for "services to entertainment" in 2007 (Queen's Birthday Honours, UK List). Humphries was named 2012 Australian of the Year in the UK. The Barry Humphries PROMPT collection includes programs, ephemera and newspaper cuttings which document Barry Humphries and his alter egos on stage in Australia and overseas from the beginning of his career in the 1950s into the 21st Century. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
State Ed by Sue Smith
state ed by Sue Smith 2 3 Index .................................................................................................................................................................................................... 4 Cast & Creatives .............................................................................................................................................................................. 5 Writer .................................................................................................................................................................................................. 6 Synopsis ............................................................................................................................................................................................. 8 Plot ....................................................................................................................................................................................................... 9 Director............................................................................................................................................................................................ 11 Actor Profile ................................................................................................................................................................................... 13 Characters ..................................................................................................................................................................................... -
Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012
Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2011/12. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. This Annual Report is available to download as a PDF from www.screenaustralia.gov.au Front cover image from The Sapphires. Screen Australia Annual Report 2011/12 Correction Department of Regional Australia, Local Government, Arts and Sport Screen Australia Annual Report 2011/12 Producer Offset and Co-productions – page 74: Incorrect total (173) for Producer Offset Provisional Certificates issued in 2011/12. It should read: 145 Provisional Certificates. Producer Offset and Co-productions – page 76: Under heading Certificates issued in 2011/12, the figures for Producer Offset Provisional Certificates (Features – 78; Non-feature documentaries – 54; TV and other – 41; Total – 173) are incorrect. The table should read: Certificates issued in 2011/12 Final Provisional Number Offset value ($m) Features 47 24 127.29 Non-feature documentaries 55 98 18.21 TV and other 43 39 58.45 Total 145 161 203.96 Note: Figures may not total exactly due to rounding. -
President's Letter
PRESIDENT’S LETTER October-November, 2020 Dear Friends, It may seem a little premature to extend our very best wishes to you now for the approaching holidays, Christmastime and the New Year. However, this has indeed been a strange year like no other. As this is the final Foundation Newsletter of 2020, it is our pleasure to wish you, our Friends, perhaps the earliest but warmest greetings for the forthcoming festive season. OUR HALLS ARE ALIVE WITH THE SOUNDS OF MUSIC Responding to the present urgent need for accessible and affordable teaching, coaching and rehearsal space, the Foundation continues to make the Seaborn Library, with its grand piano and suitable acoustic, available to performing artists. As mentioned in the last Newsletter, Les Solomon's riveting production of The Cradeaux Canvas rehearsed in our Library and then opened successfully in the El Rocco Theatre Room in Kings Cross to claim the title of the first production to open Sydney theatres after the COVID closures. Those of us who attended a special benefit night for the ABF’s ACTober, were impressed by the actors’ compelling performances - and safety protocols. One reviewer noted the performance was ‘safer than the supermarket’. Other theatres are now gradually and tentatively reopening. Similarly, Eugene Lynch and his cast, pictured elsewhere in this Newsletter, after rehearsing in our Library, presented the first opera since the venue shutdown. Their short season of the Australian opera Love Burns at the East Sydney Community & Arts Centre, also presented according to safety guidelines, revealed the exciting emergence of a new generation of brilliant young talent. -
