Giorgio Moroder (Theme From) Midnight Express Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Giorgio Moroder (Theme From) Midnight Express mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: (Theme From) Midnight Express Country: US Released: 1978 Style: Disco MP3 version RAR size: 1142 mb FLAC version RAR size: 1487 mb WMA version RAR size: 1902 mb Rating: 4.3 Votes: 586 Other Formats: MPC MOD DMF FLAC AIFF RA ADX Tracklist A (Theme From) Midnight Express (Instrumental) 4:39 B Loves Theme 3:50 Companies, etc. Distributed By – Casablanca Record And Filmworks, Inc. Manufactured By – Casablanca Record And Filmworks, Inc. Phonographic Copyright (p) – Casablanca Record And Filmworks, Inc. Credits Arranged By – Giorgio Moroder, Harold Faltermeyer Producer – Giorgio Moroder Written-By – Chris Bennett (tracks: B), Giorgio Moroder Notes On the label: From the casablanca LP "MIDNIGHT EXPRESS" NBLP 7114 As previously mentioned on label: "Casablanca Record And Filmworks" Other versions Category Artist Title (Format) Label Category Country Year (Theme From) Midnight Giorgio NB 943 Express (Instrumental) Casablanca NB 943 US 1978 Moroder (7") Theme From Midnight CA. 518, CA Giorgio Casablanca, CA. 518, CA Express (Instrumental) Italy 1978 518 Moroder Casablanca 518 (7") Tema Original De La Giorgio SCAS-9024 Pelicula... Expreso De Casablanca SCAS-9024 Chile 1978 Moroder Medianoche (7", Single) (Theme From) Midnight Giorgio NB 943 DJ Express (7", Single, Casablanca NB 943 DJ US 1978 Moroder Mono, Promo) (Theme From) Midnight Giorgio NB 943 Express (Instrumental) Casablanca NB 943 US 1978 Moroder (7") Related Music albums to (Theme From) Midnight Express by Giorgio Moroder Donna Summer - Last Dance Donna Summer - Sunset People Shalamar / Giorgio Moroder - Deadline U.S.A. / Knock Me Off My Feet Giorgio Moroder / Deejay Punk-Roc - Special Ops Vol.1 Giorgio Moroder - Midnight Express (Music From The Original Motion Picture Soundtrack) Donna Summer - I Remember Yesterday Giorgio Moroder - Chase Donna Summer - MacArthur Park Donna Summer - Bad Girls Giorgio - From Here To Eternity.

Copy Link

Recommended publications

Final Appendices
Bibliography ADORNO, THEODOR W (1941). ‘On Popular Music’. On Record: Rock, Pop and the Written Word (ed. S Frith & A Goodwin, 1990): 301-314. London: Routledge (1publ. in Philosophy of Social Sci- ence, 9. 1941, New York: Institute of Social Research: 17-48). —— (1970). Om musikens fetischkaraktär och lyssnandets regression. Göteborg: Musikvetenskapliga in- stitutionen [On the fetish character of music and the regression of listening]. —— (1971). Sociologie de la musique. Musique en jeu, 02: 5-13. —— (1976a). Introduction to the Sociology of Music. New York: Seabury. —— (1976b) Musiksociologi – 12 teoretiska föreläsningar (tr. H Apitzsch). Kristianstad: Cavefors [The Sociology of Music – 12 theoretical lectures]. —— (1977). Letters to Walter Benjamin: ‘Reconciliation under Duress’ and ‘Commitment’. Aesthetics and Politics (ed. E Bloch et al.): 110-133. London: New Left Books. ADVIS, LUIS; GONZÁLEZ, JUAN PABLO (eds., 1994). Clásicos de la Música Popular Chilena 1900-1960. Santiago: Sociedad Chilena del Derecho de Autor. ADVIS, LUIS; CÁCERES, EDUARDO; GARCÍA, FERNANDO; GONZÁLEZ, JUAN PABLO (eds., 1997). Clásicos de la música popular chilena, volumen II, 1960-1973: raíz folclórica - segunda edición. Santia- go: Ediciones Universidad Católica de Chile. AHARONIÁN, CORIúN (1969a). Boom-Tac, Boom-Tac. Marcha, 1969-05-30. —— (1969b) Mesomúsica y educación musical. Educación artística para niños y adolescentes (ed. Tomeo). 1969, Montevideo: Tauro (pp. 81-89). —— (1985) ‘A Latin-American Approach in a Pioneering Essay’. Popular Music Perspectives (ed. D Horn). Göteborg & Exeter: IASPM (pp. 52-65). —— (1992a) ‘Music, Revolution and Dependency in Latin America’. 1789-1989. Musique, Histoire, Dé- mocratie. Colloque international organisé par Vibrations et l’IASPM, Paris 17-20 juillet (ed. A Hennion.
