April/May 1996
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Computing Graphics
A joint newsletter of the Statistical Computing & Statistical Graphics Sections of the American Statistical Association. April 1993 Vol.4 No.1 COMPUTING GRAPHICS A WORD FROM OUR CHAIRS FEATURE ARTICLE Statistical Computing Saxpy, gaxpy, LAPACK, OneoftheperksoftheChairoftheStatisticalCom- puting Section is writing a column for this newsletter. and BLAS Imagine: I can write for several thousand members of Colin Goodall The Pennsylvania State University my profession, without the bene®t of refereeing. I get to tell you what I think, rather than what I know. Measuring Performance Maybe I'm a bit odd, but what I've been thinking about One of the best understood computational tasks is lin- is copyrighting and patenting of statistical software and ear algebra. Considerable effort has gone into fast and of computer material in general. My interest was piqued accurate code for these manipulations, e.g. LINPACK by an advertisement I received for a computer pack- (Dongarra et al. 1979), EISPACK, and most recently age that would display a high dimensional plot using a LAPACK (Anderson et al. 1992). The speed of these patented algorithm. The name of the method was jar- computations is measured in mega ¯ops (MFLOPS), or gon, so I could tell nothing from the advertisement about millions of ¯oating point instructions per second. Each the program and what it did. Mainly, what the adver- ¯oating point instruction is a single arithmetic opera- tisement did was make me wonder just what it meant for tion, e.g. a multiplication, a divide, an addition or sub- an algorithm to be patented. Was I supposed to believe traction, performed in full ¯oating point precision arith- that patenting was a substitute for peer review? Did it metic, usually 64 bits double precision. -
Myst 3 Exile Mac Download
Myst 3 exile mac download CLICK TO DOWNLOAD Myst III: Exile Patch for Mac Free UbiSoft Entertainment Mac/OS Classic Version Full Specs The product has been discontinued by the publisher, and renuzap.podarokideal.ru offers this page for Subcategory: Sudoku, Crossword & Puzzle Games. The latest version of Myst III is on Mac Informer. It is a perfect match for the General category. The app is developed by Myst III renuzap.podarokideal.ruin. Myst III: Exile X for Mac Free Download. MB Mac OS X About Myst III: Exile X for Mac. The all NEW sequel to Myst and Riven new technology, new story and a new arch enemy. It's the perfect place to plan revenge. The success of Myst continues with 5 entirely new ages to explore and a dramatic new storyline, which features a pivotal new character. This version is the first release on CNET /5. Myst III (3): Exile (Mac abandonware from ) Myst III (3): Exile. Author: Presto Studios. Publisher: UbiSoft. Type: Games. Category: Adventure. Shared by: MR. On: Updated by: that-ben. On: Rating: out of 10 (0 vote) Rate it: WatchList. ; 3; 0 (There's no video for Myst III (3): Exile yet. Please contribute to MR and add a video now!) What is . myst exile free download - Myst III: Exile X, Myst III: Exile Patch, Myst IV Revelation Patch, and many more programs. 01/07/ · Myst III Exile DVD Edition - Windows-Mac (Eng) Item Preview Myst III Exile DVD Edition - renuzap.podarokideal.ru DOWNLOAD OPTIONS download 1 file. ITEM TILE download. download 1 file. -
An Interactive Non-Linear Adventure
Rochester Institute of Technology RIT Scholar Works Theses 12-6-1994 Live it! - An Interactive non-linear adventure Gedeon Maheux Talos Tsui Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Maheux, Gedeon and Tsui, Talos, "Live it! - An Interactive non-linear adventure" (1994). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Rochester Institute of Technology A Thesis Submitted to the Faculty of The College of Imaging Arts and Sciences in Candidacy for the Degree of Master of Fine Arts Live It! - An Interactive Non-Linear Adventure by Gedeon Maheux & Talos, Shu-Ming, Tsui December 6, 1994 Committee Sipnatures Thesis Approval ,James VerHague Date: /.2. ~ ~ ~ 't 'f chief adviser Deborah Beardslee Date: :1 &amkv'lf associate adviser (2. - Robert Keough Date: ('-1L( associate adviser Nancy Ciolek Date: / 2 - b -9if associate adviser David Abbott Date: /2- -1- >if associate adviser Mary ANn Begland Date: /2. - 7· 91 Department Chairperson Gedeon Maheux Date: _ MFA Candidate Talos, Shu-Ming, Tsui Date: _ MFA Candidate We. & hereby grant permission to the Wallace Memorial Library of RIT to reproduce our thesis in whole or in part. Any reproduction will not be for commercial use or profit. Acknowledgements We would like to thank our parents for their support, -
