DOCSLIB.ORG

QUEENSLAND QUEENSLAND the Perfect Place to Be the Perfect Place to Be

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
QUEENSLAND QUEENSLAND the Perfect Place to Be the Perfect Place to Be QUEENSLAND QUEENSLAND The Perfect Place To Be The Perfect Place To Be TASK CARD 1 TASK CARD 2 GEOGRAPHICAL GIANT REGIONAL QUEENSLAND Queensland is a big State. Un-jumble these sentences to learn Queensland is a large state with diverse areas so it is often broken some big facts about our great State. into regions. Use the map to label the name of each region listed. • in the second state Queensland Australia largest is • 1.7 covers square of approximately area kilometres it million Brisbane an Bundaberg & Coral Isles • is Australia 22.5 the of it about percent area of • Capricorn highest the Mt. 1 622 metres Frere is State’s at mountain Bartle Fraser Coast • the world Island largest Fraser sand is the in island Gold Coast • River Queensland is longest the 1004 kilometre river Flinders in the Gladstone • coastline our has kilometres state of 7 400 Mackay • land with Northern share South New boundaries Territory Southern Downs Australia Wales we South • Sunshine Coast hundreds and small Queensland rivers contains of creeks • Toowoomba & Golden West longest runs The third coastline the length Queensland Great mountain world, Dividing in entire of in range the eastern of the Range, the Townsville Tropical North Whitsunday In which region do you live? ___________________ QUEENSLAND The Perfect Place To Be TASK CARD 3 HOW FAR? Queensland has 182 200 kilometres of public road network including12 main highways that link many centres throughout the state. Use the table provided to calculate the following distances. Calculate the approximate time it would take each journey if the average travel speed was 85km / hour. TIME Brisbane to Gladstone _________ km __________ Bundaberg to Longreach _________ km __________ Townsville to Mt Isa _________ km __________ Nambour to Rockhampton _________ km __________ Charleville to Goondiwindi _________ km __________ Toowoomba to Cunamulla _________ km __________ Coolangatta to Cairns _________ km __________ Mackay to Bowen _________ km __________ Roma to Warwick _________ km __________ Kingaroy to Charters Towers _________ km __________ QUEENSLAND The Perfect Place To Be TASK CARD 4 AMAZING ADVERTISING Advertising is a great tool to get a message out to the public - to let them know about a product or place. Look at some of the display advertisements in the newspaper. Design a print advertisement for the newspaper using the material provided to help advertise a tourist destination in Queensland. Use the ad space provided to arrange the images and write the Advertising Space message. Advertising material TULLY - Cassowary Coast Region - Short distance to many scenic areas, waterfalls. lush rainforests, freshwater swimming holes, walking trails, scenic drives - White-water rafting in Tully River - Abundance of wildlife - Tours of theTully Sugar Mill - Home of the ‘Big Gumboot’ and Golden Gumboot Festival - Variety of accommodation available - Many food outlets, restaurants with fresh local produce - For friendly advice contact Tully Visitors and Heritage Centre, Bruce Highway, PH 07 4068 2288 - Close to Cairns and its International airport QUEENSLAND QUEENSLAND The Perfect Place To Be The Perfect Place To Be WHERE IN QUEENSLAND IS? TASK CARD 5 CROSSWORD TIME TASK CARD 6 Many towns or areas in Queensland are well known for a special 1 2 3 attraction or interesting place. Can you match the attractions to where you would find them in Queensland? 4 Attraction Found 5 Australia Zoo Bowen Australian Age of Dinosaurs Brisbane 6 The Big Gumboot Bundaberg 7 The Big Mango Cairns Region 8 9 Carnarvon Gorge Gold Coast 10 Cobb & Co. Museum Longreach Eungella National Park Mackay Region 11 Great Barrier Reef Sunshine Coast ACROSS DOWN 3 Queensland’s highest 1 The approximate population of Hinkler Hall of Aviation Toowoomba mountain Mt Bartle ______ Queensland is ______ million 5 Capital City of Queensland 2 The fruit crop destroyed by Kuranda Scenic Railway Tully 6 The three states that border QLD Cyclones Larry (2006) and NT, SA and _ _ _ Yasi (2011) Sea World Theme Park Western Downs 8 The Queensland town located 4 Queensland is the ______ close to the Tropic of Capricorn largest state in area in Australia Southbank Whitsundays Region 10 The town best known for the 5 The current Premier of Stockman Hall of Fame and Queensland is Anna _______ Stockman’s Hall of Fame Winton QANTAS Museum 7 Queensland’s state fauna 11 The Historical gold mining emblem Town in South East Queensland 9 Mon repos near Bundaberg Whitehaven Beach 2000km along boasts one of the World’s Queensland largest _________ Coastline rookeries. QUEENSLAND The Perfect Place To Be NAME THE QUEENSLAND ICON TASK CARD 7 Queensland has many icons that have made their mark and are synonymous with our State. See if you can match the names with their picture. 