[Show full text]
Top Gun Anthem
ABC0000011158 Air Cadet March Book Top Gun _. ,,'._L__L_/ Top Gun Anthem "Top Gun" was a popular movie produced by Paramount Pictures in 1986. The movie was based on the Fighter Weapons School, established by the United States Navy March 3, 1969. The school has been nicknamed "Top Gun" as only the top 1% of Navy pilots attend the school to fine tune and hone their skills in aerial combat situations. The school is located in Miramar, California otherwise known as "Fightertown, USA". The aircraft flown in the movie include the F14 fighter. The music for the soundtrack was provided by several artists with the "Top Gun Anthem" being performed by Harold Faltermeyer and Steve Stevens. Page 58-1 . .- ABC0000011159 Air Cadet March Book Top Gun The Theme From 'TOP GUN' Bb CONDUCTOR QUICKor SLOW MARCH ° Page 58-2 o o ABC0000011160 Air Cadet March Book Top Gun Top Gun 2 Page 58-3 " ABC0000011161 Air Cadet March Book Top Gun , i _I. 1 . ; i t J i i : , i _, _j I Ft.) "_" ,_t, j j jj . i i J (_ I J - J I f : j I t JJ Jj i,_-_ ........ i _ _' _ _ _ _ _ i i 1 -t -it ._I' o f_ i - ,.... "ii ./ _ i i_ If mid i __ d I_t • i if i._ I II if I __ !I II Top Gun 3 o Page 58-4 t t i 1 ABC0000011162 Air Cadet March Book Top Gun THE THEME FROM nu_ 'TOP GUN' Oboe Part A Q.
[Show full text]
Music Editor
DEL SPIVA MUSIC EDITOR FILM: The Old Guard Studio: Netflix Director: Gena Prince-Bythewood Editor: Terylin A. Shropshire Composer: Volker Bertelmann & Dustin O’Halloran Top Gun Meverick Studio: Paramount Pictures Director: Joseph Kosinsky Editor: Chris Lebenzon Composer: Harold Faltermeyer & Hans Zimmer Just Mercy Studio: Warner Bros Director: Destin Daniel Cretton Editor : Nat Sanders Composer: Joel P West DeadPool 2 Studio: Twentieth Century Fox Director: David Leach Editor : Craig Alpert, Elisabet Ronaldsdóttir Composer: Tyler Bates The Defiant Ones Studio: HBO Director: Allen Hughes Editor : Doug Pray Composer: Atticus Ross Blade Runner 2049 Studio: Alcon entertainment Director: Denis Villenueve Editor : Joe Walker Composer: Johann Johannson Roman J. Israel, Esq. Studio: Sony Director: Dan Gilroy Editor : John Gilroy Composer: James Newton-Howard The Glass Castle Studio: Lionsgate Entertainment Director: Destin Daniel Cretton Editor : Nat Sanders Composer: Joel P West Gold Studio: The Weinstein Company, Black Bear Pictures Director: Stephen Gaghan Editor : Rick Grayson Composer: Daniel Pemberton Shots Fired (TV Series) Studio: Twentieth Century Fox Directors: Gina Prince—Bythewood, Jonathon Demme, Malcom D. Lee, Millicent Shelton, Reggie Bythewood Editors Teri Shropshire, Micky Blythe, Jacques Gravett, Nancy Richardso Composer: Terence Blanchard DEL SPIVA MUSIC EDITOR C oco Studio: Lions Gate Director: RZA Editor : Yon Van Kline Keanu Studio: New Line Director: Peter Atencio Editor : Nicholas Mansour Composer: Steve Jablonsky Saints & Strangers (TV Mini-Series) Studio: Sony/NatGeo Director: Gina Mathews Editor : Colby Parker, Jr. Composer: Lorne Balfe Won, Golden Reel: Best Music Editing, TV Long Form Pete’s Dragon Studio: Disney Director: david Lowery Editor : Lisa Zeno Churgin Deepwater Horizon Studio: Lionsgate Director: Peter Berg Editor : Colby Parker, Jr.