December/January 1995
december/january 1995 GAME DEVELOPER MAGAZINE GAME PLAN GGAMEAEM The Dark of Editor Larry O’Brien [email protected] the Electric Pickle Senior Editor Nicole Freeman [email protected] Managing Editor Nicole Claro [email protected] n the end, I didn’t even have a what you want to be.” Sha-la-la, Editorial Assistant Deborah Sommers chance to light my pickle. In my indeed. [email protected] best shot yet at Andy Warhol’s The Bradys had station wagons Contributing Editors Alex Dunne promised 15 minutes of fame, I and convertibles, symbols of consump- [email protected] blew it, but it all might have been tion and status. In contrast, the Par- Barbara Hanscome different had they just given me the tridges had that most poignant of all [email protected] chance to demonstrate to the world symbols of freedom from the status Chris Hecker [email protected] the miracle of the electric pickle. quo—a schoolbus with birds painted on David Sieks II’m often the target of joke e-mails the side. [email protected] purporting to be from various people, Where the Bradys had an emo- Editor-at-Large Alexander Antoniades but I couldn’t dismiss the one purport- tionally stunted servant woman in Alice [email protected] edly from Danny!, the daytime talk (why did she need Sam the Oh-So- Cover Photography Charles Ingram Photography show. Danny! (exclamation point Blue-Collar Butcher to validate her mandatory), of course, is a vehicle for worth?), the Partridges portrayed a Danny Bonaduce, who, if you’re a cer- much more complicated world, in Publisher Veronica Costanza tain age, you’ll remember as the red- which one has to dance with the capi- Group Director Regina Starr Ridley haired and mysteriously edgy moppet talist devil even as one decries its from The Partridge Family. -
Automatic Graph Drawing Lecture 15 Early HCI @Apple/Xerox
Inf-GraphDraw: Automatic Graph Drawing Lecture 15 Early HCI @Apple/Xerox Reinhard von Hanxleden [email protected] 1 [Wikipedia] • One of the first highly successful mass- produced microcomputer products • 5–6 millions produced from 1977 to 1993 • Designed to look like a home appliance • It’s success caused IBM to build the PC • Influenced by Breakout • Visicalc, earliest spreadsheet, first ran on Apple IIe 1981: Xerox Star • Officially named Xerox 8010 Information System • First commercial system to incorporate various technologies that have since become standard in personal computers: • Bitmapped display, window-based graphical user interface • Icons, folders, mouse (two-button) • Ethernet networking, file servers, print servers, and e- mail. • Sold with software based on Lisp (early functional/AI language) and Smalltalk (early OO language) [Wikipedia, Fair Use] Xerox Star Evolution of “Document” Icon Shape [Wikipedia, CC BY-SA 3.0] 1983: Apple Lisa [Wikipedia, CC BY-SA 2.0 fr] Apple Lisa • One of the first personal computers with a graphical user interface (GUI) • In 1982, Steve Jobs (Cofounder of Apple, with Steve Wozniak) was forced out of Lisa project, moved on into existing Macintosh project, and redefined Mac as cheaper, more usable version of Lisa • Lisa was challenged by relatively high price, insufficient SW library, unreliable floppy disks, and immediate release of Macintosh • Sold just about 10,000 units in two years • Introduced several advanced features that would not reappear on Mac or PC for many years Lisa Office -
Design . Directing . Storyboarding . Illustration . Vision PHIL SAUNDERS • 2623 Euclid St
