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ABC Distribution Kaasstraat 4 2000 Antwerpen T
ABC Distribution Kaasstraat 4 2000 Antwerpen t. 03 – 231 0931 www.abc‐distribution.be info@abc‐distribution.be presenteert / présente release: 14/11/2012 Persmappen en beeldmateriaal van al onze actuele titels kan u gedownloaden van onze site: Vous pouvez télécharger les dossiers de presse et les images de nos films sur: www.abc‐distribution.be Link door naar PERS om een wachtwoord aan te vragen. Visitez PRESSE pour obtenir un mot de passe. 2 DIANA VREELAND: THE EYE HAS TO TRAVEL – synopsis nl + fr Diana Vreeland – sprankelende persoonlijkheid, mode‐icoon en hoofdredacteur – schreef geschiedenis door mode te verheffen tot kunstvorm. Vreeland zwaaide de scepter als hoofdredacteur van Harper’s Bazaar en Vogue en creëerde een lifestyle vol glamour en excentriciteit die ongekend was in haar tijd. Vreeland werd bejubeld om haar humor en vlijmscherpe uitspraken als ‘the bikini is the biggest thing since the atom bomb.’ Twiggy, Lauren Bacall, Jackie O. en Coco Chanel behoorden tot haar meest intieme vrienden. In de documentaire DIANA VREELAND: THE EYE HAS TO TRAVEL blikt The Empress of Fashion zelf terug op haar bewogen leven. De fine fleur uit de internationale modewereld komen aan het woord over deze grande dame aller tijdschriften. Met o.a. Manolo Blahnik, Lauren Hutton, Diana von Furstenberg, David Bailey en Anjelica Huston. Lengte 88min. / Taal: Engels / Land: Verenigde Staten Diana Vreeland, personnalité hors norme, brillante, excentrique, aussi charmeuse qu’impérieuse, régna 55 ans durant sur la mode et éblouit le monde par sa vision unique du style. DIANA VREELAND : THE EYE HAS TO TRAVEL est à la fois un portrait intime et un vibrant hommage à l’une des femmes exceptionnelles du XXème siècle, véritable icône dont l’influence a changé le visage de la mode, de l’art, de l’édition et de la culture en général. -
WORKS by LEGENDARY PHOTOGRAPHER HORST at the Mccord MUSEUM
WORKS BY LEGENDARY PHOTOGRAPHER HORST AT THE McCORD MUSEUM A NORTH AMERICAN EXCLUSIVE Montreal, May 12, 2015 – Between May 14, and August 23, 2015, the McCord Museum is presenting, exclusive to North America, Horst: Photographer of Style, the first major retrospective of the works of Horst P. Horst (1906-1999). This touring exhibition is produced by London’s Victoria and Albert Museum. Legendary German-American artist Horst was one of the 20th century’s most influential fashion and portrait photographers. The exhibition features more than 250 vintage shots that transcend time. In addition to the photographs, the retrospective displays sketchbooks, a short film, archival footage, contact sheets and magazines, as well as eight haute couture dresses from celebrated designers that include Chanel, Muriel Maxwell Couverture du Vogue Molyneux, Lanvin, Schiaparelli, Maggy Rouff and Vionnet, all Muriel Maxwell américain, 1er juillet 1939 from the Victoria and Albert Museum collection. Cover of American Vogue, © Condé Nast /Succession July 1, 1939 Horst © Condé Nast / Horst Estate Also included in the exhibition are a number of less well-known aspects of Horst’s work: nude studies, travel shots from the Middle East, patterns created from natural forms, interiors and portraits. It chronicles his creative process and artistic influences, touching notably on his interest in ancient Classical art, particularly Greco-Roman sculpture, the Bauhaus ideals of modern design, and Surrealism in 1930s Paris. Visitors will discover in the exhibition the legacy of a master photographer. The four primary lenders are the Horst Estate; R. J. Horst; the Condé Nast Archive in New York; and the archive of Paris Vogue. -
Vogue Magazine the Glossy Has Spawned an Industry of Imitators, Two Documentaries, a Major Hollywood Film And, Perhaps Most Enduringly, a Modern Dance Craze