[Show full text]
The Top 7000+ Pop Songs of All-Time 1900-2017
The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox
[Show full text]
Interval Song Chart from Musicca
Exercises Tools About Create user Log in Tools Instruments Interval song chart Piano Guitar A common way to identify intervals by ear is to associate them with songs or so-called Bass guitar interval reference songs. For example, a descending minor third is equal to the beginning Drum machine of the song Hey Jude. Use the charts below to make a personal list of reference songs Metronome that you know well. Pick one song for each interval. Keep in mind, some intervals are easier to identify because of their unique and distinct sound. Other Musical terms Interval song chart Contents Sta" paper 1. Ascending intervals 2. Descending intervals 1. Ascending intervals Interval Song Click to play Unison God Save the Queen (John Bull, 1745) Jingle Bells (James Lord Pierpont, 1857) Happy Birthday to You (Mildred Hill, 1893) Let It Be (The Beatles, 1970) Candle in the Wind (Elton John, 1973) Minor second As Time Goes By (Herman Hupfeld, 1931) White Christmas (Irving Berlin, 1954) A Hard Days Night (The Beatles, 1964) Jaws Theme (John Williams, 1975) Isn't she lovely (Stevie Wonder, 1976) Major second Frère Jacques (traditional) Silent Night (Franz Xaver Gruber, 1818) Rudolph The Red-Nosed Reindeer (J. Marks, 1939) Autumn Leaves (Joseph Kosma, 1945) Never Gonna Give You Up (Rick Astley, 1987) Minor third Greensleeves (traditional) O Canada (Calixa Lavallée, 1880) Georgia on My Mind (Hoagy Carmichael, 1930) What the World Needs Now (Burt Bacharach, 1965) Axel F (Beverly Hills Cop, 1985) Major third Spring (Antonio Vivaldi, 1721-25) For He's a Jolly Good Fellow (traditional) Oh, when the Saints (traditional) Morning has Broken (traditional) What a Wonderful World (George Douglas, 1967) Fourth We Wish You a Merry Christmas (traditional) Amazing Grace (John Newton, 1773) Someday My Prince Will Come (F.
[Show full text]
PG-13 Song List 2 Pages
Ramapo Runway “It’s A Wrap” Movie Song Guide MOVIE SONG ARTIST 21 Jump Street Party Rock Anthem LMFAO 8 Mile Lose Yourself Eminem Beverly Hills Cop Axel F Harold Faltermeyer Garden State Don’t Panic (slow) Coldplay Garden State New Slang (slow) The Shins Slumdog Millionaire Jai Ho AR Rahman Almost Famous Reelin’ in the Years Steeley Dan Trainspotting Perfect Day (slow) Lou Reed The Hangover Who Let the Dogs Out Baha Men The Hangover Yeah Usher The Hangover Right Round Flo Rida Goodfellas Layla Eric Clapton Space Jam I Believe I Can Fly (slow) R. Kelly American Reunion Wannabe Spice Girls American Reunion Tub Thumping Chumbawumba American Reunion Sexy and I Know It LMFAO Toy Story You Got a Friend In Me (slow) Randy Newman James Bond (any) James Bond Theme (slow) Monty Norman Shaft Theme from Shaft Isaac Hayes Pink Panther Theme from Pink Panther Henry Mancini Wayne’s World Theme from Wayne’s World Wayne and Garth La Bamba La Bamba Richie Valens Grease You’re the One That I want Travolta/Newton-John Grease Summer Nights Cast Grease We Go Together Cast Men In Black Big Willie Style Will Smith Men In Black 3 Back in Time Pitbull Jackass 3-D Boom Boom Pow Black Eyed Peas The Help Sherry Frankie Valli & the 4 Seasons Pulp Fiction Jungle Boogie Kool and the Gang Blues Brothers Twist It/Shake your tail The Blues Brothers Blues Brothers Soul Man The Blues Brothers Blues Brothers Everybody Needs Somebody The Blues Brothers Ferris Bueller’s Day Off Twist and Shout Beatles Iron Man Back in Black AC/DC Shrek All-Star Smash Mouth Shrek 2 Accidentally in Love Counting Crows Shrek 2 Funkytown Lipps, Inc.
