Initiation Rites As a Possible Key to the Decipherment of the Rongorongo Script Of
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512 INDEX 4WD Tours Iquique 198 Porvenir 411-12 Uyuni (Bol) 215 A
© Lonely Planet Publications 512 Index Aldea de Tulor 220 Museo Municipal de Bellas Artes ABBREVIATIONS alerce 65, 346 (Viña del Mar) 135 Arg Argentina Allende, Salvador 36, 37-8, 92 Museo Nacional de Bellas Artes Bol Bolivia alpacas 64 (Santiago) 87 Altiplano lakes 215 arts 47-52 4WD tours Ana Kai Tangata 455 Atacama Desert 21, 62, 207, 216 Iquique 198 Ana Te Pahu 454 Atacameño peoples 31, 46, 175, 220 Porvenir 411-12 Ancud 323-7, 325 Atoca 185 Uyuni (Bol) 215 Angol 171-2 ATMs 469 animals 63-4, 432, see also individual Ayquina 222 A species Aymara peoples 31, 45, 46, 181, 187, accommodations 460-2, see also Antarctica 421, 422 190, 191 individual locations Antillanca 300 language 497-8 Antofagasta 223-7, 224 B Achao 331-2 aquaculture 69, 315 Bachelet, Michelle 42, 43 activities 23, 70-5, 462-3, see also araucaria 65, 260, 272, 286 Bahía Inglesa 235 individual activities archaeological sites, see geoglyphs, Bahía Tierras Blancas 437 addresses 463 petroglyphs Baños Morales 119 Aguas Calientes 300 Archipiélago Juan Fernández 429- Baquedano 207 ahu 457 38, 431 bargaining 471 Ahu Akahanga 456 architecture 51 bars 54 Ahu Akapu 446 area codes 472, see also inside front bathrooms 472 INDEX Ahu Akivi 454-5 cover beaches Ahu Ature Huki 459 Arica 177-85, 179 Arica 180 Ahu Hanga Tetenga 456 art galleries & art museums Bahía Inglesa 235 Ahu Nau Nau 459 Bodegón Cultural 262 Concón 139 Ahu Riata 446 Casa del Arte Diego Rivera 315 Coquimbo 251-2 Ahu Tahai 446 Centro Cultural Matucana 91 Easter Island 446, 458-9, 459 Ahu Tautira 446 Centro Cultural Palacio -
El Patrimonio Natural De Chile: Flora Y Fauna
Actividad Semanal Historia, Geografía y Ciencias Sociales 2° Año Básico Docente de Asignatura: Jacqueline Madrid Orellana OA (OA 5) Reconocer diversas expresiones del patrimonio cultural del país y de la región, tales como manifestaciones artísticas, tradiciones folclóricas, leyendas. Objetivo semanal Identificar las expresiones del patrimonio natural de Chile: flora y fauna. Fechas Semana del 09 al 13 de Noviembre del 2020 Unidad N 4: Tradiciones, costumbres y patrimonio chileno Asignatura: Historia, Geografía y Ciencias Sociales Curso: 2º Básico Mes: Noviembre Apuntes 19 “Hola queridos estudiantes y familia” Bienvenidos a nuestra clase de Historia. Esta semana seguiremos aprendiendo y seguir con ese maravilloso entusiasmo y esfuerzo. A continuación, te mostrare lo que realizaremos durante la clase de Historia Ruta de aprendizaje Recordar contenido Leer y comprender Responder preguntas de la clase anterior información Practicar Realizar actividad Conoces estos lugares La moneda Moais de isla de Mercado Central Ascensor de Valparaíso Son parte de nuestro patrimonio cultural Sabías que el patrimonio cultural es un conjunto de elementos que son relevantes para la cultura de nuestro pueblo. Como, por ejemplo: los museos, edificios, costumbres, comidas y bailes. Bienes culturales valiosos que heredamos de nuestros antepasados que nos permiten conocer nuestra historia y preservarla para el futuro. El patrimonio cultural puede ser tangible e intangible. Tangible: Visibles como: edificios históricos, iglesias, obras de arte, sitios arqueológicos, fotografías, zonas típicas y monumentos. Intangible: Son los valores y expresiones que caracterizan a un pueblo o nación. Como, por ejemplo: Leyendas, tradiciones, fiestas típicas, refranes, canciones, creencias y música. Comencemos Sabías que… El patrimonio natural: está constituido por monumentos naturales construidos por formaciones físicas y biológicas, es decir, estas fueron creadas poco a poco a lo largo del tiempo por la naturaleza. -
Easter Island
