Los Angeles Department of City Planning RECOMMENDATION REPORT

Total Page:16

File Type:pdf, Size:1020Kb

Los Angeles Department of City Planning RECOMMENDATION REPORT Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC -2008 -1180 -HCM HEARING DATE: May 6, 2008 Location: 7128 Woodrow Wilson Drive TIME: 10:00 AM Council District: 4 PLACE : City Hall, Room 1010 Community Plan Area: Sherman Oaks-Studio City- 200 N. Spring Street Toluca Lake-Cahuenga Pass Los Angeles, CA Area Planning Commission: South Valley 90012 Neighborhood Council: Hollywood Hills West Legal Description: Lot 653 or TR 1450 PROJECT: Historic-Cultural Monument Application for the CLARENCE C. BADGER RESIDENCE REQUEST: Declare the property a Historic-Cultural Monument OWNER/ Gabriel Eshaghian and David Eshaghian APPLICANT: 7128 Woodrow Wilson Drive Los Angeles, CA 90029 OWNER’S Charles J. Fisher REPRESENTATIVE: 140 South Avenue 57 Los Angeles, CA 90042 RECOMMENDATION That the Cultural Heritage Commission: 1. Declare the property a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.7 2. Adopt the report findings. S. GAIL GOLDBERG, AICP Director of Planning [SIGNED ORIGINAL IN FILE] Lambert M. Giessinger, Preservation Architect Office of Historic Resources Prepared by: [SIGNED ORIGINAL IN FILE] ________________________ Edgar Garcia, Preservation Planner Office of Historic Resources Attachments: March 9, 2008 Historic-Cultural Monument Application 7128 Woodrow Wilson Drive CHC-2008-1180-HCM Page 2 of 3 FINDINGS 1. The building “embodies the distinguishing characteristics of an architectural type specimen, inherently valuable for a study of a period style or method of construction” as an example of Spanish Colonial Revival residential architecture. 2. The property is identified with a historic personage, Clarence C. Badger (1880-1964), a recognized early Hollywood film director who directed over eighty films between 1915 and 1941. CRITERIA The criterion is the Cultural Heritage Ordinance which defines a historical or cultural monument as any site (including significant trees or other plant life located thereon) building or structure of particular historic or cultural significance to the City of Los Angeles, such as historic structures or sites in which the broad cultural, economic, or social history of the nation, State or community is reflected or exemplified, or which are identified with historic personages or with important events in the main currents of national, State or local history or which embody the distinguishing characteristics of an architectural type specimen, inherently valuable for a study of a period style or method of construction, or a notable work of a master builder, designer or architect whose individual genius influenced his age. SUMMARY Built in 1916, this two and a half-story single family residence exhibits character-defining features of Spanish Colonial Revival residential architecture. The irregular-shaped plan includes a multi- gabled roof exhibiting clay roof tiles. Two double-tiered concrete chimneys are located on the roof. On the front elevation, two recessed off-center entrances have inset porches with arched entrances and a fountain. The main door is a hand carved multi-paned wooden door with flower motif surrounded by tile work. The side elevation of the subject building reads as a side-gabled three-story with enclosed balconies located at the second and third level. The second level balcony features arched openings; the third level balcony has a tiled overhang extending from the roofline supported by wooden pillars. An additional covered porch is located at the rear of the subject building. An outdoor staircase with customized tile flooring leads from the third level to ground floor. The exterior features stucco, painted wood trim, and stone finish. Windows are multi-pane casement, fixed, and double-hung including some stained glass. Secondary buildings include a concrete garage located at the front of the property. Significant interior elements include two Batchelder fireplaces, arched openings, wooden staircases, extensive hand-painted Mexican tiles, wrought iron, light fixtures, and built-in cabinetry. The proposed Clarence G. Badger historic monument was constructed in 1916 by an unknown architect or builder. The subject building was constructed for Clarence C. Badger (1880-1964), a celebrated early Hollywood film director who directed over eighty films between 1915 and 1941. Badger is credited with discovering famed film actress Clara Bow, starring her in his film “It” in 1927. Badger also directed films starring Gloria Swanson, Will Rogers, Madge Kennedy, Jason Robards, Sr., and Hedda Hopper. Alterations to the property include c.1929 additions of a bathroom, sleeping room, and porch and bathroom and kitchen remodeling throughout between the 1970s to present. 