Workshop Word JFH Apr 2016 TW
Sydney Dance Company April School Holidays 2016 — Sydney Dance Jazz, Theatre Jazz JFH &Company Hip Hop April School 2 days $165 Holidays 2016 For Ages— 8—18 Contemporary & Lyrical 2 days $165 For Ages 8—18 Timetable Sydney Ages 8 & 9 Elementary Dance Thursday 14 April Friday 15 April 9.30am-10.00am Registration Company 10.00am-11.15am JAZZ with Jess JAZZ with Jess 11.15am-11.30am Morning recess Morning recess 11.30am-12.45pm HIP HOP with Jayden HIP HOP with Jayden 12.45pm-1.30pm Lunch break Lunch break 1.30pm-2.45pm JFH with Elysha JFH with Elysha 2.45pm-4.00pm THEATRE JAZZ with Veronica THEATRE JAZZ with Veronica Ages 10 & 11 Intermediate Thursday 14 April Friday 15 April 9.30am-10.00am Registration January 10.00am-11.15am HIP HOP with Jayden HIP HOP with Jayden 11.15am-11.30am Morning recess SchoolMorning recess Holidays 11.30am-12.45pm JAZZ with Jess JAZZ with Jess 12.45pm-1.30pm Lunch break Lunch break 2016 1.30pm-2.45pm THEATRE JAZZ with Veronica THEATRE JAZZ with Veronica 2.45pm-4.00pm JFH with Elysha JFH with Elysha 2 days $165 Contemporary Ages 12 & 13 Intermediate/Advanced Lyrical Thursday 21 April Friday 22 April Theatre Jazz 9.30am-10.00am Registration Hip Hop 10.00am-11.15am JAZZ with Amy JFH with Lauren 11.15am-11.30am Morning recess Morning recess 11.30am-12.45pm JFH with Heath JAZZ with Amy 12.45pm-1.30pm Lunch break Lunch breakFor ages 8 to 18 1.30pm-2.45pm HIP HOP with Thomas THEATRE JAZZ with Veronica 2.45pm-4.00pm THEATRE JAZZ with Leslie HIP HOP with Thomas Ages 14-18 Intermediate/Advanced Thursday 21 April Friday 22 April 9.30am-10.00am Registration 10.00am-11.15am JFH with Heath JAZZ with Amy 11.15am-11.30am Morning recess Morning recess 11.30am-12.45pm JAZZ with Amy JFH with Lauren 12.45pm-1.30pm Lunch break Lunch break 1.30pm-2.45pm THEATRE JAZZ with Leslie HIP HOP with Thomas 2.45pm-4.00pm HIP HOP with Thomas THEATRE JAZZ with Leslie Faculty - Juniors Veronica George – Theatre Jazz Jayden Rodrigues – Hip Hop Veronica is a professional Musical Theatre performer. -
ATE Media Information: Events in Sydney
ATE MEDIA INFORMATION | EVENTS IN SYDNEY EVENTS IN SYDNEY Following the recent World Festival & Event City Award from The International Festivals & Events Association (IFEA) for New South Wales (NSW), the state has another spellbinding season of cultural, artistic and sporting spectacles planned for 2015 and beyond. The NSW events calendar, developed by Destination NSW, outlines an outstanding selection of world-class experiences guaranteed to keep Sydney front of mind for visitors. Near the top of the must- experience list is Vivid Sydney, owned and managed by Destination NSW, and now the southern hemisphere’s biggest annual celebration of light, music and ideas, staged over 18 nights each year in May and June. Vivid Sydney was awarded Australian Event of the Year and Best Tourism Event at the 2013 Australian Event Awards and is a major contributor to the NSW economy. In 2014, more than 1.4 million visitors attended, 20,000 of them travelling on Vivid packages, generating more than $20 million. NEW EVENTS COMING UP FOR SYDNEY IN 2015 AND 2016 Netball World Cup August 7-16, 2015: Held every four years since 1963, Netball World Cup is the pinnacle event for international netball. While the Australian Diamonds go into the event as reigning champions, they’ll face fierce competition from arch rivals, the Silver Ferns, as well as rising powers England, Jamaica, South Africa and Malawi. Matilda The Musical, 2015: The Royal Shakespeare Company’s stage musical adaptation of Roald Dahl’s book, Matilda, will make its Australian premiere at Sydney’s Lyric Theatre from July 28, 2015. -
Melbourne Suburb of Northcote