Lookout By the Numbers Vogue Magazine The glossy has spawned an industry of imitators, two documentaries, a major Hollywood film and, perhaps most enduringly, a modern dance craze. Itís also gone through some serious changes over the course of its 121 years in print. In recent years, the fashion bible has traded willowy models for celebrities of all kinds, a trend that reached its apex in April when the left-leaning, Chanel-shaded Brit Anna Wintour (the magazineís seventh editor in chief) decided to put ó gasp! ó a reality star on its cover. But even with young upstarts nipping at its Manolos, the periodical that popularized tights and the L.B.D. continues to thrive under its time-tested principle. That is, while other magazines 15 teach women whatís new in fashion, Vogue teaches them whatís in vogue. Approx. age at which Anna Wintour Here, a look at the facts and figures behind fashionís foremost franchise. — JEFF OLOIZIA established her signature bob $200,000 13% Wintour’s rumoredored annual clothing allowance of covers featuring celebrities during Wintour’s first five years 916 PagesP in the Favorite cover model by editor: SeptemberSepte 2012 issue, Anna Wintour: Vogue’sVogue largest to date 93% AMBER VALLETTA Vogue’sVoVogue’gue’ longest tenuredd editors:editors: of covers featuringg celebritiesc 17x over the last five years (still on the masthead)d) Diana Vreeland: Anna Wintour – 29 years A samplingsampling BRIGITTE BAUER Phyllis Posnick – 27 years of the 19 exotic exotic & animalsanimalsimals in fashionfashi on JEAN SHRIMPTON Grace Coddington – 26 years 19x each spreadsspreads Hamish Bowles – 22 years alongsideala ongside famous famous Reigning cover queen ladies:ladies:dies: 37 CheetahC (Kim Basinger, April ‘88) Number of years the longest ElephantEle (Keira Knightley, June ‘07) 26 reigning editor in chief served (Edna Woolman Chase, 1914-1951) SkunkSk (Reese Witherspoon, June ‘03) Number of times Lauren Hutton has fronted the magazine GibbonGi (Marisa Berenson, March ‘65) 8 (Nastassja Kinski, Oct. -
Valeska Soares B
National Museum of Women in the Arts Selections from the Collection Large-Print Object Labels As of 8/11/2020 1 Table of Contents Instructions…………………………………………………..3 Rotunda……………………………………………………….4 Long Gallery………………………………………………….5 Great Hall………………….……………………………..….18 Mezzanine and Kasser Board Room…………………...21 Third Floor…………………………………………………..38 2 National Museum of Women in the Arts Selections from the Collection Large-Print Object Labels The large-print guide is ordered presuming you enter the third floor from the passenger elevators and move clockwise around each gallery, unless otherwise noted. 3 Rotunda Loryn Brazier b. 1941 Portrait of Wilhelmina Cole Holladay, 2006 Oil on canvas Gift of the artist 4 Long Gallery Return to Nature Judith Vejvoda b. 1952, Boston; d. 2015, Dixon, New Mexico Garnish Island, Ireland, 2000 Toned silver print National Museum of Women in the Arts, Gift of Susan Fisher Sterling Top: Ruth Bernhard b. 1905, Berlin; d. 2006, San Francisco Apple Tree, 1973 Gelatin silver print National Museum of Women in the Arts, Gift from the Trustees of the Corcoran Gallery of Art (Gift of Sharon Keim) 5 Bottom: Ruth Orkin b. 1921, Boston; d. 1985, New York City Untitled, ca. 1950 Gelatin silver print National Museum of Women in the Arts, Gift of Joel Meyerowitz Mwangi Hutter Ingrid Mwangi, b. 1975, Nairobi; Robert Hutter, b. 1964, Ludwigshafen am Rhein, Germany For the Last Tree, 2012 Chromogenic print National Museum of Women in the Arts, Gift of Tony Podesta Collection Ecological concerns are a frequent theme in the work of artist duo Mwangi Hutter. Having merged names to identify as a single artist, the duo often explores unification 6 of contrasts in their work. -
Eclectic Ease
TAKE A MEMO JEAN PAUL GAULTIER TALKS ABOUT HIS NEW A NEW BOOK COLLECTS BROOKLYN- EXHIBITION IN THE THE MEMOS FROM THE BOROUGH, AS WELL AS MADONNA, FILM AND LEGENDARY DIANA BOUND MORE. PAGE 3 VREELAND. PAGE 10 $500,000 CONTRIBUTION Ralph Boosts Initiative For NYC Manufacturing By MARC KARIMZADEH NEW YORK — Ralph Lauren has given a signifi cant boost to New York garment manufacturing. Lauren will serve as the “premier underwriter” of the new Fashion Manufacturing Initiative with WEDNESDAY, OCTOBER 23, 2013 ■ $3.00 ■ WOMEN’S WEAR DAILY a $500,000 contribution from Ralph Lauren Corp. to the program, which was launched last month by WWD the Council of Fashion Designers of America and Andrew Rosen in partnership with the New York City Economic Development Corp. “I was born in New York and started my business in