Birdman or Birdbrain About the Show When The Book pages transform into rongorongo script, Freddi, Samantha, and Fred transport back to 1765 to Rapa Nui (a.k.a. Easter Island) and face to face with a 15-ton moai! It’s just another day at Curriculum Connections the beach as the trio jump off cliffs, swim through shark infested • ancient civilizations waters to the Birdman’s Island (Motu Nui), oh, and try to find The Book • archeology • Easter Island along the way! Subject Areas Introduction • language arts • social studies Historical mysteries are a sure-fire way to get students interested in the past. Studying the origins and meaning of the giant stone statues of Rapa Nui give students a wonderful opportunity to delve into a civilization that remains an enigma. Historical Background Rapa Nui, an island in the Pacific Ocean off the coast of Chile, is more than 1,000 miles away from the nearest inhabited island, Pitcairn Island. Rapa Nui received the name Easter Island from Admiral Jacob Roggeveen, who sailed a trade ship for the Dutch West India Company. He landed on the island on Easter Day, 1722, and named it in honor of the holiday. It is now a Chilean territory. A mere 66 square miles, Rapa Nui was inhabited for thousands of years by Polynesians who raised crops, built houses, and worshipped gods in nearly complete isolation from the rest of the world. They also created enormous stone statues, moai, that still stand. These statues are thought to honor sacred chiefs and gods and may have emerged out of friendly competitions between groups of craftsmen. -
Chile and Argentina Easter Island Ext Feb2022 Updatedjun2020
E CHE SEM A N CHEESEMANS’ ECOLOGY SAFARIS E S C 2059 Camden Ave. #419 ’ O San Jose, CA 95124 USA L (800) 527-5330 (408) 741-5330 O G [email protected] Y S cheesemans.com A FA RIS Easter Island Extension Mysterious Moai February 23 to 28, 2022 Moai © Far South Expeditions EXTENSION OVERVIEW Join us on an exciting extension where you’ll stroll amongst the monolithic moai statues of Easter Island, carved from basalt lava by Polynesian settlers centuries ago. Visit abandoned settlements, explore ceremonial centers, and take a boat ride for a different perspective of the island, where you might see petroglyphs painted high on the cliffs above. Come along for an unforgettable journey of exploration into the history of Easter Island (Rapa Nui). HIGHLIGHTS • Learn about Easter Island’s moai statues and the tangata manu competition where rulership of Easter Island was defined through a ritual race for a bird egg. TRIP OPTION: This is a post-trip extension to our Chile and Argentina trip from February 11 to 24, 2022 (http://cheesemans.com/trips/chile-argentina-feb2022). Cheesemans’ Ecology Safaris Page 1 of 6 Updated: June 2020 LEADER: Josefina ‘Josie’ Nahoe Mulloy. DAYS: Adds 3 days to the main trip to total 17 days, including estimated travel time. GROUP SIZE: 8 (minimum of 4 required). COST: $2,230 per person, double occupancy, not including airfare, singles extra. See the Costs section on page 4. Date Description Accommodation Meals Feb 23 Fly from Punta Arenas to Santiago from our Chile Santiago Airport D and Argentina trip. -
Rock Art of the Sacred Precinct at Mata Ngarau, 'Orongo
Rapa Nui Journal: Journal of the Easter Island Foundation Volume 22 Issue 2 October Article 6 2008 ROCK ART OF THE SACRED PRECINCT AT MATA NGARAU, 'ORONGO Paul Horley Yuri Fedkovych Chernivtsi National University Georgia Lee Easter Island Foundation Follow this and additional works at: https://kahualike.manoa.hawaii.edu/rnj Part of the History of the Pacific Islands Commons, and the Pacific Islands Languages and Societies Commons Recommended Citation Horley, Paul and Lee, Georgia (2008) "ROCK ART OF THE SACRED PRECINCT AT MATA NGARAU, 'ORONGO," Rapa Nui Journal: Journal of the Easter Island Foundation: Vol. 22 : Iss. 2 , Article 6. Available at: https://kahualike.manoa.hawaii.edu/rnj/vol22/iss2/6 This Research Paper is brought to you for free and open access by the University of Hawai`i Press at Kahualike. It has been accepted for inclusion in Rapa Nui Journal: Journal of the Easter Island Foundation by an authorized editor of Kahualike. For more information, please contact [email protected]. Horley and Lee: ROCK ART OF THE SACRED PRECINCT AT MATA NGARAU, 'ORONGO ROCK ART OF THE SACRED PRECINCT AT MATA NGARAU, 'ORONGO Paul Horley Yuri Fedkovych Chernivtsi National University Georgia Lee Easter island Foundation INTRODUCTION rock surfaces are covered with numerous petroglyphs, creating the highest concentration ofrock art on Easter Island (Lee he ceremonial village of 'Orongo is one of the most 1992: 137). Due to intensive activity over a significant fascinating and important sites on Easter Island. historical period, the rocks of Mata Ngarau present evidence TLocated at the top ofRano Kau's precipitous cliffs, ofre-use and re-carving, allowing us to trace the evolution of 'Orongo offers awe-inspiring views toward the three off-shore petroglyph motifs from simple, incised fom1s to elaborate, islets of Motu Kao Kao, Motu Iti, and Motu Nui. -