PHIL SAUNDERS • 2623 Euclid St. Apt C, Santa Monica, CA 90405 • Tel.310.780.1870 • [email protected] • www.saunderscreative.com WORK EXPERIENCE FREELANCE DESIGN CONSULTANT - SAUNDERS CREATIVE PRESENT •Provide design, directing, visualization and storyboarding services to the entertainment, product and automotive industries. Recent Clients: WARNER BROTHERS STUDIOS “Superman” Feature Film - Concept Design Prod. Des.: Owen Patterson BURTON SNOWBOARDS “Chopper” 2005 Snowboard line - Board graphic design & illustration Art Dir.: Michael Jagger JUNGLE FILM “Milford Tea” Commercial - Storyboards & Costurme design Dir.: Kai Sehr SUPERMEGA PRODUCTIONS Mariah Carey “Boy (I Need You)” Video - Concept Design Dir.: Joseph Kahn MGM STUDIOS “The Outer Limits - Counterfeit” Feature Film - Concept design Dir.: Rupert Wainwright CENTROPOLIS FX “Saturn” Commercial - Concept design & storyboards Dir.: Kai Sehr SUPERMEGA PRODUCTIONS “Torque” Feature Film - Custom motorcycle concept designs Dir.: Joseph Kahn BURTON SNOWBOARDS “Punch” & “Chopper” 2004 Snowboard lines - Character designs Art Dir.: Michael Jagger ROCKFORD FOSGATE CAR AUDIO 1999-2002 marketing campaigns - Concept design & product designArt Dir.: Frank Vitale CREATIVE DIRECTOR - PRESTO STUDIOS 1992 - 2002 •Built a reputation for creative excellence and attention to detail at the top of the industry. Our most recent title, Myst 3: Exile, was a #1 hit and was recently reviewed by NEXT GENERATION magazine as “...one of the best-looking games ever made.” •Responsible for overseeing and contributing to the entire creative development of numerous award-winning games, from initial concept, story development, gameplay, visual and audio design, to live-action direction and art direction. •Responsible for interfacing with the technology group to ensure the smooth integration of art and engineering on projects ranging from pre-rendered adventure titles, to real-time 3D action; from PC and Mac platforms to development for Playstation and X-box. -
I.T.S.O. Powerpc an Inside View
SG24-4299-00 PowerPC An Inside View IBM SG24-4299-00 PowerPC An Inside View Take Note! Before using this information and the product it supports, be sure to read the general information under “Special Notices” on page xiii. First Edition (September 1995) This edition applies to the IBM PC PowerPC hardware and software products currently announced at the date of publication. Order publications through your IBM representative or the IBM branch office serving your locality. Publications are not stocked at the address given below. An ITSO Technical Bulletin Evaluation Form for reader′s feedback appears facing Chapter 1. If the form has been removed, comments may be addressed to: IBM Corporation, International Technical Support Organization Dept. JLPC Building 014 Internal Zip 5220 1000 NW 51st Street Boca Raton, Florida 33431-1328 When you send information to IBM, you grant IBM a non-exclusive right to use or distribute the information in any way it believes appropriate without incurring any obligation to you. Copyright International Business Machines Corporation 1995. All rights reserved. Note to U.S. Government Users — Documentation related to restricted rights — Use, duplication or disclosure is subject to restrictions set forth in GSA ADP Schedule Contract with IBM Corp. Abstract This document provides technical details on the PowerPC technology. It focuses on the features and advantages of the PowerPC Architecture and includes an historical overview of the development of the reduced instruction set computer (RISC) technology. It also describes in detail the IBM Power Series product family based on PowerPC technology, including IBM Personal Computer Power Series 830 and 850 and IBM ThinkPad Power Series 820 and 850. -
Amy Clary: "Digital Nature: Uru and the Representation of Wilderness in Computer Games"