1. The Glass House Mountains 2. Old Parliament House 3. Fraser Island 4. The Tree of Knowledge – Barcaldine (now a monument) 5. Sugar Cane 6. Cane Toad 7. Gladys Moncrieff 8. A Queenslander 9. Cathy Freeman 10. Koala- Qld’s faunal emblem 11. QANTAS 12. Story Bridge 13. Royal Flying Doctors Service 14. Greg Norman 15. Cooktown Orchid – Qld’s Floral emblem 16. Stockman’s Hall of Fame 17. Brisbane City Hall 18. The Big Pineapple 19. 2011 QLD Floods 20. Susie O’Neill 21. Steve Irwin /Australia Zoo 22. Wally Lewis 23. Fourex 24. Kuranda Rail 25. Macadamia Nuts .
Load more

Recommended publications
  • OQS0762 Subs 2011 Brochure Text V6.Indd
    SEASON 2011 SUBSCRIBE Truly. Madly. Deeply. AND SAVE! From the From the Premier of Queensland and Chief Executive/Artistic Director Minister for the Arts Come and celebrate Opera Queensland’s Welcome to Opera Queensland’s fi rst 30 years with 120 years of season for 2011. superlative creation. For nearly three decades, Opera After the success of our Verdi double Queensland has been presenting operas and musicals in 2009, it seems only fair to pay Puccini the same courtesy. across our state and, recently, across state borders. While there is a 43-year overlap in ages, in operatic terms, these two composers are not contemporaries, representing Not only is Opera Queensland expanding in its reach and as they do two musical traditions. Puccini sweeps us into scope, the company has found new ways to connect with the 20th century with melody to delight us all and a masterly audiences of many ages through programs with primary workmanship set to please even the most discerning. And students and young people in regional communities. so it is in May, that we bring you a wonderful new production My government provides key funding to Opera Queensland of The Girl of the Golden West, an opera never before seen as one of the state’s fl agship arts companies. in Queensland. While in October, we present John Copley’s I would like to acknowledge Opera Queensland’s corporate celebrated production of Tosca in all its traditional glory. After partners, many of whom have been onboard for more than an eight-year gap it is a great joy to return this magnifi cent a decade and who, along with government support, help piece to the Lyric Theatre.
    [Show full text]
  • Manyfaces of Inspiration Conversations on Australian Creativity
    William Barton Bruce Beresford Tony Bilson Wendy Blacklock Joan Carden Geoffrey Chard David Clarkson Michael Crouch Rosemary Crumlin Tania De Jong Ross Edwards Robert Gard Stephen Kovacevic Greta Lanchbery Justin Macdonnell David Malouf John McCallum Elisabeth Murdoch Ted Myers Roland Peelman Helena Rathbone Rodney Seaborn John Shaw ManyFaces of Inspiration Conversations on Australian Creativity Dinah Shearing Rachael Swain ANTONY Ken Tribe Googie Withers JEFFREY Martin & Peter Wesley-Smith Many Faces of Inspiration — Antony Jeffrey.indd 1 2/09/10 4:52 PM ntony Jeffrey has worked A in arts management since 1975 when he joined the Australia Council as Music Board director. He was the first general manager of the Australian Chamber Orchestra and for many years has maintained a close association with the orchestra. Prior to that he was commercial manager of the Australian Opera. More recently he was general manager of the Song Company until 2009. He originally trained as an accountant with Price Waterhouse, where he worked in Australia and overseas until his passion for music seduced him into the professional music scene. Since that time, in addition to his executive appointments, he has worked as director or consultant to many arts organisations including the Australian Ballet, Melbourne Theatre Company, Lyric Opera of Queensland, Musica Viva, Australian Brandenburg Orchestra and the Australian Elizabethan Theatre Trust. He has been a leader in establishing philanthropy, corporate sponsor- ship and strategic planning in the arts in Australia, publishing several books in this field, notably 101 Good Ideas for Assisting the Arts. He was appointed a Member of the Order of Australia in 2008 for his services to the arts.