EASTER ISLAND Botswana Safaris Amazing Wonders from Desert to Wetlands
EASTER ISLAND BOTSWANA SAFARIS Amazing Wonders From Desert To Wetlands Easter Island is a magical mysterious place located in a remote area in the southeastern Pacific Ocean some 2,300 miles west of South America. A Chilean territory, Easter Island is a volcanic island known for its intriguing archaeological sites. There are approximately 900 monumental statues, called moai, created by the early Rapa Nui inhabitants during the 10th-16th centuries. In 1995 UNESCO named Easter Island a World Heritage Site, with much of the island protected within Rapa Nui National Park. The moai are carved figures with oversized heads, often resting on massive rock altars. Polynesian people most likely settled on Easter Island sometime between 700 to 1100 AD, and created a thriving and industrious culture as evidenced by the island’s numerous enormous stone moai and other artifacts. By the time of European arrival in 1722, the island’s population had dropped to 2,000–3,000 from an estimated high of approximately 15,000 just a century earlier. European diseases and Peruvian slave raiding in the 1860s further reduced the Rapa Nui population, to a very low number of inhabitants in 1877. Begin your exploration with a stop at Rano Kao, one of three extinct volcanoes on the island whose crater is pocked with over 100 small lakes. Rano Kao was the second of the three volcanoes to erupt about 2.5 million years ago. Growing inside the crater are grapes, bananas, and totora, a reed used extensively for houses, boats and other uses. Visit Rano Raraku, one of the most interesting archaeological sites not only on Easter Island but also in the entire world. -
Universal Iconography in Writing Systems Evidence and Explanation in the Easter Island
Universal Iconography in Writing Systems Evidence and Explanation in the Easter Island and Indus Valley Scripts Richard E. McDorman © 2009 Summary Iconography has played a central role in the development of writing systems. That all independently derived ancient scripts began as arrangements of pictograms before evolving into their elaborated forms evinces the fundamental importance of iconography in the evolution of writing. Symbols of the earliest logographic writing systems are characterized by a number of iconographic principles. Elucidation of these iconographic principles provides a theoretical framework for the analysis of structural similarities in unrelated, independently evolved writing systems. Two such writing systems are the ancient Indus Valley and Easter Island scripts. Although separated by vast tracts of time and space, the two writing systems share between forty and fifty complex characters, a problem first identified by Hevesy in 1932. Previous attempts to explain the similarities between the Indus Valley script and the rongorongo of Easter Island, which have relied on notions of cultural contact or historical derivation, have proved unfruitful. In reconsidering the problem, a novel approach based on comparative iconographic principles can explain the resemblances between the two scripts as the product of the universal iconography displayed by all writing systems in their pictographic and logographic stages of development. The principle of iconography in writing systems It has been noted that graphically similar symbols have been employed to represent semantically cognate ideas in a number of early, unrelated writing systems. 1 One explanation for this phenomenon is that there exist universal iconographic principles that bear upon the minds of those creating these scripts, thereby influencing the graphical form of the glyphs 2 that comprise the newly created writing systems. -
Easter Island| Rapa Nui Tips Programs Services Excursions Rent a Car Hotels Restaurants Tapati