ON STAGE The Autumn 2012 journal of Vol.13 No.2 ‘By Gosh, it’s pleasant entertainment’ Frank Van Straten, Ian Smith and the CATHS Research Group relive good times at the Plaza Theatre, Northcote. ‘ y Gosh, it’s pleasant entertainment’, equipment. It’s a building that does not give along the way, its management was probably wrote Frank Doherty in The Argus up its secrets easily. more often living a nightmare on Elm Street. Bin January 1952. It was an apt Nevertheless it stands as a reminder The Plaza was the dream of Mr Ludbrook summation of the variety fare offered for 10 of one man’s determination to run an Owen Menck, who owned it to the end. One years at the Plaza Theatre in the northern independent cinema in the face of powerful of his partners in the variety venture later Melbourne suburb of Northcote. opposition, and then boldly break with the described him as ‘a little elderly gentleman The shell of the old theatre still stands on past and turn to live variety shows. It was about to expand his horse breeding interests the west side of bustling High Street, on the a unique and quixotic venture for 1950s and invest in show business’. Mr Menck was corner of Elm Street. It’s a time-worn façade, Melbourne, but it survived for as long as consistent about his twin interests. Twenty but distinctive; the Art Deco tower now a many theatres with better pedigrees and years earlier, when he opened the Plaza as a convenient perch for telecommunication richer backers. -
Important Announcement
April Newsletter 2017.qxp_A4 Version 28/3/17 12:56 Page 1 April Newsletter 2017.qxp_A4 Version 28/3/17 12:56 Page 1 CURRENT EVENT STATUS CURRENT EVENT STATUS St Bartholomews' & (FB) = FULLY BOOKED (C) = CANCELLED St Bartholomews' & (FB) = FULLY BOOKED (C) = CANCELLED Museum of Sydney KINKY BOOTS Museum of Sydney KINKY BOOTS www.facebook.com/ToursBMBC www.facebook.com/ToursBMBC Experiment Farm & The Mint WEDNESDAY 10TH MAY 2017 (FB) ExBlupe eMrouinmtaiensn Ttra nFsiat Trramvel Club & The Mint WEDNESDAY 10TH MAY 2017 (FB) Blue Mountains Transit Travel Club Monday 1st May 2017 Thursday 20th April 2017 KINKY BOOTS Monday P1Ost MBOaXy 82109187 Thursday 20th April 2017 KINKY BOOTS PO BOX 8198 WEDNESDAY 24TH MAY 2017 (FB) WEDNESDAY 24TH MAY 2017 (FB) WERRINGTON COUNTY NSW 2747 WERRINGTON COUNTY NSW 2747 THE BODYGUARD - SYDNEY LYRIC THEATRE THE BODYGUARD - SYDNEY LYRIC THEATRE SATURDAY 3RD JUNE 2017 (C) Enquiries: 02 8602 4700 SATURDAY 3RD JUNE 2017 (C) Enquiries: 02 8602 4700 BALMORAL BEACH, CHOWDER BAY & HIGH TEA Website: www.cdcbus.com.au BALMORAL BEACH, CHOWDER BAY & HIGH TEA Website: www.cAdcPbuRs.cIoLm .2au017 APRIL 2017 WEDNESDAY 7TH JUNE 2017 (FB) Email: [email protected] WEDNESDAY 7TH JUNE 2017 (FB) Email: [email protected] VIVID FESTIVAL CRUISE VIVID FESTIVAL CRUISE FRIDAY 16TH JUNE 2017 (FB) TOUR PAYMENTS FRIDAY 16TH JUNE 2017 (FB) TOUR PAYMENTS All day tours require non-refundable deposit on All day tours require non-refundable deposit on CHRISTMAS IN JULY AT THE WATERVIEW RESTAURANT booking and full payment 4weeks prior to CHRISTMAS IN JULY AT THE WATERVIEW RESTAURANT booking and full payment 4weeks prior to WEDNESDAY 5TH JULY 2017 (FB) WEDNESDAY 5TH JULY 2017 (FB) This morning we board the coach and travel locally to This modrenpinagr twuree. -
MINERVA THEATRE Feasibility Study – Executive Summary
MINERVA THEATRE Feasibility Study – Executive Summary MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Create NSW City of Sydney Minerva Theatre Feasibility Study – Executive Summary December 2020 Hawkridge Entertainment Services Tim Long Managing Director Nick Tobin Managing Director, Networked Urban Solutions Disclaimer This report (Study) has been produced independently by Hawkridge Entertainment Services (HES) on the request of Create NSW and the City of Sydney. The information, statements, statistics and commentary (together the ‘Information’) contained in this study have been prepared by HES from publicly available material and from discussions held with stakeholders. HES does not express an opinion as to the accuracy or completeness of the information provided, the assumptions made by the parties that provided the information or any conclusions reached by those parties. HES have based this Report on information received or obtained, on the basis that such information