7128 Woodrow Wilson Drive CHC-2008-1180-HCM Page 3 of 3 DISCUSSION The Clarence C. Badger successfully meets two of the specified Historic-Cultural Monument criteria: 1) “embod[ies] the distinguishing characteristics of an architectural type specimen, inherently valuable for a study of a period style or method of construction,” and 2) is identified with a historical personage. As a residential building designed in the Spanish Colonial Revival style and built for a recognized early Hollywood film director, the property clearly qualifies for designation as a Historic-Cultural Monument based on these criteria. BACKGROUND At its meeting of April 3, 2008, the Cultural Heritage Commission voted to take the application under consideration. On April 17, 2008, the Cultural Heritage Commission toured the subject property. Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC -2008 -1180 -HCM HEARING DATE: April 3, 2008 Location: 7128 Woodrow Wilson Drive TIME: 10:00 AM Council District: 4 PLACE : City Hall, Room 1010 Community Plan Area: Sherman Oaks-Studio City- 200 N. Spring Street Toluca Lake-Cahuenga Pass Los Angeles, CA Area Planning Commission: South Valley 90012 Neighborhood Council: Hollywood Hills West Legal Description: Lot 653 or TR 1450 PROJECT: Historic-Cultural Monument Application for the CLARENCE G. BADGER RESIDENCE REQUEST: Declare the property a Historic-Cultural Monument OWNER/ Gabriel Eshaghian and David Eshaghian APPLICANT: 7128 Woodrow Wilson Drive Los Angeles, CA 90029 OWNER’S Charles J. Fisher REPRESENTATIVE: 140 South Avenue 57 Los Angeles, CA 90042 RECOMMENDATION That the Cultural Heritage Commission: 1. Take the property under consideration as a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.10 because the application and accompanying photo documentation suggest the submittal may warrant further investigation. 2. Adopt the report findings. S. GAIL GOLDBERG, AICP Director of Planning [SIGNED ORIGINAL IN FILE] Ken Bernstein, Manager Office of Historic Resources Prepared by: [SIGNED ORIGINAL IN FILE] ________________________ Edgar Garcia, Preservation Planner Office of Historic Resources Attachments: March 9, 2008 Historic-Cultural Monument Application ZIMAS Report 7128 Woodrow Wilson Drive CHC-2008-1180-HCM Page 2 of 2 SUMMARY Built in 1916, this two and a half-story single family residence exhibits character-defining features of Spanish Colonial Revival residential architecture. The irregular-shaped plan includes a multi- gabled roof exhibiting clay roof tiles. Two double-tiered concrete chimneys are located on the roof. On the front elevation, two recessed off-center entrances have inset porches with arched entrances and a fountain. The main door is a hand carved multi-paned wooden door with flower motif surrounded by tile work. The side elevation of the subject building reads as a side-gabled three-story with enclosed balconies located at the second and third level. The second level balcony features arched openings; the third level balcony has a tiled overhang extending from the roofline supported by wooden pillars. An additional covered porch is located at the rear of the subject building. An outdoor staircase with customized tile flooring leads from the third level to ground floor. The exterior features stucco, painted wood trim, and stone finish. Windows are multi-pane casement, fixed, and double-hung including some stained glass. Secondary buildings include a concrete garage located at the front of the property. Significant interior elements include two Batchelder fireplaces, arched openings, wooden staircases, extensive hand-painted Mexican tiles, wrought iron, light fixtures, and built-in cabinetry. The proposed Clarence G. Badger historic monument was constructed in 1916 by an unknown architect or builder. The subject building was constructed for Clarence C. Badger (1880-1964), a celebrated early Hollywood film director who directed over eighty films between 1915 and 1941. Badger is credited with discovering famed film actress Clara Bow, starring her in his film “It” in 1927. Badger also directed films starring Gloria Swanson, Will Rogers, Madge Kennedy, Jason Robards, Sr., and Hedda Hopper. Alterations to the property include c.1929 additions of a bathroom, sleeping room, and porch and bathroom and kitchen remodeling throughout between the 1970s to present. CRITERIA The criterion is the Cultural Heritage Ordinance which defines a historical or cultural monument as any site (including significant trees or other plant life located thereon) building or structure of particular historic or cultural significance to the City of Los Angeles, such as historic structures or sites
Recommended publications
  • Papéis Normativos E Práticas Sociais
    Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs.