INTRO EASTER ISLAND | CHILE EASTER ISLAND| RAPA NUI TIPS PROGRAMS SERVICES EXCURSIONS RENT A CAR HOTELS RESTAURANTS TAPATI IORANA RAPA NUI in native language means "Welcome to Easter Island". Easter Island (Rapa Nui in native language) is located in the Chilean Polynesia, in the middle of the Pacific Ocean. It has an area of approximately 163.6 km2 (1.016 miles), which makes it the largest island in insular Chile. The island has an estimated population of 5.000 inhabitants, concentrated in Hanga Roa, its main village and capital. There is no other inhabited place in the world such as Easter Island. Its unique location gives it authenticity and an aura of fascinating mystery. The island is one of the main attractions of Chile, its natural beauty, beaches, landscapes and volcanoes, ideal to know through excursions, horseback riding, hiking, bird watching, diving and photography. Finally, you will be able to learn about its mysterious ancestral culture, with its huge volcanic stone statues called MOAIS, silent witnesses of Rapa Nui heritage. MAP & TIPS EASTER ISLAND | CHILE :: Best time to travel: All year round To Te Ra'ai restaurant :: Island time zone: There are 2 hours less in Easter Island unlike mainland Chile and it To complies with the summer time change rule. Explora Mike Rapu :: Area: 163,6 km² :: Distance from Santiago: 3.769,03 km / 2.341,97 millas Hanga Roa Altiplánico :: Entrance fee to Rapa Nui National Park: (Km) USD 80 per person locally on the island / USD 88 per person pre-ordering with 0 5 (ml) ADSMundo®. The entrance has a duration of 7 days (new rate from January 2017). -
Encoding Diversity for All the World's Languages
Encoding Diversity for All the World’s Languages The Script Encoding Initiative (Universal Scripts Project) Michael Everson, Evertype Westport, Co. Mayo, Ireland Bamako, Mali • 6 May 2005 1. Current State of the Unicode Standard • Unicode 4.1 defines over 97,000 characters 1. Current State of the Unicode Standard: New Script Additions Unicode 4.1 (31 March 2005): For Unicode 5.0 (2006): Buginese N’Ko Coptic Balinese Glagolitic Phags-pa New Tai Lue Phoenician Nuskhuri (extends Georgian) Syloti Nagri Cuneiform Tifinagh Kharoshthi Old Persian Cuneiform 1. Current State of the Unicode Standard • Unicode 4.1 defines over 97,000 characters • Unicode covers over 50 scripts (many of which are used for languages with over 5 million speakers) 1. Current State of the Unicode Standard • Unicode 4.1 defines over 97,000 characters • Unicode covers over 50 scripts (often used for languages with over 5 million speakers) • Unicode enables millions of users worldwide to view web pages, send e-mails, converse in chat-rooms, and share text documents in their native script 1. Current State of the Unicode Standard • Unicode 4.1 defines over 97,000 characters • Unicode covers over 50 scripts (often used for languages with over 5 million speakers) • Unicode enables millions of users worldwide to view web pages, send e-mails, converse in chat- rooms, and share text documents in their native script • Unicode is widely supported by current fonts and operating systems, but… Over 80 scripts are missing! Missing Modern Minority Scripts India, Nepal, Southeast Asia China: -
Boletín De Biodiversidad De Chile Número 4, 2010
Boletín de Biodiversidad de Chile Número 4, 2010 _______________________ Primera publicación electrónica científico-naturalista para la difusión del conocimiento de la biodiversidad de especies chilenas © Ediciones del Centro de Estudios en Biodiversidad Boletín de Biodiversidad de Chile ISSN 0718-8412 Número 4, Diciembre de 2010 © Ediciones del Centro de Estudios en Biodiversidad Osorno, Chile Comité Editorial Editor General: Alberto Gantz P. (Aves terrestres) (Universidad de Los Lagos) Jorge Pérez Schultheiss (Centro de Estudios en Biodiversidad) Jaime Rau (Ecología terrestre y Mammalia) (Universidad de Los Lagos) Director: Jaime Zapata (Protozoa) Leonardo Fernández Parra (Independiente) (Centro de Estudios en Biodiversidad) Luis Parra (Insecta, Lepidoptera) (Universidad de Concepción) Editores Asociados Nicolás Rozbaczylo (Polychaeta) Eduardo Faúndez (Universidad Católica) (Universidad de Magallanes, Centro de Estudios en Biodiversidad) Oscar Parra (Botánica acuática) (Universidad de Concepción) Aldo Arriagada Castro Roberto Schlatter (Aves acuáticas) (Universidad de Concepción, Centro de Estudios en (Universidad Austral) Biodiversidad) Editores por Área: Colaborador: Cesar Cuevas (Amphibia) Soraya Sade (Universidad de Los Lagos) (Universidad Austral) Daniel Pincheira-Donoso (Reptilia) (University of Exeter, U. K.) Diseño de logos: Fabiola Barrientos Loebel Eduardo Faúndez (Insecta y Teratología general) (Universidad de Magallanes, Centro de Estudios en Biodiversidad) Diagramación y diseño portada: Erich Rudolph (Crustacea) Jorge Pérez -