[Show full text]
100 80S Dance Songs
100 80s Dance Songs 1. Billie Jean - Michael Jackson 2. Into the Groove - Madonna 3. Don't You Want Me? - Human League 4. Sweet Dreams (Are Made of This) - Eurythmics 5. Tainted Love - Soft Cell 6. Super Freak Part I - Rick James 7. Beat It - Michael Jackson 8. Celebration - Kool and The Gang 9. 1999 - Prince 10. It Takes Two - Rob Base and DJ EZ Rock 11. Push It - Salt-N-Pepa 12. All Night Long (All Night) - Lionel Richie 13. Another One Bites the Dust - Queen 14. Flashdance...What a Feeling - Irene Cara 15. Holiday - Madonna 16. Let the Music Play - Shannon 17. Wild Thing - Tone Loc 18. Pump Up the Jam - Technotronic 19. Thriller - Michael Jackson 20. Blue Monday - New Order 21. Upside Down (Inside Out) - Diana Ross 22. It's Raining Men - The Weather Girls 23. Take Your Time (Do It Right) - S.O.S. Band 24. I'm So Excited - The Pointer Sisters 25. I Wanna Dance With Somebody (Who Loves Me) - Whitney Houston 26. The Humpty Dance - Digital Underground 27. Love Shack - B-52s 28. Wanna Be Startin' Somethin' - Michael Jackson 29. Let's Groove - Earth, Wind, and Fire 30. Jump (For My Love) - The Pointer Sisters 31. I Feel For You - Chaka Khan 32. Rapture - Blondie 33. Walk Like An Egyptian - The Bangles 34. Girls Just Want To Have Fun- Cyndi Lauper 35. Our Lips Are Sealed - Go-Gos 36. Situation - Yazoo 37. The Safety Dance - Men Without Hats 38. I Can't Wait - Nu Shooz 39. Electric Boogie - Marcia Griffiths 40. Give It To Me Baby - Rick James 41.
[Show full text]
Sex,. Drugs and Hirsch-. Geweih
text text THOMASTHOMAS BECKERBECKER fotos fotos PORTRÄTPORTRÄT BERNHARDBERNHARD E E HUBERHUBER EigentlichEigentlich haben habenwir alles wir richtigalles richtig gemacht: gemacht: Bierchen Bierchen vor- vor- SEX, SEX,. ab, mitab, der mit Dämmerung der Dämmerung die beste die Zeitbeste zum Zeit Aufbaumen zum Aufbaumen – – also zumalso Lospirschenzum Lospirschen – erwischt, – erwischt, leise undleise geducktund geduckt im im hohenhohen Gras zumGras Hochsitz zum Hochsitz geschlichen, geschlichen, Sonne Sonne im Rücken, im Rücken, Wind Windvon vorn, von immervorn, immer nur einen nur einenFuß auf Fuß die auf knarzenden die knarzenden DRUGS DRUGS AND AND Sprossen,Sprossen, damit damitja nichts ja nichtsbricht, bricht, oben erstoben mal erst Ruhe mal ausgeRuhe- ausge- strahlt,strahlt, Zigarre Zigarre angezündet, angezündet, das Gewehr das Gewehr nur mal nur testweise mal testweise in Anschlagin Anschlag gebracht gebracht – um –dann um sehrdann lange sehr undlange sehr und ver sehr- ver- geblichgeblich durchs durchs Fernglas Fernglas zu lugen. zu lugen. „Nix los„Nix heut“, los heut“, brummt brummt HIRSCH- HIRSCH-. der Jäger,der Jäger,„viel zu „viel warm. zu warm. Da werden Da werden die Hirschkühe die Hirschkühe nicht nicht brünftigbrünftig und dieund Hirsche die Hirsche nicht nichtso geil. so Dageil. muss Da musses erst es erst richtigrichtig kalt werden. kalt werden. Und Geduld Und Geduld brauchst brauchst halt auch.“ halt auch.“ Wie Wie jetzt, Geduld?jetzt, Geduld? Eben hatEben er hatnoch er vomnoch Erlebnis vom Erlebnis Hirschbrunft Hirschbrunft
[Show full text]
Rock 'N' Roll 'N' Film