    [Show full text]
  • Babylon Revisited Rare Books & Yesterday's Gallery Catalog 68
    Babylon Revisited Rare Books & Yesterday's Gallery yesterdaysgallery .com PO Box 154 / E. Woodstock, CT 06244 860-928-1216 / [email protected] Catalog 68 Please confirm the availability of your choices before submitting payment. All items are subject to prior sale. You may confirm your order by telephone, email or mail. We accept the following payment methods: Visa, Mastercard, Paypal, Personal Checks, Bank Checks, International and Postal Money Orders. Connecticut residents must add 6% sales tax. All items are guaranteed as described and may be returned for any reason. Please notify us within three days of receipt and note the reason for the return. All items should be shipped fully insured. Shipping charges are $6.00 for the first item, $1.50 for each additional item. Shipping of sets or unusual items or items being sent overseas will be billed at cost. We generally ship via the U. S. Postal Service. 1) ABBE, George. Voices in the Square. New York: Coward-McCann. 1938. First Edition. Earle dustjacket art. Author's first novel and story of a New England town. Near Fine in Very Good plus dustjacket, some rubbing to spine ends and flap corners, few nicks. $125.00 2) ANONYMOUS. One Woman's War. New York: Macaulay Company. 1930. First Edition. Stylized dustjacket art. Uncommon World War One themed narrative from a woman's point of view. From the jacket copy: "Some of the women war workers never returned; some returned to commit suicide rather than face the memory of what they had become. The woman who writes this book was a member of an aristocratic family.
    [Show full text]
  • Fatal Accident at Logging Camp Court of Revision Sits
    Provincial Library * r. t l> •- UbW THE tt --• '*„ With which It consolidated the Cumberland Hews. TWENTY-NINTH YEAR—No. 37. CUMBERLAND, BRITISH COLUMfllA, SATURDAY, SEPTEMBER 11, 1920 SUBSCRIPTION PRICE: TWO DOLLARS PER ANNUM.' FATAL ACCIDENT Presentation To Autoists Fall p COURT OF REVISION AT LOGGING CAMP Arthur Wilkinson Into Police Trap Popular Member of United Foot* Sunday Night 17 Were Found SITS ON MONDAY Stanhope M. Peatt, a Popular Young Fellow in Cumberland, Met ball Club Presented With a To Exceed the Speed Limit It is not anticipated that there will be many—if, indeed, any— With Fatal Accident at the Logging Camp of Bloedel, Beautiful Watch. of Thirty Miles an Hour objections to the new voters list as compiled by the district Stewart & Welch at Union Bay on Tuesday Afternoon. On Thursday evening'the Cumber registrar, when the Court or Revision opens at the Court House, On Sunday afternoon Constables Cumberland, at 10 a.m. on Monday next. So far there has been land United Football Club and Its sup Mortimer aud Dawley arranged a One of Cumberland's most popular young men met instant porters gave a supper and presenta speed test over a measured mile on no appeals lodged against the six thousand odd names on the new death on Tuesday afternoon vvhile attending his duties at the log­ tlon to Mr. Arthur Wilkinson, the cele the Sandwick road, and as a result list. Any person claiming to be entitled to be registered as a voter ging camp of Messrs. Bloedel, Stewart & Welch, near Union Bay. brated full-back of the local team, the found that seventeen curs were ex­ in this district may apply in person to have his or her name champions of British Columbia, who is ceeding the speed limit of 30 miles Stanhope M.
    [Show full text]
  • 215269798.Pdf
    INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.