    [Show full text]
  • Variety Timeline: 1900-1999
    AUSTRALIAN VARIETY AND POPULAR CULTURE ENTERTAINMENT: TIMELINE 1900-1999 Symbols Theatres ˟ Works (stage, film and music) ₪ Industry issues • People, troupes and acts ۩ ₣ Film 1900 ₪ Cato and Co: Herbert Cato sets up his own theatrical agency in Sydney. Tivoli Theatre [1] (Adelaide): Harry Rickards converts the Bijou Theatre into the Tivoli. It opens on 20 June ۩ with a company that includes Pope and Sayles, Prof Fred Davys and his Giant Marionettes, Neva Carr-Glynn and Adson, Craydon and Holland.1 .Toowoomba Town Hall [3] (Queensland): Toowoomba's third Town Hall opens on 12 December ۩ ˟ Australia; Or, The City of Zero: (extravaganza) Written especially for Federation by J.C. Williamson and Bernard Espinasse, the story is a fantasy set 100 years in the future - the year 2000. It premieres at Her Majesty's Theatre, Sydney, on 26 December. Australis; Or, The City of Zero (Act 1, Scene 2) From production program. Fryer Library, University of Queensland. • Henry Burton: The veteran circus proprietor dies at the Dramatic Homes, Melbourne, on 9 March. • Harry Clay: Tours Queensland with his wife, Katherine, and daughter, Essie, for Walter Bell's Boer War and London Vaudeville Company. It is to be his last for another manager. • The Dartos: French dancers Francois and Aida Darto (aka Mr and Mrs Chabre) arrived in Australia in December for what will be an 11 month tour of Australasia, initially for George Musgrove and later for Harry Rickards and P.R. Dix (New Zealand). The couple reportedly raised the bar for partner dance acts, with Aida Darto in particular stunning audiences with her flexibility and grace.
    [Show full text]
  • Short Report
    1 AUSTRALIAN EPHEMERA COLLECTION FINDING AID J.C. WILLIAMSON THEATRE PROGRAMS PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA NOVEMBER 2016 James Cassius Williamson was an American actor who immigrated to Australia in the 1870s. Along with business partners, such as William Musgrove, his theatre company became one of the most dominant in colonial Australia. After his death in 1913 the company, now named J.C. Williamson Ltd. continued under the direction of George Tallis and the Tait brothers (who remained involved in the company until the 1970s). J.C. Williamson continued to be one of the biggest theatre companies in Australia throughout the first three quarters of the 20th century. J.C. Williamson held the license for theatres in Melbourne, Sydney, Brisbane, Adelaide and New Zealand (at times more than one theatre in each city). In 1976 the company closed, but the name was licensed until the mid 1980s. This list includes theatre productions held in J.C. Williamson theatres, as well as those produced by J.C. Williamson and performed in other theatres under venue hire arrangements. The list also includes libretti for overseas pantomime productions collected by J.C. Williamson for their corporate archive. CONTENT Printed materials in the PROMPT collection include programs and printed ephemera such as brochures, leaflets, tickets, etc. Theatre programs are taken as the prime documentary evidence of a performance staged by the J.C. Williamson company. In a few cases however, the only evidence of a performance is a piece of printed ephemera. In these cases the type of piece is identified, eg, brochure.