E:\M55\COURSES\FILM\FilmrockL.fm 2000-08-23 12:45 1 Rock 'n' roll 'n' film Provisional text for module Music and the Moving Image 1 [MUSI 223] Dr Philip Tagg at the Institute of Popular Music, University of Liverpool. Rock 'n' rebellion Rock was even slower than jazz to become film underscore. To this day, rock in feature film has largely retained the functions of providing local, historical or social colour, often as set numbers and source music, as in the famous potted rock guitar style history scene from Back to the Future (1985). These 'non-underscore' functions can be heard and seen all through the history of rock in film. Although Elia Kazan used Rosenmann's Hollywood symphonics in the James Dean movies East of Eden (1954) and Rebel Without A Cause (1955) — probably because film noir bebop beatniks had not yet been oust- ed by rocking college-goers and because both films had a psychological, rather than sociological, angle (individual rather than flock story) — , rock started to become the standard musical signal for youth, youth problems and youth groups (often semi-criminal as 'juvenile delinquents') in the mid fifties. The initial breakthrough was probably using Bill Haley's 'Rock Around The Clock' in Blackboard Jungle (1955), this rock = youth rebellion equa- tion being more substantially exploited for entertainment box office purpos- es in Jailhouse Rock (Presley 1957). The same sort of subcultural opposition connection takes a more critical turn in the hippie era with bike movies like Easy Rider (1969) in which music by Steppenwolf, Hendrix and The Band ac- companies dope-smoking drop-outs played by Peter Fonda and Dennis Hop- per on their endless chopper rides through hostile and bigotedly 'normal' (what German rockers call stinknormal) southern states of the U.S.A.
[Show full text]
Film Music: History and Function from 1930 to Present
Film Music: History and Function from 1930 to Present Units: 4 Term—Day—Time: Fall 2020—Tuesdays and Thursdays—4:00–5:50pm (Pacific Time) Location: ONLINE Instructor: Tim Greiving Office: Virtual Office Hours: Virtually anytime Contact Info: [email protected] Course Description Music is the soul of film. Film scores can animate, enhance, pump blood into, subvert, and often transcend their movie. This underlooked, underappreciated art form is almost 100 years old—still an infant compared to its predecessors like opera, ballet, and theatre music, but old enough to have a rich, fascinating history worth exploring. In this course we’ll take a trip through that history, at times skimming along the surface, at times diving deep. With the aid of film clips, live watch parties, and the occasional special guest, you’ll gain a solid knowledge of and appreciation for the most-heard, least-noticed art form of the past century. (Because we’re cramming one hundred years of history into a single—shortened!—semester, we’ll primarily focus on Hollywood film music, although a few classes will be devoted to international films and composers. We’ll also limit our study to feature films, without spending time on television or videogame music.) Recommended Reading • King Kong chapter from Music by Max Steiner, by Steven. C. Smith (Blackboard / Content) • “The sound of movie music,” New York Times, March 28, 1976 • “Underscoring Richard Wagner's influence on film music,” L.A. Times, June 17, 2010 • “John Williams’ early life: How a NoHo kid and UCLA Bruin became the movie music man” L.A.
