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Alshire Records Discography
Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M. -
“A Whole New World” by Zayn Malik and Zhavia Ward
PROJECT (Professional Journal of English Education) p–ISSN 2614-6320 Volume 3, No. 4, July 2020 e–ISSN 2614-6258 AN ANALYSIS OF FIGURATIVE LANGUAGE USED IN THE LYRIC OF “A WHOLE NEW WORLD” BY ZAYN MALIK AND ZHAVIA WARD Siti Nursolihat 1, Evie Kareviati2 1 IKIP Siliwangi 2 IKIP Siliwangi 1 [email protected], 2 [email protected] Abstract Language is a tool of communication used by people anywhere and every time. Now days people commonly find a figurative language in daily life, for example in a lyric of song. Figurative language is a way to express an idea in implicit way. This research is trying to analyze the figurative languages which exist in the lyric of song “A Whole New World” and trying to find out its meaning by analyzing its contextual meaning. This is a descriptive qualitative research. The data instrument is the song lyric which taken from Genius website. The result showed that this song consist of some figurative languages, such as alliteration, simile, personification, metaphor, and hyperbole. Furthermore, the most figurative language used in the lyric is metaphor. It is highly relatable with the imaginative theme of the song itself. The contextual meaning of each figurative language is also explained based on the situation of the lyric. Keywords: Figurative Language, Song Lyric, Contextual Meaning INTRODUCTION Language is a tool of communication used by the people, orally or writing. Basic aim of language learning nowdays is communication and vocabulary plays an important role in conversation (Komorowska, 2005) as cited in Nurdiansyah, Asyid, & Parmawati (2019). -
Childrens CDG Catalogue
Michael Row The Boat Ashore Deep & Wide Let's Get Crazy - Hannah Montana Muffin Man Standin' In The Need Of Prayer Do Your Own Thing - Cheetah Girls Childrens My Bonnie Lies Over The Ocean Amazing Grace This Is Me - Camp Rock Oh Dear What Can The Matter Be Old Time Religion DIS 3527 Disney Mania 2 Oh Susanna Down In My Heart Songs A Dream Is A Wish Yr Heart Makes - K.Lock Old Macdonald CB40497 Childrns Bible Favs 4 A Whole New World - Lmnt On Top Of Old Smoky Note: All CCB & CB discs are available as a Oh, How I Love Jesus Beauty & The Beast - Jump5 On Top Of Spaghetti CDG disc or a DVD disc or mp3g disc/stick Down By The Riverside Colors Of The Wind - Christy Carlsn Romano One Potato What A Mighty God We Serve Proud Of Your Body - Clay Aiken Pat A Cake Pat A Cake Capital Chartbuster $25 I'm Gonna Sing Strangers Like Me - Everlife CCB2018/25 The Best Of CCB649/25 Childrens Songs 3 I've Got Peace Like A River The Tiki, Tiki, Tiki Room - Hilary Duff Polly Put The Kettle On Whisper A Prayer Under The Sea – Symone Childrens Songs Polly Wolly Doodle DIS FAVS B I N G O Pop Goes The Weasel Disney - $25 Let It Go - Frozen Baa Baa Black Sheep Put Your Finger On Your Nose 8 karaoke tracks & 8 vocal I See the Light - Tangled Can We Fix It (Bob the Builder) Ring Around The Rosey Disney Tracks are usually from Circle Of Life - Lion King Ding Dong Bell Rock A Bye Baby original backings Part Of Your World - The Little Mermaid Girls & Boys Come Out To Play Roll Over A Whole New World - Aladdin Heads & Shoulders Knees & Toes Row Row Your Boat DIS 3247 -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Bono, the Culture Wars, and a Profane Decision: the FCC's Reversal of Course on Indecency Determinations and Its New Path on Profanity
Bono, the Culture Wars, and a Profane Decision: The FCC's Reversal of Course on Indecency Determinations and Its New Path on Profanity Clay Calvert* INTRODUCTION The United States Supreme Court has rendered numerous high- profile opinions in the past thirty-five years regarding variations of the word "fuck." Paul Robert Cohen's anti-draft jacket,' Gregory Hess's threatening promise, 23George Carlin's satirical monologue,3 and Barbara Susan Papish's newspaper headline 4 quickly come to mind. 5 These now-aging opinions address important First Amendment issues of free speech, such as protection of political dissent,6 that continue to carry importance today. It is, however, a March 2004 ruling * Associate Professor of Communications & Law and Co-director of the Pennsylvania Center for the First Amendment at The Pennsylvania State University. B.A., 1987, Communication, Stanford University; J.D. with Great Distinction and Order of the Coif, 1991, McGeorge School of Law, University of the Pacific; Ph.D., 1996, Communication, Stanford University. Member, State Bar of California. 