the Garment District here,” Lauren said. “FMI serves an important role in supporting our city, our industry and gives designers the access and oppor- tunities needed to help advance their careers while Eclectic boosting manufacturing in New York. This is some- thing I’m very proud to be a part of.” The initiative’s aim is to raise funds and create grants to help existing factories in the fi ve boroughs to update equipment, acquire new machinery and train workers, for example. Ease With the contribution, Don Baum, Ralph Lauren’s Contemporary designers are striking an senior vice president, global manufacturing and sourcing, will join FMI’s selection committee, which easy-breezy vibe for spring with loose, includes Rosen, chief executive offi cer of Theory; carefree shapes worked in a mix of cheerful CFDA ceo Steven Kolb; designer Prabal Gurung; Nanette Lepore ceo Bob Savage, and Rag & Bone de- patterns. -
Penelope Rowlands
A Conversation with Penelope Rowlands enelope Rowlands’s biography of Carmel Snow, A Dash of Daring: Carmel Snow and P Her Life in Fashion, Art, and Letters was one of the books that was most valuable to the curatorial team that put together The Women of Harper’s Bazaar, 1936-1958. In became the heavily Post- it noted Bible for all things Bazaar. In a fitting twist, Rowlands used FIT’s copies of Harper’s Bazaar that date from Snow’s tenure for her research, just as the curators did. Because Rowlands, a journalist, was working on a project in Paris, she wasn’t able to attend the exhibition. However, she made time to speak on the phone with one of the curators, Nancy MacDonell, also a journalist, to talk about Carmel Snow, the importance of a good editor in chief, and the current state of fashion journalism. The following is an edited, condensed version of their conversation. Nancy MacDonell: Thank you so much for agreeing to speak with me. Penelope Rowlands: Oh, you're welcome. I was thrilled to hear about the show. As you can imagine, I have a bias towards Carmel and I'm always happy to hear her getting some attention. NM: If someone has heard of any of these three women they've probably heard of Diana Vreeland. I think Carmel Snow was a more gifted editor, but she didn't get the recognition that Vreeland got. PR: Well, that's exactly true, and when I met with Richard Avedon that was one of my Questions, and he’s quoted in the book—that Carmel came along before fashion editors were stars. -
Christie's to Offer Exquisite Photographic Masterworks
For Immediate Release March 10, 2009 Contact: Milena Sales 212.636.2680 [email protected] CHRISTIE’S TO OFFER EXQUISITE PHOTOGRAPHIC MASTERWORKS FROM PRIVATE COLLECTIONS THIS MARCH IN NEW YORK Photographs at Christie’s New York New York – On March 31, Christie’s New York will showcase a broad range of photographs from the early 20th century through to the present day. As the market for the medium flourishes, Christie’s is committed to offering a carefully choreographed group of desirable images. Highlights include important photographs, all from private collections worldwide, by artists such as Helmut Newton, Irving Penn, Robert Mapplethorpe, Henri Cartier-Bresson, Richard Avedon, Baron Adolph de Meyer, Ansel Adams, Bernd and Hilla Becher, William Eggleston and Shirin Neshat. Overall, the sale comprises 116 lots with a projected sale total of $3 million. Helmut Newton: Photographs from the Collection of Leon Constantiner: Third and Final Part The final selection from the extraordinary Constantiner collection underscores Helmut Newton’s ascension to the position of one of the most sought-after photographers in the current market. In December 2008, Christie’s New York held Part I of this Newton- led collection, which totaled over $7.7 million and established the world auction record for a work by the artist. The March 31st sale will open with twenty classic works by Newton. His diverse, often mischievous fashion nude and landscape studies are all represented in the selection, a highlight of which is the Big Nude I: Lisa, Paris, (estimate: $25,000-35,000) – pictured right. Estimates for the group range from $4,000-$60,000. -
Alexey Brodovitch and His Influence