    [Show full text]
  • Hands Up! by Steve Massa
    Hands Up! By Steve Massa Raymond Griffith is one of silent come- dy’s unjustly forgotten masters, whose onscreen persona was that of a calm, cool, world-weary bon vivant – some- thing like Max Linder on Prozac. After a childhood spent on stage touring in stock companies and melodramas, he ended up in films at Vitagraph in 1914 and went on to stints at Sennett,- L Ko, and Fox as a comedy juvenile. Not mak- ing much of an impression due to a lack of a distinctive character, he went be- hind the camera to become a gagman, working at Sennett and for other comics like Douglas MacLean. In 1922 he re- turned to acting and became the ele- gant, unflappable ladies’ man. Stealing comedies such as “Changing Husbands,” “Open All Night,” and “Miss Bluebeard” (all 1924) away ing very popular with his character of “Ambrose,” a put- their respective stars Paramount decided to give him his upon everyman with dark-circled eyes and a brush mous- own series, and he smarmed his way through ten starring tache. Leaving Sennett in 1917 he continued playing Am- features starting with “The Night Club” (1925). brose for L-Ko, Fox, and the independent Poppy Come- dies and Perry Comedies. His career stalled in the early “Hands Up!” (1926) soon followed, and is the perfect 1920s when he was blacklisted by an influential produc- showcase for Griffith’s deft comic touch and sly sense of er, but his old screen mate Charlie Chaplin came to the the absurd. The expert direction is by Clarence Badger, rescue and made Mack part of his stock company in films who started in the teens with shorts for Joker and Sen- such as “The Idle Class” (1921) and “The Pilgrim” (1923).
    [Show full text]
  • Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
    Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials .....................................................................................................................................
    [Show full text]
  • The Picture Show Annual (1928)
    Hid •v Digitized by the Internet Archive in 2015 https://archive.org/details/pictureshowannuaOOamal Corinne Griffith, " The Lady in Ermine," proves a shawl and a fan are just as becoming. Corinne is one of the long-established stars whose popularity shows no signs of declining and beauty no signs of fading. - Picture Show Annual 9 rkey Ktpt~ thcMouies Francis X. Bushman as Messala, the villain of the piece, and Ramon Novarro, the hero, in " Ben Hut." PICTURESQUE PERSONALITIES OF THE PICTURES—PAST AND PRESENT ALTHOUGH the cinema as we know it now—and by that I mean plays made by moving pictures—is only about eighteen years old (for it was in the Wallace spring of 1908 that D. W. Griffith started to direct for Reid, the old Biograph), its short history is packed with whose death romance and tragedy. robbed the screen ofa boyish charm Picture plays there had been before Griffith came on and breezy cheer the scene. The first movie that could really be called iness that have a picture play was " The Soldier's Courtship," made by never been replaced. an Englishman, Robert W. Paul, on the roof of the Alhambra Theatre in 18% ; but it was in the Biograph Studio that the real start was made with the film play. Here Mary Pickford started her screen career, to be followed later by Lillian and Dorothy Gish, and the three Talmadge sisters. Natalie Talmadge did not take as kindly to film acting as did her sisters, and when Norma and Constance had made a name and the family had gone from New York to Hollywood Natalie went into the business side of the films and held some big positions before she retired on her marriage with Buster Keaton.
    [Show full text]
  • Lilms Perisllecl
    Film History, Volume 9, pp. 5-22, 1997. Text copyrig ht © 1997 David Pierce. Design, etc. copyright© John libbey & Company. ISSN: 0892-2 160. Pri nted in Australia l'lle legion of file conclemnecl - wlly American silenf lilms perisllecl David Pierce f the approximately 1 0 ,000 feature print survives for most silent films, usually therewere films and countless short subjects re­ not many copies lo begin with . While newspapers leased in the United States before or magazines were printed and sold by the thou­ O 1928, only a small portion survive . sands, relatively few projection prints were re­ While so me classics existand are widelyavailable, quired for even the most popular silent films . In the many silent films survive only in reviews, stills, pos­ earliest days of the industry, producers sold prints, ters and the memories of the few remaining audi­ and measured success bythe number ofcopies sol d. ence members who saw them on their original By the feature period, beginning around 1914, release. 1 copies were leased lo subdistributors or rented lo Why did most silent films not survive the pas­ exhibitors, and the owners retained tight control. sage of time? The curren! widespread availability The distribution of silent features was based on a of many tilles on home video, and the popularity of staggered release system, with filmgoers paying silent film presentations with live orchestral accom­ more lo see a film early in its run. Films opened in paniment might give the impression that silent films downtown theatres, moved lo neighbourhood had always been held in such high regard .