1. Cohen v. California, 403 U.S. 15 (1971) (protecting, as freedom of expression, the right to wear ajacket emblazoned with the words "Fuck the Draft" in a Los Angeles courthouse corridor). 2. Hess v. Indiana, 414 U.S. 105, 105 (1973) (protecting, as freedom of expression, defendant's statement, "We'll take the fucking street later (or again)," made during an anti-war demonstration on a university campus). 3. FCC v. Pacifica Found., 438 U.S. 726 (1978) (upholding the Federal Communications Commission's power to regulate indecent radio broadcasts and involving the radio play of several offensive words, including, but not limited to, "fuck" and "motherfucker"). -
GLORIA ESTEFAN & MIAMI SOUND MACHINE: a Benefit Concert For
GLORIA ESTEFAN & MIAMI SOUND MACHINE: A Benefit Concert for Viva Broadway One Night Only: To Kick Off Hispanic Heritage Month! MONDAY, SEPTEMBER 14, 2015 AT THE MINSKOFF THEATRE TICKETS ON SALE SATURDAY, JANUARY 24, 2015 @ 7:00am CONCERT DIRECTED BY SERGIO TRUJILLO PRODUCED BY THE BROADWAY LEAGUE New York, NY - January 14, 2015 – The Broadway League announces the date for Gloria Estefan & Miami Sound Machine: A Benefit Concert for Viva Broadway. The concert will take place on Monday, September 14th at 8:00pm at the Minskoff Theatre, 200 West 45th Street in Manhattan. Tickets will go on sale on Saturday, January 24, 2015 at 7:00 a.m. Gloria Estefan & Miami Sound Machine return to New York City to perform a special concert comprising their greatest hits including: “Get On Your Feet,” “Conga,” “Rhythm is Gonna Get You,” “Mi Tierra,” and more! The Broadway League’s Viva Broadway initiative is an audience development partnership with the Hispanic community to help bridge the world of Broadway with Latino audiences around the country. The long-term initiative aims to increase awareness about Broadway while culturally enriching lives, bringing families together, and building new careers in the theatre. Proceeds will go towards The Broadway League's Family First Nights®, a nationwide program specifically designed to encourage economically at-risk families to attend theatre on a regular basis. Tickets will range from $69.00 to $169.00. In addition, a limited number of VIP Packages will be available to the general public and include a pre-show champagne reception with Emilio Estefan, premium seats to the concert and post-show meet and greet cast party with Gloria Estefan and the band. -
EXCEL LATZKO MUZIK CATALOG for PDF.Xlsx
Walter Latzko Arrangements (Computer/Non-Computer) A B C D E F 1 Song Title Barbershop Performer(s) Link or E-mail Address Composer Lyricist(s) Ensemble Type 2 20TH CENTURY RAG, THE https://www.sheetmusicplus.com/title/the-20th-century-rag-digital-sheet-music/21705300 Male 3 "A"-YOU'RE ADORABLE www.sheetmusicplus.com/title/a-you-re-adorable-digital-sheet-music/21690032Sid Lippman Buddy Kaye & Fred Wise Male or Female 4 A SPECIAL NIGHT The Ritz;Thoroughbred Chorus [email protected] Don Besig Don Besig Male or Female 5 ABA DABA HONEYMOON Chordettes www.sheetmusicplus.com/title/aba-daba-honeymoon-digital-sheet-music/21693052Arthur Fields & Walter Donovan Arthur Fields & Walter Donovan Female 6 ABIDE WITH ME Buffalo Bills; Chordettes www.sheetmusicplus.com/title/abide-with-me-digital-sheet-music/21674728Henry Francis Lyte Henry Francis Lyte Male or Female 7 ABOUT A QUARTER TO NINE Marquis https://www.sheetmusicplus.com/title/about-a-quarter-to-nine-digital-sheet-music/21812729?narrow_by=About+a+Quarter+to+NineHarry Warren Al Dubin Male 8 ACADEMY AWARDS MEDLEY (50 songs) Montclair Chorus [email protected] Various Various Male 9 AC-CENT-TCHU-ATE THE POSITIVE (5-parts) https://www.sheetmusicplus.com/title/ac-cent-tchu-ate-the-positive-digital-sheet-music/21712278Harold Arlen Johnny Mercer Male 10 ACE IN THE HOLE, THE [email protected] Cole Porter Cole Porter Male 11 ADESTES FIDELES [email protected] John Francis Wade unknown Male 12 AFTER ALL [email protected] Ervin Drake & Jimmy Shirl Ervin Drake & Jimmy Shirl Male 13 AFTER THE BALL/BOWERY MEDLEY Song Title [email protected] Charles K. -