    [Show full text]
  • Entertainment in Brisbane - Recollections
    10 ENTERTAINMENT IN BRISBANE - RECOLLECTIONS By The President NORMAN S. PIXLEY, C.M.G., M.B.E., V.R.D., Kt O.N., F.R. Hist S.Q. Read at the Annual Meeting of the Royal Historical Society of Queensland, 23 September 1976. Brisbane in the early years of this century was rich in enter­ tainment. It could be claimed that in those years the city's character was formed; and the theatre, both professional and amateur, had a big part in that forming. To those of us who lived through those times, when radio and television were something for wild imagining, the memories are wide and many. My family lived at old "Prospect" in Main Street Kangaroo Point and that was most convenient: it was close to the Edward Street ferry, with the steam ferries "Kangaroo" and "Emu" (later replaced by the larger "Ena") which ran from early morning until after theatre closing time at night From then until morning the service was continued with a pulling boat propelled by the sturdy arms of Jack Rowswell, an elderly ex-seaman, which catered for the "night-birds". It was a mile walk along Main Street to the Brisbane Cricket Ground at WooUoongabba where, in addition to some of the cricket "greats" such as Victor Trumper in action, we saw cycle races including "pacing" behind a motor cycle with long handle bars, and Krown the motor cyclist in the saddle with cap back to front and goggles. On one occasion Dahn Rinaldo, advertised as the famous parachutist rose from the Cricket Ground on a tra­ peze beneath a hot air balloon and, after reaching what did not appear to be a great height made his descent using three parachutes consecutively, the first being red, the second white and the third a blue one, with which he landed safely near the East Brisbane State School.
    [Show full text]
  • Maiden Speech
    Speech By Leanne Donaldson MEMBER FOR BUNDABERG Record of Proceedings, 7 May 2015 MAIDEN SPEECH Ms DONALDSON (Bundaberg—ALP) (5.18 pm): I would like to place on the record my congratulations to the Speaker on his historical appointment as Speaker of the House. I am honoured to have entered this parliament at the time when he has been elected Speaker and I wish him well. I rise in this House today to first and foremost acknowledge the original owners of the land on which I stand today. I am truly honoured to represent the people of Bundaberg and I acknowledge the responsibility they have placed upon me and the faith they have put in me to represent them. I acknowledge that not all those who cast their vote in January put me as their first choice. However, my office is always open to all and I will represent all to the best of my ability. I think that is an important point to dwell on for a moment. One of the reasons I put up my hand to represent the people of Bundaberg was to ensure that everyone—and I mean everyone—had a voice in this place, not just the well off, not just the able, not just the lobby groups, not just those who could articulate their issues, not just those who were seen to be worth it, but all people. Too many times I have seen the disenfranchised left without a voice, and I am here to speak up for them. While it is hard to believe that I have become a member of the 55th Parliament and, as a result, part of an historic turning point for our state—and, I believe, the political landscape of this country—I am up to the task.
    [Show full text]
  • Legislative Assembly Hansard 1977
    Queensland Parliamentary Debates [Hansard] Legislative Assembly TUESDAY, 22 MARCH 1977 Electronic reproduction of original hardcopy 2500 Ministerial Statement [22 MARCH 1977] Committee of Privileges TUESDAY, 22 MARCH 1977 symbol withdrawn because eggs sampled at a number of retail outlets were found to be far below the standards prescribed for qua­ Mr. ACTING SPEAKER (Mr. W. D. lity and weight in the regulations under the Hewitt, Chatsworth) read prayers and took Poultry Industry Act. the chair at 11 a.m. My department has warned this firm on two occasions in the last 12 months about ACTING CHAIRMAN OF COMMITTEES supplying poor quality, underweight eggs to Queensland consumers. The first warning NOMINATION OF MR. W. M. GUNN was given on 28 April 1976, and the final Mr. ACTING SPEAKER: Honourable warning on 23 December of the same year. members, I have to inform the House that The firm was given 21 days from the I nominate Mr. W. M. Gunn, Temporary date of the last warning to effect the neces­ Chairman, to act in the office of Chairman sary improvements. When eggs were again of Committees during the absence of Mr. checked 25 days later, the situation had not Speaker. improved; in fact, it had worsened. Eggs were sampled from 15 stores supplied by Egg and I. All of the eggs sampled were graded PAPERS second quality because of extreme staleness -indicated by watery whites and enlarged The following papers were laid on the air cells-or because of soiling, staining, table:- cracking or weakness of the shells. Every Order in Council under the Harbours Act sample contained underweight eggs and, in 1955-1976.