[Show full text]
Candle Lighting Package
When complete E -mail to [email protected] or Fax to (818) 827-1757 CANDLE LIGHTING ORDER for 1. HONOREE sssONGsONG TITLE 2. HONOREE sssONGs ONG TITLE 3. HONOREE sssONGs ONG TITLE 4. HONOREE sssONGs ONG TITLE 5. HONOREE sssONGs ONG TITLE 6. HONOREE sssONGs ONG TITLE 7. HONOREE sssONGs ONG TITLE 8. HONOREE sssONGs ONG TITLE 9. HONOREE sssONGs ONG TITLE 10.10.10. HONOREE sssONGs ONG TITLE 111 1. HONOREE sssONGs ONG TITLE 12. HONOREE sssONGs ONG TITLE 13. HONOREE sssONGs ONG TITLE 14. HONOREE sssONGs ONG TITLE CANDLE LIGHTING sonG LIsT Family songs sports songs up Tempo songs 1. CELEBRATION - Kool & The Gang 1. TAKE ME OUT TO THE BALLGAME - Espn 1. I GOT YOU (I FEEL GOOD) - James Brown 2. WE ARE FAMILY - Sister Sledge 2. CENTERFIELD - John Fogerty 2. NEW ATTITUDE- Patty Labelle 3. TRADITION - Fiddler on the Roof 3. ROCK & ROLL PART 2 - L.A. Kings Theme 3. THINK - Aretha Franklin 4. TO LIFE - Fiddler on the Roof 4. CHICAGO BULLS THEME - Alan Parsons Proj. 4. I’M SO EXCITED - Pointer Sisters 5. LEAN ON ME - Club Noveau 5. OLYMPICS THEME - John Williams 5. GIMME SOME LOVIN’- Blues Brothers 6. STAND BY ME - Ben E. King 6. U.C.L.A. FIGHT SONG - UCLA Marching Band 6. GOOD VIBRATIONS - Markie Marks 7. THROUGH THE YEARS - Kenny Rogers 7. U.S.C. FIGHT SONG - U.S.C. Marching Band 7. GOOD VIBRATIONS - Beach Boys 8. YOU ARE THE SUNSHINE OF MY LIFE - S. Wonder 8. UNIVERSITY OF MICHIGAN FIGHT SONG 8. UPTOWN GIRL - Billy Joel 9.
[Show full text]
Images of Germany: Past and Present. a Film Collection, Series II Instructional Activities
DOCUMENT RESUME ED 412 175 SO 029 025 AUTHOR Blankenship, Glen; Hutcheson, Gwen TITLE Images of Germany: Past and Present. A Film Collection, Series II Instructional Activities. INSTITUTION Deutsche Welle Television, Washington, DC.; Goethe House, New York, NY. PUB DATE 1995-00-00 NOTE 37p.; For related documents, see SO 027 656-659, and SO 029 026-027. AVAILABLE FROM Goethe House New York, German Cultural Center, 1014 Fifth Avenue, New York, NY 10028; phone: 212-439-8700. PUB TYPE Guides Classroom Teacher (052) Reference Materials Bibliographies (131) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Annotated Bibliographies; Area Studies; Civics; Cultural Education; Culture; Elementary Secondary Education; Filmographies; *Films; Foreign Countries; *Geographic Concepts; *Geography Instruction; Human Geography; Instructional Films; Maps; Multicultural Education; Physical Geography; Social Studies; World Geography; World History IDENTIFIERS Germany ABSTRACT This booklet offers classroom activities for use with 15 social studies-related films for teaching about Germany. The series of 25-minute films are made available by Deutsche Welle Television and Goethe House New York. Lessons in the booklet include: (1) "Germany Since 1945: A. Focus on Berlin"; (2) "'I'll Get You All Out of Here!' A Portrait of Oscar Schindler"; (3) "Did You Come Out of Faith or Germany? The First German Jews in Palestine"; (4) "Caught Between Hope and Fear: Political Refugees in Germany Today"; (5) "At Home Away From Home: Foreigners in Germany"; (6) "Stalin's Personal
[Show full text]