#, Philadelphia College ofArt expresses its gratitude to those foundations ivithout ivhose major, sponsoring grants this exhibition and catalogue could not have been achieved: The American Metal Climax Foundation; The Catherwood Foundation; The Samuel S. Fels Fund. In addition, generous supporting gifts from the following are gratefully acknou'ledged: Mr. and Mrs. George R. Bunker; The William Randolph Hearst Foundation; Mr. Morton Jenks; Saks Fifth Avenue. The exhibition and catalogue have been produced hv the Philadelphia College ofArt in collaboration with, the Smithsonian Inslilulion, Washington, D.C. April 7, 1972 Philadelphia. Pennsylvania ALEXEY BRODOVITCH ANDmS INFLIIENGE firing the winter of 1969 I had an opportunity to visit Alexey Brodovitch in le Thor, a small, quiet town in the south of France. I had gone there to tell him that the College had wanted to give him a degree and an exhibition, and that we hoped this still might be possible. That first meeting was strange and compelling. Outside that day, there was a clear winter light, and inside his back-lit room, all was shadowed and Brodovitch himself scarcely more than a silhouette, indistinct but also somehow very much a presence. Strained courte- sies in French and English began the visit, but soon gave way to another level of intensity, alwavs just below the surface of what we said. In that simple, lean room, this gaunt and ravaged man. ill and half-paralyzed, anguished by a recent and terrible accident to his son, was by turns gallant and passionate, courteous, friendly and desperately alone. It was impossible to remain aloof from him; he had a way of compelling involvement. -
University of Cape Town
Town Cape of University Sartorial Disruption An investigation of the histories, dispositions, and related museum practices of the dress/fashion collections at Iziko Museums as a means to re-imagine and re-frame the sartorial in the museum. Erica de Greef The copyright of this thesis vests in the author. No quotation from it or information derivedTown from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes Capeonly. of Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University Thesis presented for the Degree of Doctor of Philosophy Department of African Studies University of Cape Town January 2019 “Clothes are people to Diana Vreeland. Her interest in them is deep and human” (Ballard, 1960:293, cited in Clark, De la Haye & Horsley. 2014:26) This text represents a full and original submission for the degree of Doctor of Philosophy at the University of Cape Town. This copy has been supplied for the purpose of research, on the understanding that it is copyright material, and that no quotation from the thesis may be published without proper acknowledgment. Cover Image: SAM14268: Beadwork Detail. Photograph by Andrew Juries, Courtesy of Andrew Juries. iii iv Abstract In this thesis I investigate and interrogate the historical and current compositions, conditions and dispositions of three collections containing sartorial objects of three formerly separate museums – the South African Museum, the South African National Gallery and the South African Cultural History Museum. -
Horst, Horst P. (1906-1999) a Portrait of Horst P
Horst, Horst P. (1906-1999) A portrait of Horst P. by Caryn E. Neumann Horst by Stathis Orphanos. Encyclopedia Copyright © 2015, glbtq, Inc. Courtesy Stathis Orphanos. Entry Copyright © 2005, glbtq, inc. Copyright © Stathis Reprinted from http://www.glbtq.com Orphanos. All Rights Reserved. Horst, a German-born naturalized American society and fashion photographer, created some of the most memorable images of the mid-twentieth century. Horst P. Horst was born Horst Paul Albert Bohrmann on August 14, 1906 in the eastern German town of Weiseenfels-an-der-Saale as the second son of Max Bohrmann and Klara Schönbrodt Bohrmann. His wealthy parents owned a hardware store. A mild case of tuberculosis brought Horst's public school days to an end. He spent a year in a sanitarium in Switzerland in the early 1920s. After briefly studying Chinese in Frankfurt am Main, he worked in an import- export firm as a file clerk. Introduced to the arts by his paternal aunt, Horst longed to find a way into that world. He was particularly fascinated