    [Show full text]
  • Last Stage for Bourke Street Frank Van Straten Reports on Another Chapter in the Long History of Bourke Street’S Last Remaining Live Theatre
    ON STAGE The Winter 2007 newsletter of Vol.8 No.3 Last stage for Bourke Street Frank Van Straten reports on another chapter in the long history of Bourke Street’s last remaining live theatre. ost people know Drapac had bought the site it as a popular for $6.9 million, but a title Mvenue for search revealed that it was clubbing and glitzy rock in fact acquired in August entertainment—Metro by Bourke Property Melbourne. It’s been Metro Group, ultimately Melbourne for 20 years, a controlled by another little over one-fifth of its Melbourne businessman, long life. Nick Meletis. But before that it had a Bourke Property has succession of names and now sold the property to uses, principally as a live Jerry Pilarinos. He is the theatre and a cinema. ON Metro’s third owner in less STAGE detailed this eventful than two years. history in three early issues Palace intrigue (Spring 2000, Summer and Mr Pilarinos is an Autumn 2001). established entertainment Now the old place is in entrepreneur. He controls the news again. On 26 June The 1855-capacity venue is currently Bradto Pty Ltd, the recently ousted joint The Australian Financial Review reported that leased until October 2011 at $690 000 per operator of the Palace music venue on St it’s changed hands for just under $10 million. year plus outgoings. The lease contains a Kilda Esplanade. An early contender to The new owner is Jerry Pilarinos, a clause allowing the landlord to terminate it develop the controversial St Kilda ‘triangle’ reclusive Melbourne millionaire property on six months’ notice.
    [Show full text]
  • EARLY HISTORY of MUSIC in QUEENSLAND [By C
    1052 EARLY HISTORY OF MUSIC IN QUEENSLAND [By C. G. AUSTIN.] (Read at a meeting of The Royal Historical Society of Queensland on 23 November 1961.) This paper deals with, in the main, the influence of Queenslanders in the making of music, rather than with the impressions left on Queenslanders after the visits of celebrities from overseas or Southern States, endur­ ing as those impressions may have been. To-night we are in the Ball-room of Newstead House. If it were possible to invent a microphone which could pick up music played 110 years ago, then the air would be filled with sweet and rhythmical sounds, as Captain Wickham entertained his guests at a bah. The Captain was an acknowledged expert in the Mazurka and Quadrille, and as a graceful slow waltzer. Unfortunately, we have no such microphone, and must depend upon the printed and written word. The first recognised Patron of Music in this State was Mr. R. R. Mackenzie (afterwards Sir Robert Mac- SIR ROBERT MacKENZIE 1053 kenzie, first Colonial Treasurer of Queensland). It was through his enterprise and generosity that the first band of professional musicians visited the Moreton Bay Settlement in 1857. Mr. Mackenzie, who had taken up a pastoral hold­ ing in the Brisbane Valley district, paid a visit to Sydney early in 1857 and had attended an orchestral concert which had been organised by Mr. W. H. Paling, a violinist of Dutch nationality, who had come to Aus­ tralia two years earlier. The famous tragedian, G. V. Brooke, induced musicians from England to accompany him on his first visit to Austraha in 1855, one of these being Mr.
    [Show full text]
  • THIS IS the LIFE: [Burlesque] Txt. Paul Stanhope; Mus. [N/E]
    1915 Harry Clay staged his revusicals in 1915 as a first part entertainment - essentially replacing the minstrel portion of his previous shows. The second part of the program offered vaudeville artists - some of which were staged by specialty artists and some by members of the revusical troupe. Most of the other theatre operations presenting revusicals at this time presented these productions as a second part entertainment - with the vaudeville bill opening proceedings. Edward Warwick's Burlesquers toured Australia during the year, presenting vaudeville and burlesque-style musical comedy productions. The troupe included performers such as Maud Fane, George Tichener and Armitage and Hine. The origins of their music theatre works are unclear. __________ THIS IS THE LIFE: [burlesque] Txt. Paul Stanhope; Mus. [n/e] Described as a musical burlesque with seven part characters and a chorus of twelve who sing, dance and/or perform specialty acts. Possibly written by Stanhope with contributions from other Les Bates and other members of the company, the action appears to have unfolded within various parts of a hotel, including a restaurant. Reference is made to the war in a section played out by Arthur Renshaw and a chorus of girls "personifying the Allies" (X-Ray, 35). Stanhope's Spike Murphy character was reportedly a piano mover in this production. Other characters include Charlie Wise (landlord), Google-Eyed Hogan (Spike's friend), Adolf (a waiter), Lord No Coin (up against it), Jannette Dupree (a jolly widow), and Dolly Dollars (her friend). Songs included in the 1915 production included the opening chorus (The Grafters), "I'll Get You," Here Comes the Whip, Poor Will (coon quartet), "Sail On, Silvery Moon," and "It's a Long Way to Tickle Mary." 1915: Bijou Theatre, Melbourne; 2-8 Jan.