David Foster
David Foster Este artículo o sección necesita referencias que aparezcan en una publicación acreditada. Este aviso fue puesto el 18 de febrero de 2012. Puedes añadirlas o avisar al autor principal del artículo en su página de discusión pegando: {{subst:Aviso referencias|David Foster}} ~~~~ David Foster Datos generales Nacimiento 1 de noviembre de 1949 Origen Victoria, Columbia Británica,Canadá Nacionalidad Canadiense Cónyuge Rebecca Dyer (en), Linda Thompson y Yolanda Hadid Hijos Sara Foster, Erin Foster y Amy S. Foster (en) Ocupación Músico, compositor Web Ficha David Foster en IMDb [editar datos en Wikidata] David Foster, (Victoria, Canadá, 1 de noviembre de 1949) es un músico, productor musical, compositor y arreglista. Índice [ocultar] 1Música 2Labor Humanitaria 3Televisión 4Discografía o 4.1Sencillos 5Referencias 6Enlaces externos Música[editar] David Foster comenzó en la música como parte del grupo Skylark cuya canción "Wildflower" fue un éxito en 1972. Ha trabajado con cantantes de la talla de John Lennon, Jennifer Lopez, Clay Aiken, Josh Groban, Céline Dion, Barbra Streisand, Kenny Rogers, The Corrs, George Harrison, Luis Miguel, Earth, Wind & Fire, The Bee Gees, Chaka Khan, Filippa Giordano, Laura Pausini, Whitney Houston, Michael Jackson, Chicago, Fred Norris, Richard Marx, Mariah Carey, Destiny's Child, Ricardo Montaner, Vanessa Williams, Anne Murray, Olivia Newton-John, Andrea Bocelli, Dolly Parton, Julio Iglesias, Madonna, All-4- One, Al Jarreau, Yes y Peter Cetera, Charice entre otros. Compuso la banda sonora de la película St. Elmo's Fire, que produjo dos éxitos entre ellos el tema instrumental de amor y la número 1 en listas "St. Elmo's Fire (Man in Motion)" interpretada por John Parr. -
In Christ in Christ, All Things Hold Together –Colossians 1:17 All Are One in Christ Jesus –Galatians 3:28
A HOUSE FOR ALL GOD’S PEOPLE April 11, 2021 10:00 a.m. Community…in Christ In Christ, all things hold together –Colossians 1:17 All are one in Christ Jesus –Galatians 3:28 SECOND EASTER Blockbuster Sunday – A Journey Through Music of the Movies MEETING GOD IN MUSIC Concerning Hobbits Howard Shore --from Lord of the Rings: The Fellowship of the Ring The Sound of Music Rodgers and Hammerstein --from The Sound of Music Ryan Huebner and Tricia Melzer-Swaydrak, vocalists My day in the hills has come to end I know A star has come out to tell me it’s time to go But deep in the dark green forest Are voices that urge me to stay So I pause and I wait and I listen For one more sound for one more lovely thing That the hills might say The hills are alive With the sound of music With songs they have sung For a thousand years The hills fill my heart With the sound of music My heart wants to sing ev’ry song it hears My heart wants to beat like the wings of the birds That rise from the lake to the trees My heart wants to sigh like a chime that flies From a church on a breeze To laugh like a brook when it trips and falls Over stones on it’s way To sing through the night Like a lark who is learning to prey I go to the hills When my heart is lonely I know I will hear What I’ve heard before My heart will be blessed With the sound of music And I’ll sing once more WORDS OF WELCOME Welcome to in-person worship at Glenview Community Church! As we work to keep one another safe during the pandemic, please maintain a distance of six feet from people not in your household, sit only with people in your household or Covid bubble, wear a mask covering your nose and mouth at all times (except when receiving the elements of Communion), speak and sing in a whisper with your mask on, don’t touch anything unnecessarily, and wait for an usher to dismiss you at the end of the service. -
Grammy Artist Ex-Commodore Writes to Support President Obama | Healthy Living - Yahoo! Shine 6/13/12 11:14 PM SHINE from YAHOO!