is accurate and, where it is represented to HES as such, complete. The Information contained in this Report has not been subject to an audit. Hawkridge Entertainment Services Specialist consultants in the entertainment, sports, arts and venue industries Sydney | Melbourne | Perth | Singapore Page | 2 MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Executive Summary The Minerva Theatre Feasibility Study was jointly commissioned by the City of Sydney Council and Create NSW, with the principal aim of investigating whether: 1. a refurbished Minerva Theatre would be a viable performance space in the Sydney market; and 2. there is market interest in reinstating the Minerva as a theatre. The study indicates that reinstatement of the Minerva as a commercially operated theatre is a viable proposition. -
Trust News in Its One Stamped Addressed Envelope Will 4 - Los Trios Ringbarkus, Footbridge Present Form
SN 0314-0598 DECEMBER, 1984, VOL. 8, NO. 8 ALVIN AILEY Although the company performs works by that time. An added bonus for Members is AMERICAN DANCE other choreographers it is Ailey's own that they will be sent a voucher which can THEATER works which give the company its unique be exchanged for a complimentary soul and style. Ailey's work alone provides programme at the theatre on the the repertoire with a great diversity for his performance day. The programme will be choreography has gone through almost a splendid souvenir edition valued at as many phases or periods as Picasso's $4.00. As one programme will be provided paintings. per Member, those booking for Member This diversity has always required a friends should also quote their name and special breed of dancer, one who can AETT number on the booking coupon. master a spectrum of styles and the split The company will present two second switch from one to another. For programmes but at this stage repertoire the dar,cer there is the rare opportunity to has not been confirmed. Those who wish duvelop an unparalleled versatility. For to see two programmes should reserve the audience there is the unexpected tickets on the same day each week exposure to the panorama of modern (Tuesday to Saturday). Your booking dance. It all adds up to success which the coupon is enclosed. Alvin Ailey American Dance Theater has Members who are subscribers to the in abundance. Since 1962 and the first Australian Ballet will be notified State Department sponsored tours the separately by The Australian Ballet and audience attendance figures and should book through the Ballet in order to response have been overwhelming. -
Seaborn Broughton & Walford Foundation Newsletter
Seaborn Broughton & Walford Foundation Newsletter Suite 10, 20 Young Street Neutral Bay NSW 2089 Phone - 9955 5444 Email –[email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday – 10.00am – 4.00pm Volume Number Issue Number Date 25 1 23rd January 2017 Chairman’s Letter announced nearly $300,000 in grants. Last year’s Dear Friends recipients included the Griffin Theatre Company, Sport For Jove, the Seymour Centre, the Hayes On behalf of the Board, Staff and volunteers at the Theatre, Monkey Baa, Outhouse Theatre, Red Line at Seaborn, Broughton & Walford Foundation may I extend the Old Fitzroy, Critical Stages, Powerhouse Youth our very best wishes to you for the New Year. May 2017 Theatre, National Theatre of Parramatta, Sydney bring good health, much happiness and many fine Critics Awards, Currency House and the State Opera performances. of South Australia to assist in completing their four- Last year ended on a high note for the Foundation and year project to produce Australian composer George our loyal Friends. Following the relocation to our new Palmer’s opera Cloudstreet, a critically-acclaimed premises in Neutral Bay, we are now optimistic about world premiere based on Tim Winton’s novel. the exciting opportunities that are emerging as we work Warm congratulations also go to Francesca Savige to support the Australian performing arts in 2017. and Shaun Rennie who won this year’s Sandra Bates Director’s Awards, a prize offering mentoring and Since the last Newsletter, we have achieved a number of directing experience for emerging theatre directors milestones: the celebration of three decades of at the Ensemble Theatre in Kirribilli.