Digital Nature: Uru and the Representation of Wilderness in Computer Games Amy Clary The desert is intense. The parched red earth bakes under the relentless glare of the afternoon sun. Thirsty-looking clumps of sage, too squat and sere to cast much shadow, dot the dry, cracked land. On the barbed wire fence is a sign, sunbleached and wind- scoured, that reads “No Trespassing” and “New Mexico.” A rusty Airstream trailer blends into the unforgiving landscape like the shell of a desert tortoise. Two oases of shade beckon: one under the awning of the vintage Airstream, another cast by a distant red rock butte. I head toward the butte, eager to explore its alluringly steep slopes and jagged profile. I climb up the slope and realize that it is not a butte at all but the entrance to a sort of canyon, a cleft, with a seductive assortment of shapes and shade inside it. I take anoth- er step and … the whole world dissolves into unintelligible poly- gons of color. All I see is chaos, and try as I might, I can’t get back to the desert. Such are the frustrations of playing Uru: Ages Beyond Myst (Cyan Worlds, 2003) on a computer that barely meets the game’s mini- mum system requirements. Reviewer Darryl Vassar writes, “Uru will make even the beefiest video card sweat at the highest detail settings…” (“Incomparable beauty” section: para. 4). I had hoped that by turning the game’s graphics settings down to the bare-bones level, my processor, video card, and memory would be sufficient to the task, but they were not. -
Apple Computer, 2006
9-706-496 REV: MAY 30, 2007 DAVID B. YOFFIE MICHAEL SLIND Apple Computer, 2006 Early in 2006, following a surge in the stock price for Apple Computer, CEO Steve Jobs savored a moment of triumph over one of his chief rivals in the personal computer (PC) industry. In an e-mail to his employees, he quipped that “Michael Dell wasn't perfect at predicting the future. Based on today's stock market close, Apple is worth more than Dell [Inc., Dell’s namesake company]. Stocks go up and down, and things may be different tomorrow, but I thought it was worth a moment of reflection today.”1 Back in 1997, not long before Jobs returned to the company that he had founded, Dell had recommended that Apple throw in the proverbial towel: “I’d shut it down and give the money back to the shareholders.”2 Dell’s remark was not without warrant. Apple had just gone through five years of turmoil. But not quite a decade later, Apple was riding high. In the fiscal year 2005, it posted $1.3 billion in net income on $13.9 billion in sales, and recorded an operating margin of 11.8%. Since 2001, its sales had grown at a compound annual rate of 27%. Early in 2006, its stock was trading at an all-time high of $86 a share—up from its 1997 low of $7.3 Jobs had made several dramatic moves since returning to Apple. He had pushed the company to turn out innovative products, such as the iMac and the OS X operating system. -
Apple Computer, Inc. Records M1007
http://oac.cdlib.org/findaid/ark:/13030/tf4t1nb0n3 No online items Guide to the Apple Computer, Inc. Records M1007 Department of Special Collections and University Archives 1998 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the Apple Computer, Inc. M1007 1 Records M1007 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Apple Computer, Inc. Records creator: Apple Computer, Inc. Identifier/Call Number: M1007 Physical Description: 600 Linear Feet Date (inclusive): 1977-1998 Abstract: Collection contains organizational charts, annual reports, company directories, internal communications, engineering reports, design materials, press releases, manuals, public relations materials, human resource information, videotapes, audiotapes, software, hardware, and corporate memorabilia. Also includes information regarding the Board of Directors and their decisions. Physical Description: ca. 600 linear ft. Access Open for research; material must be requested at least 36 hours in advance of intended use. As per legal agreement, copies of audio-visual material are only available in the Special Collections reading room unless explicit written permission from the copyright holder is obtained. The Hardware Series is unavailable until processed. For further details please contact Stanford Special Collections ([email protected]). Conditions Governing Use While Special Collections is the owner of the physical and digital items, permission to examine collection materials is not an authorization to publish. These materials are made available for use in research, teaching, and private study. Any transmission or reproduction beyond that allowed by fair use requires permission from the owners of rights, heir(s) or assigns. -