by Bauhaus, a between-the-wars German movement that sought to erase the distinction between the fine and the applied arts. In 1926 Horst enrolled in the Hamburg Kunstgewerbeschule, or School of the Applied Arts, where he hoped to come into contact with Bauhaus artists. Horst's later use of lighting is reminiscent of Bauhaus photographer László Moholy-Nagy. To Horst's delight, noted French architect Charles-Edouard Jeanneret-Gris hired him in 1930 to apprentice at his Paris studio. Known as Le Corbusier and one of the greatest twentieth-century architects, Jeanneret- Gris created the Maison-Domino, a basic building prototype for mass production with free-standing pillars and rigid floors. -
Rich, Attractive People in Attractive Places Doing Attractive Things Tonya Walker Virginia Commonwealth University
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2006 Rich, Attractive People In Attractive Places Doing Attractive Things Tonya Walker Virginia Commonwealth University Follow this and additional works at: http://scholarscompass.vcu.edu/etd Part of the English Language and Literature Commons © The Author Downloaded from http://scholarscompass.vcu.edu/etd/992 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Rich, Attractive People Doing Attractive Things in Attractive Places - A Monologue from Hell - - by Tonya Walker, Master of Fine Arts Candidate Major Director: Tom De Haven, Professor, Department of English Acknowledgement This thesis could not have been completed - completed in the loosest sense of the word - had in not been for the time and involvement of three men. I'd like to thank my mentor David Robbins for his unfailing and passionate disregard of my failings as a writer, my thesis director Tom De Haven for his patient support and stellar suggestions that are easily the best in the book and my husband Philip whose passionate disregard of my failings and patient support are simply the best. Abstract RICH, ATTRACTIVE PEOPLE IN ATTRACTIVE PLACES DOING ATTRACTIVE THINGS By Tonya Walker, M.F.A. A these submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. Virginia Commonwealth University, 2006 Major Director: Tom De Haven, Professor, Department of English Rich, Attractive People in Attractive Places Doing Attractive Things is a fictional memoir of a dead Manhattan socialite from the 1950's named Sunny Marcus. -
1 Cs CAMERA DOPPIA Horst P Horst E Lisette Model Per Natacha
CAMERA DOPPIA Lisette Model. Street Life Horst P. Horst. Style and Glamour Turin, CAMERA – Centro Italiano per la Fotografia 28 April – 4 July 2021 Lisette Model. Street Life curated by Monica Poggi Horst P. Horst. Style and Glamour curated by Giangavino Pazzola CAMERA – Centro Italiano per la Fotografia inaugurates its 2021 exHibition season with a double solo show dedicated to two major pHotograpHers, namely Lisette Model and Horst P. Horst, resuming the exhibition cycle dedicated to the great names from the history of 20th-century photography. A cycle – wHicH began with the exHibition on Carlo Mollino (2018) and continued with that on the work of Man Ray (2019) – providing an opportunity not only to investigate the genius of the great masters, but also to appreciate the different artistic interpretations of the language of pHotograpHy: from arcHitecture to portraiture and from street to fasHion pHotograpHy. Through the CAMERA DOPPIA format, from 28 April to 4 July, the exhibition centre in Via delle Rosine 18 in Turin presents the public with the personal exhibitions Street Life dedicated to Lisette Model and Style and Glamour dedicated to Horst P. Horst: while she was an ironic and irreverent street photographer, he was a genius of fashion photography, both were reference points in the development of their specific pHotograpHic genre and inspirers of entire generations. Despite the fact that they both started out in the world of photography in Paris in the 1930s, their attitudes towards the subjects they portrayed were completely different: while for the German pHotograpHer His models represented timeless elegance, with classical references and statuesque beauty, the subjects portrayed by the Austrian became caricatures of themselves, emblems of a gawky and decadent society.