Translation Rights / Fall 2020
Translation Rights / Fall 2020 Simonetta Agnello Hornby / Sibilla Aleramo / Eleonora Marangoni / Agnese Codignola / Paolo Settis / Franco Baresi / Guido Tonelli / Paolo Sorrentino / Silvia Ferrara / Giovanni Testori / Giuseppina Torregrossa / Boris Pasternak / Tomasi Di Lampedusa / Luce D’Eramo / Alessandro Vanoli / Gad Lerner / Barbara Fiorio / Stefano Benni / Francesco Stoppa / Arianna Cecconi / Marco D’Eramo / Massimo Recalcati / Federica Brunini SIMONETTA AGNELLO HORNBY Fiction © Dario Canova SIMONETTA AGNELLO HORNBY Piano nobile / Piano nobile was born in Palermo but has been living Palermo, summer 1942. On his deathbed, the Baron Enrico Sorci in London since 1972 where she worked sees the recent history of his family pass before his eyes, as in a lucid as a solicitor for the community legal delirium. He sees the devotion of his wife, his daughters (Maria aid firm specialized in domestic violence Teresa, Anna and Lia) and his sons (Cola, Ludovico, Filippo and that she co-founded in 1979. She has Andrea), at the same time he sees the destiny of a city that, at the been lecturing for many years, and was a turn of the century, is full of opportunities and new wealth and of part-time judge at the Special Educational trains passing by loaded with goods. Needs and Disability Tribunal for eight Before dying, the baron orders to wait before announcing his passing. years. Her novels: La zia marchesa (2004), His relatives therefore gather around the large table in the dining Boccamurata (2007), Vento scomposto room for a crowed symposium held amidst silence, twinkles, tensions, (2009), La Monaca (2010), La cucina del squabbles, ancient rivalries and new ambitions. -
The Origins of Writing
Sandstone sphinx found in Serabit el-Khadim in Sinai, with Proto- Sinaitic signs on the left base, some of which resemble Egyptian hieroglyphs (inscribed on the sphinx’s right shoulder and base – not shown), 1800–1500 BC. The Proto-Sinaitic signs are thought to be part of the world’s first alphabet, inspired by Egyptian hieroglyphs. When and how did people first begin to write down ideas? Andrew Robinson investigates The origins of writing Writing is generally agreed to be among from its frequent appearance in pictorial quality, whereas the second the greatest inventions in human history, exquisite hieroglyphic inscriptions on frequently retained it. Furthermore, in perhaps the greatest invention, since objects in the tomb. both of these neighbouring cultures, it made history possible – as well as So where, when and how did writing the representation of ideas, words and today’s digital world. When H. G. Wells come into existence? Wells hazarded the syllables that could not be directly published A Short History of the World in following explanation, again perceptive, pictured was made possible through the 1922 he concisely expressed writing’s if inevitably far more speculative: ‘At use of rebuses (Latin for ‘by things’). significance to civilisation as follows: first writing was merely an abbreviated For example, according to Wells the two ‘The command of the priest or king and method of pictorial record. Even before syllables (so to speak) of the familiar his seal could go far beyond his sight Neolithic times men were beginning to Scottish name ‘Campbell’ might be and voice and could survive his death’, write.’ Thus, in certain Palaeolithic cave represented in rebus writing by a picture citing the artistically carved sealstones paintings of Europe, the artists created of a camp with tents beside a picture of of early Mesopotamia impressed in full human figures but also abbreviated a bell.