In: New Opportunities for Partnering. Proceedings of the 1994 CAUSE Annual Conference (Orlando, Florida, November 29-December 2, 1994); See HE 029 709
DOCUMENT RESUME ED 401 861 HE 029 714 TITLE New Technology. New Opportunities for Partnering, CAUSE94. Track V. INSTITUTION CAUSE, Boulder, Colo. PUB DATE 95 NOTE 82p.; In: New Opportunities for Partnering. Proceedings of the 1994 CAUSE Annual Conference (Orlando, Florida, November 29-December 2, 1994); see HE 029 709. AVAILABLE FROMCAUSE Information Resources Library, 4840 Pearl East Circle, Suite 302E, Boulder, CO 80303 (Individual papers available to CAUSE members at cost of reproduction). PUB TYPE Reports Descriptive (141) Speeches/Conference Papers (150) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS Colleges; *Computer Networks; Computers; Cooperation; Educational Planning; Higher Education; *Information Management; *Information Networks; Information Systems; *Information Technology; Internet; Models; *Partnerships in Education; Productivity; Technological Advancement; Universities IDENTIFIERS *Campus Wide Information Systems; *CAUSE National Conference ABSTRACT Eight papers are presented from the 1994 CAUSE conference track on new information technology and its uses in higher education institutions. The papers include:(1) "New Tools for Multimedia Development: ScriptX" (Edwin J. Pinheiro);(2) "Providing a Campus-Wide Software Server, or How to Be All Things to All People!," focusing on developments at Arizona State University (Richard Grover and L. Dean Conrad);(3) "Internet Tools Access Administrative Data," which discusses Internet access to administrative and student records at the University of Delaware (Carl Jacobson);(4) "Moving Toward the Virtual University: A Vision of Technology in Higher Education," which examines developments at California Polytechnic State University (Warren J. Baker and Arthur S. Gloster II);(5) "Productivity Tools: An Executive Insight and Evaluation," which discusses the use of computer aided software engineering (CASE) tools at the University of Florida (John E. -
Oct. 2Nd the First Public Demonstration Story, He Wrote a Program That of the System, and Stooky, Made an IBM Tape Drive Stop So Occurred on [Jan 26] 1926
wireless! Watch him - he may Fredkin is credited with have a razor on him.” inventing the “walking” disk drive at MIT. According to the Oct. 2nd The first public demonstration story, he wrote a program that of the system, and Stooky, made an IBM tape drive stop so occurred on [Jan 26] 1926. In suddenly after reaching its top Stooky Bill is Seen later years, the system was put speed that it caused the device Oct. 2, 1925 on display in the London Science to rock back and forth, move Museum, along with Stooky's around, and occasionally fall head. Scottish inventor John Logie over. Baird [Aug 13] produced the first recognizable image on the The character Stephen Falken in world’s first working TV. Being the film “WarGames” [June 3], constantly short of funds, he had Edward N. Fredkin was modeled after Fredkin. built the device from assorted scrap materials, including an old Jr. hatbox, a pair of scissors, bicycle Born: Oct. 2, 1934; Martin Edward light lenses, and sealing wax and Los Angeles, California glue. Fredkin is the inventor of the Hellman His invention, which he termed a trie data structure (a search tree Born: Oct. 2, 1945; “televisor,” used rotating disks that utilizes string prefixes), and the Bronx, NYC to scan objects as electrical the Billiard-Ball Computer impulses via a photocell. The Model for reversible computing Hellman is best known as the co- signals were displayed on a with cellular automata. The inventor of public key screen as a low-resolution model utilizes Fredkin gates, cryptography with Whitfield greyscale image.