    [Show full text]
  • Film Advertising Cards and Programs Collection Inventory
    Film Advertising Cards and Programs Collection Inventory 1 box; 6 envelopes; 252 items; .125 metres Env. #1: Advertising Cards – 62 items 1. Roscoe Arbuckle (Fatty) / Temple Theatre, week of April 28, 1919 2. John Barrymore / Dundas Playhouse, week of July 21, 1919 3. Enid Bennet / Dundas Playhouse, week of May 12, 1919 4. Gladys Brockwell / Adanac Theatre, week of March 3, 1919 5. Billy Burke / Amusu Theatre, week of April 7, 1919 6. June Caprice / Adanac Theatre, April 14, 1919 7. Harry Carey / Duchess Theatre, week of May 12, 1919 8. Mrs. Vernon Castle (Irene) / Adanac Theatre, week of May 26, 1919 9. Barbara Castleton / Duchess Theatre, week of April 7, 1919 10. Lina Cavalieri / Playhouse Theatre, week of April 21, 1919 11. Charlie Chaplin / Dundas Playhouse, week of April 28, 1919 12. Ethel Clayton / Brighton & Parkview Theatres, wk of April 28, 1919 13. Dorothy Dalton / Dundas Playhouse, week of April 7, 1919 Dorothy Dalton / Queen’s Royal Theatre, week of March 4, 1918 14. Priscilla Dean / Brighton & Parkview Theatres, wk of April 28, 1919 15. June Elvidge / Duchess Theatre, week of March 24, 1919 16. Madge Evans / Dundas Playhouse, week of September 15, 1919 17. Douglas Fairbanks / Brighton Theatre, week of March 10, 1919 18. Dustin Farnum / Temple Theatre, week of April 21, 1919 19. William Farnum / Brighton & Parkview Theatres, week of April 7, 1919 Film Advertising Cards and Programs Collection Inventory Page 2 of 18 20. Geraldine Farrar / Brighton & Parkview Theatres, wk of May 26, 1919 Geraldine Farrar / Queen’s Royal Theatre, week of March 18, 1919 21.
    [Show full text]
  • Will Rogers: Native American Cowboy, Philosopher, and Presidential
    UNIVERSIDAD DE CUENCA Escuela de Lengua y Literatura Inglesa ABSTRACT This senior thesis, “Will Rogers: Native American Cowboy, Philosopher, and Presidential Advisor,” presents the story of Will Rogers, indicating especially the different facets of his life that contributed to his becoming a legend and a tribute to the American culture. Will Rogers is known mostly as one of the greatest American humorist of his time and, in fact, of all times. This work focuses on the specific events and experiences that drove him to break into show business, Hollywood, and the Press. It also focuses on the philosophy of Will Rogers as well as his best known sayings and oft-repeated quotations. His philosophy, his wit, and his mirth made him an important and influential part of everyday life in the society of the United States in his day and for years thereafter. This project is presented in four parts. First, I discuss Rogers’ childhood and his life as a child-cowboy. Second, I detail how he became a show business star and a popular actor. Third, I recall his famous quotations and one-liners that are well known nowadays. Finally, there is a complete description of the honors and tributes that he received, and the places that bear Will Rogers name. Reading, writing, and talking about Will Rogers, the author of the phrase “I never met a man I didn’t like,” is to tell about a life-story of “completeness and self-revelation,” because he was a great spirit, a great writer, and a great human being. CONTENTS TABLE CHAPTER I: Biography of Will Rogers……………………………............