Grammy Artist Ex-Commodore Writes to Support President Obama | Healthy Living - Yahoo! Shine 6/13/12 11:14 PM SHINE FROM YAHOO! Grammy Artist Ex-Commodore Writes to Support President Obama By Milliea Taylor McKinney | Healthy Living – Fri, Mar 2, 2012 12:07 PM EST Grammy Artist Ex-Commodore Writes To Support President Obama Skyler Jett, is an award-winning, Grammy Recognized vocalist and one of the most sought after Singer/Songwriter and Background Vocal Producers in the Music Industry. Skyler's impressive resume includes some of the biggest recording artists of our times. His accolades include receiving a Grammy Award-embossed plaque from NARAS for singing with Celine Dion on the Grammy-winning hit song " My Heart Will Go On" from the blockbuster hit film "Titanic." This was also Record Of The Year (1998) and is still the highest grossing movie theme song of all time. Skyler's other movie credits include Background Vocal arrangement on "I'm Every Woman" from the blockbuster hit film "The Body Guard", also Movie Of The Year (1992), featuring Whitney Houston; "Tap" with Gregory Hines and Sammy Davis Jr.; " A Smile Like Yours" with Greg Kinnear; Disney's " Hercules"; James Bond 007 "License To Kill"; " Big Bully" with Rick Moranis and Tom Arnold; and " Ghost Dad" with Bill Cosby. From 2003-2007 Skyler also played a pivotal role in reintroducing Sly Stone back to the World Stage for a European tour. Skyler performed with Sly in such venues as: The Montreux Jazz Festival; North Sea Jazz Festival; Cannes; Olympia, Paris; The Love Box Festival in London and the George Wallace Show, Las Vegas. -
For Immediate Release Press Contact: Amanda Meyer/Tori Bryan Margie Korshak, Inc
For Immediate Release Press Contact: Amanda Meyer/Tori Bryan Margie Korshak, Inc. 312.751.5559/5528 [email protected]/[email protected] TICKETS GO ON SALE FRIDAY, FEBRUARY 13 AT 10 AM THE NEW BROADWAY MUSICAL BASED ON THE LIFE AND MUSIC OF SEVEN-TIME GRAMMY AWARD WINNER & INTERNATIONAL SUPERSTAR GLORIA ESTEFAN AND NINETEEN-TIME GRAMMY WINNING PRODUCER, MUSICIAN & ENTREPRENUER EMILIO ESTEFAN PRE-BROADWAY WORLD PREMIERE IN CHICAGO JUNE 2 – JULY 5 AT THE ORIENTAL THEATRE CHICAGO (Feb. 9, 2015) – Broadway In Chicago, The Nederlander Organization and Estefan Enterprises, Inc are pleased to announce that tickets for ON YOUR FEET!, a new musical based on the life story of seven- time GRAMMY® winning international superstar Gloria Estefan and her husband, legendary producer- musician-entrepreneur Emilio Estefan, go on-sale to the public on Friday, February 13 at 10 AM. ON YOUR FEET! will have its Pre-Broadway World Premiere in Chicago at Chicago’s Oriental Theatre June 2 – July 5, 2015. Directed by two-time Tony Award® winner Jerry Mitchell (Kinky Boots, Hairspray), ON YOUR FEET! tells the story of two people who — through an unwavering dedication to one another and their pursuit of the American dream — showcased their talent, their music and their heritage to the world in a remarkable rise to global superstardom. Set to Gloria’s chart-topping, smash hits such as “Rhythm Is Gonna Get You,” “Conga,” “1-2-3,” “Get On Your Feet,” “Don’t Want To Lose You Now,” and “Coming Out Of The Dark,” in addition to new music penned by the Estefans, the musical will be choreographed by four-time Drama Desk nominee Sergio Trujillo (Jersey Boys, Memphis) with a book by Academy Award® nominee Alexander Dinelaris (Birdman film, The Bodyguard Musical). -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.