    [Show full text]
  • UQFL73 Rolland Arthur Busch Collection
    FRYER LIBRARY Manuscript Finding Aid UQFL 73 Rolland Arthur Busch Collection Size 104 boxes, 9 parcels Contents Miscellaneous papers and minutes of the Uniting Church of Australia; proceedings of meetings, seminars, conference papers; programmes, forms of services, papers, reports of various assemblies, synods, and conferences; monographs, periodicals, programmes and orders of services; newsletters, press releases on Aboriginal issues; published material, church and parish newsletters; church reports; papers relating to Trinity College, Emmanuel College and University of Queensland chaplaincy and army chaplaincy; photographs, lecture notes. Biography Rolland Arthur Busch, AO, OBE, was a Professor of New Testament Studies, Trinity Theological College, 1978 to 1985, President and Principal of Emmanuel College, University of Queensland, 1961 to 1978, 1st Moderator of the Queensland Synod of the Uniting Church, President of the Assembly, 1982 to 1985, Chairman of the Board of Local Missions (Presbyterian Church of Queensland), 1970 to 1974, Convenor of the Department of Christian Education (Presbyterian Church of Queensland), 1960 to 1963, and Chaplain-General, 1968 to 1981. Notes Open access. Access to boxes 109 – 112 is restricted, as material is marked confidential or restricted. Box 1 Folder 1 - Uniting Church of Australia. Miscellaneous papers. Application to Schools Commission. Innovative Schools Program by Jeanie Adams. Aurukun, 1977. (6p. duplicated typescript) Blue Nursing Service Council. Constitution (6p. duplicated typescript). Synod of Queensland. Synod Development Fund. Thankfully-sharing, sowing, sewing (leaflet) The long road: Official publication of the Uniting Church, Division of Child and Family Welfare. No.34, Nov. 1977. Ecumenical quotes. Spring 1977 Uniting Church of Australia. Division of Discipleship within the Department of Parish Services.
    [Show full text]
  • Tony Sheldon's Emotional Training in Australian Theatre
    humanities Article Learning to Act: Tony Sheldon’s Emotional Training in Australian Theatre Anne Pender School of Arts, University of New England (UNE), Armidale, NSW 2351, Australia; [email protected]; Tel.: +61-2-6773-3248 Academic Editor: Peta Tait Received: 19 May 2016; Accepted: 19 August 2016; Published: 26 August 2016 Abstract: This case study of Tony Sheldon considers how an actor develops versatility in emotional delivery and the capacity to work in all theatre genres. Sheldon is one of Australia’s best known and most successful stage actors. He has appeared in Shakespearean drama, cabaret, musical theatre and contemporary plays written by Australian, British and American playwrights. He is one of a sizeable group of Australian actors of his generation to have learned to act ‘on the job’ with directors and other actors rather than undertaking formal qualifications in an institution or studio. This article examines Sheldon’s experience of learning to act, drawing on a life interview with the actor. It considers the opportunities and the difficulties Sheldon experienced in his early career in relation to boundary blurring and self-belief, trauma, directorial rehearsal styles, typecasting, comic acting in partnership and managing one’s character in long seasons. The article explores some of the problems that the actor has overcome, the importance of specific directors in his development, and the dynamics of informal training in the context of an overall ecology of theatre over half a century. Keywords: actors; Australia; actor training; Tony Sheldon; genre and emotion; career in theatre; theatre directors 1. Introduction Actors have often gained recognition for the ways in which they excel at either tragic or comic roles.
    [Show full text]