    [Show full text]
  • Wellesley News
    Elizabetn Maicy, ellealey, Mass. Wellesley College News VOL XXXV WELLESLEY, MASS., MAY 5, 1927 HOUSE PRESIDENTS. 1927-1928 Governor Smith Is Both MISSISSIPPI FLOOD VICTIMS Change In Curriculum SATURDAY'S PAGEANT Patriot Is Favored by Faculty LAID JAPAN Bcebe Elizabeth Noyes Catholic and From the College . INJLD Cazenove Frances Hartman Emergency Fund $100.00 Oflcial word has reache Day's Fairy Tale f I., tl mi Louise Belden Collection at Chapel, Sim- May Japanese Theme Freeman Fanny Catlett day, April 24 (Kindness that will prove gratifying Affords a Princess, Foreign Margaret Macon of tively interested in the Princes and Dancers Pomeroy of the editor of the Service Fund) . $ 75.57 Shafer Lois Whitaker Atlantic Monthly upon the issue Various contributions, ac- curriculum change at Wellesley. Al- Tower PrLscilla Wentworth d by Charles C. Marshall in his knowledged with thanks $174.92 though it is the policy of the Aca- ENGLISH YOUTH CHOSEN SUITOR Wilder Margaret MeJennett open letter to Alfred E. Smith. Gov- demic Council to preserve silence or subjects Wood Ruth Butler ernor of the State of New York. Feel- $350.49 under discussion until a deci- The coronation day of Norumbega Dorothy Miller with the prominence of Gov- sion has been reached, the NEWS ha; ing that, Further contributions are urgently Severance Katherine Hobbie ernor Smith as a possible candidate received permission to give the follow- Day pageant to be presented May 7. needed. These may be left at the Presidency, doubt as to the ing encouragement:—An appreciable of the rather weary prince-- for the Information Bureau, or can be given majority of the faculty are vitally in- who must choose a husband on her to Miss Bernice Bulley, Shafer, or to Local Current Events Catholic Church terested in the problem of curriculurr day from the numerous Roman Miss Ruth Clark of the French De- constitutional principles she of foreign countries is charm- Prize Goes To Senior partment, cleared away, Mr.
    [Show full text]
  • RCA Consolidated Series, Continued
    RCA Discography Part 18 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Consolidated Series, Continued 2500 RCA Red Seal ARL 1 2501 – The Romantic Flute Volume 2 – Jean-Pierre Rampal [1977] (Doppler) Concerto In D Minor For 2 Flutes And Orchestra (With Andraìs Adorjaìn, Flute)/(Romberg) Concerto For Flute And Orchestra, Op. 17 2502 CPL 1 2503 – Chet Atkins Volume 1, A Legendary Performer – Chet Atkins [1977] Ain’tcha Tired of Makin’ Me Blue/I’ve Been Working on the Guitar/Barber Shop Rag/Chinatown, My Chinatown/Oh! By Jingo! Oh! By Gee!/Tiger Rag//Jitterbug Waltz/A Little Bit of Blues/How’s the World Treating You/Medley: In the Pines, Wildwood Flower, On Top of Old Smokey/Michelle/Chet’s Tune APL 1 2504 – A Legendary Performer – Jimmie Rodgers [1977] Sleep Baby Sleep/Blue Yodel #1 ("T" For Texas)/In The Jailhouse Now #2/Ben Dewberry's Final Run/You And My Old Guitar/Whippin' That Old T.B./T.B. Blues/Mule Skinner Blues (Blue Yodel #8)/Old Love Letters (Bring Memories Of You)/Home Call 2505-2509 (no information) APL 1 2510 – No Place to Fall – Steve Young [1978] No Place To Fall/Montgomery In The Rain/Dreamer/Always Loving You/Drift Away/Seven Bridges Road/I Closed My Heart's Door/Don't Think Twice, It's All Right/I Can't Sleep/I've Got The Same Old Blues 2511-2514 (no information) Grunt DXL 1 2515 – Earth – Jefferson Starship [1978] Love Too Good/Count On Me/Take Your Time/Crazy Feelin'/Crazy Feeling/Skateboard/Fire/Show Yourself/Runaway/All Nite Long/All Night Long APL 1 2516 – East Bound and Down – Jerry
    [Show full text]